DOCSLIB.ORG

Confia 2017 Proceedings.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Confia 2017 Proceedings.Pdf Publisher / Editor: Instituto Politécnico do Càvado e do Ave Address / Morada: Vila Frescaínha, S. Martinho, 4750-810 Barcelos, Portugal July / Julho 2017 ISBN: 978-989-99861-3-8 5th International Conference on Illustrationand Animation 5 ed. Conferência Internacional em Ilustração e Animação Editorial Design / Design editorial · Cláudio Ferreira Pagination / Paginação . Manuel Albino Cover Design / Design da Capa: Jorge Marques ORGANIZING COMMITTEE General chair Paula Tavares - IPCA Organization chair Manuela Cunha - IPCA Pedro Mota Teixeira - IPCA Program chair Alan Male - Univ. College Falmouth Organization Paula Tavares, Pedro Mota Teixeira, Marta Madureira, Jorge T. Marques, Manuel Albino, Isabel Xavier Scientific Committee Alan Male - Univ. College Falmouth (UK) Alan Young - Auckland Univ. of Technology (NZ) Alfonso Ruiz Rallo - Univers. de La Laguna (ES) Ana Lúcia Pinto - IPCA (PT) Ana Leonor Madeira Rodrigues - U. Lisboa (PT) António Costa Valente - Univ. Aveiro (PT) António Quadros Ferreira - Univ. Porto (PT) Antonio Horno - Univ. Jaén (ES) Birgitta Hosea - Royal College of Arts (UK) Carlos Hollanda - IED Rio de Janeiro (BR) Carlos Nogueira - Univ. Nova Lisbon (PT) Chelo Matesanz - Univ. Vigo (ES) Debora Harty - Loughborough Univ. (UK) Eduardo Corte Real - IADE Lisbon (PT) Edwin Carels - Univ. College of Ghent (BE) Fernando Galrito - Inst. Polit. Leiria (PT) Francisco Laranjo - Univ. Porto (PT) Hannes Rall - Nanyang Techno. University (SG) Helena Barbosa - Univ. Aveiro (PT) Joana Quental - Univ. Aveiro (PT) Jorge Teixeira Marques - IPCA (PT) José Andrés Iglesias - Univ. Vigo (ES) José Chavete Rodriguez - Univ. Vigo (ES) José Antonio Castro - Univ. Vigo (ES) José Santiago Iglesias - Univ. Vigo (ES) Juan Carlos Róman - Univ. Vigo (ES) Júlio Dolbeth - Univ. Porto (PT) Luís Lima - IPCA (PT) Luís Mendonça - Univ. Porto (PT) Magnus Moar - Middlesex University (UK) Manuel Albino - IPCA (PT) Marcos Rizolli - Univ. Presbit. Mckenzie (BR) Maria Lorenzo Hernández - Polytechnic University of Valencia (ES) Marta Madureira - IPCA (PT) Martin Salisbury - Anglia Ruskin Univ. (UK) Nelson Zagalo - University of Minho (PT) Nilton Gamba Júnior - PUC Rio de Janeiro (BR) Paula Tavares - IPCA (PT) Pedro Bessa - Univ. Aveiro (PT) Pedro Mota Teixeira - IPCA (PT) Pedro Vieira Moura - (PT) Roderick Mills - Univ. of Brighton (UK) Rui Vitorino Santos - Univ. of Porto (PT) Sandra Beckett - Brock University (CA) Sara Pereira - Univ. Minho (PT) Sara Reis da Silva - Univ. Minho (PT) Sophie Van der Linden - (FR) Susan Hagan - Carnegie Mellon Qatar (QA) Susana Jorge - IPCA (PT) Suzanne Buchan - Middlesex University (UK) PREFACE This year, the 5th edition of CONFIA, the International Conference on Illustration and Animation, will make place in Guimarães, the city considered to be the “birthplace” of Portugal. Guimarães is one of Portugal’s most important historical cities. Its historical center is a UNESCO World Heritage Site, which has with- out a doubt made it one of the main tourist destinations in northern Portugal. Its narrow streets and medieval monuments breathe his- tory, enchant tourists, and represent an exceptionally well preserved portrait of the evolution of a medieval town to a modern city. This is thanks in large part to modern Guimarães’ recognition of the impor- tance of carefully complementing history and the city’s heritage with the dynamism, creativity, and boldness characteristic of modern cit - ies. With this strategy, Guimarães earned the 2012 title of European Capital of Culture, an event that permanently transformed the city. It has also recently been highlighted as one of 41 places to visit by the New York Times, which described it as one of the up-and-coming Iberian cities in terms of culture. With all this in mind, we’re proud to present this edition in the mag - ni¥icent Vila Flor Cultural Center of Guimarães, a large complex that combines a restored 19th-century Baroque palace and gardens with a contemporary building that houses an impressive performance space. In this privileged location for art and culture in the city, we’re bring - ing together about a hundred conference participants from various countries, connected to the areas of illustration and animation, with articles that stand out for their great quality. Once more, we’ll ¥ill an auditorium and a conference room with academic debate, knowledge, and practical creative experience. This year, we’re welcoming very prestigious keynote speakers—direc- tor and artist Joan Ashworth and art director Jorge Silva—and a panel that includes Pedro Serrazina, Peter Chanthanakone, and Rose Bond. Every year, we embrace this challenge hoping to do better than the year before. We’re quite certain that it’ll be dif¥icult to beat this edi- tion, though, in terms of not just quality but also the critical mass that has gathered as well as the location and setting. Paula Tavares General Chair Pedro Mota Teixeira Organization Chair Índice / Contents 15 S¨©ªª«¬® T«¯° ±²³ T±´°©¨« D¬±µ©²¶· N¸°«· ¸² W¬©°©²¶ ¹¸¬ A²©º±°©¸² Joan Ashworth 22 [Animation Panel] A° ± L¸·· ¹¸¬ W¸¬³·: S«²·±°©¸² ±²³ P«¬´«ª°©¸² ©² A²©º±°«³ P¬¸¼«´°©¸²· Rose Bond 25 VJ ©² VJ ±²©º±°©¸² Peter Chanthanakone 27 A²©º±°©¸² ©· ± ª«¬·¸²±¨ ª¨±´« Pedro Serrazina 29 [Desenho / Drawing] H©·°½¬©±· ¾· ª«¿±·: ´¸²°¬©ÀÁ°¸· ª±¬± Áº± ´±¬±°«¬©Â±¿Ã¸ ³¸ ¨©Ä¬¸-ªÁ¨« « ³« «²´±©¯« Diana Martins and Sara Reis da Silva 39 A ©¨Á·°¬±¿Ã¸ ³« ¹¸¨Å«°¸· ²¸ N¸¬³«·°« ³¸ B¬±·©¨: «²°¬« ¸ ª¬©º©°©Ä©·º¸ « ¸ ²±°Á¬±¨©·º¸ Raoni Xavier 49 D©Æ¨¸¶¸· «²°¬« ´¸¬ª¸ ÅÁº±²¸ « ª¸··ÇÄ«©· «¯°«²·È«· Marcelo Kammer F. Carmo, Regina L. Silveira Mello, and Marcos Rizolli 56 V©·Á±¨©Â±¿Ã¸ ³« ³±³¸· ´¸º¸ ±¬°«: ± ©²°«²´©¸²±¨©³±³« ³± ±ª¬«·«²°±¿Ã¸/ ¬«ª¬«·«²°±¿Ã¸ ´¸º¸ ª¸©«·©· Marcos Rizolli e Carolina Vigna Prado 62 O· ´±¨©¶¬±º±· ³« A¨º±³± N«¶¬«©¬¸· Giorgia Casara 72 A «Ä©³Í²´©± ³¸ ¬±´©¸²±¨©·º¸ ±¹«°Á¸·¸ ³¸ D«·«²Å¸ ± ª±¬°©¬ ³¸· ³«·«²Å¸· ³« T«¬«·± G¸²¿±¨Ä«· L¸À¸ Luís Filipe S.Pereira Rodrigues 80 C S – A ¶¬±ÄÁ¬± ± °¸ª¸ « ± ©¨Á·°¬±¿Ã¸ ²¸ ´¸²°«¯°¸ ³« ¬«·¶±°« ³¸ ª±°¬©º½²©¸ ¨¸´±¨ Graciela Machado, Rui Vitorino Santos [Ilustração / Illustration] 92 A A··©²±°Á¬± G¬Æ¹©´± I²³«¨ÏÄ«¨ ³« Z©¬±¨³¸ ²¸· L©Ä¬¸· I²¹±²°©· Luiz Claudio Gonçalves Gomes 100 O Iº±¶©²Æ¬©¸ G¬Æ¹©´¸ ³« RÁ© ³« O¨©Ä«©¬± ± S«¬Ä©¿¸ ³± L©°«¬±°Á¬± I²¹±²°©¨ Luiz Claudio Gonçalves Gomes 108 T±¯¸²¸º©± ³¸· P«¬·¸²±¶«²· I¨Á·°¬±³¸· Luiz Claudio Gonçalves Gomes 116 C¬¸··©²¶ TÅ« L©²«· - A D©·´¸Á¬·« ¸² A³Á¨° C¸¨¸Á¬©²¶ B¸¸Ð· Irene Fuga 124 QÁÍ? L©Ä¬¸ ³¸ S±À«¬ P¸ªÁ¨±¬ « T¬±³©´©¸²±¨ P¸¬°Á¶ÁÍ· Daniela Vieira 134 H¸° R±°·! H¸µ °Å« I¨¨Á·°¬±°«³ V¸´±ÀÁ¨±¬® ¸¹ C±¨©¹¸¬²©±² KÁ·°¸º KÁ¨°Á¬« ©²¹¸¬º«³ °Å« SÁÀÄ«¬·©Ä« ±²³ I¬¬«Ä«¬«²° I³«²°©°® ¹¸¬«Ä«¬ ±··¸´©±°«³ µ©°Å Sб°«À¸±¬³ F±·Å©¸² ±²³ T±·°«· Joel Lardner 146 D«·±¹©¸· ª±¬± ± ©²·«¬¿Ã¸ ³¸ ©¨Á·°¬±³¸¬ ²± ³©²Óº©´± ª¬¸³Á°©Ä± ³¸ ¼¸¬²±¨©·º¸ ºÁ¨°©ª¨±°±¹¸¬º± Vinicius Mitchell e Luiza Novaes 159 P«²·±¬ ¸ ¨©Ä¬¸ Ï ª«²·±¬ ·Á± º±°«¬©±¨©³±³«: «¯ª¨¸¬±²³¸ ±· ª¸°«²´©±¨©³±³«· º±°«¬©±©· ³« D Júlia Andrade e Klaus Novaes 170 A B±²³± ³«·«²Å±³± ·¸À¬« ± B±²³± ³« MÔÀ©Á·: ©²¹©²©°¸ « º«º½¬©± Raoni Xavier e Luís Lima 181 C¸¨¸¬ ©² S¸Á²³ S®ºÀ¸¨©´ W¸¬³· Subir Dey and Prasad Bokil 191 S²««°´Å«·, P©´°Á¬« B¸¸Ð· ±²³ CÅ©¨³¬«² ±· PÅ©¨¸·¸ªÅ«¬·: L«±¬²©²¶ °Å¬¸Á¶Å ´¬©°©´±¨ «²ÕÁ©¬® Linda Scott 205 B«®¸²³ Iº±¶«: S©°Á±°«³ I¨¨Á·°¬±°©¸², A P«³±¶¸¶©´ P¬±´°©´« Roderick Mills 215 O P±´°¸ E²°¬« ±· P±¨±Ä¬±· « ±· Iº±¶«²· Sandra Cardoso, Luís Lima and Marta Madureira 225 C¬©º«, JÁ·°©¿±, M¸¬±¨ « D«·«¼¸ ²± T¬©¨¸¶©± ³¸ CűªÏÁ ³« J¸² K¨±··«² Filipa Cruz 235 JÁ³±· / N«Ä« / S±²¶Á« – ª¬¸ª¸·°± ³« ¨«©°Á¬± ©²°«¬°«¯°Á±¨ ± ª±¬°©¬ ³« °¬Í· ·Ï¬©«· ³« SÁ·± M¸²°«©¬¸ Ana SoÖa Velhinho de Sousa 245 B¨±´Ð × µÅ©°« ©¨¨Á·°¬±°©¸² ¹¸¬ ´Å©¨³¬«² Karolina Kornek 253 N¸²-¹±´« C±¬©´±°Á¬«: TÅ«¸¬® ±²³ W¸¬Ð·Å¸ª Stuart Medley and Bruce Mutard [Animação / Animation] 264 TÅ« U²«¯ª«´°«³ P±°Å: H¸µ A²©º±°©¸² M©¶Å° À« U·«³ °¸ H«¨ª C±¬«¬· I²°«¬ª¬«° R«·°¬©´°«³ E¯ª¬«··©¸²· ©² TÅ«©¬ P±°©«²°· Sophie Mobbs 278 A²©º±°©¸² I²³Á·°¬®’· E¯ª«´°±°©¸²· ¹¬¸º I²³Á·°¬®-Sª«´©¹©´ E³Á´±°©¸²: L©°ÅÁ±²©±² ´±·« Tomas Mitkus and Vaida Nedzinskaitė-Mitkė 289 A °¬±²·¹©¶Á¬±¿Ã¸ ³¸· ´¸²°«Ù³¸· ¹Ç¨º©´¸· ³« O Aª½·°¸¨¸ ³« F«¬²±²³¸ C¸¬°©Â¸ ª«¨± ºÙ·©´± ³« PÅ©¨©ª G¨±·· Helena Santana e Rosário Santana 298 TÅ« A²©º±°¸¬’· (M©··©²¶) H±²³: H¸µ P¬±´°©´« I²¹¸¬º· S««©²¶ ©² 3D A²©º±°©¸² Jason Kennedy 310 L¸´±°©²¶ T¬Á°Å ©² F©´°©¸²±¨ D«ª©´°©¸²· Paul Roberts & Gabrielle Cariolle 325 TÅ«º« ¸¹ ±²©º±¨· ©² ¹©¨º µ¸¬Ð· À® W©°¸¨³ G©«¬·Â Anna Jagoda Mrożek and Filipa Cruz 332 S°¬±²¶« C¬«±°Á¬«· - PÅ®·©¸¨¸¶® ¸¹ Cű¬±´°«¬· ©² Sª©¬©°«³ Aµ±® Cátia Peres, Eduardo Corte-Real and Marina Estela Graça 346 F«º±¨« Cű¬±´°«¬ D«·©¶² ©² T¸³±®’· C±¬°¸¸²·: TÅ« °®ª©´±¨ ±²³ °Å« ±¨°«¬²±°©Ä« “¶©¬¨ ·ÕÁ±³” Gabriela Sá and Paula Tavares 356 S°Á³©«· ©² M¸°©¸²: U²³«¬·°±²³©²¶ A²©º±°©¸² °Å¬¸Á¶Å E¯ª«¬©º«²°±°©¸² ©² ±² E³Á´±°©¸²±¨ C¸²°«¯° Ajay Kumar Tiwari 365 “JÁ¬¸ ÕÁ« V©”: º±²Á°«²¿Ã¸ ³±· °¬±³©¿È«· ª¸ªÁ¨±¬«· ±°¬±ÄÏ· ³± ±²©º±¿Ã¸ Sandro Santos e Luiz Coelho 377 P±°¬©¸·Ð±: U²³«¬¶¬¸Á²³ A²©º±°©¸² ±· S¸´©±¨ ±²³ P¸¨©°©´±¨ R«ª¬«·«²°±°©¸² Tiago Araújo, Paula Tavares e Jorge T. Marques 392 A²¸º±¨©·±: Áº± ±²Æ¨©·« ³¸ Á·¸ ³± ©ºª¬«··Ã¸ 3D ²± ±²©º±¿Ã¸ ·°¸ª º¸°©¸² Antonia Muniz, Luiza Novaes e Claudia Bolshaw 401 O Á·¸ ´¸ºÀ©²±³¸ ³« «·°Ï°©´±· À©³©º«²·©¸²±©· « °¬©³©º«²·©¸²±©· «º ±²©º±¿Ã¸ Hélder Barbosa, Pedro Mota Teixeira e Jorge Teixeira Marques 410 SÅ©¹°©²¶ S±²³·: C¸²°«ºª¸¬±¬® °¬«²³· ©² ª¸µ³«¬ ±²©º±°©¸² Corrie Francis Parks 417 [Narrativas e Teoria / A ²±¬¬±°©Ä± Ä©·Á±¨ ³« “A T¬©¨¸¶©± ³± M±¬¶«º” ³« SÁ® L«« Narratives and Theory] C. Rebeca Comin Silva, C. Isabel Pires dos Santos, Diana da Silva Costa 428 A¨©´« A°¬±ÄÏ· ³± P½·-º¸³«¬²©³±³«: I³«²°©³±³« « D«Ä©¬ ²Áº± D©²Óº©´± C¬©±°©Ä± I¬¬«Ä«¬·ÇÄ«¨ Larissa
Load more

Recommended publications
  • Emmawestwood.CV.PD. 01.2021
    Producer / Director | Edit Producer EMMA WESTWOOD +447957711369 LEEDS, LONDON, BIRMINGHAM [email protected] • Confident self shooter, director and producer through to the edit and running teams. • Reality, observational documentary, factual and factual entertainment. • Sony FS7, Canon C300, PMW-300, Go Pros and gimble. • Experience shooting abroad. Happy to relocate anywhere. CREDITS- EP | A New life in the sun - Where are they now | Series 3 | True North | Oct - Feb 2021 Edit produced remotely on this popular daytime show 'A new life in the Sun’ intertwining archive with new footage to create compelling stories. I edit produced x5, one hours from rushes to delivery in just 15 weeks. Producer / Director | A New Life in the Sun | Series 6 | True North | Ch4 | July - Oct 2020 A popular day time series following the lives of Brits moving to France and Spain, setting up business to survive. Covid 19 protocols and safety measures adhered to. Producer / Director | The Wonderful World of Chocolate | Viacom Studios | C5 | Sept - Dec 19 Scripted and self shot stories, chocolate challenges and established chocolatiers for this popular food show. Including glossy stylised filming. Producer / Director | Later Life Lesbians | Viacom Studios uk | C5 | July - Sept 2019 A standalone Producer Director on a one hour documentary, casting through to the edit, following the stories of five women who fell in love with women, the struggles, coming out to their family, getting married and having children together. I ran a team and with no SP I liaised with the exec producer and commissioning editors at Channel 5. Producer / Director | Young and Pregnant | Series 1 | True North | MTV | March - June 2019 A hit Teen Mom UK spin off, this new MTV reality series follows the ups and downs of teenage pregnancy, motherhood and relationships.
    [Show full text]
  • Methods for a Critical Graphic Design Practice
    Title Design as criticism: methods for a critical graphic design p r a c tic e Type The sis URL https://ualresearchonline.arts.ac.uk/id/eprint/12027/ Dat e 2 0 1 7 Citation Laranjo, Francisco Miguel (2017) Design as criticism: methods for a critical graphic design practice. PhD thesis, University of the Arts London. Cr e a to rs Laranjo, Francisco Miguel Usage Guidelines Please refer to usage guidelines at http://ualresearchonline.arts.ac.uk/policies.html or alternatively contact [email protected] . License: Creative Commons Attribution Non-commercial No Derivatives Unless otherwise stated, copyright owned by the author Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) University of the Arts London – London College of Communication February 2017 First submission: October 2015 2 Abstract This practice-led research is the result of an interest in graphic design as a specific critical activity. Existing in the context of the 2008 financial and subsequent political crisis, both this thesis and my work are situated in an expanded field of graphic design. This research examines the emergence of the terms critical design and critical practice, and aims to develop methods that use criticism during the design process from a practitioner’s perspective. Central aims of this research are to address a gap in design discourse in relation to this terminology and impact designers operating under the banner of such terms, as well as challenging practitioners to develop a more critical design practice. The central argument of this thesis is that in order to develop a critical practice, a designer must approach design as criticism.
    [Show full text]
  • By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
    A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible.
    [Show full text]
  • World Environmental Day This Edition Is a Tribute to “Mother Earth”
    Con el apoyo de la Nº 8 Oficina de Santiago ISSN 2255-033X Organización de las Naciones Unidas para la Educación, la Ciencia y la Cultura 5TH JUNE: WORLD ENVIRONMENTAL DAY THIS EDITION IS A TRIBUTE TO “MOTHER EARTH” 1 © Philipp Hamedl Global Citizenship Education: An Emerging Perspective for the Sustainable Development Thus, the Global Citizenship Education proposed by UNESCO for the post- 2015 agenda will have to train people with the same philosophical conception of he twenty century will not be easy for humanity. Speaking of sustainable T safeguarding humanity and the planet. To achieve these goals, GCE not only has to development represents a radical humanist discourse and ethical worldview that think about the future, but it will have to anticipate it training people which control conceives environmental question as an emergent element of The Limits to Growth better their own evolution. At the dawn of the third millennium, sustainable that the Club of Rome would advocate in pioneer form since 1972. Speaking of development should consider the needs of the human species in relation with the sustainable development implies, indeed, renegotiate socioeconomic behavior and nature toward a new perspective emanating from own consciousness of the mankind status in the world through a transhumanist feeling and a cosmodern individual-society-species. The understanding of the human condition in the world consciousness which allow us to identify environmental problems of the only requires a break with the positivism thinking of the nineteenth and twentieth legitimate “nation-state” of the human beings: planet Earth. centuries, which reduces and separates the subject from the object, and that confuses social development with economic growth.
    [Show full text]
  • Tryck 1 Om Du Vill Lämna Ett Meddelande Tryck 2 För Att Snacka Direkt Tryck 3 För Att Gå Till Nästa Presentation
    Tryck 1 om du vill lämna ett meddelande Tryck 2 för att snacka direkt Tryck 3 för att gå till nästa presentation Enklare och roligare än nätdejting! Prata med killar GRATIS 0200-226 227 Prata med tjejer 0939-204 00 33 4,55/min www.myshornan.se Kundtjänst: 08-611 96 00, Talli, Box 34, 263 21 Höganäs / – / 9Endast:- P checkar in TIDSAM 4075-43 Höstens SISTA romantiska DUELLEN kostymserie MORRAN & FÖR Carolina Klüft TOBIAS GÅR IGEN KOMEDI DRAMA ACTION FILM- Torsdag ENTOURAGE: Torsdag BYPASS Fredag FANTASTIC FOUR THE MOVIE Storbritannien 2014. USA 2015. Fyra GUIDEN 22.00 USA 2015. Holly- 22.15 nULJD7LPVND 21.30 unga outsiders råkar TV12 woodstjärnan Vincent SVT2 snart bli pappa, TV3 XWI|UHQRO\FNDVRP to 18/10 - on 24/10 Chase är trött på att vara skå- PHQ lU EnGH DUEHWVO|VRFKXWDQ JHU GHP Q\YXQQDI|UPnJRU despelare och känner sig redo utbildning. För att få pengar 7LOOVDPPDQVPnVWHGHQXI|U- DWWUHJLVVHUDVLQI|UVWDOnQJ¿OP E|UMDU7LPVlOMDVW|OGJRGV V|NDUlGGDPlQVNOLJKHWHQ BETYG: BETYG: BETYG: DRAMA ACTION DRAMA ANIMERAT Fredag BLUEBIRD Fredag MISSION: Fredag THE BRONZE Lördag RÖJAR-RALF USA 2013. Kritiker- IMPOSSIBLE USA 2015. En USA 2012. En 21.45 K\OODWGUDPDPHG 22.00 USA 1996. Agenten 23.30 frispråkig brons- 17.35 TV-spelsskurk vill SVT2 John Slattery (från TV12 Ethan Hunt (Tom TV3 YLQQDQGHJ\PQDVW Kanal 5 bli hjälte och för- 0DG 0HQ RPHQOLWHQVPnVWDG Cruise ELOGHQ PnVWHWDVLJLQ PnVWH NlPSDI|UVLQSRVLWLRQ V|NHU XSSI\OODVLQGU|PPHQ L0DLQHVRPVNDNDVDYHQWUD- L&,$VPHVWEHYDNDGHGDWRU VRPORNDONlQGLVQlUHQQ\XQJ hans strävan skapar kaos i hela gisk bussolycka. I|UDWWOHWDUHGDSnHQLQ¿OWUDW|U LGURWWVVWMlUQDWUlGHUIUDP den spelhall där han bor.
    [Show full text]
  • Fundação Getulio Vargas Escola De Administração De Empresas De São Paulo Letícia Boccomino Marselha Stereotyped and Non-St
    FUNDAÇÃO GETULIO VARGAS ESCOLA DE ADMINISTRAÇÃO DE EMPRESAS DE SÃO PAULO LETÍCIA BOCCOMINO MARSELHA STEREOTYPED AND NON-STEREOTYPED ADVERTISING: REVITALIZATION OF MATTEL’S ICONIC BARBIE BRAND IN THE CURRENT CONTEXT OF FEMININE EMPOWERMENT SÃO PAULO 2018 LETÍCIA BOCCOMINO MARSELHA STEREOTYPED AND NON-STEREOTYPED ADVERTISING: REVITALIZATION OF MATTEL’S ICONIC BARBIE BRAND IN THE CURRENT CONTEXT OF FEMININE EMPOWERMENT Thesis presented to Escola de Administração de Empresas de São Paulo of Fundação Getulio Vargas, as a requirement to obtain the title of Master in International Management (MPGI). Knowledge field: Management and competiti- veness in global companies Advisor: Prof. Dr. Benjamin Rosenthal SÃO PAULO 2018 Marselha, Letícia Boccomino. Stereotyped and non-stereotyped advertising: revitalization of Mattel’s Iconic Barbie brand in the current context of feminine empowerment / Letícia Boccomino Marselha. - 2018. 157 f. Orientador: Benjamin Rosenthal. Dissertação (mestrado MPGI) - Fundação Getulio Vargas, Escola de Administração de Empresas de São Paulo. 1. Estereótipo (Psicologia). 2. Propaganda - Aspectos sociais. 3. Mulheres na propaganda. 4. Marketing. 5. Barbie (Boneca). I. Rosenthal, Benjamin. II. Dissertação (MPGI) - Escola de Administração de Empresas de São Paulo. III. Fundação Getulio Vargas. IV. Título. CDU 659.1 Ficha catalográfica elaborada por: Isabele Oliveira dos Santos Garcia CRB SP-010191/O Biblioteca Karl A. Boedecker da Fundação Getulio Vargas - SP LETÍCIA BOCCOMINO MARSELHA STEREOTYPED AND NON-STEREOTYPED ADVERTISING: REVITALIZATION OF MATTEL’S ICONIC BARBIE BRAND IN THE CURRENT CONTEXT OF FEMININE EMPOWERMENT Thesis presented to Escola de Administração de Empresas de São Paulo of Fundação Getulio Vargas, as a requirement to obtain the title of Master in International Management (MPGI). Knowledge field: Management and competiti- veness in global companies Approval date 20 / 12 / 2018 Committee members _______________________________ Prof.
    [Show full text]
  • Re/Assembling the Pregnant and Parenting Teenager
    RE/ASSEMBLING THE PREGNANT PREGNANT THE RE/ASSEMBLING In 2003, Wendy Lutt rell posed an important questi on: what might result if we were able to turn questi ons of judgement about pregnant TEENAGER PARENTING AND and parenti ng teenagers into questi ons of interest about their sense of self and identi ty-making? This book takes up the challenge, off ering a re/assemblage of what is, can be and perhaps should be known about teenage pregnancy and parenti ng in the context of the twenty-fi rst century. The collecti on presents original contributi ons from leading commentators in four key contexts: the United States of America, the United Kingdom, Aotearoa New Zealand and the Republic of Ireland, all sites of elevated incidence of and/or concern around what is commonly RE/ASSEMBLING arti culated as the ‘problem’ of teenage pregnancy and parenti ng. In off ering a multi -disciplinary reading of the narrati ves of young men and women, this volume engages with the ambiguity shared by all of us in THE confronti ng the life transiti on that is pregnancy and parenti ng. PREGNANT Annelies Kamp is Associate Professor in Leadership in the College of BY EDITED AND Education, Health and Human Development at the University of Canterbury in Aotearoa New Zealand. She was also a teenage parent. In the years since her daughter was born Annelies has completed her PARENTING educati on and held senior leadership roles in the public service, industry training and the non-government sector. Her most recent book, A Criti cal Youth Studies for the 21st Century, was published in 2014.
    [Show full text]
  • Barcelona Detecta 184 ‘Pisos Patera’ Con
    Esports Páginas 16 a 17 LA LIGA NO ALONSO RAÑA ESTÁ PERDIDA Quiere lluvia «En Pekín, al y carrera loca menos una Lo dijo ayer Abidal,que se medalla en resiste a sentenciarla,pese a que en el estreno ya arrecian las críticas al equipo. en Australia. triatlón» Barcelona detecta 184 ‘pisos patera’ con El primer diario que no se vende más de 15 inquilinos Dimarts 11 MARÇ DEL 2008. ANY IX. NÚMERO 1887 El Ajuntament los ha descubierto al cruzar los datos del censo con los del padrón. Los distritos llevan a cabo una ofensiva de inspecciones para comprobar el estado Circulen 50 autobusos menys pels prop de 700 conductors que estan de baixa de las viviendas. Ciutat Vella precinta una pensión ilegal que acumulaba quejas. 6 S’han incorporat prematurament 30 xofers que s’es- taven formant. Busos passen ara cada 20 minuts. 7 Le piden 5.800 euros por los desperfectos en el coche que le atropelló y le dejó cojo Irá a juicio al no retirar la denuncia el conductor. 10 Larevista ERA UNA BROMA ¡Y A EUROVISIÓN! David Fernández, del Gilipollas y Risto Mejode a Rodolfo Chikilicuatre 22 «NO VEÍA MUCHO LA SERIE» Entrevista a JORGE PARÍS Mamen García, de Escenas de matrimonio 26 ‘El Solitario’ pasa 20 horas al día sin ver a nadie en su celda de aislamiento No se relaciona con otros reclusos, no hace ejer- cicio y sólo se dedica a leer y a escribir. 14 Más de 2.000 víctimas han cobrado ya parte de las indemnizaciones JAVIER ETXEZARRETA / EFE El Estado ha anticipado 65 de los 11M323 millones de euros con que se debe reparar a los afectados por el atentado.
    [Show full text]
  • April Highlights
    APRIL HIGHLIGHTS KEY HIGHLIGHTS 19th | MARE OF EASTTOWN 12th | THE NEVERS 12th | FEAR THE WALKING DEAD SEASON 1 PREMIERE, NEW EPISODES WEEKLY Season 1 PREMIERE, NEW EPISODES WEEKLY Season 6B, Episode 8, NEW EPISODES WEEKLY Kate Winslet and Guy Pearce reunite for this gripping crime Featuring a powerful female cast including Laura Donnelly BINGE brings more of the world’s best zombie shows when drama as detective Mare Sheehan (Winslet) investigates and Ann Skelly, this fantasy drama series follows a group season 6 of Fear The Walking Dead continues. New alliances the murder and disappearance of a young girl in a small of Victorian women who suddenly possess supernatural will be formed, relationships will be destroyed, and loyalties suburban town. Trailer abilities, fighting for a place in London society. Trailer forever changed. 7th | SUPERGIRL 5th | BLACK NARCISSUS 23rd | 1917 SEASON 6, EPISODE 2, NEW EPISODES WEEKLY SEASON 1, COMPLETE SEASON RELEASE DIrected by Sam Mendes and inspired by his grandfather’s BINGE keeps serving up the best DC shows with the final Based on the best-selling novel, this thriller follows the sisters war stories, 1917 plunges viewers straight into the trenches season of Supergirl. In the ultimate battle against super villain of St Faith travel to the mysterious palace of Mopu, high in the alongside two young British soldiers, tasked with delivering Lex Luthor, Supergirl must put her life on the line to save not Himalayas. But Mopu’s dark past begins to haunt the nuns, an urgent letter to another battalion, risking their lives. only her friends, but the world at large.
    [Show full text]
  • Selección De Memorias Del Máster De Diplomacia Y Relaciones Internacionales 2017-2018
    Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 CUADERNOS DE LA ESCUELA DIPLOMÁTICA Selección de memorias del Máster de Diplomacia y Relaciones Internacionales 2017-2018 Nota Legal A tenor de lo dispuesto en la Ley de Propiedad Intelectual, no está permiti- da la reproducción total o parcial de esta publicación, ni su tratamiento informáti- co, ni la transmisión de ninguna forma o por cualquier medio, ya sea electrónico, por fotocopia, por registro u otros métodos, ni su préstamo, alquiler o cualquier otra forma de cesión de su uso, sin el permiso previo y por escrito del autor, sal- vo aquellas copias que se realicen para uso exclusivo del Ministerio de Asuntos Exteriores y de Cooperación”. MINISTERIO DE ASUNTOS EXTERIORES, UNIÓN EUROPEA Y COOPERACIÓN © de los textos sus autores © de la presente edición 2018: Escuela Diplomática Paseo de Juan XXIII, 5 - 28040 Madrid NIPO ESTABLE: (en línea) 108-19-002-1 NIPO ESTABLE: (en papel) 108-19-001-6 ISSN: 0464-3755 Depósito Legal: M-28074-2020 DISEÑA E IMPRIME: IMPRENTA DE LA DIRECCIÓN GENERAL DE COMUNICACIÓN, DIPLOMACIA PÚBLICA Y REDES DISEÑO PORTADA: JAVIER HERNÁNDEZ: (www.nolson.com) Reproducción en papel para conservación, consulta en biblioteca y uso exclusivo en sesiones de trabajo. Catálogo General de Publicaciones Oficiales de la Administración del Estado. https://publicacionesoficiales.boe.es "En esta publicación se ha utilizado papel reciclado libre de cloro de acuerdo con los criterios medioambientales de la contratación pública". Índice Nota Legal ........................................................................................................ 6 PRIMERA MEMORIA POR LUIS ÁLVAREZ LÓPEZ EL FESTIVAL DE EUROVISIÓN: un atípico Concierto Europeo ...................................................................... 13 AGRADECIMIENTOS ....................................................................................
    [Show full text]
  • MA Thesis: Linguistics: English Language and Linguistics
    MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 1 The Stylistics of Language Switches in Lyrics of Entries of the Eurovision Song Contest MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 2 Acknowledgements It did not come as a surprise to the people around me when I told them that the subject for my Master’s thesis was going to be based on the Eurovision Song Contest. Ever since I was a little boy I have been a fan, and some might even say that I became somewhat obsessed, for which I cannot really blame them. Moreover, I have always had a special interest in mixed language songs, so linking the two subjects seemed only natural. Thanks to a rather unfortunate turn of events, this thesis took a lot longer to write than was initially planned, but nevertheless, here it is. Special thanks are in order for my supervisor, Tony Foster, who has helped me in many ways during this time. I would also like to thank a number of other people for various reasons. The second reader Lettie Dorst. My mother, for being the reason I got involved with the Eurovision Song Contest. My father, for putting up with my seemingly endless collection of Eurovision MP3s in the car.
    [Show full text]
  • El Festival De Eurovisión…………22 4.2 Grupo 2: Personas Que No Siguen El Festival De Eurovisión……
    Trabajo Fin de Grado Programas especiales en televisión. Análisis de caso: Festival de Eurovisión. Autor: Gregorio José Colás Melero Directora: Carmen Marta Lazo Facultad de Filosofía y Letras / Grado en Periodismo 2011-2012 1 ÍNDICE 1. Introducción……………………………………………………………… 3 1.1 Justificación de la investigación………………………………….......3 1.2 Hipótesis y objetivos………………………………………………… 4 1.3 Metodología …………………………………………………………. 5 2. Marco teórico: la neotelevisión y los nuevos géneros en TV. Programas especiales …………………………........................................ 7 3. Análisis de caso: Festival de Eurovisión………………………………. 11 3.1 Breve historia del festival: conceptualización, historia y actualidad del Festival……………………………………………... 11 3.2 Tratamiento en los medios del Festival………………………….... 13 3.3 Evolución de la audiencia en las dos últimas décadas………….... 16 3.4 Tratamiento de dos casos: 2002 y 2011………………………….... 18 3.4.1 Edición del 2002………………………………………………… 18 3.4.2 Edición del 2011………………………………………………….21 4. Trabajo de campo: trabajo en grupos de discusión………………….. 23 4.1 Grupo 1: personas que siguen el Festival de Eurovisión…………22 4.2 Grupo 2: personas que no siguen el Festival de Eurovisión…….. 32 4.3 Análisis de los resultados………………………………………….. 38 4.4 Análisis del contenido multimedia en los grupos ……………….. 40 5. Conclusiones………………………………………………………….... 47 Bibliografía……………………………………………………………….... 51 Otras fuentes………………………………………………………………. 51 2 1. Introducción 1.1 Justificación del proyecto Este proyecto nace de la necesidad de realizar un trabajo de carácter teórico y de investigación para poder obtener el título de Graduado en Periodismo de la Universidad de Zaragoza. Con el nombre de “Trabajo de Fin de Grado”, este proyecto constará de una presentación escrita y una defensa presencial posterior, esta última delante de un jurado formado por varios profesores.
    [Show full text]