Novels of James Gould Cozzens; a Study of the Theme of Passion and Reason, Self Division's Cause
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University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1964 Novels of James Gould Cozzens; a study of the theme of passion and reason, self division's cause William N. Dehon The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Dehon, William N., "Novels of James Gould Cozzens; a study of the theme of passion and reason, self division's cause" (1964). Graduate Student Theses, Dissertations, & Professional Papers. 3106. https://scholarworks.umt.edu/etd/3106 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE NOVELS OF JAMES GOULD COZZEHB A Study of the Theme of Passion a&d Reason, Self Division's Cause fcy William N. Dehon Presented ia parital fulfillment of the requirenent for the degree of Master of Arts in English Montana State University August 1964 Approved by airman, Board of Examiners Bean, Graduate School AUG r 1 1964 Date UMI Number: EP34023 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI' Dissertation Publishing UMI EP34023 Copyright 2012 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest* ProQuest LLC. 789 East Eisenhower Parkway P.O Box 1346 Ann Arbor, Ml 48106-1346 Ky thanXe fco my fa«t4iy for t&elr ptttleace iflfUjl wiimi 1 Aur 1CMft, tiW&tiS By WOfk Ott tflNfr commmbs I*®**!#, and to Professor jeases jjtlfUr fog H<ii <yui«i&nC© myn^ OtT * * * * MWMT9MB Si 8^ Jtg 9i jmi ct * • * • • wfirw tm iM* cig 09 ....... fS •••«••••••••••••••« St 7S0FIS15 zt • • • • • flfpSf W^Pf Ot ••••••••••*•••••• «T»AOfi iCtJCVS «« f • WT*SMpQX%VX sunios She following pages will be devoted to an examination of a theme which X take to be th« epicenter of the eight aoat recent aovtls by Jams Gould coaaeaa~~the theme of the man of raaaoa versus the man of passion, fhia theme, sounded in an epigran by the diarist Charles Fulke Oreville and quoted by -laliaa Penrose la jy,, *»aasion and reason# self division's cause,* is developed moat fully in nr. Gaasasta* latest novel,1 bat it has been geatating in his eight moat recent books, aad ita roots tap the earliest four novels# (lt24), HSftllfMi U925), flfftflt III <1W8), and Hit,flan, m, (1939). I see the thei&e, and tha conflict it presents, as providing the central Motivation and meaning to the author's najor work. After discussing Mr. Coaaaaa* development from novel to novel, X wiah to exaaine tlia aovala with particular emphasis on the development and exploration of tha thane quoted above. £ba first of Mr. coaaana* aovala waa written when he Harvard university, and ita title, Confusion. aptly summarises ita contents. ttva book charta ltfa«ee Gould Coaaana. jy, frovg j»tH (Greenwich, Connecticut* Fawcett Publications, Inc., 1959), p. 522. Hereafter abbreviated aa BLP. 2 the exploits and reckless self"destruction of a heroine named cerise d'Atree. Michael Scarlett. his second work, ia closely akin to con fusion, if not sat in. the same period— the Elizabethan age—then at laast in its genre. a galloping romanticise. The next two novels* Cock fit and fho son of Perdition, were outgrowths of the author's experiences while teaching American dependents * children in Cuba; both treat of heroic goings-on at sugar plantations on the island, and both are written in a more or less romantic vein. Nr. cozsens' next book* a short novel* l. s. San Pedro. is a fictionalised account of the mysterious sinking of the OSS Vestrls on November 3, 1928* Xn this novel, tha reader senses an abandonment of the author's earlier, rather sentimental and sensuous characters and subject natter. And it is perhaps in this short novel* as X hope to examine carefully later* that one sees the emergence of the prototype of the man of reason, surely not yet fully developed, hut identifiable nevertheless* Following ft, **• Cossens wrote qfef Adam (1933), the hero of which, an aging and robust sew England physician named* appropriately* George Bull* is the last of the "earlier* Cossens heroes .as they appear in the four earliest hooks, while we see such characters in later works (Benny Carricker in guard of Honor, etc.), they are B 3 I * * I 111 i i s •M © s ! i I 1 H & I 5 a O 5 « i •4 * s o s |• Is 5> 8 • •H t M S >t 9 if!«-i«« *4 Hi Io i« * a i 3 ,; g 4* I 8 5 «M ! § g 3 I 4) A I i 0 1 1 s j I I 8 3 m I a 1 - m 8 *» I 1! I i i 'I I ^I 3 I j 'S 4 realistic drawing of the surreal world of Mr. Lecky* the anti-hero of Caatawav, would not be unfair, iter. Lecky*s world is peopled with fears, fantasies* and his own doppelaanaer, an idiot alter ego. Similarly* Arthur Winner's enemy is himself as he remembers himself in the past* and as he acts in the present action of the book. In the next Cossens novel* Men and Brethren (193$)* we find the metamorphosis of the nan of reason sore or less complete. Ernest Cudlipp is an Episcopalian minister* and the novel charts his responsibilities, as well as his activities* during a weekday. Cudlipp* in contrast to the rebellious heroes of the earlier books* is resigned and self-controlled* Zt should be pointed out here that he is the fourth oossens hero (Joel stellow* Anthony Bradell* and George Bull were before him) who is a professional nan* although the author's attitudes toward prof ess ional ism have been changing through these novels, fbe responsibilities of the professional nan are stressed in nost of the later novels i those of the doctor in She Last Adam, the sinister in Mia and the military leader in <?uayd the lawyer in «** ly mm PWPffffff*L Ooe «ai#it argue that f^,, in pointing up the conse quences of a too-striot regard for the precepts of good 5 seamanship, shows us what happens whan the professional man becomes completely inflexible, and uses his professionalism aa a crutch. Z hope to examine tills p)»aaMn» later at greater length, and to show its bearing on the development o£ the archetypal nan of reason, Anthony Bradell. rollowing Efrfi MfflftiyiM Gossans published Ask Ma Tomorrow (1940)# in which the reader watches the moral coning of age of a young writer* Francis Ellery, an American visiting putts of Europe. The novel examines the youthful pride of Ellery and observes his gradual disillusion and maturity, in a letter written in 1955, Mr. Gossans admitted that the account ©« the young writer in ftp* m wa® partly autobiographical,3 a factor which would serve to indicate that ths author had reached a point in his develop" ment when he could afford a backward glance, considering objectively, perhaps, his earlier admiration for the. type of impetuous, rebellious Individual who was at the center of the four earlier novels* "*» P*a>li«hed in 1942, and it Is the first of the author's novels concerning the law (the other is BY Love .Possessed). the hero of this book, sonewhat the seam age as the young writer of Ask Me Bomorrow, has *Brachsr, p. $9. «4 i *#0 3 £ *» •3 9 O i •H** I i 3 •** 1 ! 5 1 5 1 2 1 t \ i a * %4 M4 1 f *» 0 9 2 tt 1 i I I ! ! 1 I 3 a a i § I I 3 & 3 S I 3 3 I li3 3 % f 1 1 a » m O 0* o ft 1 9 ! m s s i a 9 0 1 3 ! I Si a I 3 * I % n 3 in . & a 1 *tI I A 1 @ I i s i* 'mi I ! ! % 2 I 4* 4» 3 i o 3 S i i I i 3 i! n 1 11!»- « •* i&> IT 5 l-«J? 8 » I * II »* f g * • 11 I 1 ir „ g f E sE I t » «5 it * <t I e » ! ! I! f !i i f « s I I I I i It 0 & #£ i i © i £ I t I § r ! I ST H- «• I | g O * 3 I m I I I 9 It *3 3 " *4 J 4 I a i * 3 $ i * ! I I I $ t } O 1 \ 3 i 11S • Hi I I * % I i 1 "M 3 H« 3 « u a i I 9> I #"13 i 9 I 3 8 4* 3 % i I ! i% ! a ! 3 3 ^ J «M W I % !! 1 3 0 9 § hoaik»t S. S. San ?edro. qfrft fcnflfc, *4gffi, ^ttlHWiy* Mftft Brethren, jf fflffWTflBPIf, HmrflMMt fill, WMK& of Honor, and, finally, jy MTfr, ftiffftHiM' wmi mmm in mMmsmvem to his first three nov®is, m* cmmw has stated# "M? first novel was written when l turn® uineteen* and that, anA the next, and the next, were about what yo« 4 would expect.