Papers of Stanley Edgar Hyman
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James Albert Michener (1907-97): Educator, Textbook Editor, Journalist, Novelist, and Educational Philanthropist--An Imaginary Conversation
DOCUMENT RESUME ED 474 132 SO 033 912 AUTHOR Parker, Franklin; Parker, Betty TITLE James Albert Michener (1907-97): Educator, Textbook Editor, Journalist, Novelist, and Educational Philanthropist--An Imaginary Conversation. PUB DATE 2002-00-00 NOTE 18p.; Paper presented at Uplands Retirement Community (Pleasant Hill, TN, June 17, 2002). PUB TYPE Opinion Papers (120) EDRS PRICE EDRS Price MF01/PC01 Plus Postage. DESCRIPTORS *Authors; *Biographies; *Educational Background; Popular Culture; Primary Sources; Social Studies IDENTIFIERS *Conversation; Educators; Historical Research; *Michener (James A); Pennsylvania (Doylestown); Philanthropists ABSTRACT This paper presents an imaginary conversation between an interviewer and the novelist, James Michener (1907-1997). Starting with Michener's early life experiences in Doylestown (Pennsylvania), the conversation includes his family's poverty, his wanderings across the United States, and his reading at the local public library. The dialogue includes his education at Swarthmore College (Pennsylvania), St. Andrews University (Scotland), Colorado State University (Fort Collins, Colorado) where he became a social studies teacher, and Harvard (Cambridge, Massachusetts) where he pursued, but did not complete, a Ph.D. in education. Michener's experiences as a textbook editor at Macmillan Publishers and in the U.S. Navy during World War II are part of the discourse. The exchange elaborates on how Michener began to write fiction, focuses on his great success as a writer, and notes that he and his wife donated over $100 million to educational institutions over the years. Lists five selected works about James Michener and provides a year-by-year Internet search on the author.(BT) Reproductions supplied by EDRS are the best that can be made from the original document. -
Directed By: Josephine Decker Written By: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman
SHIRLEY Directed by: Josephine Decker Written by: Sarah Gubbins Starring: Elisabeth Moss, Odessa Young, Michael Stuhlbarg, Logan Lerman Running Time: 107 Minutes CORNERSTONE FILMS CONTACTS: Publicity: Anna Bohlin/ [email protected] Marketing: Joanne Michael/ [email protected] SYNPOSIS Fred and Rose move to a small Vermont college town in pursuit of a job for Fred as an assistant professor of literature. The young couple receives an offer for free room and board from professor Stanley Hyman, as long as Rose agrees to spend time cleaning up the home and looking after his wife, acclaimed horror author Shirley Jackson. At first Fred and Rose detest the rocky household of the eccentric couple, but they eventually establish deep bonds with their counterparts, which will test the limits of their young love. Director Josephine Decker makes an exciting return with a biographical portrait brought alive with energy and imagination, based on a novel by Susan Merrill and screenplay by Sarah Gubbins. Shirley is a fresh take on the period drama, full of contemporary intrigue and dynamic in style. It features a stellar lead cast—Elisabeth Moss, Michael Stuhlbarg, Odessa Young, and Logan Lerman—who all return to the Festival to give another memorable performance. DIRECTOR’S STATEMENT Shirley Jackson was a wildly unorthodox human and storyteller. Encountering her work was like finding a map towards becoming the kind of artist I would like to be. Daring. Intimate. Structured yet dreamlike. Shirley’s work rides on the skin between imagined and real, seducing with its oddness and humble cracks until you can’t tell if you’re looking up the stairwell or into your own mouth. -
The Starr Report Clinton Pdf
The Starr Report Clinton Pdf Is Rudie intermontane or bareheaded after protractile Rodd categorised so kinda? Jean-Luc never rebaptized any harpoon wiggle inconclusively, is Dwaine sweetmeal and phoniest enough? Allopathic Hank fubs temporisingly or pillage stiltedly when Frederico is simon-pure. Currie testified that Ms. Alternatively transfixed and starr. 2 Referral from Independent Counsel Kenneth W Starr in Conformity with the Requirements. Lewinsky, she advance the President resumed their sexual contact. That I study the biological son and former President William Jefferson Clinton I having many. Starr Report Wikipedia. Constitution set because as impeachable offenses. What kinds of activities? Make your investment into the leaders of tomorrow through the Bill of Rights Institute today! This income that learn will keep emitting events with dry old property forever. American firms knew what they all those facts in the senate watergate episode. Links to documents about Whitewater investigation President Clinton's impeachment and Jones v Clinton. Starr has been accused of leaking prejudicial grand jury material in an plate to ship opinion said the Lewinsky case. Lewinsky would be debates about. Report new york post vince foster murder hillary clinton starr report the starr. Lee is the gifts he testified that a pdf ebooks without help from the park hyatt hotel that the independent counsel regarding the disclosures in the decade. PDF Twenty years later Bill Clinton's impeachment in. Howey INgov. Moody handled the report contained at that. Clinton could thus slide down impeachment and trial involve the Senate. To print the document click on Original Document link process open an original PDF. -
European Journal of American Studies, 12-4
European journal of American studies 12-4 | 2017 Special Issue: Sound and Vision: Intermediality and American Music Electronic version URL: https://journals.openedition.org/ejas/12383 DOI: 10.4000/ejas.12383 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference European journal of American studies, 12-4 | 2017, “Special Issue: Sound and Vision: Intermediality and American Music” [Online], Online since 22 December 2017, connection on 08 July 2021. URL: https:// journals.openedition.org/ejas/12383; DOI: https://doi.org/10.4000/ejas.12383 This text was automatically generated on 8 July 2021. European Journal of American studies 1 TABLE OF CONTENTS Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling Looking Hip on the Square: Jazz, Cover Art, and the Rise of Creativity Johannes Voelz Jazz Between the Lines: Sound Notation, Dances, and Stereotypes in Hergé’s Early Tintin Comics Lukas Etter The Power of Conformity: Music, Sound, and Vision in Back to the Future Marc Priewe Sound, Vision, and Embodied Performativity in Beyoncé Knowles’ Visual Album Lemonade (2016) Johanna Hartmann “Talking ’Bout My Generation”: Visual History Interviews—A Practitioner’s Report Wolfgang Lorenz European journal of American studies, 12-4 | 2017 2 Introduction. Sound and Vision: Intermediality and American Music Frank Mehring and Eric Redling 1 The medium of music represents a pioneering force of crossing boundaries on cultural, ethnic, racial, and national levels. Critics such as Wilfried Raussert and Reinhold Wagnleitner argue that music more than any other medium travels easily across borders, language barriers, and creates new cultural contact zones (Raussert 1). -
Books Received the AMERICAN IMAGE of RUSSIA, 1775-1917
books received THE AMERICAN IMAGE OF RUSSIA, 1775-1917. By Eugene Anschel. Frederick Ungar. 1974. $9.50. POPULISM AND POLITICS: William Alfred Peffer and the People's Party. By Peter H. Argersinger. University Press of Kentucky. 1974. $15.50. GILDED AGE LETTERS OF E. L. GODKIN. By William M. Armstrong. State Uni versity of New York Press. 1974. $30.00. RADICALS IN URBAN POLITICS: The Alinsky Approach. By Robert Bailey, Jr. University of Chicago Press. 1974. $9.95. THE UNKNOWN SOLDIERS: Black American Troops in World War I. By Arthur E. Barbeau and Florette Henri. Temple University Press. 1974. $10.00. CHOOSING THE PRESIDENT. Edited by James David Barber. Prentice-Hall. 1974. $7.95; paper, $2.95. THE USE AND ABUSE OF ART. By Jacques Barzun. Princeton University Press. 1974. $6.95. RACE RELATIONS AND THE NEW YORK CITY COMMISSION ON HUMAN RIGHTS. By Gerald Benjamin. Cornell University Press. 1974. $12.50. MARJORIE KINNAN RAWLINGS. By Samuel I. Bellman. Twayne Publishers. 1974. $7.50. PEOPLE OF THE PLAINS AND MOUNTAINS. Edited by Ray Allen Billington. Greenwood Press. 1974. $12.50. BLACK SOCIOLOGISTS: Historical and Contemporary Perspectives. Edited by James E. Blackwell and Morris Janowitz. University of Chicago Press. 1974. $16.00. EXPLORING CONTRADICTIONS: Political Economy in the Corporate State. Edited by Philip Brenner, Robert Borosage and Bethany Weidner. David McKay Company. 1974. $7.95; paper, $3.95. ROBERT VANN OF THE PITTSBURGH COURIER: Politics and Black Journalism. By Andrew Buni. University of Pittsburgh Press. 1974. $12.95. THE WORLD OF SAMUEL ADAMS. By Donald Barr Chidsey. Thomas Nelson. 1974. $6.95. -
Copyright by Benjamin Jonah Koch 2011
Copyright by Benjamin Jonah Koch 2011 The Dissertation Committee for Benjamin Jonah Koch Certifies that this is the approved version of the following dissertation: Watchmen in the Night: The House Judiciary Committee’s Impeachment Inquiry of Richard Nixon Committee: David Oshinsky, Supervisor H.W. Brands Dagmar Hamilton Mark Lawrence Michael Stoff Watchmen in the Night: The House Judiciary Committee’s Impeachment Inquiry of Richard Nixon by Benjamin Jonah Koch, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Dedication To my grandparents For their love and support Acknowledgements I owe an immense debt of gratitude to my dissertation supervisor, David Oshinsky. When I arrived in graduate school, I did not know what it meant to be a historian and a writer. Working with him, especially in the development of this manuscript, I have come to understand my strengths and weaknesses, and he has made me a better historian. Thank you. The members of my dissertation committee have each aided me in different ways. Michael Stoff’s introductory historiography seminar helped me realize exactly what I had gotten myself into my first year of graduate school—and made it painless. I always enjoyed Mark Lawrence’s classes and his teaching style, and he was extraordinarily supportive during the writing of my master’s thesis, as well as my qualifying exams. I workshopped the first two chapters of my dissertation in Bill Brands’s writing seminar, where I learned precisely what to do and not to do. -
© Copyrighted by Charles Ernest Davis
SELECTED WORKS OF LITERATURE AND READABILITY Item Type text; Dissertation-Reproduction (electronic) Authors Davis, Charles Ernest, 1933- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 00:54:12 Link to Item http://hdl.handle.net/10150/288393 This dissertation has been microfilmed exactly as received 70-5237 DAVIS, Charles Ernest, 1933- SELECTED WORKS OF LITERATURE AND READABILITY. University of Arizona, Ph.D., 1969 Education, theory and practice University Microfilms, Inc., Ann Arbor, Michigan © COPYRIGHTED BY CHARLES ERNEST DAVIS 1970 iii SELECTED WORKS OF LITERATURE AND READABILITY by Charles Ernest Davis A Dissertation Submitted to the Faculty of the DEPARTMENT OF SECONDARY EDUCATION In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY .In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 9 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE I hereby recommend that this dissertation prepared under my direction by Charles Ernest Davis entitled Selected Works of Literature and Readability be accepted as fulfilling the dissertation requirement of the degree of Doctor of Philosophy PqulA 1- So- 6G Dissertation Director Date After inspection of the final copy of the dissertation, the following members of the Final Examination Committee concur in its approval and recommend its acceptance:" *7-Mtf - 6 7-So IdL 7/3a This approval and acceptance is contingent on the candidate's adequate performance and defense of this dissertation at the final oral examination; The inclusion of this sheet bound into the library copy of the dissertation is evidence of satisfactory performance at the final examination. -
Shirley Jackson's “The Lottery” and Holocaust Literature
humanities Article Shirley Jackson’s “The Lottery” and Holocaust Literature Michael Robinson Writing and Rhetoric Department, Harrington School of Communication and Media, College of Arts and Sciences, University of Rhode Island, Kingstown, RI 02881, USA; [email protected] Received: 12 January 2019; Accepted: 19 February 2019; Published: 25 February 2019 Abstract: Shirley Jackson’s “The Lottery” has been notorious since its first publication in 1948, but rarely, if ever, has it been read in light of its immediate historical context. This essay draws on literature, philosophy, and anthropology from the period to argue that Jackson’s story, which scholars have traditionally read through the lens of gender studies, invokes the themes of Holocaust literature. To support this argument, the essay explores imaginative Holocaust literature from the period by David Rousset, whose Holocaust memoir The Other Kingdom appeared in English translation in 1946, anthropological discourse from the period on scapegoating and European anti-Semitism, and critical discourse on the Holocaust and anti-Semitism from the period by Hannah Arendt and Theodor Adorno. The analysis finds that, in representing the phenomena of scapegoating and death selection in a small town in the US, Jackson’s story belongs to an abstract discourse on Holocaust-related themes and topics that was actively produced at midcentury, as evidenced partly by Rousset’s influential memoir. A master of the horror genre, Jackson could have drawn on her own experience of anti-Semitism, along with her known interest in the study of folklore, to contribute this chilling representation of the personal experience of death selection to a discourse on Holocaust-related themes. -
Public Taste: a Comparison of Movie Popularity and Critical Opinion
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1982 Public taste: A comparison of movie popularity and critical opinion R. Claiborne Riley College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the Film and Media Studies Commons Recommended Citation Riley, R. Claiborne, "Public taste: A comparison of movie popularity and critical opinion" (1982). Dissertations, Theses, and Masters Projects. Paper 1539625207. https://dx.doi.org/doi:10.21220/s2-hqz7-rj05 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. PUBLIC TASTE: A COMPARISON OF MOVIE u POPULARITY AND CRITICAL OPINION A Thesis Presented to The Faculty of the Department of Sociology The College of William, and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by R. Claiborne Riley 1982 APPROVAL SHEET This thesis is submitted in partial fulfillment the requirements for the degree of Master of Arts R. Claiborne Riley Approved, September 1982 r**1. r i m f Satoshi Ito JL R. Wayne Kernodle Marion G. Vanfossen TABLE OF CONTENTS Page ACKNOWLEDGMENTS .......... iv LIST OF TABLES . ..... .... ..................... v ABSTRACT .......... '......... vi INTRODUCTION .......... ...... 2 Chapter I. THE MOVIES: AN HISTORICAL PERSPECTIVE .............. 6 Chapter II. THE AUDIENCE ........................................ 51 Chapter III. THE C R I T I C ............ 61 Chapter IV. THE WANDERER STUDY AND DUMAZEDIER ON MOVIES AND LEISURE ....... -
University International
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
The Literary Situation, 1965
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by eGrove (Univ. of Mississippi) Studies in English Volume 6 Article 12 1965 The Literary Situation, 1965 Malcolm Cowley University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the American Literature Commons Recommended Citation Cowley, Malcolm (1965) "The Literary Situation, 1965," Studies in English: Vol. 6 , Article 12. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol6/iss1/12 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Cowley: The Literary Situation, 1965 The Literary Situation, 1965 by Malcolm Cowley [Editors Note: The following is a transcript of a seminar which Mr. Cowley conducted at the Southern Literary Festival on the campus of the University of Mississippi, April 23, 1965. Mr. Cowley answered some questions from the audience and some from a questionnaire which had been handed to him before the seminar began. The transcript has been submitted to Mr. Cowley, and he has made minor editorial changes.] Q: Mr. Cowley, in The Literary Situation you wrote a section devoted to the literary stock exchange, and to the fluctuation, rise and fall, of literary reputations. Would you care to comment on some of the literary reputations today? A: One of the things in which there has been a bull market for the last ten years is literary scholarship. -
The Many Secrets of Joe Gould
Bridgewater Review Volume 25 | Issue 2 Article 11 Dec-2006 Cultural Commentary: The aM ny Secrets of Joe Gould Patricia J. Fanning Bridgewater State College, [email protected] Recommended Citation Fanning, Patricia J. (2006). Cultural Commentary: The aM ny Secrets of Joe Gould. Bridgewater Review, 25(2), 24-25. Available at: http://vc.bridgew.edu/br_rev/vol25/iss2/11 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. Cultural Commentary The Many Secrets of Joe Gould Patricia J. Fanning Have you ever wondered who coined the term “oral history?” Buddhist, And in summer I’m According to an article in The Oral History Review, most a nudist.”). He began in 1917 people believe Columbia University Professor Allan Nevins, and by 1942 he estimated he who first used the term in 1948, got it from a Greenwich had close to a billion words, Village, New York character named Joe Gould, who in the all handwritten in school 1920s and 1930s claimed to be compiling “An Oral History composition books which he of Our Time” from overheard conversations, occasional inter- stored in friends’ studios and views and observations. Joe Gould. Therein lies this tale. on a farm in Connecticut. He predicted that he would Joseph Ferdinand Gould (1889–1957) was born in ultimately be known as “the Norwood, Massachusetts, the last of a family that could most brilliant historian of the trace its New England roots back to 1635. His grandfa- century.” The tales of dynas- ther and father were both Harvard-educated physicians.