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Capitalizing on My African American Christian Heritage in the Cultivation
Masthead Logo Digital Commons @ George Fox University Doctor of Ministry Theses and Dissertations 2-1-2019 Capitalizing on my African American Christian Heritage in the Cultivation of Spiritual Formation and Contemplative Spiritual Disciplines Claire Appiah [email protected] This research is a product of the Doctor of Ministry (DMin) program at George Fox University. Find out more about the program. Recommended Citation Appiah, Claire, "Capitalizing on my African American Christian Heritage in the Cultivation of Spiritual Formation and Contemplative Spiritual Disciplines" (2019). Doctor of Ministry. 288. https://digitalcommons.georgefox.edu/dmin/288 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Digital Commons @ George Fox University. It has been accepted for inclusion in Doctor of Ministry by an authorized administrator of Digital Commons @ George Fox University. For more information, please contact [email protected]. GEORGE FOX UNIVERSITY CAPITALIZING ON MY AFRICAN AMERICAN CHRISTIAN HERITAGE IN THE CULTIVATION OF SPIRITUAL FORMATION AND CONTEMPLATIVE SPIRITUAL DISCIPLINES A DISSERTATION SUBMITTED TO THE FACULTY OF PORTLAND SEMINARY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF MINISTRY BY CLAIRE APPIAH PORTLAND, OREGON FEBRUARY, 2019 Portland Seminary George Fox University Portland, Oregon CERTIFICATE OF APPROVAL ________________________________ DMin Dissertation ________________________________ This is to certify that the DMin Dissertation of Claire Appiah has been approved by the Dissertation Committee on February 21, 2019 for the degree of Doctor of Ministry in Leadership and Global Perspectives Dissertation Committee: Primary Advisor: Clifford Berger, DMin Secondary Advisor: Carlos Jermaine Richard, DMin Lead Mentor: Jason Clark, PhD, DMin Expert Advisor: Clifford Berger, DMin Copyright © 2019 by Claire Appiah All rights reserved All quotations from the Bible are from the King James Version. -
Film, Television and Video Productions Featuring Brass Bands
Film, Television and Video productions featuring brass bands Gavin Holman, October 2019 Over the years the brass bands in the UK, and elsewhere, have appeared numerous times on screen, whether in feature films or on television programmes. In most cases they are small appearances fulfilling the role of a “local” band in the background or supporting a musical event in the plot of the drama. At other times band have a more central role in the production, featuring in a documentary or being a major part of the activity (e.g. Brassed Off, or the few situation comedies with bands as their main topic). Bands have been used to provide music in various long-running television programmes, an example is the 40 or more appearances of Chalk Farm Salvation Army Band on the Christmas Blue Peter shows on BBC1. Bands have taken part in game shows, provided the backdrop for and focus of various commercial advertisements, played bands of the past in historical dramas, and more. This listing of 450 entries is a second attempt to document these appearances on the large and small screen – an original list had been part of the original Brass Band Bibliography in the IBEW, but was dropped in the early 2000s. Some overseas bands are included. Where the details of the broadcast can be determined (or remembered) these have been listed, but in some cases all that is known is that a particular band appeared on a certain show at some point in time - a little vague to say the least, but I hope that we can add detail in future as more information comes to light. -
SACRED MUSIC Fall 2003 Volume 130 No.3
SACRED MUSIC Fall 2003 Volume 130 No.3 - ...... ~ . _0- -~'f'. ........ --. -, -. -~- . Aerial View. St. Peter's and Piazza, Rome Renaissance-Baroque. 1506-1668. Chief Architects: Bramante, Michelangelo, Maderna, Bernini SACRED MUSIC Volume 130, Number 3, Fall 2003 FROM THE EDITOR 3 THE CHANTS OF THE PROPRIUM MISSAE versus ALIUS CANTUS APTUS 5 Professor Laszlo Dobszay REVIEWS 27 OPEN FORUM 28 NEWS 28 CONTRIBUTORS 32 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of Publication: 134 Christendom Drive, Front Royal, VA 22630-5103. E-mail: [email protected] Editorial Assistant: Christine Collins News: Kurt Poterack Music for Review: Calvert Shenk, Sacred Heart Major Seminary, 2701 West Chicago Blvd., Detroit, MI 48206 Susan Treacy, Dept. of Music, Franciscan University, Steubenville, OH 43952-6701 Membership, Circulation and Advertising: P.O. Box 960, Front Royal, VA 22630 CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Father Robert Skeris Vice- President Father Robert Pasley General Secretary Rosemary Reninger Treasurer Vincent Sly Directors Rev. Ralph S. March, S.O. Cist. Kurt Poterack Father Robert Pasley Paul F. Salumunovich Rosemary Reninger Brian Franck Rev. Robert A. Skeris Calvert Shenk Susan Treacy Ralph Stewart Monsignor Richard Schuler Vincent Sly Stephen Becker Membership in the Church Music Association of America includes a subscription to SACRED MUSIC. Membership is $30.00 annually; student membership is $15.00 annually. Single copies are $7.50. Send applications and changes of address to SACRED MUSIC, P.O. -
Contemporary Christian Music and Oklahoma
- HOL Y ROCK 'N' ROLLERS: CONTEMPORARY CHRISTIAN MUSIC AND OKLAHOMA COLLEGE STUDENTS By BOBBI KAY HOOPER Bachelor of Science Oklahoma State University Stillwater, Oklahoma 1993 Submitted to the Faculty of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE August, 2003 HOLY ROCK 'N' ROLLERS: CONTEMPORARY CHRISTIAN MUSIC AND OKLAHOMA COLLEGE STUDENTS Thesis Approved: ------'--~~D...e~--e----- 11 ACKNOWLEDGEMENTS My sincere appreciation goes out to my adviser. Dr. Jami A. Fullerton. for her insight, support and direction. It was a pleasure and privilege to work with her. My thanks go out to my committee members, Dr. Stan Kerterer and Dr. Tom Weir. ""hose knowledge and guidance helped make this publication possible. I want to thank my friend Matt Hamilton who generously gave of his time 10 act as the moderator for all fOUf of the focus groups and worked with me in analyzing the data. ] also want to thank the participants of this investigation - the Christian college students who so willingly shared their beliefs and opinions. They made research fun r My friends Bret and Gina r.uallen musl nlso be recognii'_cd for introducing me !(l tbe depth and vitality ofChrislian music. Finally. l must also give thanks to my parents. Bohby and Helen Hoopc,;r. whose faith ,md encouragement enabled me to see the possibilities and potential in sitting down. 111 - TABLE OF CONTENTS Chapter Page 1. INTRODUCTION Overview ofThesis Research Problem 3 Justification Definition ofTerms 4 [I. LITERATURE REVIEW 5 Theoretical Framework 6 Uses and Gratifications 6 Media Dependency 7 Tuning In: Popular Music Uses and Gratifications 8 Bad Music, Bad Behavior: Effects of Rock Music 11 The Word is Out: Religious Broadcasting 14 Taking Music "Higher": ('eM 17 Uses & Gratifications applied to CCM 22 111. -
About the Association of Christian Broadcasters and Christian Community Broadcasting
Submission from Association of Christian Broadcasters Inquiry into Community Broadcasting 1. The scope and role of Australian community broadcasting across radio, television, the internet and other broadcasting technologies; About the Association of Christian Broadcasters and Christian Community Broadcasting Whoever controls the media, controls the mind. Jim Morrison The media is too concentrated, too few people own too much. There's really five companies that control 90 percent of what we read, see and hear. It's not healthy. Ted Turner For better or for worse, our company (The News Corporation Ltd.) is a reflection of my thinking, my character, my values. Rupert Murdoch History will have to record that the greatest tragedy of this period of social transition was not the strident clamour of the bad people, but the appalling silence of the good people. Martin Luther King, Jr. Christian Broadcasting is often one of the few voices that present alternative viewpoints to those expressed in the other media. Christianity has a proven track record for having a positive influence on western society (hospitals, education, basis of government and the law) and we believe that Community Christian Broadcasting is an important and dynamic sector. There are a number of sub-sectors of community broadcasting, who each have special needs and cultural sensitivities. These are RPH, Indigenous, and Ethnic. Each of these make up a very small portion, in both numbers Association of Christian Broadcasters submission March Page 1 of stations and audience of the total sector. However, due to the argued special needs of these sectors they now enjoy significant government funding which the Association of Christian Broadcasters supports and would like to see increased. -
Gregorian Chant
GREGORIAN CHANT GREGORIAN CHANT A TEXTBOOK FOR SEMINARIES, NOVITIATES AND SECONDARY SCHOOLS by REV. ANDREW F. KLARMANN Published by GREGORIAN INSTITUTE OF AMERICA TOLEDO, OHIO Imprimatur *MOST REV. THOMAS E. MOLLOY, S.T.D. Bishop of Brooklyn Nihil Obstat REV. JOHN F. DONOVAN Censor Librorum JANUARY 27, 1945 Desclee and Company of Tournai, Belgium, has granted permission to the author to use the rhythmic marks in this textbook. COPYRIGHT, 1945. BY GREGORIAN INSTITUTE PRINTED IN U.S.A. ALL RIGHTS RESERVED Dedicated to MOST REVEREND THOMAS E. MOLLOY BISHOP OF BROOKLYN FOREWORD In the following pages Father Klarmann presents a clear, orderly, systematic treatment of liturgical chant. At the very beginning of his treatise he provides an explanation of certain fundamental terms, such as notation, signs, rhythm, chant structure, etc., which is very serviceable in preparing the reader for the fuller development of the general theme in the sub- sequent chapters of this book. With the same thought and purpose the author more particu- larly gives an early definition of the chief subject of discussion, namely, chant, which he defines, in the usually accepted sense, as liturgical music in the form of plain song, which is monophonic, unaccompanied and free in rhythm. Very interestingly also chant structure is explained. The author then proceeds to record the his- torical development of chant at least in its salient features. It is readily understood of course that the Infant Church could not promote a notable advancement in liturgical music during the period of ruthless persecution. And still it seems quite certain that even in the catacombs hymns were used in connection with religious worship. -
Gospel with a Groove
Southeastern University FireScholars Selected Honors Theses Spring 4-28-2017 Gospel with a Groove: A Historical Perspective on the Marketing Strategies of Contemporary Christian Music in Relation to its Evangelistic Purpose with Recommendations for Future Outreach Autumn E. Gillen Southeastern University - Lakeland Follow this and additional works at: http://firescholars.seu.edu/honors Part of the Christianity Commons, Liturgy and Worship Commons, Marketing Commons, Music Commons, and the Practical Theology Commons Recommended Citation Gillen, Autumn E., "Gospel with a Groove: A Historical Perspective on the Marketing Strategies of Contemporary Christian Music in Relation to its Evangelistic Purpose with Recommendations for Future Outreach" (2017). Selected Honors Theses. 76. http://firescholars.seu.edu/honors/76 This Thesis is brought to you for free and open access by FireScholars. It has been accepted for inclusion in Selected Honors Theses by an authorized administrator of FireScholars. For more information, please contact [email protected]. GOSPEL WITH A GROOVE: A HISTORICAL PERSPECTIVE ON THE MARKETING STRATEGIES OF CONTEMPORARY CHRISTIAN MUSIC IN RELATION TO ITS EVANGELISTIC PURPOSE WITH RECOMMENDATIONS FOR FUTURE OUTREACH by Autumn Elizabeth Gillen Submitted to the Honors Program Committee in partial fulfillment of the requirements for University Honors Scholars Southeastern University 2017 GOSPEL WITH A GROOVE 2 Copyright by Autumn Elizabeth Gillen 2017 GOSPEL WITH A GROOVE 3 Abstract Contemporary Christian Music (CCM) is an effective tool for the evangelism of Christianity. With its origins dating back to the late 1960s, CCM resembles musical styles of popular-secular culture while retaining fundamental Christian values in lyrical content. This historical perspective of CCM marketing strategies, CCM music television, CCM and secular music, arts worlds within CCM, and the science of storytelling in CCM aims to provide readers with the context and understanding of the significant role that CCM plays in modern-day evangelism. -
Contemporary Christian Radio Web Sites
CONTEMPORARY CHRISTIAN RADIO WEB SITES: A USES AND GRATIFICATIONS STUDY By JOSHUA MARK BENTLEY Bachelor of Science John Brown University Siloam Springs, Arkansas 2002 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE May, 2010 CONTEMPORARY CHRISTIAN RADIO WEB SITES: A USES AND GRATIFICATIONS STUDY Thesis Approved: Dr. Jami A. Fullerton Thesis Adviser Dr. Stan Ketterer Dr. Lori McKinnon Dr. A. Gordon Emslie Dean of the Graduate College ii ACKNOWLEDGMENTS Dr. Jami Fullerton, my advisor, guided me through the process of writing this thesis. Without her encouragement and advice I would not have been able to complete it. I am deeply grateful to her. Dr. Stan Ketterer and Dr. Lori McKinnon, my other committee members, provided invaluable feedback. Dr. Ketterer's notes on factor analysis were particularly helpful. This study would not have been possible without the radio stations that agreed to participate. I appreciate the staff and management of these stations. My wife Kassandra has endured my long hours and messy office with patience and good humor. She has provided me with the moral and financial support to continue my education. Anything I have accomplished is because of her. To each person who has been involved in this process, you have my heartfelt thanks. iii TABLE OF CONTENTS Chapter Page I. INTRODUCTION ......................................................................................................1 The Rise of Contemporary -
1 Contemporary Chrstian Music: Transforming
CONTEMPORARY CHRSTIAN MUSIC: TRANSFORMING CHRISTIAN EXPERIENCE AND IDENTITY By BRITTANY E. CHASE A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC UNIVERSITY OF FLORIDA 2013 1 © 2013 Brittany E. Chase 2 I dedicate this thesis to my parents, who have been unconditionally loving and compassionate throughout my entire academic career. I could not have succeeded without your continuous prayers and encouragement, and I am truly blessed to have you in my life. 3 ACKNOWLEDGMENTS The completion of this thesis would not have been possible without the help of many important people. To my academic advisor and committee chair, Larry Crook, I thank you for your patience, encouragement, and support of my research interests throughout this entire process. I am immensely grateful for your constant kindness and compassion since I arrived at the University of Florida, and I thank you for believing in my ability to succeed and expressing your pride in my work and in me. I could not have accomplished this without your help and guidance. To my committee member, Silvio dos Santos, I thank you for your time and mentoring, and I sincerely appreciate your investment in my future and academic career. I thank my other professors at the University of Florida, Jennifer Thomas, Margaret Butler, Michael Deall, and Rosana Resende, who have fostered my intellectual and musical growth. I have many informants to thank for their honest and open participation in the interviews for this project. I thank Anyerin Drury and Adam Vodicka for sharing the visions of their respective churches, as well as Erica Scarano, Brett McCollum, and Brian Biederman, for taking the time to share their experiences. -
An Examination of Contemporary Christian Music Success Within Mainstream Rock and Country Billboard Charts Megan Marie Carlan
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 8-21-2019 An Examination of Contemporary Christian Music Success Within Mainstream Rock and Country Billboard Charts Megan Marie Carlan Follow this and additional works at: https://digitalcommons.pace.edu/honorscollege_theses Part of the Music Business Commons An Examination of Contemporary Christian Music Success Within Mainstream Rock and Country Billboard Charts By Megan Marie Carlan Arts and Entertainment Management Dr. Theresa Lant Lubin School of Business August 21, 2019 Abstract Ranging from inspirational songs void of theological language to worship music imbued with overt religious messages, Contemporary Christian Music (CCM) has a long history of being ill-defined. Due to the genre’s flexible nature, many Christian artists over the years have used vague imagery and secular lyrical content to find favor among mainstream outlets. This study examined the most recent ten-year period of CCM to determine its ability to cross over into the mainstream music scene, while also assessing the impact of its lyrical content and genre on the probability of reaching such mainstream success. For the years 2008-2018, Billboard data were collected for every Christian song on the Hot 100, Hot Rock Songs, or Hot Country Songs in order to detect any noticeable trend regarding the rise or fall of CCM; each song then was coded for theological language. No obvious trend emerged regarding the mainstream success of CCM as a whole, but the genre of Rock was found to possess the greatest degree of mainstream success. Rock also, however, was shown to have a very low tolerance for theological language, contrasted with the high tolerance of Country. -
CHAPTER III the Development of Ecclesiastical Chant from the Beginnings Which Have Been So Far Described Was Completed in the Gr
CHAPTER III A GENERAL SURVEY OF THE DEVELOPMENT OF THE LITURGY AND OF THE LITURGICAL CHANT IN THE MIDDLE AGES. x The development of Ecclesiastical Chant from the beginnings which have been so far described was completed in the Greek and Latin Churches in different ways. Yet until the Great Schism (about 1o5o) there were influences on the Latin Liturgy from the Greek, i.e. the Byzantine, which were not without musical results. The question how much the Latin Liturgies in their oldest forms are on the whole indebted to the Greek has not yet received comparative investigation. There are two facts to be especially borne in mind with respect to this : first, until the end of the 3rd century the liturgical language in Rome was Greek, and Latin was only secondarily thus used. S. Paul wrote his Epistle to the Romans in Greek, not in Latin, and all the religious documents preserved to us from early Christian Rome are written in the Greek language. Accordingly at first the Liturgy at Rome was performed in Greek, and thus they sang in Greek. Secondly, the first and most complete development of the liturgical chant took place, as we know, in the countries of the East; it was from thence that the alternate chant of the psalms and the antiphons penetrated to the West, into Italy, Gaul and Spain; and the hymns also. Many roots therefore of the liturgical chant of th~ West extend to the East, to Jerusalem, Antioch, Alexandria and Constantinople. I The sources for the material which occupies the following chapter on the history of the Liturgy in the Middle Ages are the following : the Ordines Romam·, the old Roman books of ceremonial (printed in Patr. -
Gregorian Adaptations and Accompaniments for the Liturgical Seasons of Advent and Lent in Spanish
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