DOCSLIB.ORG

MUSIC VIDEOS Stash Media Inc

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MUSIC VIDEOS STASH MEDIA INC. Editor: STEPHEN PRice Publisher: GReg ROBINS Associate editor: HEATHER GRIEVE Associate publisher: CHRISTINE STEAD Account managers: STACY JAMES FRY, APRIL HARVEY Producer: BRANDON DEMARCO Submissions coordinator: ABBEY KERR Music editor: STEVE MARCHESE Proofing editor: MARILEE BOITSON Preview director/producer: STACY JAMES FRY Preview editor: JEAN-DENIS ROUETTE Montage editor: JEFF ZEMETIS Contributing producer: ERIC ALBA Technical guidance: IAN HASKIN MUSIC Get your inspiration delivered monthly. Every issue of Stash DVD magazine VIDEOS is packed with outstanding animation and VFX for design and advertising. Subscribe now: WWW.STASHMEDIA.TV ISSN 1712-5928 Subscrptions: www.stashmedia.tv. Submissions: www.stashmedia.tv/submit. Contact: Stash Media Inc. 484-1641 Lonsdale Avenue, North Vancouver, BC V7M 2J5 Canada Legal things: Stash Magazine and Stash DVD are published 12 times per year by Stash Media Inc. All rights reserved and contents copyright Stash Media Inc. No part of this booklet nor the Stash DVD may be copied without express written permission from the publisher. Printed in Canada. Music videos are peculiar creatures – two-headed beasts with one head focused on selling a musical act and the other distracted by the artistry of sculpting visuals to audio. This dichotomy is jumbled further by music videos created not just to promote a product but to be the product itself. While compiling the list of music videos for this special collection, I began to wonder which of these visual treasures were made with which of those two heads. With all the marketing blockbusters and the abstract “art” videos out there, what I wanted to see was a collection of clips that fit into both categories; the chart-topping stars who choose the visually risky route despite their rank in a money-means-everything industry, and the obscure group who launches themselves toward stardom aboard a breakout marketing tool. Stash owes a lot to both camps, so I’d like to thank all the artists, animators, directors and labels who submit their music videos to us every month. Whether they were forged out of a passion to create something of artistic beauty, or to perpetuate corporate motion, we salute you. I also need to thank Stash’s very own music editor Steve Marchese for his input in assembling this collection. If you discover your favorite video didn’t make the cut, I would love to hear from you – but before you jump to your email, I can let you in on a secret; this is only the first in a series of Stash music video collections. Here’s hoping they are all filled with peculiar creatures and two-headed beasts. Heather Grieve Associate Editor Toronto, February 2008 [email protected] stash 01.29 “We Will Rock You” Music video 2:39 Record Company: UNIVErsAL LICENSING MusIC Agency: BETC EURO RSCG Directors/designers: SOANDSAU Production: WIZZ Animation: INVISIBLE www.invisible.fr When an Evian spot, directed by SoandSau (Jean Christophe Saurel and Sophie Deiss) and fueled by a reworking of Queen’s For Wizz: anthem, caught fire last year the Producer: François Brun agency and music label pounced. The resulting full-length video, For Invisible says the French helming duo, was Animation Super: Alexis Lavillat produced on a ridiculously short PM: Adeline Deorsola schedule but allowed them to Animation: Jean-Yves Castillon, develop ideas not possible in the David Cez, Nicolas Guilloteau, commercial. Wizz and Invisible are Gark based in Paris. Compositer: Karl Bourdin Toolkit After Effects stash 01.30 EMILIE SIMON “FLOWERS” Music video 2:35 Music label: BARCLAY/UNIVERSAL MUSIC FRANCE Directors: No BRAIN Production: CosA Animation NO BRAIN www.no.brain.free.fr French animation/direction collective No Brain have built a quick reputation for their mixed techniques and fresh vision that Cosa EP Julien Rigoulot describes as, “an incredible, precious authenticity”. Because of budget concerns, Flowers - originally pitched as a combination of stop- motion and CG - was animated entirelly in 3D except for several seconds of the music box. For Cosa EP: Julien Rigoulot For No Brain 2D: Bheu©,, Sylvain, Design: Guillaume Mat, Binjo, g-Lul Post producer: Niko Backgrounds: Isa 3D: Charly, Spawn, Editor: Delphine Boudon Bart, Rémi, Gaelle Toolkit 3ds Max, After Effects stash 03.21 BJORK “OCEANIA” Music video Directors: LYNN FOX Production: COLONEL BLIMP Animation/compositing: LYNN FOX www.lynnfox.co.uk Words seem inadequate to describe Bjork’s music as they do this video, a product of the mercurial singer’s ongoing collaboration with UK directorial collective Lynn Fox who also handled 3D and compositing. For Colonel Blimp Producer: Anna Brunaro For The Mill Producer: Bumble Davis Telecine: Adam Scott VFX super/Flame: Paul Marangos Flame assistant: Jay Bandlish Toolkit Flame, Spirit stash 08.19 SUBTLE “FK-9” Music video Record Label: LEX RECORDS Director: SSSR Animation: SSSR/PASSION PICTURES www.passion-pictures.com London-based collective SSSR is comprised of Kristian Hammerstad and Marc Raisbig from Norway and Yu Sato from Japan who all graduated in Graphic Design from Central St Martin’s College of Art in 2004. This video, a nightmarish haze of 2D traditional animation, CG and photography is the trio’s third for Subtle. SSSR is newly signed to Passion Pictures for commercials and videos. For SSSR Artists: Kristian Hammerstad, Marc Raisbig, Yu Sato stash 08.20 BECK “E-PRO” Music video Record Label: INTERSCOPE/GEFFEN Director: SHYNOLA Production: THE DIRECTOR’S BUREAU VFX/animation: SHYNOLA www.shynola.com London-based directing team Shynola (Gideon, Jason, Chris and Kenny) send Beck romping through a retro-tech vector underworld that begins when he digs up the grave of his pet dog. The weightless and disorienting movements of the singer/ songwriter were created by locking off the camera, suspending him in a harness and then controlling his motions with a team of rugged For The Director’s Bureau puppeteers. EP: Cayce Cole Producer: Eric Escott DP: Eric Schmidt AD: Mark Snalgrove Puppeteers: William Guyer, Kevin Carlson, Dave Barclay, James Murphy, Michelan Sisti, Greg Ballora Post: The Moving Picture Company stash 09.20 THE CHEMICAL BROTHERS “BELIEVE” Music video For Factory Films Record Label: Producer: John Madsen VIRGIN RECORDS For Framestore CFC Directors: VFX super: Ben Cronin DOM & NIC CGI super/TD: Andy Boyd Production: 3D animators/TDs: Jamie Isles, FACTORY FILMS Chris Syborn, Nicklas Andersson, VFX: Alex Doyle, Howard Sly, Anders FRAMESTORE CFC Thonell, Don Mahmood, Dean www.framestore-cfc.com Robinson, Kate Hood, Jake Mengers, Rob Holder During the shoot for the Renault Sr Inferno: Ben Cronin “Hector’s Life” spot (Stash 07), Inferno: Chris Redding Framestore CFC and directing Post producer: Rebecca Barbour team Dom & Nic shot tests using Line producer: Linda Francini Mini DV. Intrigued with the feel and hand held look of the digital Toolkit footage, the directors chose to Image Based Lighting with Mental use the format for this narrative Ray, Maya, Inferno promo that would have been too expensive in 35mm. With over 30 CG shots to do in a compressed schedule, senior TD Chris Syborn used Maya’s dynamic hair tools to handle the secondary motion required by the robot’s tail of cabling and wires. The final composite was completed in two weeks. stash 09.28 GORILLAZ “FEEL GOOD INC.” Music video Record label: PARLOPHONE Directors: JAMIE HEWLETT, PETE CANDELAND Production/VFX/animation: PASSION PICTURES www.passion-pictures.com Damon Albarn and Jamie Hewlett, better known as the animated band Gorillaz, are back with their first album since their multi-million selling 2001 debut. This video for the first single fuses drawn and computer animation, painted backgrounds and treated live action. All the animation was done in-house at Passion Pictures with co-director Candeland helming a team of 35 animators, designers and compositors over a 12-week schedule. For Passion Pictures EP: Andrew Ruhemann Producers: Emilie Walmsley, Cara Speller 2D animation: Robert Valley, Heath Kenny, Rikke Asbjorn AD: Daniel Cacouault Matte painter: Christobal de Oliveira CG animation: Wesley Coman CG supers: Chris Hemming, Antoine Moulineau Sr compositor: Johnny Still Compositing: Niamh Lines, Cassiano Prado, Ed Salkeld TD: Mark Wilson For Rushes VFX: Duncan Malcolm, Marcus Wood, Brian Carbin Producer: Carl Grinter Toolkit: Toonz, LightWave, Photoshop, After Effects stash 10.21 AUDIO BULLYS “SHOT YOU DOWN” Music video Record label: VIRGIN RECORDS Director: JONAS ODELL Production: NEXUS, FILMTECKNARNA Animation/VFX: FILMTECKNARNA www.filmtecknarna.com Director Jonas Odell on creating the “Shot You Down” video in which he uses archival clips of Nancy Sinatra performing the original tune: “The way they [Audio Bullys] create a sound collage out of the original song and their own dance beats is quite remarkable. Skewed, asymmetrical and uncompromising, the track is a piece of art. I felt I wanted to use the same approach visually as the band had musically when they put the track together; to work with For Virgin Records visual “samples” and loops, and Commissioner: Jane Newton hopefully to adopt the same kind For Filmteckarna and Nexus of irreverent and uncompromising Producers: Lina Stenberg, attitude towards the material. It’s Julia Parfitt neither easy listening nor easy DP: Ben Moulden watching, but it should be at all times entertaining. Call me a Video Bully if you want, I don’t care… ” stash 11.22 PHEONIX FOUNDATION “HITCHCOCK” Music video Record Label: FESTIVAL MUSHROOM RECORDS Director: REUBEN SUTHERLAND Production: JOYRIDER FILMS VFX: REUBEN SUTHERLAND www.joyriderfilms.co.uk This mesmerizing clip takes on mythic proportions when you learn it was created by one man using only a digital still camera and After Effects. Director Reuben Sutherland (a Kiwi now living in London) shot the cars and the back plates on location in New Zealand. The photo-realistic Ladas were created via multi-layered stills For Festival Mushroom Records enabling them to appear 3D, then Commissioner: Matt McLeod animated and composited with the For Joyrider Films back plates in just one layer.
Recommended publications
  • 13 Dalhousie Student Union

    13 Dalhousie Student Union

    o~n, > 13 Dalhousie Student Union Bon voyage• ISIC (a.k.a.l........., Travel nsurance swwtWMIHJCanll Y01r tiGklt tD put &ralhr Blftral, we Conipi•IMnlivuJIII FOf enn•,. rat. and tJalllillt)o Issue llolll on tlleapot IMxpensln •• ;.at ~ whl ,_.,. w1tt1 no ..,.. ,... Ill cate 01 tbt J'1Nid www.travelcuts.com Drop "' or efve us a call: ........... - .- bo ~by Mottl> 31/01 . ~ ~"""' opf)ly. NQI-of;d;, ~ Dtd SUB, 3rd Floor .ml> ""f olfw abo'. Qhr QWIIfablt ....... ~lot! ond moy bo dls<omlnued 01 ""1 limo or ~ MO<Io ~ purd.,.o ""' nOCfllb<Y ;,. Soi~lil <>n-Line f:f)u.-se .:valuat f)DS Columbia ,romotion •orios in CN~. Sot 494·Z054 Tr<I"'O CVISN~ Campus 10< eomploto dolal4. Will be ready to check out :for this semesters courses on March 25. Everything's gone green! JOB 0 PORTUNITY WOOd I ll f· i K A \\ o 0 I> P f{ I s f· l\. I ~ SUMMa D 8CTOR for the STUD NT ... NV~ W W'~H:'II;) .. ()._-. AD OCACY SERVICL To apply s b•it a resume ncl cover lc.tter to s~. PATRICI'S Chrystal cAulay, room t"'S, SU • Deaclli • to apply is Wed asci y, rclt g1 at 4pm. VEEI'E ID For more info call Chrystal at 494 1 g75. Fi;ATURING DS IF ·ECO CERTSE E5#3 DE T AH 'A" Societies get: 5 tickets for the even . f1ARCH 16, 2001 All ''B-E" Socteties wil receive 2 tickets. Tickets will be av:airable to be picked up o Monday, March 9 to Friday., March 23.
  • An N U Al R Ep O R T 2018 Annual Report

    An N U Al R Ep O R T 2018 Annual Report

    ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1.
  • The Student Newspaper Of

    The Student Newspaper Of

    THE STUDENT NEWSPAPER OF NORTH CAROLINA STATE UNIVERSITY SINCE 1920 -—--o.— THURSDAY MN 2003 TECH. A www.technicianonline.com Raleigh, North Carolina Wolfpack Club receives Students ‘hip-hop’ to speak largest gift in history out Curtis and ]acl<ie Dail, residents of founded in 1936 with the goal of providing Students will hold “Hip Raleigh, contributed $5.2 million to the scholarships for NCSU student athletes repre- Hop against War and As/thgUnited Statespwpaw N. C. State Wolfimck Club. senting the university. Racism” tonight at 8 p. m. at)?“gar withmartyrsofficZZ It has been calculated that nearly 8,000 NCSU tbquestedthe backmgyfiNATO Andrea DeLeo athletes have been awarded scholarship assis— Carie Windham aga “w toi:NATO StaffReporter tance. This is in many thanks to the 15,000 gen— Assistant News Editor spokbstpanhlves Br 3”r“in,a}CECent re- erous donors offering their contributions each port,N§(5receiiiad a 55150531 from In December 2002, Bobby Purcell, executive di- year. On Friday, Defense Secretary the United' _ ”efferated discus- rector of the NC. State Student Aid Associa- The Wolfpack Club members are made up of Donald H. Rumsfield signed de— sions between NATO leaders and US. tion, announced that NCSU had received the a variety of people united by a common goal. ployment orders that sent over Deputy Defense Secretary Paul Wol- largest announced gift in the history of NCSU They are alumni, fans, athletes, students, par- 50,000 troops to Iraq— doubling fowitz. Athletics. ents and many other people who are commit- US. forces in the region. The United States has requested the Curtis and Jackie Dail, residents of Raleigh, ted to the importance of the future of NCSU On Saturday, thousands of use of NATO’s AWACS surveillance contributed $5.2 million.
  • Physicality of the Analogue by Duncan Robinson BFA(Hons)

    Physicality of the Analogue by Duncan Robinson BFA(Hons)

    Physicality of the Analogue by Duncan Robinson BFA(Hons) Submitted in the fulfilment of the requirements for the degree of Master of Fine Arts. 2 Signed statement of originality This Thesis contains no material which has been accepted for a degree or diploma by the University or any other institution. To the best of my knowledge and belief, it incorporates no material previously published or written by another person except where due acknowledgment is made in the text. Duncan Robinson 3 Signed statement of authority of access to copying This Thesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Duncan Robinson 4 Abstract: Inside the video player, spools spin, sensors read and heads rotate, generating an analogue signal from the videotape running through the system to the monitor. Within this electro mechanical space there is opportunity for intervention. Its accessibility allows direct manipulation to take place, creating imagery on the tape as pre-recorded signal of black burst1 without sound rolls through its mechanisms. The actual physical contact, manipulation of the tape, the moving mechanisms and the resulting images are the essence of the variable electrical space within which the analogue video signal is generated. In a way similar to the methods of the Musique Concrete pioneers, or EISENSTEIN's refinement of montage, I have explored the physical possibilities of machine intervention. I am working with what could be considered the last traces of analogue - audiotape was superseded by the compact disc and the videotape shall eventually be replaced by 2 digital video • For me, analogue is the space inside the video player.
  • School of Motion Pictures & Television Program Brochure

    School of Motion Pictures & Television Program Brochure

    School of Motion Pictures & Television academyart.edu SCHOOL OF MOTION PICTURES & TV Contents Program Overview ...................................................5 What We Teach ......................................................... 7 The School of MPT Difference .................................9 Faculty .....................................................................11 Degree Options ..................................................... 13 Our Facilities ......................................................... 15 Alumni Success ..................................................... 17 Partnerships ......................................................... 19 Career Paths ......................................................... 21 Additional Learning Experiences ......................... 23 Awards and Accolades ......................................... 25 Online Education .................................................. 27 Academy Life ........................................................ 29 San Francisco ....................................................... 31 Athletics ................................................................ 33 Apply Today .......................................................... 35 3 SCHOOL OF MOTION PICTURES & TV Program Overview Taught by professionals working in the industry, including Academy and Emmy Award winners, our students learn their craft through hands-on filmmaking experience. IMMERSE YOURSELF Direct. Produce. Shoot. Edit. Production Design. Write. Crew up and follow your passion
  • Google Chrome Scores at SXSW Interactive Awards 16 March 2011, by Glenn Chapman

    Google Chrome Scores at SXSW Interactive Awards 16 March 2011, by Glenn Chapman

    Google Chrome scores at SXSW Interactive awards 16 March 2011, by Glenn Chapman type of video," Google's Thomas Gayno told AFP after the award ceremony. "For Google it is very compelling because it allows us to push the browser to its limits and move the Web forward." Visitors to the website enter addresses where they lived while growing up to be taken on nostalgic trips by weaving Google Maps and Street View images with the song "We Used to Wait." A woman works on her computer as on the wall behind "It takes you on a wonderful journey all is seen the logo of Google in Germany 2005. A music synchronized with music," Gayno said. "It is like and imagery website that shows off capabilities of choreography of browser windows." Google's Chrome Web browser won top honors at a South By Southwest Interactive (SXSW) festival known US Internet coupon deals website Groupon was for its technology trendsetters. voted winner of a People's Choice award in keeping with a trend of SXSW goers using smartphones to connect with friends, deals, and happenings in the real world. A music and imagery website that shows off capabilities of Google's Chrome Web browser won Founded in 2008, Chicago-based Groupon offers top honors at a South By Southwest Interactive discounts to its members on retail goods and (SXSW) festival known for its technology services, offering one localized deal a day. trendsetters. A group text messaging service aptly named The Wilderness Downtown was declared Best of GroupMe was crowned the "Breakout Digital Trend" Show at an awards ceremony late Tuesday that at SXSW.
  • Thank God/ They're Free by Ana Rodriguez God

    Thank God/ They're Free by Ana Rodriguez God

    LEAGUE for Catholic rights forming P3 WATERFRONT place for sailors marks 1st P3 DANCING priests spread The the Gospel PI 3 Archdiococese of Miami Volume XXIII No. 4 January 23,1981 Price 25<t 'Thank God/ they're free By Ana Rodriguez God. They're free.' But how many of us Voice Staff Writer have literally knelt down to thank God? Thanking Him is more than just Tuesday, January 20, 1981. A day an expression. Ifs supposed to be a that will live forever in the hearts and prayer." minds of all Americans. And that's exactly what South Florida Thank God. They're free. Catholics were doing. That was the heartfelt cry, born of 14 Meanwhile, across the United States, months of waiting, agonizing, and Catholic bishops and clergymen of hoping only to have hopes dashed, other faiths also offered thanks and that rose first as a whispered prayer prayers to God. Several praised the ef- and later in the form of churchbells forts of former President Carter in pealing, car horns honking and sirens bringing the lenghtly crisis to a screaming, from the depths of people peaceful conclusion. all over the United States on that Pope John Paull II, in Rome, declared Tuesday afternoon. he was "profoundly pleased" with the THE IRANIAN captors, after what success of the negotiations and the seemed like one final maneuver freedom for the 52. designed to humiliate the United THE POPE went on to bless the freed States and prolong a nation's agony, former hostages and their families "in had released the 52 hostages they had the years ahead." been holding since November 4,1979.
  • CHRIS CUNNINGHAM and the ART VIDEO Summary

    CHRIS CUNNINGHAM and the ART VIDEO Summary

    CHRIS CUNNINGHAM AND THE ART VIDEO Summary : 1. The Art Video 2. Chris Cunningham 3. The Clip Video Universe 4. Publicity and short movies 5. Music Producer Warning. Welcome to the strange world of Chris Cunningham. It’s time to make a choice. You can leave now and you’ll never have to see what we are about to show you. Or, you can stay, stuck on your chair and live with us a new risky experience. Open up your eyes and ears, we are starting. The Art Video was born in 1960 with Fluxus. Fluxus isn’t also an artistic movement, it’s a state of mind. We can give to this movement this definition : “art must be life”. Fluxus encouraged a "do-it-yourself" aesthetic, and valued simplicity over complexity, a kind of anti- art. It’s a combination of different arts. Fluxus artists have been active in Neo-Dada noise music and visual art as well as literature, urban planning, architecture, design and video. Then, Art Video take different forms like event, performance art, happening, or an installation which change space. In fact, provocated shows set a disorder. The most important art-video artists are : -Nam Jun Paik -Bill Viola (Name Jun Paik) With new technologies, appeared a new technic witch can change reality: 3D projection on buildings (video extract Projection on buildings) Projection on buildings change our perception in creating illusion. Chris Cunningham is an english music video film director and a video artist. At first, he learned painting and sculpture and then, he gets specialized in creation of silicone’s models and special effects.
  • Edoardo Molinari

    Edoardo Molinari

    Edoardo Molinari Representerar Italien (ITA) Född Status Blev proffs 2006 Huvudtour European Tour SGT-spelare Nej Aktuellt Ranking 2021 Edoardo Molinari har i år spelat 20 tävlingar. Han har klarat 9 kval. På dessa 20 starter har det blivit 3 topp-10-placeringar. Som bäst har Edoardo Molinari en 2-plats i Porsche European Open. Han har i år en snittscore om 70,65 efter att ha slagit 4027 slag på 57 ronder. Edoardo Molinari har på de senaste starterna placeringarna MC-18-MC-5-57 varav senaste starten var BMW PGA Championship. Han har i år som bästa score noterat 64 (-8) i Betfred British Masters hosted by Danny Willet på The Belfry. 22 av årets 57 ronder har varit under par. Vid 14 tillfällen har det noterats scorer på under 70 slag men också vid 4 tillfällen minst 75 slag. Edoardo Molinari har klarat kvalet i de 2 senaste tävlingarna. Kvalsviten i år löper från DS Automobiles Italian Open (vecka 35/2021). Årets tävlingar Plac Tävling Plac Tävling Plac Tävling 57 BMW PGA Championship 2 Porsche European Open MC Kenya Savannah Classic supported by Absa Wentworth Golf Club, European Tour Green Eagle Golf Courses, European Tour Karen CC, European Tour 5 DS Automobiles Italian Open MC Made in HimmerLand presented by FREJA MC Magical Kenya Open Presented by Absa Marco Simone GC, European Tour Himmerland Golf & Spa Resort, European Tour Karen CC, European Tour MC Omega European Masters 8 Betfred British Masters hosted by Danny WilletMC Commercial Bank Qatar Masters Crans-sur-Sierre GC, European Tour The Belfry, European Tour Education City GC,

  • Played 2013 IMOJP

    Reverse Running Atoms For Peace AMOK XL Recordings Hittite Man The Fall Re-Mit Cherry Red Pre-Mdma Years The Fall Re-Mit Cherry Red Voodoo Posse Chronic Illusion Actress Silver Cloud WERKDISCS Recommended By Dentists Alex Dowling On The Nature Of ElectricityHeresy Records And Acoustics Smile (Pictures Or It Didn't Happen) Amanda Palmer & TheTheatre Grand Is EvilTheft OrchestraBandcamp Stoerung kiteki Rmx Antye Greie-Ripatti minimal tunesia Antye Greie-Ripatti nbi(AGF) 05 Line Ain't Got No Love Beal, Willis Earl Nobody knows. XL Recordings Marauder Black Pus All My Relations Thrill Jockey 1,000 Years Black Pus All My Relations Thrill Jockey Records All Out of Sorts Black Pus All My Relations Thrill Jockey Abstract Body/Head Coming Apart Matador Records Sintiendo Bomba Estéreo Elegancia Tropical Soundway #Colombia Amidinine Bombino Nomad Cumbancha Persistence Of Death Borut Krzisnik Krzisnik: Lightning Claudio Contemporary La noche mas larga Buika La noche mas largaWarner Music Spain Super Flumina Babylonis Caleb Burhans Evensong Cantaloupe Music Waiting For The Streetcar CAN The Lost Tapes [DiscMute 1] Obedience Carmen Villain Sleeper Smalltown Supersound Masters of the Internet Ceramic Dog Your Turn Northern-Spy Records track 2 Chris Silver T & MauroHigh Sambo Forest, LonelyOzky Feeling E-Sound Spectral Churches Coen Oscar PolackSpectral Churches Narrominded sundarbans coen oscar polack &fathomless herman wilken Narrominded To See More Light Colin Stetson New History WarfareConstellation Vol. 3: To See More Light The Neighborhood Darcy
  • Download Cross Justice Free Ebook

    Download Cross Justice Free Ebook

    CROSS JUSTICE DOWNLOAD FREE BOOK James Patterson | 448 pages | 06 Oct 2016 | Cornerstone | 9780099594321 | English | London, United Kingdom Cross Justice But that is the beauty we are all entitled to difference of opinions. The best Alex Cross book in many, many years. Dec 18, Gerard V rated it did not like it. Author Arrow Icon James Patterson. A must have Thibaut Berland Artwork. Retrieved 10 May Now he's hot on the trail of both a brutal killer, and the truth about his own past — and the answers he finds might be fatal. Retrieved 16 June I thought that this was going to be a rock album, how wrong was I. Cross Justice book is like no other Alex Cross novel that I have ever read. The Alex Cross is back to help his family! Also for the record, I was happy Cross Justice see that it doesn't follow what seems to be a trend these days - books that are closer to a novella in length than a full-length book. His cousin Stefan has been charged with drug trafficking, the rape and murder of one of the young boys he teaches, and the rape of a girl in his class. Want to Read saving…. Problems appear at every step,leading to a thrilling and exciting end!! Reply Notify me 2 Helpful. Books by James Cross Justice. Because MusicHostess Entertainment Unlimited. Reply Notify me Helpful. To see what your friends thought of this book, please sign up. Retrieved 5 March Because Music Cross Justice, Ed Banger Records. Obviously, "D.
  • Artificial Intelligence, Ovvero Suonare Il Corpo Della Macchina O Farsi Suonare? La Costruzione Dell’Identità Audiovisiva Della Warp Records

    Artificial Intelligence, Ovvero Suonare Il Corpo Della Macchina O Farsi Suonare? La Costruzione Dell’Identità Audiovisiva Della Warp Records

    Philomusica on-line 13/2 (2014) Artificial Intelligence, ovvero suonare il corpo della macchina o farsi suonare? La costruzione dell’identità audiovisiva della Warp Records Alessandro Bratus Dipartimento di Musicologia e Beni Culturali Università di Pavia [email protected] § A partire dai tardi anni Ottanta la § Starting from the late 1980s Warp Records di Sheffield (e in seguito Sheffield (then London) based Warp Londra) ha avuto un ruolo propulsivo Records pushed forward the extent nel mutamento della musica elettronica and scope of electronic dance music popular come genere di musica che well beyond its exclusive focus on fun non si limita all’accompagna-mento del and physical enjoinment. One of the ballo e delle occasioni sociali a esso key factors in the success of the label correlate. Uno dei fattori chiave nel was the creative use of the artistic successo dell’etichetta è stato l’uso possibilities provided by technology, creativo delle possibilità artistiche which fostered the birth of a di- offerte dalla tecnologia, favorendo la stinctive audiovisual identity. In this formazione di un’identità ben ca- respect a crucial role was played by ratterizzata, in primo luogo dal punto the increasing blurred boundaries di vista audiovisivo. Sotto questo profilo between video and audio data, su- un ruolo fondamentale ha giocato la bjected to shared processes of digital possibilità di transcodifica tra dati transformation, transcoding, elabora- audio e video nell’era digitale, poten- tion and manipulation. zialmente soggetti agli stessi processi di Although Warp Records repeatedly trasformazione, elaborazione e mani- resisted the attempts to frame its polazione. artistic project within predictable Nonostante la Warp Records abbia lines, its production –especially mu- ripetutamente resistito a ogni tentativo sic videos and compilations– suggests di inquadrare il proprio progetto arti- the retrospective construction of a stico entro coordinate prevedibili, i suoi consistent imagery.