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A – SMOKE and MIRRORS (The United Nations Building to Grand
SMOKE AND MIRRORS (The United Nations to Grand Central Station) ____________________________________________ At the edge of the world sits a Tower. And this Tower is no structure of brick and mortar, but a kind of illusion; a trick of the light, flickering electric blue in and out of sight; a coalescing of vapors; of misplaced goodwill. The kings and queens of the world attend here, pronouncing PEACE, while raining armaments on those of their own, or those of their own they believe to be not. But still the pilgrims come in the thousands from the Terminal seeking an audience, uninformed or disregarding of this Congregation’s inadequacy. Through miles of devastated landscape they come with their fragile appeals in their hands, towards the Tower shimmering like a mirage in the distance; and the mediaeval brick city-fortress that guards its flanks. Around them, light and shadow play upon pillars of glass and steel, reflected one upon the other so reality is indiscernible from reflection; so the pilgrim, his eyes confused and diverted, does not realise that there is in fact, nothing behind the smoke and mirrors; that this entire landscape of grandiose ideals is insubstantial. Ting 8 1 – The United Nations Secretariat Tower, completed in 1952 and designed by an international committee of architects, including Le Corbusier, Oscar Niemeyer, amongst others. Ting 9 2 – Isaiah 2:4, on the Scharansky steps, named after a Soviet dissident, and part of the Ralphe Bunche Park. This park is across from the UN complex. 3 – Channelling Hampton Court: Tudor City, a luxury residential project built between 1925-28, by the Fred F. -
Old Buildings, New Views Recent Renovations Around Town Have Uncovered Views of Manhattan That Had Been Hiding in Plain Sight
The New York Times: Real Estate May 7, 2021 Old Buildings, New Views Recent renovations around town have uncovered views of Manhattan that had been hiding in plain sight. By Caroline Biggs Impressions: 43,264,806 While New York City’s skyline is ever changing, some recent construction and additions to historic buildings across the city have revealed some formerly hidden, but spectacular, views to the world. These views range from close-up looks at architectural details that previously might have been visible only to a select few, to bird’s-eye views of towers and cupolas that until The New York Times: Real Estate May 7, 2021 recently could only be viewed from the street. They provide a novel way to see parts of Manhattan and shine a spotlight on design elements that have largely been hiding in plain sight. The structures include office buildings that have created new residential spaces, like the Woolworth Building in Lower Manhattan; historic buildings that have had towers added or converted to create luxury housing, like Steinway Hall on West 57th Street and the Waldorf Astoria New York; and brand-new condo towers that allow interesting new vantages of nearby landmarks. “Through the first decades of the 20th century, architects generally had the belief that the entire building should be designed, from sidewalk to summit,” said Carol Willis, an architectural historian and founder and director of the Skyscraper Museum. “Elaborate ornament was an integral part of both architectural design and the practice of building industry.” In the examples that we share with you below, some of this lofty ornamentation is now available for view thanks to new residential developments that have recently come to market. -
Page Numbers in Italics Refer to Illustrations. Abenad
INDEX Page numbers in italics refer to illustrations. Abenad Corporation, 42 Ballard, William F. R., 247, 252, 270 Abrams, Charles, 191 Barnes, Edward Larabee, 139, 144 Acker, Ed, 359 Barnett, Jonathan, 277 Action Group for Better Architecture in New Bauen + Wohnen, 266 York (AGBANY), 326–327 Beaux-Arts architecture, xiv, 35, 76, 255, 256, Airline industry, xiv, 22, 26, 32, 128, 311, 314, 289, 331, 333, 339, 344, 371. See also 346, 357–360, 361–362, 386 Grand Central Terminal Albers, Josef, 142–143, 153, 228, 296, 354, Belle, John (Beyer Blinder Belle Architects), 407n156 354 American Institute of Architects (AIA), 3, 35, Belluschi, Pietro, 70–77, 71, 80, 223, 237, 328 75, 262, 282, 337 AIA Gold Medal, 277, 281 Conference on Ugliness, 178–179 and the Architectural Record, 188, 190, 233, New York Chapter, 2, 157 235, 277 American Institute of Planners, 157 and art work, Pan Am Building, 141–144 Andrews, Wayne, 175–176, 248, 370 as co-designer of the Pan Am Building, xiii, 2, “Anti-Uglies,” 177, 327 50, 59, 77, 84, 87, 117, 156–157, 159, 160– “Apollo in the democracy” (concept), 67–69, 163, 165, 173, 212, 248, 269, 275, 304, 353, 159. See also Gropius, Walter 376 (see also Gropius/Belluschi/Roth collab- Apollo in the Democracy (book), 294–295. See oration) also Gropius, Walter on collaboration of art and architecture, 142– Collins review of, 294–295 143 Architectural criticism, xiv, xvi, 53, 56, 58, 227, collaboration with Gropius, 72, 75, 104, 282, 232, 257, 384–385, 396n85. See also 397n119 Huxtable, Ada Louise contract with Wolfson, 60–61, -
Landmarks Preservation Commission April 18, 2006, Designation List 372 LP-2185
Landmarks Preservation Commission April 18, 2006, Designation List 372 LP-2185 STEWART & COMPANY BUILDING, 402-404 Fifth Avenue (aka 2 West 37th Street), Manhattan. Built 1914; [Whitney] Warren & [Charles D.] Wetmore, architects; George A. Fuller Co., builders; New York Architectural Terra Cotta Company, terra cotta manufacturer. Landmark Site: Borough of Manhattan Tax Map Block 838, Lot. 48 On October 18, 2005, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of Stewart & Company building and the proposed designation of the related Landmark Site (Item No. 2). The hearing had been duly advertised in accordance with the provision of law. Three people spoke in favor of designation, including representatives of the property’s owners. In addition, the Commission received two letters in support of designation. Summary The Stewart & Company Building, designed by Warren and Wetmore, is one of the firm’s most unusual designs. The 1914 building reflects the unusual combination of diverse influences such as the 18th century British neo-Classical movement and the late 19th century Chicago School of Architecture style. The blue and white ornament of the terra cotta cladding is reminiscent of the 18th century neo-Classical movement in England, and specifically two of the most important proponents of the movement, Josiah Wedgwood and Robert Adam. Characteristic of the Chicago style are steel frame construction, masonry cladding that was usually terra cotta, large areas of glazing, usually featuring tripartite windows known as Chicago windows, and a tripartite vertical design. As the commercial center of Manhattan moved uptown so did the location of department stores. -
National Register of Historic Places Inventory -- Nomination Form
Form No. 10-300 (Rev. 10-74) UNITED STATES DEPARTMEN ,. JF THE INTERIOR NATIONAL PARK SERVICE NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS I NAME HISTORIC Grand Central Terminal AND/OR COMMON Grand Central Terminal LOCATION STREETS,NUMBER 71-105 East 42nd Street _NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT New York _ VICINITY OF 18th STATE CODE COUNTY CODE New York New York 36 QCLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE _DISTRICT —PUBLIC X2DCCUPIED —AGRICULTURE —MUSEUM 2^BUILDING(S) ^PRIVATE _ UNOCCUPIED X.COMMERCIAL _PARK —STRUCTURE —BOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE _S!TE PUBLIC ACQUISITION ACCESSIBLE —ENTERTAINMENT —RELIGIOUS _ OBJECT _IN PROCESS —YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED X_YES: UNRESTRICTED —INDUSTRIAL ^-TRANSPORTATION _NO _ MILITARY —OTHER: OWNER OF PROPERTY NAME Pennsylvania Central Transportation Company STREET & NUMBER 466 Lexington Avenue CITY. TOWN STATE New York VICINITY OF New York LOCATION OF LEGAL DESCRIPTION COURTHOUSE, New York County Hall of Records REGISTRY OF DEEDS, ETC. STREET& NUMBER 31 Chambers Street CITY, TOWN STATE New York New York REPRESENTATION IN EXISTING SURVEYS TITLE New York City Landmarks Commission DATE 1967 —FEDERAL —STATE —COUNTY x_LOCAL DEPOSITORY FOR SURVEY RECORDS CITY, TOWN STATE New York New Yn-rlf DESCRIPTION CONDITION CHECK ONE CHECK ONE _EXCELLENT —DETERIORATED —UNALTERED ^-ORIGINAL SITE X_GOOD —RUINS X_ALTERED _MOVED DATE- _FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE A complete contemporary description would be lengthy—in the brief: "The terminal has two levels. The upper one of these, 20 ft. -
M Grand Central Post Office Annex Southwest Corner 45Th Street and -. Lexington Avenue New York City New York HABS No. NY-6302 I
Grand Central Post Office Annex HABS No. NY-6302 m Southwest corner 45th Street and -. Lexington Avenue New York City New York C ip ; PHOTOGRAPHS • WRITTEN HISTORICAL AND DESCRIPTIVE DATA HISTORIC AMERICAN BUILDINGS SURVEY MID-ATLANTIC REGION, NATIONAL PARK SERVICE DEPARTMENT OF THE INTERIOR PHILADELPHIA, PENNSYLVANIA 19106 *" HISTORIC AMERICAN BUILDINGS SURVEY GRAND CENTRAL POST OFFICE ANNEX HABS No. NY-6302 Location: The block bounded by 45th Street, Lexington Avenue, Depew Place, and the Graybar Building (the southwest corner of 45th Street and Lexington Avenue), New York City, New York. USGS Central Park Quadrangle, Universal Transverse Mercator Coordinates: 18 .586450 .441166 Present Owner: United States Government Present Occupant: United States Post Office Significance The Grand Central Post Office Annex was envisioned as a key element of the Grand Central Station complex, one of the most important examples of monumental urban planning in the United States. Designed by the nationally significant architectural firm of Warren and Wetmore, in collaboration with the firm of Reed and Stem, the complex was built between 1903 and 1914 for a railroad cartel headed by the mighty New York Central Railroad. It included the massive Terminal itself, surrounded by raised traffic viaduct, the Post Office Annex, railroad offices on 45th Street, and a vast underground network of tracks and platforms. The breadth of the project and the richness of its execution documents not only the tremen- dous wealth of the railroads during the period, but also their influence in shaping the image of American cities. The Annex was constructed as part of the complex to provide railroad-related office space on the upper floors while the lower stories were leased as a postal facility. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments Permalink https://escholarship.org/uc/item/43t4721n Author Tan, Zheng Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Zheng Tan 2014 © Copyright by Zheng Tan 2014 ABSTRACT OF THE DISSERTATION Conditions of the Hong Kong Section: Spatial History and Regulatory Environment of Vertically Integrated Developments by Zheng Tan Doctor of Philosophy in Architecture University of California, Los Angeles, 2014 Professor Dana Cuff, Chair This dissertation explores the urbanism of Hong Kong between 1967 and 1997, tracing the history of Hong Kong’s vertically integrated developments. It inquires into a Hong Kong myth: How can minimum state intervention gather social resources to build collective urban form? Roughly around the MacLehose Era, Hong Kong began to consciously assume a new vertical order in urban restructuring in order to address the issue of over-crowding and social unrest. British modernist planning provided rich approaches and visions which were borrowed by Hong Kong to achieve its own planning goals. The new town plan and infrastructural development ii transformed Hong Kong from a colonial city concentrated on the Victoria Harbor to a multi-nucleated metropolitan area. The implementation of the R+P development model around 1980 deepened the intermingling between urban infrastructure and superstructure and extended the vertical urbanity to large interior spaces: the shopping centers. -
The 150 Favorite Pieces of American Architecture
The 150 favorite pieces of American architecture, according to the public poll “America’s Favorite Architecture” conducted by The American Institute of Architects (AIA) and Harris Interactive, are as follows. For more details on the winners, visit www.aia150.org. Rank Building Architect 1 Empire State Building - New York City William Lamb, Shreve, Lamb & Harmon 2 The White House - Washington, D.C. James Hoban 3 Washington National Cathedral - Washington, D.C. George F. Bodley and Henry Vaughan, FAIA 4 Thomas Jefferson Memorial - Washington D.C. John Russell Pope, FAIA 5 Golden Gate Bridge - San Francisco Irving F. Morrow and Gertrude C. Morrow 6 U.S. Capitol - Washington, D.C. William Thornton, Benjamin Henry Latrobe, Charles Bulfinch, Thomas U. Walter FAIA, Montgomery C. Meigs 7 Lincoln Memorial - Washington, D.C. Henry Bacon, FAIA 8 Biltmore Estate (Vanderbilt Residence) - Asheville, NC Richard Morris Hunt, FAIA 9 Chrysler Building - New York City William Van Alen, FAIA 10 Vietnam Veterans Memorial - Washington, D.C. Maya Lin with Cooper-Lecky Partnership 11 St. Patrick’s Cathedral - New York City James Renwick, FAIA 12 Washington Monument - Washington, D.C. Robert Mills 13 Grand Central Station - New York City Reed and Stern; Warren and Wetmore 14 The Gateway Arch - St. Louis Eero Saarinen, FAIA 15 Supreme Court of the United States - Washington, D.C. Cass Gilbert, FAIA 16 St. Regis Hotel - New York City Trowbridge & Livingston 17 Metropolitan Museum of Art – New York City Calvert Vaux, FAIA; McKim, Mead & White; Richard Morris Hunt, FAIA; Kevin Roche, FAIA; John Dinkeloo, FAIA 18 Hotel Del Coronado - San Diego James Reid, FAIA 19 World Trade Center - New York City Minoru Yamasaki, FAIA; Antonio Brittiochi; Emery Roth & Sons 20 Brooklyn Bridge - New York City John Augustus Roebling 21 Philadelphia City Hall - Philadelphia John McArthur Jr., FAIA 22 Bellagio Hotel and Casino - Las Vegas Deruyter Butler; Atlandia Design 23 Cathedral of St. -
Architecture and Democracy in the Valley of Giants IDEAL DEMOCRATIC STATE Benjamin Evans - 4828445 DEFINITION
Architecture and Democracy in the Valley of Giants IDEAL DEMOCRATIC STATE Benjamin Evans - 4828445 DEFINITION: THE NURTURING OF DISAGREEMENT THROUGH PROPERLY CONSTRUCTED MATERIAL AND SYMBOLIC SPACES FOR DISSENSUAL PUBLIC ENCOUNTER AND EXCHANGE. CITY FABRIC CITY FABRIC Executive Democracy and the global city A shrinking democracy As sociologist Saskia Sassen describes, New York City is a global Today, democracy is at risk. Italian philosopher Giorgio Agamben 1 CITIZENS city. Along with London, Paris, Tokyo, Shanghai and Beijing to name wrote that “there is a shift form the model of the polis founded on Media Legislature a few, New York’s financial power is enormous. Large international a centre, that is, a public centre or agora, to a new metropolitan SQUARE companies work closely with politicians and mayors because spatialisation that is certainly invested in a process of depoliticisation, their extreme wealth can have a great influence on urban futures. which results in a strange zone where it is impossible to decide According to thinker Wendy Brown, this global capital is “undoing what is private and what is public.”9 The city, or ‘polis’, is changing 2 democracy” . Many have written about the USA’s shrinking from a place of political encounter, disagreement and democratic Judiciary democracy, a consequence of neo-liberalism, of surveillance negotiation to a space overly controlled by private individuals and CITY FABRIC CITY FABRIC capitalism3, of a disassociation between citizen and city-dweller4, policies.10 Esra Akcan, an author and professor at Cornell University its weaknesses and its failures to deliver on urgent matters such states that “many contemporary political philosophers are warning as climate change.5 Most will be familiar with democracy, but this about de-democratisation taking place throughout the world does not mean it is understood. -
National Register of Historic Places Inventory Nomination Form 4
NPS Form 10-900 OMB No. 1024-OO18 (3-82T Exp. 10-31-84 United States Department of the Interior National Park Service National Register of Historic Places Inventory Nomination Form See instructions in How to Complete National Register Forms Type all entries complete applicable sections 1. Name historic Mayflower Hotel and/or common Mayflower Hotel 2. Location street & number 1127 Connecticut Ave., NW n/a not for publication city, town Washington vicinity of n/a state D . C . code 1 1 county n/a code 001 3. Classification Category Ownership Status Present Use Q/adistrict Il/Jfcublic X occupied ^/^agriculture X building(s) X private n/a unoccupied X commercial park n/astructure H/aboth X work in progress ^^educational vate residence r^site Public Acquisition Accessible ^/^entertainment religious 5/^t)bject n/3|n process - yes: restricted overnment n/ascientific n/sbeing considered yes: unrestricted H/atransportation no ilitary 4. Owner of Property name May-Wash Associates Limited Partnership street & number Suite 900, 1725 BeSales St., NW city, town Washington vicinity of n/a state D.C. 20036 5. Location of Legal Description courthouse, registry of deeds, etc. Office of Recorder of Dearie, TH fit.-rj^-h r>f ^0! street & number 515 33 St., NW city, town Washington state D.C. 20001 6. Representation in Existing Surveys District of Columbia Inventory title of Historic Sites has this property been determined eligible? yes no date February 24, 1983 n/atederal J£- state ^/gounty Historic Preservation Office, D. C. Department of depository for survey records Housing and Community Development____________ city, town Washington state D.C. -
Brief Biographies of American Architects Who Died Between 1897 and 1947
Brief Biographies of American Architects Who Died Between 1897 and 1947 Transcribed from the American Art Annual by Earle G. Shettleworth, Jr., Director, Maine Historic Preservation Commission. Between 1897 and 1947 the American Art Annual and its successor volume Who's Who in American Art included brief obituaries of prominent American artists, sculptors, and architects. During this fifty-year period, the lives of more than twelve-hundred architects were summarized in anywhere from a few lines to several paragraphs. Recognizing the reference value of this information, I have carefully made verbatim transcriptions of these biographical notices, substituting full wording for abbreviations to provide for easier reading. After each entry, I have cited the volume in which the notice appeared and its date. The word "photo" after an architect's name indicates that a picture and copy negative of that individual is on file at the Maine Historic Preservation Commission. While the Art Annual and Who's Who contain few photographs of the architects, the Commission has gathered these from many sources and is pleased to make them available to researchers. The full text of these biographies are ordered alphabetically by surname: A B C D E F G H I J K L M N O P Q R S T U V W Y Z For further information, please contact: Earle G. Shettleworth, Jr., Director Maine Historic Preservation Commission 55 Capitol Street, 65 State House Station Augusta, Maine 04333-0065 Telephone: 207/287-2132 FAX: 207/287-2335 E-Mail: [email protected] AMERICAN ARCHITECTS' BIOGRAPHIES: ABELL, W. -
Civic Classicism in New York City's Architecture
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 Apotheosis of the Public Realm: Civic Classicism in New York City's Architecture Paul Andrija Ranogajec Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/96 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] APOTHEOSIS OF THE PUBLIC REALM: CIVIC CLASSICISM IN NEW YORK CITY’S ARCHITECTURE by PAUL ANDRIJA RANOGAJEC M.A., University of Virginia, 2005 B.Arch., University of Notre Dame, 2003 A dissertation submitted to the Graduate Faculty in Art History in partial fulfillment of the requirements for the degree of Doctor of Philosophy The City University of New York 2014 © 2014 PAUL ANDRIJA RANOGAJEC All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Kevin D. Murphy, Chair of Examining Committee Date Claire Bishop, Executive Officer, Ph.D. Program in Art History Rosemarie Haag Bletter Sally Webster Carol Krinsky Supervision Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract Apotheosis of the Public Realm: Civic Classicism in New York City’s Architecture by Paul Andrija Ranogajec Adviser: Kevin D. Murphy In the years around the consolidation of Greater New York in 1898, a renewed interest in republican political theory among progressive liberals coincided with a new kind of civic architecture.