Some Heroic Motifs in Icelandic Art. Scripta Islandica 68/2017
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The Bridal-Quest Narratives in Þiðreks Saga and the German Waltharius
The Bridal-Quest Narratives in fii›reks saga and the German Waltharius Poem as an Extension of the Rhenish Bridal-Quest Tradition Claudia Bornholdt Indiana University Bloomington fii›reks saga contains six tales which are generally assigned to the bridal-quest genre. In the order of Bertelsen’s edition,1 these tales are: 1. “Samson and Hildisvi›” (I, 8-13) 2. “Ósantrix and Oda” (I, 49-56) 3. “Attila and Erka” (I, 57-73) 4. “Herburt and Hildr” (II, 47-60) 5. “Apollonius and Herborg” (II, 109-142). 6. “Íron and Bolfriana” (II, 147-157). Additionally, the saga contains four well-known tales which do not go beyond simple wooing stories and are therefore not included in the list above: A. “Sigmundr and Sisibe” (I, 282-286) 1 Henrik Bertelsen, fii›riks saga af Bern, 2 vols, Samfund til udgivelse af gammel nordisk litteratur, Vol. 34 (Copenhagen: 1905-11). 44 11th International Saga Conference 45 B. “Gunnar and Brynhildr” (II, 37-43) C. “fii›rekr, Fasold and fiéttleifr’s marriages with three of Drusian’s daughters” (II, 60- 63) D. “Attila and Grímhildr” (II, 275-279). In brief, the bridal-quest scheme consists of the introduction of the protagonists; the hero’s decision to woo for a princess, who has been recommended to him but is well-protected and difficult to obtain; the wooer’s journey to the girl’s country; his stay at the girl’s court until he has reached such a reputable position that he is able to meet secretly with the girl; the wooer’s proposal; elopement; pursuit by the girl’s father and/or his army; a fight, and, finally, the wedding in the wooer’s home country. -
Ordbog Over Det Norrøne Prosasprog
Ordbog over det norrøne prosasprog © 2004 Den arnamagnæanske kommission Sats: ONP & UNI·C Skrift: Monotype Plantin Tryk: Grafisk Data Center A/S, Odense ISBN: 87-7001-285-7 Ordbog over det norrøne prosasprog ONP 1-3 : Nøgle // Key Redigeret af Helle Degnbol, Bent Chr. Jacobsen, James E. Knirk, Eva Rode, Christopher Sanders, Þorbjörg Helgadóttir Udgivet af Den arnamagnæanske kommission København 2004 Foreword The principal aid to Ordbog over det norrøne prosasprog // A Dictionary of Old Norse Prose (ONP 1 : a-bam, ONP 2 : ban-da, ONP 3 : de-em) is the volume of indices (ONP : Registre // Indices,1989). In the present booklet (ONP 1-3:Nøgle//Key) there is a short user’s guide in Danish and English, corrections and additions to the volume of indices (Sigla, Medieval Manuscripts), the most important corrections to ONP 1-3,acompletebibliographytoalltheONPvolumes,and a revised list of abbreviations and symbols. This booklet is therefore a complete replacement of the previous booklets, which can be discarded. ONP’s website (www.onp.hum.ku.dk) gives access to an electronic version of parts of the present booklet (Vejledning // User’s Guide, Bibliografi // Bibliography and Forkortelser & symboler // Abbreviations & Symbols). ONP’s indices (Sigla and Medieval Manuscripts) are also available on the website, and these are regularly updated. ONP’s postal address is: Ordbog over det norrøne prosasprog Københavns universitet Amager Njalsgade 136 DK-2300 København S Denmark e-mail: [email protected] website: http://www.onp.hum.ku.dk ONP’s publications can be -
Iceland and the Crisis: Territory, Europe, Identity
Revista Română de Geografie Politică Year XIII, no. 1, May 2011, pp. 5-15 ISSN 1454-2749, E-ISSN 2065-1619 Article no. 131101-216 ICELAND AND THE CRISIS: TERRITORY, EUROPE, IDENTITY Luca ZARRILLI* University “G. D’Annunzio” of Chieti-Pescara, Italy. Department of Economics and History of the Territory, e-mail: [email protected] Abstract: The growing phase of Iceland’s economy, which began after World War II, was brusquely interrupted in October 2008, when the country was brought to the verge of bankruptcy and Icelanders were catapulted in the so- called kreppa: the very serious financial and social crisis with which Icelanders will have to deal in the years to come. The financial crisis, actually, has been producing, in the last two-year period, significant consequences also in terms of domestic politics, international relations (with special regard to an entry in the EU backed by the new government), cultural debate and even national identity, in addition to the highly evident economic effects. An exploitation of the advanced skills that Iceland has achieved in areas related to the analysis and the governance of the territory could be the response to the crisis from the points of view of environmental sustainability and business diversification. Additionally, it could represent a reaffirmation – as well as a redefinition – of a cultural identity. Key words: Iceland, crisis, EU, territory, identity ****** Iceland between reality and stereotype – In the collective imagery, Iceland distinguishes itself because of its geological and natural features, according to a stereotyped vision of this land (a land characterised by “ice and fire”, “the wild” and “the extreme”). -
Of Magical Beings and Where to Find Them. Scripta Islandica 72/2021
Of Magical Beings and Where to Find Them On the Concept of álfar in the Translated riddarasǫgur FELIX LUMMER 1. Introduction The process of translation attempts to enable the understanding of for eign concepts and ideas, something which naturally involves the use of both words and concepts that are already extant in the receiving culture. This natu rally involves linguistic problems, but more interestingly often results in the overlapping, alteration and merging of concepts, something that can have longterm consequences on language and cultural under standing. This article aims to explore how the Old Norse mythological concept of the álfar in the Nordic countries (especially Iceland due to its preservedmanuscripts)mayhavebeenalteredthroughtheinfluenceofthe trans lation of Old French romances into Norwegian and Icelandic during the Middle Ages. As will be shown below, the mythological concept that lies behind the introduction and use of the female variant of álfar (sg. álfr) known as álfkonur (sg. álfkona) in Old Norse literature (and culture) appears to have been that of the Old French fée (pl. fées). Indeed, prior to the translation of foreign (especially Continental) works, some of which appear to have been initiated by the Norwegian King Hákon Hákonar son (1204–1263) in the early thirteenth century, the álfkona (and motifs associated with her) seem to have been mostly absent in Old Norse Lummer, Felix. 2021. Of Magical Beings and Where to Find Them: On the Concept of álfar in the Translated riddarasǫgur. Scripta Islandica 72: 5–42. © Felix Lummer (CC BY) DOI: 10.33063/diva439400 6 Felix Lummer literature and folk belief (one minor exception is, for example, Fáfnis mál st. -
The Karlamagnús Compendium
Háskóli Íslands Hugvísindasvið Medieval Icelandic Studies The Karlamagnús Compendium Genre and Meaning in AM 180a-b fol. Ritgerð til M.A.-prófs Harry Williams Kt.: 151183-4419 Leiðbeinandi: Svanhildur Óskarsdóttir September 2017 Abstract This thesis is an examination of the fifteenth century manuscript AM 180a-b fol.; made up of a copy of the A version of Karlamagnús saga (180a) and seven further sagas - Konráðs saga keisarasonar, Dunstanus saga, Katrínar saga, Bærings saga, Knýtlinga saga, Vitus saga and Laurentius saga (180b), it originally formed one codex. The thesis has two main aims: to consider the generic position of Karlamagnús saga as it existed for the compilers of the manuscript and to speculate on the producers, purpose and use of the manuscript by means of a holistic consideration of its parts. The first aim is prompted by viewing the sagas of 180b as a reflection of the generic ambiguity of Karlamagnús saga. While patently belonging to the riddarasögur, Karlamagnús saga has affinities with hagiography and the konungasögur; representatives of these three generic classes are to be found in 180b. Structured by the theme of saintliness, in which a chronological line of saintly figures is presented, as well as shared geographical referents, the codex is marked by a wide-ranging intellectual curiosity. This is attributed to the concerns of the North Icelandic Benedictine School, the presence of which is marked in the manuscript, and to the wider intellectual atmosphere of fourteenth century Iceland in which saints' lives and romances were possibly written by the same people. 2 Ágrip Þessi ritgerð skoðar fimmtándu aldar handritið AM 180a-b fol.; sem samanstendur af A gerð Karlamagnúsar sögu (180a) ásamt sjö öðrum sögum- Konráðs sögu keisarasonar, Dunstanusar sögu, Katrínar sögu, Bærings sögu, Knýtlinga sögu, Vitus sögu og Laurentiusar sögu (180b), sem upphaflega mynduðu saman eitt handrit. -
Der Herr Der Bilder. Vorstellungslenkung Und Perspektivierung Im „Laurin“*
4 10.3726/92140_487 487 BJÖRN REICH Der Herr der Bilder. Vorstellungslenkung und Perspektivierung im „Laurin“* „Czu Berne waz geseßen / eyn degen so vormeßen /der waz geheysen Dytherich“ 1 (VV. 1 ff.) – so lauten die ersten Verse des Laurin. Dieser Prolog mit der waz gesezzen- Formel und dem anschließenden ‚Heldenvergleich‘, wie er sich ähnlich im Sigenot oder 2 Eckenlied findet, bildet den typischen Textbeginn für die aventiurehafte Dietrichepik. Wie so oft geht es um die Frage nach der Exzellenz Dietrichs von Bern. Diese Exzellenz – wiewohl zunächst im Herrscherlob bestätigt („sie pristen en vor alle man“, V. 19) – wird (ähnlich wie im Eckenlied) sogleich durch Hildebrand in Frage gestellt, der darauf hinweist, dass Dietrich die Aventiure der Zwerge unbekannt sei. Es geht wieder einmal 3 darum, das Heldentum Dietrichs auszuloten oder besser, das ‚Bild‘/die imago, die Vorstel- lung von dem, was bzw. wer ‚Dietrich‘ sei, zu umkreisen, denn die fama Dietrichs sichert ihm nie einen festen Status, immer wieder keimen Zweifel an seinem Heldentum auf.4 Bei der Frage nach dem ‚Bild‘ Dietrichs von Bern, also der Frage danach, ob die positiven Vorstellungen, die man sich von Dietrich macht, gerechtfertigt sind oder nicht, ist der Laurin ein besonders interessanter Text: Dietrich bekommt es hier mit einem Gegner zu tun, der sich als ein wahrer Meister der ‚Bilder‘ und grandioser Manipula- tor von Vorstellungen entpuppt. Im Folgenden soll gezeigt werden, welche bildsteuernde, imaginationsbeeinflussende Kraft der Zwerg Laurin besitzt und wie sie zur Gefahr für Dietrich und seine Gesellen wird (I.). An das Thema der imaginativen Manipulation anschließend, wird die Handlung des Textes einem ständigen Wechsel von Perspek- tivierungen unterworfen (II.). -
Bart Pushaw for Display in Paris at the World’S Fair That Same Year
Sámi, Indigeneity, and In 1900, the Swedish artist Karl Nordström painted a connection with the natural world, citing the declaration colossal landscape of a place he had never been.1 Unlike of Swedish poet Verner von Heidenstam that “it is the many of his other landscape paintings, this new work was primitive that we city dwellers seek in the rural areas during the Boundaries of Nordic not supposed to be a “landscape of the soul.” Instead, the summer, the primitive and its peace.”3 Large tracts of Nordström was working under the commission of the wilderness and a historically low population density in the National Romanticism Luossavaara-Kiirunavaara Aktiebolag (LKAB), a mining Nordic countries had long fostered an intimate connection company founded in 1890 to extract iron ore from between humankind and the natural world. Only in the northernmost Sweden. His task was to paint a panoramic late nineteenth century did Nordic urbanites consider this view over the pristine, steppe-like landscape of Kiirunavaara relationship under threat from rapid industrialization. Bart Pushaw for display in Paris at the World’s Fair that same year. At the display, Nordström’s painting was encircled by a wooden Nordic peoples and artists sought to reclaim this connection frame bearing the names of the sites of the company’s new with nature by tracing the roots of their character, chiselled mining ventures: Gällivare, Luossavaara, and Kiirunavaara by their resilience in a harsh climate, specifically to their (fig. 1). Below the painting were geological samples of native land. Art historians have routinely argued that while local iron and other minerals found in the region. -
Jordanes and the Invention of Roman-Gothic History Dissertation
Empire of Hope and Tragedy: Jordanes and the Invention of Roman-Gothic History Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Brian Swain Graduate Program in History The Ohio State University 2014 Dissertation Committee: Timothy Gregory, Co-advisor Anthony Kaldellis Kristina Sessa, Co-advisor Copyright by Brian Swain 2014 Abstract This dissertation explores the intersection of political and ethnic conflict during the emperor Justinian’s wars of reconquest through the figure and texts of Jordanes, the earliest barbarian voice to survive antiquity. Jordanes was ethnically Gothic - and yet he also claimed a Roman identity. Writing from Constantinople in 551, he penned two Latin histories on the Gothic and Roman pasts respectively. Crucially, Jordanes wrote while Goths and Romans clashed in the imperial war to reclaim the Italian homeland that had been under Gothic rule since 493. That a Roman Goth wrote about Goths while Rome was at war with Goths is significant and has no analogue in the ancient record. I argue that it was precisely this conflict which prompted Jordanes’ historical inquiry. Jordanes, though, has long been considered a mere copyist, and seldom treated as an historian with ideas of his own. And the few scholars who have treated Jordanes as an original author have dampened the significance of his Gothicness by arguing that barbarian ethnicities were evanescent and subsumed by the gravity of a Roman political identity. They hold that Jordanes was simply a Roman who can tell us only about Roman things, and supported the Roman emperor in his war against the Goths. -
Handschrift B
WW 1/2004 Gerhardt, Kriemhilds Ende 7 Kriemhilds Ende in der ,NibeIungenlied'-Handschrift b Von Christoph Gerhardt I. In der ehemaligen Hundeshagenschen Berliner ,Nibelungenlied'-Handschrift (b) aus Ostschwaben (Augsburg), um 1436 bis 1442,' finden sich zwei Interpolationen. Die eine von ihnen hat in jüngster Zeit einige Aufmerksamkeit auf sich gezogen im Zusam menhang mit der vor kurzem erstmals vollständig veröffentlichten Darmstädter ,Nibe- lungenlied'-Handschrift (n).2 Den Inhalt der 23 Strophen analysiert Göhler ausführlich und zeigt, dass die kurz vor dem endgültigen Burgundenuntergang spielende Szene z.T. bereits Gesagtes variiert, neue Akzente setzt, aber auch ganz neue erzählerische Ele mente bringt, also eine eigenständige Erzählsequenz darstellt. Um die andere Erweite rung ist es vergleichsweise in letzter Zeit ziemlich still geblieben; sie betrifft Kriemhilds Ende.3 Zunächst sei diese ,Nibelungenlied'-Interpolation besprochen, danach soll sie neben weitere vergleichbare Episoden gestellt werden; abschließend will ich eine These über die Herkunft des Zusatzes aufstellen und aus ihr einige allgemeine Bemerkungen ablei ten. 1 S. Bibliographie zum Nibelungenlied und zur Klage v. Willy Krogmann/Ulrich Pretzel, 4. stark erweiterte Aufl. unter redaktioneller Mitarbeit v. Herta Haas/Wolfgang Bachofer (Bibliographien z. dt. Lit. d. Mittelalters 1), Berlin 1966, S. 18f. Zur Problematik der Datierung s. Theodor Abeling, Das Nibelungenlied und seine Literatur. Eine Bibliographie und vier Abhandlungen (Teutonia 7), Leipzig 1907, S. 182. 2 S. Eine spätmittelalterliche Fassung des Nibelungenliedes. Die Handschrift 4257 der Hessischen Landes- und Hochschulbibliothek Darmstadt, hrsg. und eingeleitet von Peter Göhler (Philologica Germanica 21), Wien 1999, bes. S. 18Ff., 160-163; Das Nibelungenlied nach der Handschrift n. Hs. 4257 der Hessischen Landes- und Hochschulbibliothek, hrsg. -
Die Heiligen in Lienhart Scheubels Heldenbuch
Title Die Heiligen in Lienhart Scheubels Heldenbuch Author(s) Terada, Tatsuo Citation メディア・コミュニケーション研究, 65, 1-12 Issue Date 2013-11-01 Doc URL http://hdl.handle.net/2115/53599 Rights(URL) http://creativecommons.org/licenses/by-nc-sa/2.1/jp/ Type bulletin (article) File Information 01_terada.pdf Instructions for use Hokkaido University Collection of Scholarly and Academic Papers : HUSCAP Die Heiligen in Lienhart Scheubels Heldenbuch TERADA Tatsuo 0. Zielsetzung Bei Lienhart Scheubels Heldenbuch (̈Osterreichische Nationalbibliothek, Codex 15478 [im Folgenden als Heldenbuch abgekurzt])handelt es sich um eine um 1480/90 entstandene Sammelhandschrift, die >Virginal (V), >Konig Anteloy, >Ortnit y, >Wolfdietrich y, >Nibelungenlied k und >Lorengel , also uberwiegend Heldenepen, umfasst. Ein wich- tiges Charakteristikum dieser Handschrift ist, dass sie durchgehend von einer Hand geschrieben worden ist. Dies macht es vielleicht leichter moglich, hier dem Schreiber/ Bearbeiter eigentumliche Tendenzen herauszufinden als in vielen anderen Codices, an deren Zustandekommen erwiesenermaßen mehrere, manchmal sogar viele Schreiber beteiligt gewesen sind. Ob ein Phanomen, das im ganzen Heldenbuch zu beobachten ist, allein dem Schreiber/Bearbeiter zuzuschreiben ist,lasst sich freilich schwer―― oder eher nie―― sicher belegen,aber wir mochten von der Annahme ausgehen,dass hier unter der 1 Die vorliegende Studie,die sich als Fortsetzung der Arbeit des Verfassers:Zum Wortschatz in Lienhart Scheubels Heldenbuch. In: Neue Beitrage zur Germanistik 11 (2012) S. 101-114, versteht, ist ein Teilergebnis einer Forschung,die mit Hilfe eines Stipendiums der Japan Society for the Promotion of Science (Grant-in-Aid for Scientific Research (C)(2), Project-No. 23520358)durchgefuhrt wird. 2 Ausgaben:>Virginal :Dietrichs erste Ausfahrt. Hrsg. -
History Or Fiction? Truth-Claims and Defensive Narrators in Icelandic Romance-Sagas
History or fiction? Truth-claims and defensive narrators in Icelandic romance-sagas RALPH O’CONNOR University of Aberdeen Straining the bounds of credibility was an activity in which many mediaeval Icelandic saga-authors indulged. In §25 of Göngu-Hrólfs saga, the hero Hrólfr Sturlaugsson wakes up from an enchanted sleep in the back of beyond to find both his feet missing. Somehow he manages to scramble up onto his horse and find his way back to civilisation – in fact, to the very castle where his feet have been secretly preserved by his bride-to-be. Also staying in that castle is a dwarf who happens to be the best healer in the North.1 Hann mælti: ‘… skaltu nú leggjast niðr við eldinn ok baka stúfana.’ Hrólfr gerði svâ; smurði hann þá smyrslunum í sárin, ok setti við fætrna, ok batt við spelkur, ok lèt Hrólf svâ liggja þrjár nætr. Leysti þá af umbönd, ok bað Hrólf upp standa ok reyna sik. Hrólfr gerði svâ; voru honum fætrnir þá svâ hægir ok mjúkir, sem hann hefði á þeim aldri sár verit. ‘He said, … “Now you must lie down by the fire and warm the stumps”. ‘Hrólfr did so. Then he [the dwarf] applied the ointment to the wounds, placed the feet against them, bound them with splints and made Hrólfr lie like that for three nights. Then he removed the bandages and told Hrólfr to stand up and test his strength. Hrólfr did so; his feet were then as efficient and nimble as if they had never been damaged.’2 This is rather hard to believe – but our scepticism has been anticipated by the saga-author. -
Sidelights on Teutonic History During the Migration Period
SIDELIGHTS ON TEUTONIC HISTORY DURING THE MIGRATION PERIOD M. G. CLARKE ^=00 ICO 'CO GIRTON COLLEGE STUDIES No, III GIRTON COLLEGE STUDIES EDITED BY LILIAN KNOWLES, LITT.D., READER IN ECONOMIC HISTORY IN THE UNIVERSITY OP LONDON No. 3 SIDELIGHTS ON TEUTONIC HISTORY DURING THE MIGRATION PERIOD CAMBEIDGE UNIVERSITY PEESS Edition: FETTER LANE, E.G. C. F. CLAY, MANAGER 100, PRINCES STREET Btrlin : A. ASHER AND CO. leipjifi: F. A. BROCKHAUS #efo 8orh: G. P. PUTNAM'S SONS Bambap. anH Calcutta : MACMILLAN AND CO., LTD. All rights reserved SIDELIGHTS ON TEUTONIC HISTORY DURING THE MIGRATION PERIOD BEING BY M. G. CLARKE, M.A. Cambridge : SEEN BY at the University F ress 1 PRESERVATION 191 SERVICES \\ PR SI PRINTED BY JOHN CLAY, M.A. AT THE UNTVEKSITY PRESS PREFACE following chapters are the outcome of two periods THEof stud}7 undertaken during the tenure of research scholarships awarded by Girton College, and form an attempt to discover the amount of historical truth under lying the allusions to persons and events in the Old English heroic poems. The essay deals with an aspect of these poems, which I has not, so far as know, been treated systematically by- anyone who has previously written on the subject. Thus, in the absence of any model, I have had to work on independent lines, especially as regards the grouping and arrangement of different traditions, and the method of discussion followed in the several chapters. The actual arrangement has been adopted for convenience of discus sion, according to the nationality of the persons concerned, except in cases where a particular section forms a complete epic narrative with a personal (as opposed to a national) interest of its own: in these cases the tradition has been discussed under the heading of the poem in which it is contained, or that of the character round whom the narrative centres.