James Gould Cozzens: a Documentary Volume
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A Dangerous Summer
theHemingway newsletter Publication of The Hemingway Society | No. 73 | 2021 As the Pandemic Ends Yet the Wyoming/Montana Conference Remains Postponed Until Lynda M. Zwinger, editor 2022 the Hemingway Society of the Arizona Quarterly, as well as acquisitions editors Programs a Second Straight Aurora Bell (the University of Summer of Online Webinars.… South Carolina Press), James Only This Time They’re W. Long (LSU Press), and additional special guests. Designed to Confront the Friday, July 16, 1 p.m. Uncomfortable Questions. That’s EST: Teaching The Sun Also Rises, moderated by Juliet Why We’re Calling It: Conway We’ll kick off the literary discussions with a panel on Two classic posters from Hemingway’s teaching The Sun Also Rises, moderated dangerous summer suggest the spirit of ours: by recent University of Edinburgh A Dangerous the courage, skill, and grace necessary to Ph.D. alumna Juliet Conway, who has a confront the bull. (Courtesy: eBay) great piece on the novel in the current Summer Hemingway Review. Dig deep into n one of the most powerful passages has voted to offer a series of webinars four Hemingway’s Lost Generation classic. in his account of the 1959 bullfighting Fridays in a row in July and August. While Whether you’re preparing to teach it rivalry between matadors Antonio last summer’s Houseguest Hemingway or just want to revisit it with fellow IOrdóñez and Luis Miguel Dominguín, programming was a resounding success, aficionados, this session will review the Ernest Hemingway describes returning to organizers don’t want simply to repeat last publication history, reception, and major Pamplona and rediscovering the bravery year’s model. -
James Albert Michener (1907-97): Educator, Textbook Editor, Journalist, Novelist, and Educational Philanthropist--An Imaginary Conversation
DOCUMENT RESUME ED 474 132 SO 033 912 AUTHOR Parker, Franklin; Parker, Betty TITLE James Albert Michener (1907-97): Educator, Textbook Editor, Journalist, Novelist, and Educational Philanthropist--An Imaginary Conversation. PUB DATE 2002-00-00 NOTE 18p.; Paper presented at Uplands Retirement Community (Pleasant Hill, TN, June 17, 2002). PUB TYPE Opinion Papers (120) EDRS PRICE EDRS Price MF01/PC01 Plus Postage. DESCRIPTORS *Authors; *Biographies; *Educational Background; Popular Culture; Primary Sources; Social Studies IDENTIFIERS *Conversation; Educators; Historical Research; *Michener (James A); Pennsylvania (Doylestown); Philanthropists ABSTRACT This paper presents an imaginary conversation between an interviewer and the novelist, James Michener (1907-1997). Starting with Michener's early life experiences in Doylestown (Pennsylvania), the conversation includes his family's poverty, his wanderings across the United States, and his reading at the local public library. The dialogue includes his education at Swarthmore College (Pennsylvania), St. Andrews University (Scotland), Colorado State University (Fort Collins, Colorado) where he became a social studies teacher, and Harvard (Cambridge, Massachusetts) where he pursued, but did not complete, a Ph.D. in education. Michener's experiences as a textbook editor at Macmillan Publishers and in the U.S. Navy during World War II are part of the discourse. The exchange elaborates on how Michener began to write fiction, focuses on his great success as a writer, and notes that he and his wife donated over $100 million to educational institutions over the years. Lists five selected works about James Michener and provides a year-by-year Internet search on the author.(BT) Reproductions supplied by EDRS are the best that can be made from the original document. -
Hemingway & Faulkner English 423, Fall 2016 Dr. David Swerdlow 405
Hemingway & Faulkner English 423, Fall 2016 Dr. David Swerdlow 405 Thompson-Clark, x7345 Office Hours: MWF 11-12 and by appt. Ernest Hemingway and William Faulkner are among the United States’ most celebrated writers. Nobel laureates and icons of the modernist era, these two writers may be most known for their easily recognizable and radically different styles that surface in everything they write. In many ways, however, they are kindred spirits in terms of theme and ambition. Consider their Nobel Prize acceptance speeches. (Please note that Hemingway, because of illness, was not able to give his speech himself. It was delivered by the U.S. Ambassador to Sweden.) Having no facility for speech-making and no command of oratory nor any domination of rhetoric, I wish to thank the administrators of the generosity of Alfred Nobel for this Prize. No writer who knows the great writers who did not receive the Prize can accept it other than with humility. There is no need to list these writers. Everyone here may make his own list according to his knowledge and his conscience. It would be impossible for me to ask the Ambassador of my country to read a speech in which a writer said all of the things which are in his heart. Things may not be immediately discernible in what a man writes, and in this sometimes he is fortunate; but eventually they are quite clear and by these and the degree of alchemy that he possesses he will endure or be forgotten. Writing, at its best, is a lonely life. -
The Ernest Hemingway Primer
The Ernest Hemingway Primer By Timeless Hemingway Copyright © 2009 Timeless Hemingway Publications. All rights reserved. Contents I. Biography II. Books by Ernest Hemingway III. The Life: Top 5 Frequently Asked Questions IV. The Literature: Top 5 Frequently Asked Questions V. Notable Quotables VI. Further Reading 2 Biography I. Ernest Miller Hemingway was born on July 21, 1899 in Oak Park, Illinois to Dr. Clarence Edmonds Hemingway and Grace Hall Hemingway. The second of six children, Ernest enjoyed an adventurous boyhood, fishing and hunting with his father in the northern woods of Michigan. He attended Oak Park High School where he excelled in his classes, particularly English. He tried his hand at football and swimming, edited the school paper (the Trapeze), and contributed pieces to the school's literary magazine (the Tabula). After graduating high school, Ernest traveled to Kansas City and worked as a cub reporter for The Kansas City Star. In 1918, he began service as an ambulance driver for the Italian army. On July 8, he was wounded at Fossalta on the Italian Piave while delivering chocolates, cigarettes, and postcards to soldiers. He married Elizabeth Hadley Richardson on September 3, 1921. The newlyweds soon entered the literary community of Paris, living off of Hadley's trust fund and Ernest's pay as a foreign correspondent for the Toronto Star. The 1920's were extremely productive writing years for Hemingway. Three Stories and Ten Poems was published in 1923, In Our Time in 1925. In 1926, The Torrents of Spring and the widely successful novel, The Sun Also Rises were published. -
The Avoidance of Complexity in "The Old Man and the Sea."
THE AVOIDANCE OF COMPLEXITY IN TI4E OLD MAN AND THE SEA I by RAYMOND HENRY PENNER Hon. B. A*, Simon Fraser University, 1969 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of English @ RAYPIOND HENRY PENNER, 1970 SIMON FRASER UNIVERSITY August, 1370 EXAMINING COMMITTEE APPROVAL Dr. S, Cooperman Senior Supervisor E, Alderson Examining Committee D. Callahan Examining Committee H. Gerber Examining Committee ( External Examiner) Name: Raymond Henry Penner Degree: Master of Arts Title of Thesis: The Avoidance of Complexity in The Old Man and The Sea August 4, 1970 Date Approved: - iii - ABSTRACT Heroes are a rare exception to thc generally compls- cent modern man; however, Ernest Hemjngway has attempted to revive the idea of the hero within the Twentieth Cen- tury. Possibly the intrigue of the hero in 14emingway1s - works arises partly from being so historically out of context. My thesis is an investigation into Santiago of The Old Nan and The Sea as a heroic figure. The investi- gation is primarily in terms of experience and manhood and I examine the areas of sexuality, emotion, isolation and action. Since there is a metaphysical continuity of the treatment of sex throughout the Herningway canon, I have examined Santiago's sexuality to determine whether or not this continuity is broken. Apparently Hemingway could not escape sex as one of the major problems of man's existence and therefore Santiago's sexuality is seen as a metaphor. The determination revealed by Santiago in his isolation is not as much a continuation of a theme in Hemingwayls writing as it is a culmination of a desire to I+. -
Books Received the AMERICAN IMAGE of RUSSIA, 1775-1917
books received THE AMERICAN IMAGE OF RUSSIA, 1775-1917. By Eugene Anschel. Frederick Ungar. 1974. $9.50. POPULISM AND POLITICS: William Alfred Peffer and the People's Party. By Peter H. Argersinger. University Press of Kentucky. 1974. $15.50. GILDED AGE LETTERS OF E. L. GODKIN. By William M. Armstrong. State Uni versity of New York Press. 1974. $30.00. RADICALS IN URBAN POLITICS: The Alinsky Approach. By Robert Bailey, Jr. University of Chicago Press. 1974. $9.95. THE UNKNOWN SOLDIERS: Black American Troops in World War I. By Arthur E. Barbeau and Florette Henri. Temple University Press. 1974. $10.00. CHOOSING THE PRESIDENT. Edited by James David Barber. Prentice-Hall. 1974. $7.95; paper, $2.95. THE USE AND ABUSE OF ART. By Jacques Barzun. Princeton University Press. 1974. $6.95. RACE RELATIONS AND THE NEW YORK CITY COMMISSION ON HUMAN RIGHTS. By Gerald Benjamin. Cornell University Press. 1974. $12.50. MARJORIE KINNAN RAWLINGS. By Samuel I. Bellman. Twayne Publishers. 1974. $7.50. PEOPLE OF THE PLAINS AND MOUNTAINS. Edited by Ray Allen Billington. Greenwood Press. 1974. $12.50. BLACK SOCIOLOGISTS: Historical and Contemporary Perspectives. Edited by James E. Blackwell and Morris Janowitz. University of Chicago Press. 1974. $16.00. EXPLORING CONTRADICTIONS: Political Economy in the Corporate State. Edited by Philip Brenner, Robert Borosage and Bethany Weidner. David McKay Company. 1974. $7.95; paper, $3.95. ROBERT VANN OF THE PITTSBURGH COURIER: Politics and Black Journalism. By Andrew Buni. University of Pittsburgh Press. 1974. $12.95. THE WORLD OF SAMUEL ADAMS. By Donald Barr Chidsey. Thomas Nelson. 1974. $6.95. -
Electronic Green Journal Volume 1, Issue 41, April 2018
Electronic Green Journal Volume 1, Issue 41, April 2018 Review: Citizen Steinbeck: Giving Voice to the People By Robert McParland Reviewed by Ryder W. Miller New York, NY, USA McParland, Robert. Citizen Steinbeck: Giving Voice to the People. Lanham, MD, USA: Rowman & Littlefield, 2016. 259 pp. ISBN: 9781442268302, hardback. US$40.00; alkaline paper; also available as an e-book. Citizen Steinbeck: Giving Voice to the People provides a wonderful and fascinating overview of the life and literary achievement of John Steinbeck (1902-1968). English Professor Robert McParland tells a detailed story about Steinbeck’s life which begins in Salinas, California, as well as his struggle to be a successful writer, his days at work and in the war, and his literary success and achievements. As a writer, Steinbeck went beyond being a regionalist to become one of America’s most famous writers; he won a Pulitzer Prize, The National Book Award, and the Nobel Prize for Literature. He also had an international perspective having been part of the American military struggles overseas and having done some travel writing and setting some of his stories in other countries. Steinbeck began as a reporter but went on to write some stories with mythological elements as well as having characters that believed in witchcraft and astrology. His novels were set in the land with lush descriptions of the outdoors. Salinas, CA was part of the farming community and Steinbeck wrote of their times and struggles. Steinbeck also wrote about some of the animals in these landscapes and one could argue that he also gave them and the land a voice. -
Unlikely Transfusions: Wise Blood and the Grapes of Wrath John D
Unlikely Transfusions: Wise Blood and The Grapes of Wrath John D. Seelye Steinbeck Studies, Volume 15, Number 1, Spring 2004, pp. 41-45 (Article) Published by The Martha Heasley Cox Center for Steinbeck Studies DOI: https://doi.org/10.1353/stn.2004.0022 For additional information about this article https://muse.jhu.edu/article/172420 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] UNLIKELY TRANSFUSIONS: WISE BLOOD AND THE GRAPES OF WRATH JOHN SEELYE THE LIST OF AMERICAN AUTHORS whose novels are in- debted for situations and materials (and popularity) to the novels and stories of John Steinbeck is impressive, from Ernest Hemingway’s The Old Man and the Sea to Marjorie Kinnan Rawlings’s The Yearling and Mary O’Hara’s My Friend Flicka. I would like to add Flannery O’Connor’s Wise Blood, a text clearly inspired by the surreal ironies of Nathaniel West and one that would seem to be whole worlds apart from the re- alistic, empathetic zone created by Steinbeck. Indeed, I had been teaching both Wise Blood and Of Mice and Men in an un- dergraduate course on the novella for a year or two before the possibility of a connection became clear, not with the story of Lennie and George but with the much more ambitious epic of the Joad family. Tom Joad’s return home from a stretch in prison for manslaughter is a memorable beginning for Steinbeck’s novel, starting with his angry response to a truck driver’s curiosity and ending as he stands in front of the Joad house, abandoned in the wake of the great dust storms of the Depression years in Okla- homa. -
The Art of Katherine Anne Porter Vernon A
CORE Metadata, citation and similar papers at core.ac.uk Provided by University of New Mexico New Mexico Quarterly Volume 15 | Issue 3 Article 11 1945 The Art of Katherine Anne Porter Vernon A. Young Follow this and additional works at: https://digitalrepository.unm.edu/nmq Recommended Citation Young, Vernon A.. "The Art of Katherine Anne Porter." New Mexico Quarterly 15, 3 (1945). https://digitalrepository.unm.edu/nmq/ vol15/iss3/11 This Contents is brought to you for free and open access by the University of New Mexico Press at UNM Digital Repository. It has been accepted for inclusion in New Mexico Quarterly by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. - Young: The Art of Katherine Anne Porter THE ART 0 F') KAT HER IN E ANN E PORTER Vernon A. ,Young ~ . ITH FOUR SHORT NOVELS and barely a score of short stones, W Katherine Anne PQrter has establi~hed herself for posterity as the most flawless realist of her generation, yet not until last year, when The Leaning Tower and Other Stories. was published, had she received anything like her due, except from the extreme critical minor ity. In 1931 she received a Guggenheim fellowship for Flowering Juda..t;;, and in 1937, for Flowering Judas and Other Stories, a $2,500 fel lowship given by the Book-of-the-Month Club "to an American author whose work has not received from the book-reading public the recog- nition it deserved, as measured by actual sales." - One is no longer surprised that literature of moral subtlety and stylistic rectitude may not sell. -
1955 Guantanamo Bay Carnival Opens Today
" - -- _'-Vo- -- - 'oers CTMO Lke The Sunskine" Vol. VII, No. 7 U. S. Naval Base, Guantanamo Bay, Cuba Saturday, 19 February 1955 1955 Guantanamo Bay Carnival Opens Today Festivities Set to Run Four Days The 1955 edition of the Guantanamo Bay Carnival, featuring a 1955 Dodge Royal Sedan and a 1955 Ford Convertible as the top attractions, will get underway today for a gala four days. Opening its gates to the public this afternoon at 1300, the carnival will run for four big days; today until 2200, Sunday from 1300 to 2200, Monday from 1700 to 2200, and a grand finale day from 1000 to 2000 on Tuesday at the end of which time some two persons will not walk away, but drive off in a new Dodge andi a new Foind. Staged each year for the Guan- Base POs Complete Exams, tanamo Bay Naval Base Commnun- Rates Due in Group iy Fund, the carnival will offer On Tuesday, 22 Feb, second class entertainment of all sorts for all officers of the Naval Base ages with 19 entertainment booths, petty kiddie will compete in the service-wide eight refreshment booths, for advancement in rides, horseback riding, roller skat- examinations and a special to Pay Grade E-6, complet- ing, fortune telling, rating aexamnatons souvenir booth. This year, the car- ingring the to semi-annualPeiaay examinations. nvli eddb omte Then the waiting begins until late Ciran CP W. b. Carute April or early May when the re- suits of the four examinations, Commanding Officer, Naval Station. Pay Grades E-4, E-5, E-6, and R u n n i n g the entertainment E-7 will be returned from the ex- booths will be the Base Commands, amining center. -
© Copyrighted by Charles Ernest Davis
SELECTED WORKS OF LITERATURE AND READABILITY Item Type text; Dissertation-Reproduction (electronic) Authors Davis, Charles Ernest, 1933- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 00:54:12 Link to Item http://hdl.handle.net/10150/288393 This dissertation has been microfilmed exactly as received 70-5237 DAVIS, Charles Ernest, 1933- SELECTED WORKS OF LITERATURE AND READABILITY. University of Arizona, Ph.D., 1969 Education, theory and practice University Microfilms, Inc., Ann Arbor, Michigan © COPYRIGHTED BY CHARLES ERNEST DAVIS 1970 iii SELECTED WORKS OF LITERATURE AND READABILITY by Charles Ernest Davis A Dissertation Submitted to the Faculty of the DEPARTMENT OF SECONDARY EDUCATION In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY .In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 9 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE I hereby recommend that this dissertation prepared under my direction by Charles Ernest Davis entitled Selected Works of Literature and Readability be accepted as fulfilling the dissertation requirement of the degree of Doctor of Philosophy PqulA 1- So- 6G Dissertation Director Date After inspection of the final copy of the dissertation, the following members of the Final Examination Committee concur in its approval and recommend its acceptance:" *7-Mtf - 6 7-So IdL 7/3a This approval and acceptance is contingent on the candidate's adequate performance and defense of this dissertation at the final oral examination; The inclusion of this sheet bound into the library copy of the dissertation is evidence of satisfactory performance at the final examination. -
Ernest Hemingway Global American Modernist
Ernest Hemingway Global American Modernist Lisa Tyler Sinclair Community College, USA Iconic American modernist Ernest Hemingway spent his entire adult life in an interna- tional (although primarily English-speaking) modernist milieu interested in breaking with the traditions of the past and creating new art forms. Throughout his lifetime he traveled extensively, especially in France, Spain, Italy, Cuba, and what was then British East Africa (now Kenya and Tanzania), and wrote about all of these places: “For we have been there in the books and out of the books – and where we go, if we are any good, there you can go as we have been” (Hemingway 1935, 109). At the time of his death, he was a global celebrity recognized around the world. His writings were widely translated during his lifetime and are still taught in secondary schools and universities all over the globe. Ernest Hemingway was born 21 July 1899, in Oak Park, Illinois, also the home of Frank Lloyd Wright, one of the most famous modernist architects in the world. Hemingway could look across the street from his childhood home and see one of Wright’s innovative designs (Hays 2014, 54). As he was growing up, Hemingway and his family often traveled to nearby Chicago to visit the Field Museum of Natural History and the Chicago Opera House. Because of the 1871 fire that destroyed structures over more than three square miles of the city, a substantial part of Chicago had become a clean slate on which late nineteenth-century and early twentieth-century architects could design what a modern city should look like.