Phonemic Conversion As the Ideal Romanization Scheme for Hebrew
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Structure and Meaning in Lamentations Homer Heater Liberty University, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Liberty University Digital Commons Liberty University DigitalCommons@Liberty University Liberty Baptist Theological Seminary and Graduate Faculty Publications and Presentations School 1992 Structure and Meaning in Lamentations Homer Heater Liberty University, [email protected] Follow this and additional works at: http://digitalcommons.liberty.edu/lts_fac_pubs Part of the Biblical Studies Commons, Comparative Methodologies and Theories Commons, Ethics in Religion Commons, History of Religions of Eastern Origins Commons, History of Religions of Western Origin Commons, Other Religion Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Recommended Citation Heater, Homer, "Structure and Meaning in Lamentations" (1992). Faculty Publications and Presentations. Paper 283. http://digitalcommons.liberty.edu/lts_fac_pubs/283 This Article is brought to you for free and open access by the Liberty Baptist Theological Seminary and Graduate School at DigitalCommons@Liberty University. It has been accepted for inclusion in Faculty Publications and Presentations by an authorized administrator of DigitalCommons@Liberty University. For more information, please contact [email protected]. Structure and Meaning in Lamentations Homer Heater, Jr. Professor of Bible Exposition Dallas Theological Seminary, Dallas, Texas Lamentations is perhaps the best example in the Bible of a com bination of divine inspiration and human artistic ability. The depth of pathos as the writer probed the suffering of Zion and his own suf fering is unprecedented. Each chapter is an entity in itself, a com plete poem.1 The most obvious literary device utilized by the poet is the acrostic; that is, poems are built around the letters of the alpha bet. -
Yiddish Diction in Singing
UNLV Theses, Dissertations, Professional Papers, and Capstones May 2016 Yiddish Diction in Singing Carrie Suzanne Schuster-Wachsberger University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Language Description and Documentation Commons, Music Commons, Other Languages, Societies, and Cultures Commons, and the Theatre and Performance Studies Commons Repository Citation Schuster-Wachsberger, Carrie Suzanne, "Yiddish Diction in Singing" (2016). UNLV Theses, Dissertations, Professional Papers, and Capstones. 2733. http://dx.doi.org/10.34917/9112178 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. YIDDISH DICTION IN SINGING By Carrie Schuster-Wachsberger Bachelor of Music in Vocal Performance Syracuse University 2010 Master of Music in Vocal Performance Western Michigan University 2012 -
Torah from JTS Worship, JTS
Exploring Prayer :(בלה תדובע) Service of the Heart This week’s column was written by Rabbi Samuel Barth, senior lecturer in Liturgy and Torah from JTS Worship, JTS. Simhat Torah: Which Way When the Circle Ends Bereishit 5774 The annual celebration of Simhat Torah brings great joy to so many of us of all generations, and it is a fitting and triumphant conclusion to the long and multifaceted season of intense Jewish observance and focus that began (a little before Rosh Hashanah) with Selichot. In Israel and in congregations observing a single day of festivals, Simhat Torah is blended with Shemini Atzeret, offering the intense experience in the morning of Hallel, Hakkafot (processions with dancing) and Geshem (the prayer for Rain). At the morning service of Simhat Torah there are four linked biblical readings (three from the Parashah Commentary Torah), and the relationship among them invites us to think about the flow of sacred text in a multidimensional context. The first reading is Vezot HaBrakha, the last chapters of Deuteronomy This week’s commentary was written by Dr. David Marcus, professor of Bible, containing the final blessings from Moses to the community—and the account of the death of Moses, alone with God on Mount Nebo. To receive the final aliyah after everyone else present JTS. has been called to the Torah is considered a great honor, and the person with this honor is called up with a special formula (a short version is presented in Siddur Sim Shalom for Shabbat Bereishit with a Capital Bet and Festivals, 215) that affirms, “May it be the will of the One Most Powerful to grant abundant blessings to [insert the name of the one called] who has been chosen to complete the Torah.” With this week’s parashah, we once again commence the cycle of reading the Torah from the first chapter of Genesis, which begins with the Hebrew word bereishit. -
ב Bet ה Heh ו Vav ט Tet י Yod ך מ Mem ם
Exercise 1A: Writing the Hebrew Square Script Using the examples at the right, practice writing out the Hebrew characters on the lines provided for you. Be sure to accurately reflect the position of the letter in relation to the base line. Boxes are used to indicate final forms. Letter Name aleph א aleph bet ב bet gimel ג gimel dalet ד dalet heh ה heh vav ו vav zayin ז zayin .het ח ḥet tet ט tet yod י kaph כ yod ך kaph final kaph lamed ל mem מ lamed ם mem 3 Exercise 1A: Writing tHe Hebrew SquAre Script final mem Letter Name nun נ ן nun final nun samek ס samek ayin ע pe פ ayin ף pe final pe tsade צ ץ tsade final tsade qoph ק qoph resh ר resh שׂ sin sin shin ׁש shin tav ת tav NAme: __________________________________________________ Exercise 1A: Writing tHe Hebrew SquAre Script 4 Exercise 1B: Reading Proper Names In this exercise you will practice identifying the Hebrew consonants by reading familiar proper names. Write the English name in the space to the left of the Hebrew name. Since the alphabet has no vowels, you will have to provide vowel sounds to recognize each word. Start by trying an “a” vowel between each con- sonant. The “a” vowel is the most common vowel in Hebrew and, while it will not always be the correct one, it should help you recognize these names. לבן Laban יעקב אסתר אברהם עבדיה יצחק יחזקאל יׂשראל דוד רבקה נחמיה נבכדנאזר ירבעם ירדן מרדכי מׁשה דברה גלית יׁשמעאל עׂשו 5 Exercise 1B: ReAding Proper NAmes Exercise 1C: Hebrew Cursive (Optional) Using the examples shown, practice writing out the cursive Hebrew characters on the lines provided for you. -
A Very Virtual Holiday
A Very Virtual Holiday HOW TO PLAY DREIDEL A GAME PLAYED DURING THE JEWISH FESTIVAL OF LIGHTS, MEANING “TURN AROUND” MATERIALS NEEDED To play you’ll need a special top, called a dreidel, as well as several game pieces which can be poker chips, chocolate pieces, pennies or anything else you would like to use. Here is a link you can follow for how to make a dreidel at home using a sheet of paper and a pencil: https://youtu.be/TheEkZetsRI WHAT DO THE LETTERS ON THE DREIDEL STAND FOR? Each Hebrew letter on the dreidel stands for a word in the phrase “nes gadol haya sham,” meaning “a great miracle happened there.” This refers to the miracle of one day’s worth of oil lasting for eight days, which is why we celebrate Hanukkah today. If you find yourself playing dreidel in Israel you’ll notice that one letter is different, as “a great miracle happened here.” Below is a quick guide to each letter on the dreidel. Letter Name Dreidel Word Game Action Nun Nes Nothing happens “miracle” Gimmel Gadol Get everything in pot “great” Hey Haya Half of pot is yours (if odd number take ½+1) “happened” Shin Sham Shame! You must put 1 back into the pot. “there” HOW TO PLAY 1. To start the game, everyone gets 20 game pieces (feel free to change the amount depending on how long you want to play). 2. Each player puts 4 game pieces into the middle to create the pot. 3. Each player takes turns spinning the dreidel. -
The Ogham-Runes and El-Mushajjar
c L ite atu e Vo l x a t n t r n o . o R So . u P R e i t ed m he T a s . 1 1 87 " p r f ro y f r r , , r , THE OGHAM - RUNES AND EL - MUSHAJJAR A D STU Y . BY RICH A R D B URTO N F . , e ad J an uar 22 (R y , PART I . The O ham-Run es g . e n u IN tr ating this first portio of my s bj ect, the - I of i Ogham Runes , have made free use the mater als r John collected by Dr . Cha les Graves , Prof. Rhys , and other students, ending it with my own work in the Orkney Islands . i The Ogham character, the fair wr ting of ' Babel - loth ancient Irish literature , is called the , ’ Bethluis Bethlm snion e or , from its initial lett rs, like “ ” Gree co- oe Al hab e t a an d the Ph nician p , the Arabo “ ” Ab ad fl d H ebrew j . It may brie y be describe as f b ormed y straight or curved strokes , of various lengths , disposed either perpendicularly or obliquely to an angle of the substa nce upon which the letters n . were i cised , punched, or rubbed In monuments supposed to be more modern , the letters were traced , b T - N E E - A HE OGHAM RU S AND L M USH JJ A R . n not on the edge , but upon the face of the recipie t f n l o t sur ace ; the latter was origi al y wo d , s aves and tablets ; then stone, rude or worked ; and , lastly, metal , Th . -
L2/20-246 Teeth and Bellies: a Proposed Model for Encoding Book Pahlavi
L2/20-246 Teeth and bellies: a proposed model for encoding Book Pahlavi Roozbeh Pournader (WhatsApp) September 7, 2020 Background In Everson 2002, a proposal was made to encode a unified Avestan and Pahlavi script in the Unicode Standard. The proposal went through several iterations, eventually leading to a separate encoding of Avestan as proposed by Everson and Pournader 2007a, in which Pahlavi was considered non-unifiable with Avestan due to its cursive joining property. The non-cursive Inscriptional Pahlavi (Everson and Pournader 2007b) and the cursive Psalter Pahlavi (Everson and Pournader 2011) were later encoded too. But Book Pahlavi, despite several attempts (see the Book Pahlavi Topical Document list at https://unicode.org/L2/ topical/bookpahlavi/), remains unencoded. Everson 2002 is peculiar among earlier proposals by proposing six Pahlavi archigraphemes, including an ear, an elbow, and a belly. I remember from conversations with Michael Everson that he intended these to be used for cases when a scribe was just copying some text without understanding the underlying letters, considering the complexity of the script and the loss of some of its nuances to later scribes. They could also be used when modern scholars wanted to represent a manuscript as written, without needing to over-analyze potentially controversial readings. Meyers 2014 takes such a graphical model to an extreme, trying to encode pieces of the writing system, most of which have some correspondence to letters, but with occasional partial letters (e.g. PARTIAL SHIN and FINAL SADHE-PARTIAL PE). Unfortunately, their proposal rejects joining properties for Book Pahlavi and insists that “[t]he joining behaviour of the final stems of the characters in Book Pahlavi is more similar to cursive variants of Latin than to Arabic”. -
Sc22/Wg20 N860
Final Draft for CEN CWA: European Culturally Specific ICT Requirements 1 2000-10-31 SC22/WG20 N860 Draft CWA/ESR:2000 Cover page to be supplied. Final Draft for CEN CWA: European Culturally Specific ICT Requirements 2 2000-10-31 Table of Contents DRAFT CWA/ESR:2000 1 TABLE OF CONTENTS 2 FOREWORD 3 INTRODUCTION 4 1 SCOPE 5 2 REFERENCES 6 3 DEFINITIONS AND ABBREVIATIONS 6 4 GENERAL 7 5 ELEMENTS FOR THE CHECKLIST 8 5.1 Sub-areas 8 5.2 Characters 8 5.3 Use of special characters 10 5.4 Numbers, monetary amounts, letter written figures 11 5.5 Date and time 12 5.6 Telephone numbers and addresses, bank account numbers and personal identification 13 5.7 Units of measures 14 5.8 Mathematical symbols 14 5.9 Icons and symbols, meaning of colours 15 5.10 Man-machine interface and Culture related political and legal requirements 15 ANNEX A (NORMATIVE) 16 Final Draft for CEN CWA: European Culturally Specific ICT Requirements 3 2000-10-31 FOREWORD The production of this document which describes European culturally specific requirements on information and communications technologies was agreed by the CEN/ISSS Workshop European Culturally Specific ICT Requirements (WS-ESR) in the Workshop’s Kick-Off meeting on 1998-11-23. The document has been developed through the collaboration of a number of contributing partners in WS-ESR. WS- ESR representation gathers a wide mix of interests, coming from academia, public administrations, IT-suppliers, and other interested experts. The present CWA (CEN Workshop Agreement) has received the support of representatives of each of these sectors. -
A Könyvtárüggyel Kapcsolatos Nemzetközi Szabványok
A könyvtárüggyel kapcsolatos nemzetközi szabványok 1. Állomány-nyilvántartás ISO 20775:2009 Information and documentation. Schema for holdings information 2. Bibliográfiai feldolgozás és adatcsere, transzliteráció ISO 10754:1996 Information and documentation. Extension of the Cyrillic alphabet coded character set for non-Slavic languages for bibliographic information interchange ISO 11940:1998 Information and documentation. Transliteration of Thai ISO 11940-2:2007 Information and documentation. Transliteration of Thai characters into Latin characters. Part 2: Simplified transcription of Thai language ISO 15919:2001 Information and documentation. Transliteration of Devanagari and related Indic scripts into Latin characters ISO 15924:2004 Information and documentation. Codes for the representation of names of scripts ISO 21127:2014 Information and documentation. A reference ontology for the interchange of cultural heritage information ISO 233:1984 Documentation. Transliteration of Arabic characters into Latin characters ISO 233-2:1993 Information and documentation. Transliteration of Arabic characters into Latin characters. Part 2: Arabic language. Simplified transliteration ISO 233-3:1999 Information and documentation. Transliteration of Arabic characters into Latin characters. Part 3: Persian language. Simplified transliteration ISO 25577:2013 Information and documentation. MarcXchange ISO 259:1984 Documentation. Transliteration of Hebrew characters into Latin characters ISO 259-2:1994 Information and documentation. Transliteration of Hebrew characters into Latin characters. Part 2. Simplified transliteration ISO 3602:1989 Documentation. Romanization of Japanese (kana script) ISO 5963:1985 Documentation. Methods for examining documents, determining their subjects, and selecting indexing terms ISO 639-2:1998 Codes for the representation of names of languages. Part 2. Alpha-3 code ISO 6630:1986 Documentation. Bibliographic control characters ISO 7098:1991 Information and documentation. -
Psalm 119 & the Hebrew Aleph
Psalm 119 & the Hebrew Aleph Bet - Part 14 The fourteenth letter of the Hebrew alphabet is called “Nun” (pronounced “noon”) and has the sound of “N” as in “now”. It has the numeric value of 50, the number of the Jubilee. There are two ways to write a Nun. A Nun appearing at the end of a word (sofit) looks like a Vav, but is longer, extending below the baseline. A regular Nun looks much like the Kaph, but is half its width. The Nun stands for FISH. In modern Hebrew, the letter Nun can appear in three forms: Writing the Letter: Nun – The Nun is half as wide as the Kaph Nun: Letter of Faithfulness Nun represents both faithfulness and the reward for faithfulness. Moses is seen as the iconic humble servant of Yahweh. The word “Nun” itself is spelled Nun-Vav-(final) Nun and looks as follows: The one who is humble before God will stand upright in the final Day. In the olam hazeh (present life), this means that the tzaddik (righteous man) will simultaneously affirm: “I am nothing but dust.” Humble yourself in the sight of Yahweh, and He shall lift you up (James 4:10). Nun Study Page 1 Spiritual Meaning of the Nun Nun = 50 and means “FISH” of Yahweh or “The SAVED”. Our Messiah could be called “The Chief FISHERMAN.” He told His disciples that He would make them “FISHERS of men”, (Mark 1:17). Like a FLOURISHING, darting school of FISH that continues to propagate, our Saviour’s Love causes us to multiply and grow in numbers as we share Him with others. -
Psalms 119 & the Hebrew Aleph
Psalms 119 & the Hebrew Aleph Bet - Part 17 The seventeenth letter of the Hebrew alphabet is called “Pey” (sounds like “pay”). It has the sound of “p” as in “park”. Pey has the numeric value of 80. In modern Hebrew, the letter Pey can appear in three forms: Writing the Letter: Pey Note: Most people draw the Pey in two strokes, as shown. The dot, or “dagesh” mark means the pey makes the “p” sound, as in “park”. Note: The sole difference between the letter Pey and the letter Fey is the presence or absence of the dot in the middle of the letter (called a dagesh mark). When you see the dot in the middle of this letter, pronounce it as a "p"; otherwise, pronounce it as "ph" (or “f”). Five Hebrew letters are formed differently when they appear as the last letter of a word (these forms are sometimes called "sofit" (pronounced "so-feet") forms). Fortunately, the five letters sound the same as their non-sofit cousins, so you do not have to learn any new sounds (or transliterations). The Pey (pronounced “Fey” sofit has a descending tail, as shown on the left. Pey: The Mouth, or Word The pictograph for Pey looks something like a mouth, whereas the classical Hebrew script (Ketav Ashurit) is constructed of a Kaf with an ascending Yod: Notice the “hidden Bet” within the letter Pey. This shape of the letter is required when a Torah scribe writes Torah scrolls, or mezzuzahs. From the Canaanite pictograph, the letter morphed into the Phoenician ketav Ivri, to the Greek letter (Pi), which became the Latin letter “P.” means “mouth” and by extension, “word,” “expression,” “vocalization,” and “speech”. -
Weekly Torah Gatherings
This Shabbat, March 13th, is Shabbat HaChodesh -- the next is Shabbat HaGadol (the Shabbat immediately preceding Passover) For March 13th / Shabbat HaChodesh takes place on the Shabbat (שבת החודש "Shabbat HaChodesh ("Sabbath [of the] month immediately preceding the first Shabbat of the Hebrew month of Nisan. • The Hebrew month of Nisan is the month in which Passover is celebrated. It was formerly known in the Torah as the month of Aviv and was renamed by it's Babylonian name when the Jews were in Babylonia during the first major exile of the Jewish people (either from 597BCE/586BCE to roughly 500ish BCE). Still it remains the month of Aviv, named originally for the time of 'maturing barley grains readying for harvest' = the name of ‘Aviv.' • Aviv/Nisan also roughly corresponds to an ancient Egyptian month of the 'Goat' (an eponymous and sacred symbol of ancient Egypt -- which if you take note the Zodiac, you will see this represented by the symbol and time period of Aries). The special Torah reading of Exodus 12:1-20 (corresponding to the weekly parshiyot from Parashat Bo) which clearly spells out the original preparation and enactment of the original Passover Seder. Important calendrical note: On the first day of the month of Nisan, the Israelites are presented with the first commandment of how to "sanctify the new moon" (also referred to as 'kiddush hachodesh'). This formally signifies the beginning of the new moon of Aviv not only as a 'Rosh Chodesh' but also as the beginning month of the entire (Jewish) year. Yes, it was the first Rosh Hashanah! For March 20th / Shabbat HaGadol is the Shabbat (שבת הגדול Shabbat HaGadol (roughly translated as the "Great Shabbat" or immediately before Passover.