DOCSLIB.ORG

Leeds Civic Trust Newsletter April 2020 Message From

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Leeds Civic Trust Newsletter April 2020 Message From OUTLOOK LEEDS CIVIC TRUST NEWSLETTER APRIL 2020 MESSAGE FROM MARTIN The Trust Director writes a special piece about our response to the current Covid-19 pandemic. SEE PAGE 2 PLANNING NEWS Technology allows our Planning Committee to keep ‘meeting’ with Mike Piet on the line to report. SEE PAGE 4 WASTE NOT Claude Saint Arroman considers what we throw away after a visit to Martin HW Waste facility. SEE PAGE 6 MERCURY RETROGRADE Roderic Parker reports on a Trust visit to a printers with a collection of very special vintage postcards. SEE PAGE 8 KEITH WATERHOUSE HONOURED The Hunslet born author and journalist now has his own blue plaque. SEE PAGE 10 ALTHOUGHWHERE WAS THE THIS OFFICE PHOTO IS TAKENCURRENTLY FROM? CLOSED, FIND OUT A RAINBOW IN NEXT MONTH’S HAS APPEARED OUTLOOK... IN ITS WINDOW. ENCOURAGING DEVELOPMENT CONSERVING AND ENHANCING PROMOTING THE IMPROVEMENT THAT IS A SOURCE OF PRIDE THE HERITAGE OF LEEDS OF PUBLIC AMENITIES 2 APRIL 2020 A MESSAGE FROM THE DIRECTOR A message from Trust Director, Martin, regarding the Trust’s response to Covid-19. It doesn’t need me to tell you that these are extraordinary times. Back in January we were looking forward to a full year here at the Trust. Events were being finalised, a full schedule of blue plaque unveilings scheduled, our spring season of corporate lunches with a new caterer booked and plans to implement our five year Vision were progressing. We now have the proofs for the much- anticipated second Blue Plaques book, and we were looking forward to launch this in late Spring. A few short weeks later, and much of what we had planned is either impossible, impractical or will have to be done in a very different way. Whilst the work we do is important, we cannot class the Trust as an essential service. This has meant that Although our committees cannot The current situation also gives us for the moment we cannot have a meet physically, discussions continue the opportunity for some virtual presence at our Wharf Street Offices via email – and in the case of the spring cleaning. We continue to tidy – the team is working from home, Planning Committee, this will up our new database system, it is an using technology to keep in touch continue to meet via telephone opportunity to develop and refresh (including two formal team meetings conference. Building work may policies for the Trust on everything per week via videoconference). have slowed in Leeds, but there are from data protection to health and However, we are still functioning as clearly many planning applications safety, and to plan for how the Trust an organisation, and as you will see still working their way through the responds to a post Covid-19 world? elsewhere in this edition of Outlook, system and the Trust will continue changed circumstances have opened So for now, we are working on to comment on them. Our Board up new opportunities for us. the basis that there will be no of Trustees will continue to hold physical events or activities until We hope to continue to offer events its meetings even if it cannot meet early summer; all events have been and to engage with our members, physically. cancelled until the end of May and it but this will often be via the internet Although for the moment it is not seems likely that the same will apply giving us the opportunity to produce possible to produce Outlook in hard for June. We will review this as the video clips, make more use of our copy, we will continue to produce an national situation evolves, and will social media presence and mount email version – and we have sent out let you know as soon as the situation online discussions and talks. If you postcards to members who have not changes. If you need to contact the are on twitter, now is a good time to provided email addresses to see if Trust urgently, you can do so either start to follow us @leedscivictrust - they wish to receive the newsletter via email ([email protected]. We are featuring an historic Leeds electronically. We are also very keen uk) or by phoning 07942 670333 and postcard every day in April from to ensure that our many volunteers leaving a message. our collection. And, as you will read right across the Trust are supported, elsewhere, we are launching a new In the meantime, keep healthy and and to offer a platform for discussion blog for the city. safe. during this hiatus. WWW.LEEDSCIVICTRUST.ORG.UK OUTLOOK 3 YOUR OPPORTUNITY TO HELP THE TRUST Keeping in touch with Trust members and the public is more important than ever, can you help us? We’re sure many of you are users of Facebook, Instagram or twitter and use these to keep up to date with friends and groups both near and far? Can you offer a couple of hours a week during the current situation to help the Trust reach a wider audience, as well as help us keep in touch with members? We are looking for WE HAVE BEEN Facebook – A Private Group for ‘POSTING’ A Members ‘POSTCARD A DAY’ ON OUR TWITTER • A few individuals to help moderate FEED the page; - this would involve approving current members who want to join • Blue Plaque Correspondent – can Aboutleeds.blog – we’ll be launching the group you send a post a few days a week a blog in the coming weeks, this will - thinking of a few topics to start highlighting a different blue plaque? be an independent space for guest conversations e.g. self-isolation tips, The public enjoy seeing these and writers to write about Leeds, from are you finding the air cleaner? Etc they are nice ways to highlight our planning to heritage to what it could etc work and to champion a past Leeds learn from other towns and cities, - the aim of this page is a space hero/event or building. the Trust will moderate the blog but for members to continue ‘to meet’ • Good quality images and it will be a place for collaboration informally, sharing light-hearted anecdotes are particularly well and conversation. Have a look at the stories and anecdotes received on Instagram. blog to get a sense of the articles currently featured and if you have an - Martin will post a regular ‘planning • Again, staff would support you idea for an article please feel free to discussion’ video to this page in any technical aspects as well as submit one to us (up to 700 words). - Staff will support you with any helping with any ideas you’d like to Any suggestions are appreciated at technical queries as well as support take forward. this time and we will try and take with possible content • If you’re feeling unconfident about forward as many ideas as possible – your content going ‘live’ to the Instagram/twitter the Trust does not have a ‘marketing general public we will be happy to • Are you going on a daily walk/ team’ and we are novices when it review these before they are posted. cycle ride? Would you like to help comes to some online platforms, but us by taking a photo of interesting Other help together we’re sure we can come places you visit and adding this to If you deliver talks, walks, quizzes up with engaging and informative our twitter/Instagram? You may even or other creative activities, would content that speaks to other pass a blue plaque or two that would you like to do these on one of these members and to the wider public. make interesting features? (see via one of the Trust’s social media Please do get in touch with us during below for example) platforms? We also have a Youtube the next few week even if you’re • Do you have interesting facts and channel if you wanted to showcase not particularly confident about quirky anecdotes or images about any talents or deliver a talk on a using social media, and we can work Leeds? Would you like to compile a relevant topic? Get in touch and we’ll together to develop your ideas. few of these for the Trust and share be happy to support you and think of these via social media? ways to take this forward. WWW.LEEDSCIVICTRUST.ORG.UK 4 APRIL 2020 PLANNING NEWS Planning applications submitted to the Council move soley online, but our Committee are still meeting to review them. Last month it was Storm Dennis that dominated the news but it’s all different now. The Trust has had to close down almost all of its activities due to Covid-19 so this will be the last report on ‘live’ planning committee meetings for some time. However, we are looking to meet virtually (if not virtuously) through the means of teleconferencing. But back to early March and our only presentation to the full committee. This related to the proposal to construct a new terminal at Leeds Bradford Airport. We all appreciate that the existing building is unattractive, not fit for purpose and a poor entry point for the region. We thought the overall plans for the building were good but, while we had concerns about some of the layout details, we felt there were some fundamental issues to be addressed: • the long-term future of the airport: will the climate emergency, changing public attitudes to flying and high- speed rail services (direct or to hubs SANTANDER MERRION STREET such as Manchester or Heathrow) lead to a change in national policy which might make the airport the site of the Santander offices such a situation arises but here ‘redundant’? in Merrion Street.
Load more

Recommended publications
  • Leeds Civic Trust Annual Report Donations and Sponsorship 2016 Chair’S Introduction
    15 /16 LEEDS CIVIC TRUST ANNUAL REPORT DONATIONS AND SPONSORSHIP 2016 CHAIR’S INTRODUCTION The Trust gratefully acknowledges the support its work has received from the following bodies and individuals in the form of grants, Irrespective of Brexit, we have continued to concentrate our Which is why the White Cloth Hall has continued to donations, gifts in kind and sponsorship of events. For sponsorship of blue plaques see Heritage and Conservation. efforts on Leeds’ past, present and future. We know that we exercise us for so long – progress is still slow, but the Double Tree by Hilton; Pinsent Mason LLP; West and Machell Ltd; Yorkshire Design Group. are reaching new audiences with our use of Twitter and perseverance is paying off, and with support from the City Facebook, and that interest in our activities is higher than it’s Council and the Heritage Lottery Fund, this vital component ever been. It is gratifying that younger people are interested, of Leeds’ history will be revitalised once more. not only in what is happening now, but also in the history GOLD CORPORATE MEMBERS CORPORATE MEMBERS One occurrence the Trustees didn’t want to face is Kevin and context of their areas, and what may happen to those Grady’s retirement. Managing change is never easy – but we CEG places with future development. Acanthus WSM Architects Leeds Building Society grasped the nettle, invested in a change-management www.ceg.co.uk Adair Paxton LLP Leeds College of Music As you read Mike Piet’s comprehensive Planning report, consultant for an outsider’s perspective, and worked through Addleshaw Goddard LLP Leeds Commercial you’ll see that we’re still very much involved with the big a recruitment process, resulting in the appointment of Martin Andrews Gwynne LLP Leeds Rugby Limited issues, which contribute to the Northern Powerhouse Hamilton as our Director-designate.
    [Show full text]
  • Course Proposals 97-8
    אוניברסיטת בן-גוריון בנגב BEN-GURION UNIVERSITY OF THE NEGEV FACULTY OF HUMANITIES AND SOCIAL SCIENCES ABRAHAMS-CURIEL DEPARTMENT OF FOREIGN LITERATURES AND LINGUISTICS Professor Efraim Sicher THE POSTWAR BRITISH NOVEL THIRD YEAR SEMINAR 4 PTS MONDAYS AND THURSDAYS 14-16 FIRST SEMESTER Course Description Postwar British prose fiction reflects the changes in society, politics and literature since 1945. From the postwar new wave to post-colonialism, from the Angry Young Man to postmodernism, we look at the best writers of the last 70 years. Course objectives This course gives students knowledge of basic concepts in postwar British fiction in the context of postmodernism. It provokes basic questions about the relation of fiction and truth, history and literature. Keywords: Britain 1945-2020; postmodernism; history; fiction. Course requirements Active participation required 4 Preparatory questions 20% 1 Seminar Paper 15-18 pages 40% (due March 10). 1 Presentation (to be handed in as a 5-6 page written paper by March 10) 40% Required Reading George Orwell, Nineteen Eighty-Four William Golding, Lord of the Flies Ian McEwan, Atonement Salman Rushdie Midnight's Children Norton Anthology of English Literature, volume 2 Additional texts (choose one for presentation) The campus novel (Kingsley Amis, Lucky Jim) Dystopia now (Anthony Burgess, Clockwork Orange) Anger and after (Keith Waterhouse, Billy Liar; Alan Sillitoe, The Loneliness of the Long-Distance Runner) Women Writers (Angela Carter, Fay Wheldon, Emma Tennant, Penelope Lively) Other voices: Salman Rushdie (The Moor’s Last Sigh); Kazuo Ishiguro (The Remains of the Day); Ben Okri; Clive Sinclair (Blood Libels). Postmodernism: Julian Barnes; Martin Amis; Ian McEwan; Graham Swift.
    [Show full text]
  • A Writer's Calendar
    A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive.
    [Show full text]
  • Boxoffice Barometer (March 6, 1961)
    MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph.
    [Show full text]
  • Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 I
    INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced info the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on untii complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • Uneconomic Rag Ball to Be Replaced
    Friday, Feb. 2nd, 1968 UNION NEWS No. 342 Price 3d. THREE DAYS TO POLLING DAY BUT IN R.S.H. HUSTINGS VOTERS UNMOVED % CANDIDATES GRILLED ON POLICIES by U.N. Election Correspondent 'J’HE three Presidential candidates put their cases for election to the voters in the Riley Smith on Wed­ nesday. Union President Jack Straw chaired the hustings and was seen to flush all three candidates referred to the danger of a President too committed to outside bodies such as N.U.S. AH the candidates called for more frequent General Meetings and better communications with the ordinary Union member. i—— , + , and that he would represent Tony Boyden, De Lee’s | the interests of the students proposer, opened the hust- nationally, ings with a call to elect De Lee because he was a- MORE O.GJVLs political, made rational Philip Kelly follow ed this by saying that he was standing speeches and had the inter- because the Union accepts Philip Kelly answering a ques­ sets of all members at heart. certain goals. There should be tion from the floor. more student representation in ORGANIZATION the University and this would Nigel De Lee said that he be his main priority if he was would not enforce his opinions elected. To bring the ordinary Nigel de Lee addresses the electorate in the Riley Smith. Jack Straw sits in the chair. On the on anybody, his principal aim student more into the Union left are the othei' candidates and their proposei's. Exec in being organisation. “The fortnightly general meetings Union” he claimed “is a loose would be held and a weekly brief mass of people united by social newsletter would be issued.
    [Show full text]
  • Theatre Archive Project: Interview with Colin George
    THEATRE ARCHIVE PROJECT http://sounds.bl.uk Colin George – interview transcript Interviewer: Kate Harris 21 November 2005 Actor and Director. A Man for All Seasons; audiences; Birmingham Rep; children's theatre; Coventry Belgrade theatre; The Crucible Theatre, Sheffield; drama students; The Elizabethan Theatre Company; Albert Finney; Tyrone Guthrie; Peter Hall; Laurence Olivier; Look Back in Anger; Harold Pinter; The Playhouse Nottingham; The Playhouse, Sheffield; repertory; Maggie Smith; television. KH: This is an interview on the 21st of November with Colin George. Can I just confirm that I've got your permission to put this into the archive? CG: You have. KH: Brilliant, I'd just like to start by asking about how you began working in the theatre? CG: Yes, I began straight from Oxford. I'd been… I suppose inspired by Laurence Olivier principally and his film Henry V, but also I saw him as a boy, in his first Richard III, his first great performance, at the New Theatre, with Olivier, with Richardson and those great seasons they had, Hotspur, you know and so on and decided I'd go into the theatre. And my mother, God bless her, said, ‘Well, get a degree first darling, then you'll always have something to fall back on’, which proved absolutely right, because when I was middle aged - not middle aged, but getting on, three kids and that and no money having left Sheffield and all that - I went to Australia to set up a drama department and later worked for twelve years in Hong Kong, was head of acting at the drama… and that saved my life.
    [Show full text]
  • Plaque Schemes Across England
    PLAQUE SCHEMES ACROSS ENGLAND Plaque schemes are listed below according to region and county, apart from thematic schemes which have a national remit. The list includes: the name of the erecting body (with a hyperlink to a website where possible); a note of whether the scheme is active, dormant, proposed or complete; and a link to an email contact where available. While not all organisations give details of their plaques on their websites, the information included on the register should enable you to contact those responsible for a particular scheme. In a few cases, plaques are described as ‘orphaned’, which indicates that they are no longer actively managed or maintained by the organisation that erected them. English Heritage is not responsible for the content of external internet sites. BEDFORDSHIRE Bedford Borough ACTIVE Council Various historical schemes BEDFORDSHIRE Biggleswade COMPLETED Contact EAST History Society 1997-2004 BEDFORDSHIRE Dunstable COMPLETED Contact Town Council CAMBRIDGESHIRE Cambridge Blue ACTIVE Contact Plaques Scheme since 2001 CAMBRIDGESHIRE Eatons ACTIVE Contact Community Association 1 PLAQUE SCHEMES ACROSS ENGLAND CAMBRIDGESHIRE Great Shelford ACTIVE Contact Oral History Group CAMBRIDGESHIRE Littleport Society AD HOC One-off plaque erected in 2011, more hoped for. CAMBRIDGESHIRE Peterborough ACTIVE Contact Civic Society since the 1960s CAMBRIDGESHIRE St Ives ACTIVE Contact EAST Civic Society since 2008 CAMBRIDGESHIRE St Neots Local ACTIVE Contact History Society ESSEX (Basildon) PROPOSED Contact Foundation
    [Show full text]
  • From Real Time to Reel Time: the Films of John Schlesinger
    From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative.
    [Show full text]
  • HOBA Newsletter 2015
    Heath Old Boys Association Newsletter Summer 2015 Another special year very year is special at The Crossley Heath School but 2014 has been particularly memorable. E Looking back over 2014, this has been a year of heritage, history and tradition as we celebrated 150 years of education in the Crossley and Porter building. But, of course, our present-day school has another strong thread of history because in 1985, Crossley and Porter merged with Heath Grammar School, founded by Dr John Favour, Vicar of Halifax, in 1600. During the course of 2014, I have learned so much about Friday, 25 September 2015 Reunion Dinner at the origins of the school and feel even more strongly Heath RUFC, West Vale, Halifax 6.45pm AGM that I am a custodian, here for a short period of time, 7 for 7.45pm Reunion Dinner playing my part in keeping the school secure for the Dress: Lounge suits/smart casual. future. £17 per person payable to HOBA via Jon Hamera Mob: 07770 697176/Duncan Turner. The birthday gave us a wonderful opportunity to come aClick on the magenta text for the link or email address. together as a community and enjoy many activities. I shall always remember climbing the precarious stairs In a world where it seems harder than ever for children into the clock tower and actually writing my name on to be happy, where bullying is inescapable because of the wall alongside the names of Head Boys from the social media, where Childline gets more calls of distress past. We have deposited a time capsule in the tower, than ever before — as a school we have an important hidden from view, which we hope will be discovered role to play.
    [Show full text]
  • Blue Plaques Erected Since the Publication of This Book
    Leeds Civic Trust Blue Plaques No Title Location Unveiler Date Sponsor 1 Burley Bar Stone Inside main entrance of Leeds Lord Marshall of Leeds, President of Leeds Civic 27 Nov ‘87 Leeds & Holbeck Building Society Building Society, The Headrow Trust, former Leader of Leeds City Council Leeds 1 2 Louis Le Prince British Waterways, Leeds Mr. William Le Prince Huettle, great-grandson 13 Oct ‘88 British Waterways Board Bridge, Lower Briggate, Leeds of Louis Le Prince (1st Plaque) 1 3 Louis Le Prince BBC Studios, Woodhouse Sir Richard Attenborough, Actor, Broadcaster 14 Oct ‘88 British Broadcasting Corporation Lane, Leeds 2 and Film Director (2nd Plaque) 4 Temple Mill Marshall Street, Leeds 11 Mr Bruce Taylor, Managing Director of Kay’s 14 Feb ‘89 Kay & Company Ltd 5 18 Park Place 18 Park Place, Leeds 1 Sir Christopher Benson, Chairman, MEPC plc 24 Feb ‘89 MEPC plc 6 The Victoria Hotel Great George Street, Leeds 1 Mr John Power MBE, Deputy Lord Lieutenant of 25 Apr ‘89 Joshua Tetley & Sons Ltd West Yorkshire 7 The Assembly Rooms Crown Street, Leeds 2 Mr Bettison (Senior) 27 Apr ‘89 Mr Bruce Bettison, then Owner of Waterloo Antiques 8 Kemplay’s Academy Nash’s Tudor Fish Restaurant, Mr. Lawrence Bellhouse, Proprietor, Nash’s May ‘89 Lawrence Bellhouse, Proprietor, Nash’s off New Briggate, Leeds 1 Tudor Fish Restaurant Tudor Fish Restaurant 9 Brodrick’s Buildings Cookridge Street, Leeds 2 Mr John M. Quinlan, Director, Trinity Services 20 Jul ‘89 Trinity Services (Developers) 10 The West Bar Bond Street Centre, Boar Councillor J.L. Carter, Lord Mayor of Leeds 19 Sept ‘89 Bond Street Shopping Centre Merchants’ Lane, Leeds 1 Association Page 1 of 14 No Title Location Unveiler Date Sponsor 11 Park Square 45 Park Square, Leeds 1 Mr.
    [Show full text]
  • Leeds Civic Trust Annual Report Donations and Sponsorship 2017 Chair’S Introduction
    16/17 LEEDS CIVIC TRUST ANNUAL REPORT DONATIONS AND SPONSORSHIP 2017 CHAIR’S INTRODUCTION The Trust gratefully acknowledges the support its work has received from partners and supporters in the form of grants, donations The Trust has had another terrific year at the forefront of As well as Facebook and Twitter we can now add Instagram and gifts in kind. a wide range of discussions that affect this wonderful city to our social media presence. These platforms enable us to of ours! reach out to a much wider audience and they will make a This year, we were pleased to welcome ten new corporate members to the Trust. They comprise the nine members listed in bold significant contribution to broadening our membership. Hand below plus Oakapple Group, who joined us as a gold member. The work of Leeds Civic Trust has not in the least been in hand with this comes our new website. Our thanks must impeded by changes in Director and Chair.We welcomed go to Meleri who has worked extremely hard to bring this to GOLD CORPORATE MEMBERS CORPORATE MEMBERS Martin Hamilton as Director Designate to the Trust in fruition. All of this must surely mark our arrival into the 21st Acanthus WSM Architects Leeds Beckett University October 2016 and it was officially handed over into his very century! A sleeker and more user-friendly approach to our CEG Adair Paxton LLP Leeds Building Society capable hands on Kevin’s retirement in December 2016. communications will no doubt bring us enormous benefits in www.ceg.co.uk Leeds College of Music the long term.
    [Show full text]