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UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Fillia's Futurism Writing, Politics, Gender and Art after the First World War Permalink https://escholarship.org/uc/item/2r47405v Author Baranello, Adriana Marie Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Fillia’s Futurism Writing, Politics, Gender and Art after the First World War A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Italian By Adriana Marie Baranello 2014 © Copyright by Adriana Marie Baranello 2014 ABSTRACT OF THE DISSERTATION Fillia’s Futurism Writing, Politics, Gender and Art after the First World War By Adriana Marie Baranello Doctor of Philosophy in Italian University of California, Los Angeles, 2014 Professor Lucia Re, Co-Chair Professor Claudio Fogu, Co-Chair Fillia (Luigi Colombo, 1904-1936) is one of the most significant and intriguing protagonists of the Italian futurist avant-garde in the period between the two World Wars, though his body of work has yet to be considered in any depth. My dissertation uses a variety of critical methods (socio-political, historical, philological, narratological and feminist), along with the stylistic analysis and close reading of individual works, to study and assess the importance of Fillia’s literature, theater, art, political activism, and beyond. Far from being derivative and reactionary in form and content, as interwar futurism has often been characterized, Fillia’s works deploy subtler, but no less innovative forms of experimentation. For most of his brief but highly productive life, Fillia lived and worked in Turin, where in the early 1920s he came into contact with Antonio Gramsci and his factory councils. -
Refractory Migrants. Fascist Surveillance on Italians in Australia, 1922-1943
Saggi Refractory Migrants. Fascist Surveillance on Italians in Australia, 1922-1943 Gianfranco Cresciani Ministry for the Arts, New South Wales, Australia There are exiles that gnaw and others that are like consuming fire. There is a heartache for the murdered country… PABLO NERUDA We can never forget what happened to our country and we must always remind those responsible that we know who they are. ELIZABETH RIVERA One of the more salient and frightening aspects of European dictatorships during the Twentieth Century, in their effort to achieve totalitarian control of their societies, was the grassroots surveillance carried out by their state secu- rity organisations, of the plots and machinations of their opponents*. Nobody described better this process of capillary penetration in the minds and condi- tioning of the lives of people living under Communist or Fascist regimes than George Orwell in his book Nineteen Eighty-Four, published in 1949 and warning us on the danger of Newspeak, Doublethink, Big Brother and the Thought Police. However, the process of mass surveillance of refractory sub- jects preceded the rise of totalitarianism. The Ochrana in Tsarist Russia and the Direzione Generale di Pubblica Sicurezza (hereafter DGPS, Directorate- General of Public Safety) in Liberal Italy, to give just two examples, had al- 6 © Edizioni della Fondazione Giovanni Agnelli gennaio-giugno 2004 ready begun this screening practice at the end of the Nineteenth Century1. However, it was in the Twentieth Century that the obsession for pervasive, absolute -
Forging a Transcultural Identity As a Russian-American Writer Lara Vapnyar and Cultural Adaptation
Forging a Transcultural Identity as a Russian-American Writer Lara Vapnyar and Cultural Adaptation KAREN L.RYAN ________________________ a ________________________ Introduction ARA V APNYAR is one of a loosely delimited group of Russian-Amer- ican writers who have come to prominence on the North American L literary scene in the last ten to fifteen years, as part of the so-called Fourth Wave of Russian émigrés. Most of these relatively young writers came to the USA or Canada as children or adolescents. In a few cases, they are the children of Third-Wave émigrés, who left the Soviet Union in the 1970s and early 1980s. Although their work is stylistically and generically diverse, they share a predilection for quasi-autobiographical prose and a preoccupation with questions of cultural identity, adaptation and assimilation, and nostalgia. In addition to Vapnyar, this group includes David Bezmozgis (b. 1973), Olga Grushin (b. 1971), Irina Reyn (b. 1974), Gary Shteyngart (b. 1972), and Anya Ulinich (b. 1973). A more extensive roster of Russian anglophone writers would include Mark Budman (b. 1950), Sana Krasikov (b. 1979), and Ellen Litman (b. 1973). Although their originary language1 is Russian, all of these writers have opted to write in English in the North American diaspora.2 Most have acquired their 1 ‘Originary’ here refers to one’s primary language. It is quite possible to have more than one native language, but the originary language is that into which one is born. This terminology is not without its problems, but it captures well the linguistic circum- stances of these Russian-American writers. -
America's Russian-Speaking Jews Come of Age
Toward a Comprehensive Policy Planning for R u s s i a n - Speaking Jews in North America Project Head Jonathan D. Sarna Contributors Dov Maimon, Shmuel Rosner In dealing with Russian-speaking Jews in North America, we face two main challenges and three possible outcomes. CHALLENGES: 1. Consequences of disintegration of the close-knit immigrant society of newly arrived Russian-speaking Jews. 2. Utilizing the special strengths of Russian-speaking Jews for the benefit of the wider American Jewish community. POSSIBLE OUTCOMES: 1. The loss of Jewish identity and rapid assimilation. 2. An adaptation of American-Jewish identity (with the benefits and shortcomings associated with it). 3. A formation of a distinctive Russian-speaking Jewish identity strong enough to be further sustained. There is a 10 to 15-year window of opportunity for intervention with this population. There is also a need to integrate, in a comprehensive manner, organizations to positively intervene in the field. At this preliminary stage, several recommendations stand out as urgent to address this population’s needs: - An effort on a national scale to assist the communities that are home to the majority of Russian-speaking Jews. - Funding for programs that will encourage Russian-speaking Jews to move into Jewish areas. - Special programs to promote in-marriage. - Dialogue mechanisms for Russian-speaking Jews in Israel, the US, Germany, and the Former Soviet Union. - Programs building on Russian-speaking Jews’ sense of peoplehood to bolster ties among all Jews to Israel. - Possible reciprocity between Jewish education and education in science and math for Russian-speaking Jews ("Judaism for math"). -
UNIVERSITY of CALIFORNIA Los Angeles Fillia's Futurism Writing
UNIVERSITY OF CALIFORNIA Los Angeles Fillia’s Futurism Writing, Politics, Gender and Art after the First World War A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Italian By Adriana Marie Baranello 2014 © Copyright by Adriana Marie Baranello 2014 ABSTRACT OF THE DISSERTATION Fillia’s Futurism Writing, Politics, Gender and Art after the First World War By Adriana Marie Baranello Doctor of Philosophy in Italian University of California, Los Angeles, 2014 Professor Lucia Re, Co-Chair Professor Claudio Fogu, Co-Chair Fillia (Luigi Colombo, 1904-1936) is one of the most significant and intriguing protagonists of the Italian futurist avant-garde in the period between the two World Wars, though his body of work has yet to be considered in any depth. My dissertation uses a variety of critical methods (socio-political, historical, philological, narratological and feminist), along with the stylistic analysis and close reading of individual works, to study and assess the importance of Fillia’s literature, theater, art, political activism, and beyond. Far from being derivative and reactionary in form and content, as interwar futurism has often been characterized, Fillia’s works deploy subtler, but no less innovative forms of experimentation. For most of his brief but highly productive life, Fillia lived and worked in Turin, where in the early 1920s he came into contact with Antonio Gramsci and his factory councils. This led to a period of extreme left-wing communist-futurism. In the mid-1920s, following Marinetti’s lead, Fillia moved toward accommodation with the fascist regime. This shift to the right eventually even led to a phase ii dominated by Catholic mysticism, from which emerged his idiosyncratic and highly original futurist sacred art. -
Cultural Identity Construction in Russian-Jewish Post-Immigration Literature
Cultural Identity Construction in Russian-Jewish Post-Immigration Literature by Regan Cathryn Treewater A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy Department of Comparative Literature University of Alberta © Regan Cathryn Treewater, 2017 ii Abstract The following dissertation examines narratives of immigration to Western Europe, Israel and North America authored by Russian-speaking writers of Jewish decent, born in the Soviet Union after World War II. The project seeks to investigate representations of resettlement experiences and cultural identity construction in the literature of the post- 1970s Russian-Jewish diaspora. The seven authors whose selected works comprise the corpus of analysis write in Russian, German and English, reflecting the complex performative nature of their own multilayered identities. The authors included are Dina Rubina, Liudmila Ulitskaia, Wladimir Kaminer, Lara Vapnyar, Gary Shteyngart, Irina Reyn, and David Bezmozgis. The corpus is a selection of fictional and semi- autobiographical narratives that focus on cultural displacement and the subsequent renegotiation of ‘self’ following immigration. In the 1970s and final years of Communist rule, over one million Soviet citizens of Jewish heritage immigrated to Western Europe, Israel and North America. Inhospitable government policies towards Soviet citizens identified as Jewish and social traditions of anti-Semitism precipitated this mass exodus. After escaping prejudice within the Soviet system, these Jewish immigrants were marginalized in their adopted homelands as Russians. The following study of displacement and relocation draws on Homi Bhabha’s theories of othering and unhomeliness. The analyzed works demonstrate both culturally based othering and unhomely experiences pre- and post-immigration resulting from relegation to the periphery of society. -
51ST ANNUAL CONVENTION March 5–8, 2020 Boston, MA
Northeast Modern Language Association 51ST ANNUAL CONVENTION March 5–8, 2020 Boston, MA Local Host: Boston University Administrative Sponsor: University at Buffalo SUNY 1 BOARD OF DIRECTORS President Carole Salmon | University of Massachusetts Lowell First Vice President Brandi So | Department of Online Learning, Touro College and University System Second Vice President Bernadette Wegenstein | Johns Hopkins University Past President Simona Wright | The College of New Jersey American and Anglophone Studies Director Benjamin Railton | Fitchburg State University British and Anglophone Studies Director Elaine Savory | The New School Comparative Literature Director Katherine Sugg | Central Connecticut State University Creative Writing, Publishing, and Editing Director Abby Bardi | Prince George’s Community College Cultural Studies and Media Studies Director Maria Matz | University of Massachusetts Lowell French and Francophone Studies Director Olivier Le Blond | University of North Georgia German Studies Director Alexander Pichugin | Rutgers, State University of New Jersey Italian Studies Director Emanuela Pecchioli | University at Buffalo, SUNY Pedagogy and Professionalism Director Maria Plochocki | City University of New York Spanish and Portuguese Studies Director Victoria L. Ketz | La Salle University CAITY Caucus President and Representative Francisco Delgado | Borough of Manhattan Community College, CUNY Diversity Caucus Representative Susmita Roye | Delaware State University Graduate Student Caucus Representative Christian Ylagan | University -
Italia-España, Un Entramado De Relaciones Literarias: La “Escuela De Barcelona”
TESIS DOCTORAL FRANCESCO LUTI Italia-España, un entramado de relaciones literarias: la “Escuela de Barcelona” DIRECTORA: DOCTORANDO: CARME RIERA GUILERA FRANCESCO LUTI DIRECTORA: CARME RIERA GUILERA DEPARTAMENTO DE FILOLOGÍA ESPAÑOLA FACULTAD DE FILOSOFÍA Y LETRAS UNIVERSIDAD AUTÓNOMA DE BARCELONA 2012 AGRADECIMIENTOS En primer lugar, me gustaría agradecer a mi directora de tesis, Carme Riera, sin ella no hubiera podido realizar esta investigación. Dos agradecimientos especiales: uno, para el Profesor Gaetano Chiappini, alumno predilecto del gran Oreste Macrí, que con su amistad y afecto me ha apoyado y aconsejado a lo largo de la investigación. Y el otro para María Dolores López Martínez, por su ayuda fundamental en la fase de revisión. Agradezco también a Gloria Manghetti, Ilaria Spadolini y Eleonora Pancani del Archivio Contemporaneo “A. Bonsanti” del Gabinetto Vieusseux de Florencia, el “Archivio di Stato de Turín”, Malcolm Einaudi, Pamela Giorgi de la Fondazione Einaudi, la Cátedra Goytisolo de la UAB, todo el Departamento de Filología Española y Josep Maria Castellet. A Josep Maria Castellet, Ramón Buckley, mi hermano Federico Luti, Carina Azevedo, Fabrizio Bagatti, Katherine McGarry, Ana Castro, Giuseppe Iula y a mi madre, Maria, y los muchos otros amigos que me han ‘suportado’ y ‘soportado’ durante estos años de investigación. Esta tesis está dedicada a la memoria de mi tío Giorgio Luti, que me enseñó a amar la literatura por lo que es, y que a la literatura dedicó toda su vida. Dos semanas después de saber que me había sido concedida una beca para esta tesis, fallecía en su ciudad, Florencia. Su magisterio y su afectuoso recuerdo han sido el motor que me ha llevado hasta el punto final de esta investigación. -
Digital Reading Practices and the Contemporary US Novel a Dissertat
UNIVERSITY OF CALIFORNIA Los Angeles Reading the Machine: Digital Reading Practices and the Contemporary U.S. Novel A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in English by Chelsea Alexandra Kern 2021 © Copyright by Chelsea Alexandra Kern 2021 ii ABSTRACT OF THE DISSERTATION Reading the Machine: Digital Reading Practices and the Contemporary U.S. Novel by Chelsea Alexandra Kern Doctor of Philosophy in English University of California, Los Angeles, 2021 Professor Allison Carruth, Co-Chair Professor Daniel Scott Snelson, Co-Chair “Reading the Machine: Digital Reading Practices and the Contemporary U.S. Novel,” investigates how emerging information technologies—networked devices, software programs, and algorithmic protocols—redefine cultural forms of textual production and reception. Focusing on the longstanding literary form of the novel as a point of entry, “Reading the Machine” develops a new account of the social, material, and aesthetic processes that constitute reading in concert with smart machines and social networks. At stake is an examination of how reading in the digital age has evolved within the larger political and technological systems of digital society. The project thus attends to pressing issues ranging from democratic participation to the racialiZed and unequal structure of cyberculture itself. ii “Reading the Machine” demonstrates how contemporary fictions build pathways for creative, dynamic digital reading on the part of human and nonhuman readers, even as the economic and political infrastructures of digital technologies seek to limit that potential. The four body chapters of the dissertation juxtapose fictional narratives with case studies on hardware engineering, social networks, digital campaign analytics, and artificial intelligence. -
The Question of Identity in Gary Shteyngart's Little Failure
ACTA UNIVERSITATIS SAPIENTIAE, PHILOLOGICA, 7, 1 (2015) 123–132 DOI: 10.1515/ausp-2015-0041 The Question of Identity in Gary Shteyngart’s Little Failure %NIKŐ-!)/2 Partium Christian University (Oradea, Romania) Modern Languages Department [email protected] Abstract. In my paper I want to deal with the question of identity and Gary Shteyngart’s last novel, Little Failure (2014). The novel is a memoir that deals with young Gary’s struggle as an individual of Russian Jewish origins trying to accommodate himself to the American way of life. America with its multicultural and multiethnic environment puts the immigrant Gary in a very sensitive position. He does not know how to deal with African Americans; shall he avoid them or run away? Shall he befriend Asian colleagues or not? Are Jewish friends more valuable than others? These are the questions that 'ARY3HTEYNGARTHASTOANSWERANDlNDHISOWNVOICE4HEPROTAGONISTOF THENOVELUNDERDISCUSSIONTRIESTOlNDHISIDENTITYWHICHISINCONTINUOUS CHANGE(ETRIESTOlGUREOUTINAWORLDlLLEDWITHCULTURAL RACIALANDURBAN CONmICTSHISOWNIDENTITYFROMTHEPERSPECTIVEOFAFORMERIMMIGRANTAND as a member of a minority group. The task of my paper is to show how the question of identity has changed and what solution Shteyngart’s novel can offer for the protagonist in the process of identity formation. Keywords: identity, Jewish American identity, culture clash In my paper I will deal with the question of different cultures in Gary Shteyngart’s last novel Little Failure (2014). The name of Gary Shteyngart (born HAS BECOME WIDELY KNOWN SINCE THE APPEARANCE OF HIS lRST NOVEL The Russian Debutante’s Handbook (2002). With this novel Gary Shteyngart won the Stephen Crane Award for First Fiction, the Book-of-the-Month Club First Fiction Award and the National Jewish Book Award. -
Nostalgia, Nationhood, and the New Immigrant Narrative: Gary Shteyngart's the Russian Debutante's Handbook and the Post
CORE Metadata, citation and similar papers at core.ac.uk Provided by Iowa Research Online Iowa Journal of Cultural Studies Volume 5, Issue 1 2004 Article 7 NOSTALGIA Nostalgia, Nationhood, and the New Immigrant Narrative: Gary Shteyngart’s The Russian Debutante’s Handbook and the Post-Soviet Experience Natalie Friedman∗ ∗ Copyright c 2004 by the authors. Iowa Journal of Cultural Studies is produced by The Berkeley Electronic Press (bepress). https://ir.uiowa.edu/ijcs Nostalgia, Nationhood, and the New Immigrant Narrative: Gary Shteyngart’s The Russian Debutante’s Handbook and the Post-Soviet Ex perience Natalie Friedman A vanguard of young post-Soviet authors who immigrated to America over the past thirty years are now documenting their experiences of dislocation and deracination as they navigate not two but three cultures: the Soviet Union of their youth, their adopted nation of America, and the new post-perestroika Republics that have re placed the former Soviet Union. As these writers evoke these discrete political and physical spheres, they engage the idea of nostalgia as a means by which to combat the strong pressure to assimilate to American culture. In these works of semi autobiography, such as Gary Shteyngart’s The Russian Debutante's Handbook (2002), Lara Vapnyar’s There Are Jews in My House (2003), and David Bezmozgis’s Natasha: And Other Stories (2004), America is characterized as a land of anti nostalgia or anti-memory. Its culture of upward mobility and promise of economic success conspire to repress the immigrant’s memories of home. In a radical reversal of the tropes of classic immigrant literature, these narratives present characters who resist assimilation through nostalgia, but who also fall victim to their own fantasies of their former homelands when they return or otherwise encounter their old culture. -
Genealogy, Nationality, and Ambivalence in Works by Vladimir Nabokov and Gary Shteyngart Michael Darne
Networks of Displacement: Genealogy, Nationality, and Ambivalence in Works by Vladimir Nabokov and Gary Shteyngart Michael Darnell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of arts and Sciences COLUMBIA UNIVERSITY 2016 © 2016 Michael Darnell All rights reserved ABSTRACT Networks of Displacement: Genealogy, Nationality, and Ambivalence in Works by Vladimir Nabokov and Gary Shteyngart Michael Darnell In this dissertation I examine Vladimir Nabokov’s and Gary Shteyngart’s use of family metaphors to manage intersecting Russian and American literary and cultural continuities. Both authors fashion their relationships to literary predecessors and common cultural narratives in terms of disrupted filial relationships, describing both an attachment to the conservative narratives of the nation and a desire to move beyond their rigid structure. I articulate this ambivalence as a productive state of transnational subjecthood that allows these authors to navigate apparently oppositional national identities. Central to this reorientation is a critique of the hierarchical schema of the national canon, which frames literary culture as a determinative series of authoritative relationships. By reimagining these relations as part of a branching network of co-constituting associations, we open the space for transnational subjects to move within and overlap these networks. Table of Contents Introduction……………..................………………………………..…......................…....1 Chapter 1. Emigration