DOCSLIB.ORG

Music, Imagery Training, and Sports Performance Garry Kuan Student ID

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Music, Imagery Training, and Sports Performance Garry Kuan Student ID Music, Imagery Training, and Sports Performance Garry Kuan Student ID: 3754228 College of Sport and Exercise Science Victoria University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy by Research March, 2014 ii Doctor of Philosophy Declaration “I, Garry Kuan, declare that the PhD thesis entitled ‘Music, Imagery Training, and Sports Performance’ is no more than 100,000 words in length, exclusive of tables, figures, appendices, references and footnotes. This thesis contains no material that has been submitted previously, in whole or in part for the award of any other academic degree or diploma. Except where otherwise indicated, this thesis is my own work.” Signature: __ ____________ Date: 12.03.2014 iii ABSTRACT Imagery is widely used in performance enhancement in sport. Music is also used to enhance sports performance. In this thesis, I examined the role of relaxing and arousing music during imagery on subsequent sports performance in three linked studies. The purpose of Study 1 was to investigate the effects of relaxing and arousing music on physiological indicators of arousal level and subjective psychological perception of arousal during imagery of a sport task. First, appropriate music excerpts were selected with the involvement of professional musicians, sport psychologists, and sport science students. They selected three unfamiliar relaxing music (URM) excerpts, three unfamiliar arousing music (UAM) excerpts, and three familiar arousing music (FAM) excerpts from 90 pre-selected classical music excerpts generated in an initial search for use with imagery. In this study, unfamiliar music excerpts were chosen to minimise the confounding effects of individual past associations which affect arousal level in unpredictable ways. FAM excerpts were added to test the differences between familiar and unfamiliar arousing music. After that, 12 skilled shooters performed shooting imagery while listening to the three preselected music excerpts of each type (URM, UAM, and FAM) each in random order. Using a ProComp+ system and BioGraph Software version 5.0 from Thought TechnologiesTM, I monitored participants’ galvanic skin response (GSR), peripheral temperature (PT), electromyogram (EMG), and heart rate (HR) during each type of music, which was played concurrently with imagery. Each participant listened to three classical music excerpts representing each of the three categories (nine pieces in total). Three music excerpts were played in each iv of the three training sessions, with resting levels of physiological measures being recorded before conducting the next imagery session. Between these excerpts, participants rested until normal arousal levels were regained. Results from subjective music ratings, physiological and psychological measures showed UAM was the most arousing and URM was the most relaxing music. In Study 2, I aimed to test whether relaxing, arousing, or no music affected the subjective experience of the imager, and the performance of a dart throwing sport task. Participants in this study were 63 sport science students with intermediate imagery ability, measured by the Sport Imagery Ability Measure (SIAM; Watt, Morris, & Andersen, 2004). Participants were matched into three groups: 1) unfamiliar relaxing music during imagery (URMI), 2) unfamiliar arousing music during imagery (UAMI); and 3) no music during imagery (NMI - control). A pre- test-intervention- post-test design was used with 40 trials of throwing darts at a concentric circles dartboard at pre-test and post-test. The Competitive State Anxiety Inventory-2R (CSAI-2R; Cox, Martens, & Russell, 2003) was administered before the pre-test and after the post-test dart-throwing performance. All participants completed 12 sessions (four weeks) of imagery. In Session 1 and 12, participants’ GSR, PT, and HR were measured. Manipulation checks indicated that URMI showed the lowest levels of arousal and arousal level in this condition reduced most from the start to end of sessions. UAMI howed the highest levels of arousal and NMI levels were between those of URMI and UAMI. One-way ANOVA of dart-throwing gain scores revealed that there was a significantly greater gain score for performance for URMi than the other conditions, F (2, 62) = 5.03, p = .01, eta2 = .14. Gain scores were URMI = 37.24 v ± 25.94, UAMI = 17.57 ± 24.30, and NMI = 13.19 ± 28.15. Post Hoc Tukey tests indicated that there was a significant difference in gain scores on dart-throwing performance for URMI versus UAMI, p = .04, and URMI versus NMI, p = .01. However, there was no significant difference between UAMI and NMI, p = .85. In the final study, Study 3, I examined the effects of relaxing and arousing music during imagery on the subsequent performance of high-arousal power and fine- motor skill tasks, and the subjective experience of both relaxing and arousing music during imagery training, using a match-mismatch approach. The study included a pre-test – intervention – post-test design. Participants were semi- professional elite shooters (n = 26) and weightlifters (n = 25). All participants had moderate to high imagery ability measured by the SIAM and had at least two years of competitive experience at State level. In both sports, participants were assigned at random to one of two interventions: unfamiliar relaxing music during imagery (URMI), and unfamiliar arousing music during imagery (UAMI). This produced four conditions: fine motor task (pistol shooting) with either relaxing (URMI; matched) or arousing (UAMI; mismatched) music, and power task (weightlifting) with either relaxing (URMI; mismatched) or arousing (UAMI; matched) music. Shooting performance was measured in a standard 10m air- pistol shooting simulated competition, and weightlifting performance was measured on a simulated competition of a standard Olympic event – Clean and Jerk. All participants completed 12 sessions of imagery over four weeks before the post-test was conducted. In Session 1 and 12, participants’ GSR, PT, and HR were measured. The CSAI-2R was administered prior to pre-test and post-test performance. For pistol shooting, results from the independent samples t-test vi showed that differences across type of music used with imagery were significant on the gain-score for competition performance t(24) = 2.71, p = .01, Cohen’s d = 1.06, with a significantly larger increase in performance for URMI than UAMI. For weightlifters, results from the independent samples t-test revealed the differences between conditions were significant in terms of gain-scores for competition performance t(23) = 5.63, p < .001, Cohen’s d = 2.26, with a significantly greater gain score with unfamiliar relaxing music than unfamiliar arousing music. Contrary to previous findings when music was played before or during actual sports tasks, in this study unfamiliar relaxing music facilitated imagery of both fine-motor and power sports tasks, suggesting that relaxation plays a role in the imagery of sports skills. If this finding is replicated for the use of music with imagery across other strength and power tasks that are usually enhanced by arousing music prior to or during actual performance (Karageorghis et al., 2009; Simpson & Karageorghis, 2006), it has important implications for the use of particular types of music with imagery, and supports the proposition that relaxation is beneficial for imagery. vii ACKNOWLEDGEMENTS I would like to take this opportunity to thank and express my appreciation to many wonderful individuals that have provided so much love and support during my thesis. First and foremost, I would like to specially thank my principal supervisor, Professor Tony Morris, for his professional guidance, persistent feedback, open communication, attention to detail, encouragement, continual support and patience throughout the research. His advice on all aspects of the development of this thesis, and his support in publishing my research findings and involving me in other research, has been invaluable for the successful completion of this thesis. I will always be indebted to you for your diligence and friendship in the latter part of my professional development. I would also like to thank my associate supervisor, Professor Peter Terry from the Department of Psychology, University of Southern Queensland, for his kind support and advice on music and sports research. Thank you for your kind words, and encouragement to keep me motivated and inspired in completing my thesis writing. Thank you for your help in contacting the elite shooters for Study 3. I honestly felt very privileged and honoured to have this great opportunity to work with both supervisors and have such an exceptional and dedicated supervisor throughout my PhD journey. Also a very special thanks to the pistol shooting and weightlifting coaches, athletes, and clubs allowing me to complete my Study 1 and Study 3. I am also grateful to the coaches, who facilitated contacts with participants, patiently checking and re- validating my imagery script, and offered their time to work closely with me and with the elite athletes. Their kindness and hospitality in offering their time and viii accommodation for me during interstate travel has played a pivotal role in completing the thesis. I would like to acknowledge the staff members and colleagues from the College of Sport and Exercise Science, with whom I worked closely, and who also helped to promote my research to the sport science students to participate in Study 2. Also, thank you to the students, who
Load more

Recommended publications
  • FOOTBALL CROWD BEHAVIORAL RESPONSES to a UNIVERSITY MARCHING BAND's MUSICAL PROMPTS by AMANDA L. SMITH a THESIS Presented To
    FOOTBALL CROWD BEHAVIORAL RESPONSES TO A UNIVERSITY MARCHING BAND’S MUSICAL PROMPTS by AMANDA L. SMITH A THESIS Presented to the School of Music and Dance and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Master of Music June 2018 THESIS APPROVAL PAGE Student: Amanda L. Smith Title: Football Crowd Behavioral Responses to a University Marching Band’s Musical Prompts This thesis has been accepted and approved in partial fulfillment of the requirements for the Master of Music degree in the School of Music and Dance by: Dr. Eric Wiltshire Chair Dr. Melissa Brunkan Member Dr. Beth Wheeler Member and Sara D. Hodges Interim Vice Provost and Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2018. ii © 2018 Amanda L. Smith iii THESIS ABSTRACT Amanda L. Smith Master of Music School of Music and Dance June 2018 Title: Football Crowd Behavioral Responses to a University Marching Band’s Musical Prompts Decades of market research have investigated how music can influence consumer purchase, food consumption, and alcoholic drinking. Before market researchers declared music an influencer of atmospheric perception, sociologists discovered the sway of music on crowd collective action in sporting events, political rallies, and societal unrest. There remains a lack of research on how live music may influence football fan behavior during a game. Therefore, this study observed the number of behavioral responses from university students elicited by a university marching band’s music prompts (N = 11) at an American university football game.
    [Show full text]
  • The Art of Empathy Translation.Pdf
    共感の芸術 • Sztuka empatii • L’art de l’empathie • Изкуството на емпатия • Empati Sanat • 同情的藝術 • A Arta de empatie • Nghệ thuật của đồng • هبئاش یب یدردمه زا رنه • művészet, az empátia • Уметност емпатије -Arti i Empatia • Sanaa ya uelewa • Umjetnost em • فطاعتلا نف • cảm • Taiteen empatiaa • Ubuciko Uzwela patije • 공감의 예술 • Umění empatie • L’arte di empatia • Η τέχνη της ενσυναίσθησης • Kunsten å empati • El arte de la empatía • ang sining ng makiramay • یلدمه رنه • Die Kunst der Empathie • A arte da empatia • National Endowment for the Arts Искусство сопереживания • 共感の芸術 • Sztuka empatii • L’art de l’empathie • Изкуството на емпатия • -Arta de em • هبئاش یب یدردمه زا رنه • Empati Sanat • 同情的藝術 • A művészet, az empátia • Уметност емпатије Arti i Empatia • Sanaa ya • فطاعتلا نف • patie • Nghệ thuật của đồng cảm • Taiteen empatiaa • Ubuciko Uzwela uelewa • Umjetnost empatije • 공감의 예술 • Umění empatie • L’arte di empatia • Η τέχνη της ενσυναίσθησης El arte de la empatía • ang sining • یلدمه رنه • Kunsten å empati • Die Kunst der Empathie • A arte da empatia • ng makiramay • Искусство сопереживания • 共感の芸術 • Sztuka empatii • L’art de l’empathie • Изкуството هبئاش یب یدردمه زا رنه • на емпатия • Empati Sanat • 同情的藝術 • A művészet, az empátia • Уметност емпатије -Arti i Em • فطاعتلا نف • Arta de empatie • Nghệ thuật của đồng cảm • Taiteen empatiaa • Ubuciko Uzwela • patia • Sanaa ya uelewa • Umjetnost empatije • 공감의 예술 • Umění empatie • L’arte di empatia • Η τέχνη El arte de • یلدمه رنه • της ενσυναίσθησης • Kunsten å empati • Die Kunst der Empathie
    [Show full text]
  • Sing Me a Sad Song and Make Me Feel Better": Exploring Rewards Related to Liking Familiar Sad Music
    Illinois State University ISU ReD: Research and eData Theses and Dissertations 10-3-2015 "Sing me a sad song and make me feel better": Exploring rewards related to liking familiar sad music John D. Hogue Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Music Commons, and the Psychology Commons Recommended Citation Hogue, John D., ""Sing me a sad song and make me feel better": Exploring rewards related to liking familiar sad music" (2015). Theses and Dissertations. 469. https://ir.library.illinoisstate.edu/etd/469 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. "SING ME A SAD SONG AND MAKE ME FEEL BETTER": EXPLORING REWARDS RELATED TO LIKING FAMILIAR SAD MUSIC John D. Hogue 79 Pages Hogue (2013) tested some of Levinson's (1997) theoretical ideas about why people like listening to songs that make them sad. Particularly, Hogue tested Levinson's ideas of communion, mediation, savoring feeling, and how absorption interacted with the songs to affect communion and the emotion. Hogue, however, did not use musical stimuli that were familiar to the participants, which is a precursor to Levinson's (1997) theory. This thesis retested Levinson's theory comparing familiar songs against unfamiliar songs and songs from another participant. Data were collected from 82 participants. Each participant provided songs that induced happiness and songs that induced sadness.
    [Show full text]
  • Cyclic Defrost Magazine Issue 11
    SUSPEND YOUR DISBELIEF! UPDATE ##### “Guaranteed to turn heads” FLUX “Caribou’s new album is fan-fucking-tastic" RIP & BURN #### “It still sounds like nothing else on Featuring members of: the planet” MODEST MOUSE,THE BETA BAND MUSIC WEEK BLOOD BROTHERS, BUILT TO SPILL “Fresh and groundbreaking... FREE ASSOCIATION,AIRBORN AUDIO a welcome PITCHFORKMEDIA PRETTY GIRLS MAKE GRAVES return from the 8.4/10 influential artist” “A highly ANTI-POP CONSORTIUM organic blend of MURDER CITY DEVILS underground hip-hop and and indie-rock” ROOTS MANUVA STYLUS B+ FORMERLY DAN SNAITH’S “Short, blunt and skitless, AGCT seethes with everything post-aught genre-fucking needs” NEW ALBUM OUT NOW ON SELF-TITLED DEBUT OUT NOW ON ISSUE 11 CONTENTS CDITORIAL 4 COVER DESIGNER: JOE SCERRI/LAKE LUSTRE Hola! Welcome to issue eleven. This issue is our first mass assault on Europe with by Bim Ricketson two thousand copies touching down at Sonar 2005 in Barcelona along with a double CD sampler of Australian music courtesy of Austrade and the Australia Council. Perhaps 8 VELURE you are one of the lucky folk sitting back in the Catalunyan sun sipping on cava sud- We welcome your contributions and contact: by Anna Burns denly discovering that there is some great music on the other side of the world, or PO Box a2073 10 MONKFLY/FREQUENCY LAB alternately you are sitting snug and warm on a couch under a doona in share house- Sydney South by Angela Stengel hold in wintery St Kilda or Newtown wondering ‘where can I get a copy of this CD?’.
    [Show full text]
  • The Effects of Projected Films on Singers' Expressivity in Choral
    THE EFFECTS OF PROJECTED FILMS ON SINGERS’ EXPRESSIVITY IN CHORAL PERFORMANCE A DISSERTATION IN Music Education And Curriculum and Instruction Presented to the faculty of the University of Missouri-Kansas City in partial fulfillment of the requirements for the degree DOCTOR OF PHILOSOPHY by DANIEL J. KEOWN BM, University of Wisconsin-Oshkosh, 2001 MM, Indiana State University, 2004 Kansas City, Missouri 2013 © 2013 DANIEL JAMES KEOWN ALL RIGHTS RESERVED THE EFFECTS OF PROJECTED FILMS ON SINGERS’ EXPRESSIVITY IN CHORAL PERFORMANCE Daniel James Keown, Candidate for the Doctor of Philosophy Degree University of Missouri-Kansas City, 2013 ABSTRACT The purpose of this study was to investigate the effects of projected film visuals on singers’ expressivity in choral performance. The study was divided into three phases. In Phase One, university choir singers (N = 21) viewed eight audiovisual pairings (two film excerpts and four choral etudes) and rated these pairings according to perceived music to film congruency. Based on these ratings, two choral etudes were identified that elicited the broadest congruency contrasts when paired with the film segments. In Phase Two, a different group of university choir singers (N = 116) rehearsed and prepared both of the selected choral etudes referred to as “Doh” and “Noo.” Subsequently, these singers were organized into smaller chamber ensembles (n = 11), and performed each choral etude three times under the following conditions: (1) while viewing congruent film, (2) while viewing incongruent film, and (3) with no film projected. After each performance, singers reported their level of self-expression. At the completion of all three performances, singers reported their preferred performance condition.
    [Show full text]
  • Imaginefall 2010 L Vol. 1, No.1
    imagineFall 2010 l Vol. 1, No.1 THE EARLY CHILDHOOD ONLINE MAGAZINE OF THE AMERICAN MUSIC THERAPY ASSOCIATION 2010 imagine l Vol.1, No.1 1 imagineFall 2010 l Vol.1, No.1 EDITOR Dr. Petra Kern MT-DMtG, MT-BC, MTA, NICU-MT EDITORIAL ASSISTANCE Marcia Humpal, M.Ed., MT-BC Lisa Jacobs, MM, MA, MT-BC BUSINESS MANAGER Andrea Farbman, Ed.D. AMTA National Office DESIGN Dr. Petra Kern MT-DMtG, MT-BC, MTA, NICU-MT PUBLICATION Annual Online Magazine PURPOSE to improve access to and distribute knowledge and information about early childhood music therapy in clinical terms. SPONSOR American Music Therapy Association www.musictherapy.org WEBSITE imagine.musictherapy.biz Hosted by Music Therapy Consulting. imagine: Early Childhood Music Therapy Online Magazine | ISSN 2153-7879 imagine l Vol.1, No.1 2 DISCLAIMER The opinions and information contained in this publication are those of the authors of the respective articles and not necessarily those of the editorial team, the Early Childhood Network co-chairs, or the American Music Therapy Association (AMTA). Accordingly, the editorial team, the Early Childhood Network co-chairs, and AMTA assume no liability or risk that may be incurred as a consequence, directly or indirectly, of the use and application of any of the contents of this publication. imagine l Vol.1, No.1 3 editorial New Beginnings Welcome to the inaugural issue of imagine, the first annual online magazine dedicated to early childhood music therapy, sponsored by the American Music Therapy Association (AMTA). I am delighted to present you with this informative, colorful, and cutting-edge online magazine that includes over 50 contributions from colleagues living and working in ten different countries! Last year, members of the AMTA Early Childhood Network were exploring opportunities to further develop the previous early imagine, Editor childhood newsletter to better serve our readers and the demands of Dr.
    [Show full text]
  • TRANSACTION's of the MISSOURI ACAD.Emvi of SCIENCE
    TRANSACTION'S Of 'J,; THE MISSOURI ACAD.EMVi' ;; ', ,'' ,,, ,, ,'' ' OF SCIENCE Transactions of The Missouri Academy of Science (Founded in 1934) Officers 1981-82 President ....... ....... ............... E. Allen McGinnes, Jr., University of Missouri-Columbia President-Elect .......... Edward M. Emery, Monsanto Industrial Chemical Company Vice-President . .... Albert R. Gordon, Southwest Missouri State University Past President ....... .Dean A. Rosebery, Northeast Missouri State University Secretary ... ............................. Nathan H. Cook, Lincoln University Treasurer ... ., . .............. Richard McHugh, University of Missouri-Columbia Historian ...... Clayton H. Johnson, University of Missouri-Columbia Director, Collegiate Division ........... Roland A. Hultsch, University of Missouri-Columbia Director, Junior Division ...... Adell Thompson, University of Missouri-Kansas City AAAS Representative Dean A. Rosebery, Northeast Missouri State University, Kirksville, MO 63501 Editorial Staff Editor. John R. Jones, School of Forestry, Fisheries and Wildlife, University of Missoun­ Columbia, Columbia, MO 65211 Assistant to the Editor: Sandy Clark, School of Forestry, Fisheries and Wildlife, 112 Stephens Hall, University of Missouri, Columbia, MO 65211 Associate Editors: Biology: Jack R Wallin, University of Missouri, Columbia., MO 65211 Chemistry: John E. Bauman, University of Missouri, Columbia, MO 65211 Engineering: Gary Muller, University of Missouri, Rolla, MO 65401 Social Science: Rex Campbell, University of Missouri, Columbia, MO 65211 SEND ALL MANUSCRIPTS TO Dr. John R Jones, Editor, Transactions of the Missouri Academy of Science, School of Forestry, Fisheries and Wildlife, University of Missouri­ Columbia, 112 Stephens Hall, Columbia, MO 65211 Publications of the Missouri Academy of Science Transactions of the Missouri Academy of Science, Volumes 1-6, 9, 12, 13, 14, 15 & 16 6.00 Transactions of the Missouri Academy of Science, Double Volumes, 7 & 8, 10 & 11.
    [Show full text]
  • Song List by Member
    song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S.
    [Show full text]
  • Work by Missouri State University Undergraduate Students
    LOGOS A Journal of Undergraduate Research Work by Missouri State University Undergraduate Students Volume 4 (Electronic Version) Fall 2011 Editor’s Note Due to image permission rights, this electronic version of LOGOS: A Journal of Undergraduate Research, Volume 4, excludes two images present in the print version on pages 31 and 32. © Copyright 2011 Missouri State University ISSN 2153-1560 (print) ISSN 2153-1579 (online) LOGOS Honors College Missouri State University 901 South National Avenue Springfield, MO 65897 [email protected] Editorial Statement LOGOS: A Journal of Undergraduate Research is dedicated to the publication of scholarship and artistry by undergraduate students (or undergraduate stu- dents coauthoring with faculty) of Missouri State University. It is open to sub- missions from all undergraduate students at the university and conforms to the highest standards of scholastic integrity in a blind, peer-review process conducted by distinguished undergraduate students and faculty. LOGOS is sponsored by the Missouri State Honors College, with faculty over- sight and governance provided by a Faculty Advisory Board (see membership below). The journal is produced by a managing editor, a chief editor, associate editors, and a small student editorial board, all Honors College students (listed below). LOGOS encourages submissions from all undergraduate students of Mis- souri State University (or former undergraduate students) who are seeking a professional venue for publication of their undergraduate research. Pro- spective
    [Show full text]
  • A Study of the Effect of Music Genre and Intensity on Ethnic Menu Item Selection in a Military Dining Facility
    UNLV Retrospective Theses & Dissertations 1-1-2000 A study of the effect of music genre and intensity on ethnic menu item selection in a military dining facility Tammy S Hinskton University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Hinskton, Tammy S, "A study of the effect of music genre and intensity on ethnic menu item selection in a military dining facility" (2000). UNLV Retrospective Theses & Dissertations. 1204. http://dx.doi.org/10.25669/ou19-rq1o This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.
    [Show full text]
  • Schedule A: Aria Licensing - Copyright Owners
    SCHEDULE A: ARIA LICENSING - COPYRIGHT OWNERS BEGGARS GROUP MEDIA LIMITED www.beggars.com BINNABURRA FILM CO PTY LTD Address withheld BLACK MARKET MUSIC www.blackmarketmusic.com.au COLOSSAL RECORDS OF AUSTRALIA PTY LTD Address withheld COMPASS BROS RECORDS PTY LTD www.compassbros.com.au COOKING VINYL AUSTRALIA www.cookingvinylaustralia.com CREATE CONTROL PTY LTD www.create-control.com DEX AUDIO PTY LTD T/A NEW MARKET MUSIC www.newmarketmusic.com EMI MUSIC (AUSTRALIA) PTY LTD www.emimusic.com.au EXIST RECORDINGS www.existrecordings.com HEAD RECORDS* www.headrecords.com HEAVEN MUSIC AUSTRALIA PTY LTD Address withheld INERTIA PTY LTD www.inertia-music.com KOBALT MUSIC PUBLISHING www.kobaltmusic.com LEONIE MACPHERSON Address withheld LIBERATION MUSIC PTY LTD www.liberation.com.au LIOR ATTAR www.lior.com.au MIDNIGHT RECORDS PTY LTD Address withheld MODERN MUSIC PTY LTD www.modernmusic.com.au NLV Records www.nlvrecords.com. ORIGIN RECORDINGS PTY LTD www.originmusic.com.au PRO AGENCY GMBH www.pro-agency.net PUBLIC OPINION * Address withheld RED REBEL MUSIC www.redrebelmusic.com REGENCY MEDIA PTY LTD T/A SHOCK www.shockrecords.com.au ENTERTAINMENT* REMOTE CONTROL RECORDS PTY LTD www.remotecontrolrecords.com.au Updated December 2020 RUBBER MUSIC PTY LTD T/A RUBBER RECORDS www.rubberrecords.com RUFUS RECORDS www.rufusrecords.com.au SAMPLES 'N' SECONDS RECORDS PTY LTD www.gotye.com SONY MUSIC ENTERTAINMENT (AUSTRALIA) LTD www.sonymusic.com.au SOUNDPROOF AUSTRALIA PTY LTD Address withheld TRUSTEE FOR THE GEORGI FAMILY TRUST Address withheld TWO SHOES PTY LTD Address withheld UNDERCOVER MUSIC PTY LTD www.undercovermusic.com.au UNIFIED MUSIC GROUP PTY LTD www.unifiedmusicgroup.com UNIVERSAL MUSIC AUSTRALIA LIMITED www.umusic.com.au WARNER MUSIC AUSTRALIA PTY LTD www.warnermusic.com.au XELON www.xelonentertainment.com Updated December 2020 * Labels controlled by this Licensor are excluded from the grant of rights in relation to Music Videos (only sound recording rights are granted).
    [Show full text]
  • MUSIC VIDEOS Stash Media Inc
    MUSIC VIDEOS STASH MEDIA INC. Editor: STEPHEN PRice Publisher: GReg ROBINS Associate editor: HEATHER GRIEVE Associate publisher: CHRISTINE STEAD Account managers: STACY JAMES FRY, APRIL HARVEY Producer: BRANDON DEMARCO Submissions coordinator: ABBEY KERR Music editor: STEVE MARCHESE Proofing editor: MARILEE BOITSON Preview director/producer: STACY JAMES FRY Preview editor: JEAN-DENIS ROUETTE Montage editor: JEFF ZEMETIS Contributing producer: ERIC ALBA Technical guidance: IAN HASKIN MUSIC Get your inspiration delivered monthly. Every issue of Stash DVD magazine VIDEOS is packed with outstanding animation and VFX for design and advertising. Subscribe now: WWW.STASHMEDIA.TV ISSN 1712-5928 Subscrptions: www.stashmedia.tv. Submissions: www.stashmedia.tv/submit. Contact: Stash Media Inc. 484-1641 Lonsdale Avenue, North Vancouver, BC V7M 2J5 Canada Legal things: Stash Magazine and Stash DVD are published 12 times per year by Stash Media Inc. All rights reserved and contents copyright Stash Media Inc. No part of this booklet nor the Stash DVD may be copied without express written permission from the publisher. Printed in Canada. Music videos are peculiar creatures – two-headed beasts with one head focused on selling a musical act and the other distracted by the artistry of sculpting visuals to audio. This dichotomy is jumbled further by music videos created not just to promote a product but to be the product itself. While compiling the list of music videos for this special collection, I began to wonder which of these visual treasures were made with which of those two heads. With all the marketing blockbusters and the abstract “art” videos out there, what I wanted to see was a collection of clips that fit into both categories; the chart-topping stars who choose the visually risky route despite their rank in a money-means-everything industry, and the obscure group who launches themselves toward stardom aboard a breakout marketing tool.
    [Show full text]