Leeds Civic Trust Newsletter April 2020 Message From
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Leeds Civic Trust Annual Report Donations and Sponsorship 2016 Chair’S Introduction
15 /16 LEEDS CIVIC TRUST ANNUAL REPORT DONATIONS AND SPONSORSHIP 2016 CHAIR’S INTRODUCTION The Trust gratefully acknowledges the support its work has received from the following bodies and individuals in the form of grants, Irrespective of Brexit, we have continued to concentrate our Which is why the White Cloth Hall has continued to donations, gifts in kind and sponsorship of events. For sponsorship of blue plaques see Heritage and Conservation. efforts on Leeds’ past, present and future. We know that we exercise us for so long – progress is still slow, but the Double Tree by Hilton; Pinsent Mason LLP; West and Machell Ltd; Yorkshire Design Group. are reaching new audiences with our use of Twitter and perseverance is paying off, and with support from the City Facebook, and that interest in our activities is higher than it’s Council and the Heritage Lottery Fund, this vital component ever been. It is gratifying that younger people are interested, of Leeds’ history will be revitalised once more. not only in what is happening now, but also in the history GOLD CORPORATE MEMBERS CORPORATE MEMBERS One occurrence the Trustees didn’t want to face is Kevin and context of their areas, and what may happen to those Grady’s retirement. Managing change is never easy – but we CEG places with future development. Acanthus WSM Architects Leeds Building Society grasped the nettle, invested in a change-management www.ceg.co.uk Adair Paxton LLP Leeds College of Music As you read Mike Piet’s comprehensive Planning report, consultant for an outsider’s perspective, and worked through Addleshaw Goddard LLP Leeds Commercial you’ll see that we’re still very much involved with the big a recruitment process, resulting in the appointment of Martin Andrews Gwynne LLP Leeds Rugby Limited issues, which contribute to the Northern Powerhouse Hamilton as our Director-designate. -
Course Proposals 97-8
אוניברסיטת בן-גוריון בנגב BEN-GURION UNIVERSITY OF THE NEGEV FACULTY OF HUMANITIES AND SOCIAL SCIENCES ABRAHAMS-CURIEL DEPARTMENT OF FOREIGN LITERATURES AND LINGUISTICS Professor Efraim Sicher THE POSTWAR BRITISH NOVEL THIRD YEAR SEMINAR 4 PTS MONDAYS AND THURSDAYS 14-16 FIRST SEMESTER Course Description Postwar British prose fiction reflects the changes in society, politics and literature since 1945. From the postwar new wave to post-colonialism, from the Angry Young Man to postmodernism, we look at the best writers of the last 70 years. Course objectives This course gives students knowledge of basic concepts in postwar British fiction in the context of postmodernism. It provokes basic questions about the relation of fiction and truth, history and literature. Keywords: Britain 1945-2020; postmodernism; history; fiction. Course requirements Active participation required 4 Preparatory questions 20% 1 Seminar Paper 15-18 pages 40% (due March 10). 1 Presentation (to be handed in as a 5-6 page written paper by March 10) 40% Required Reading George Orwell, Nineteen Eighty-Four William Golding, Lord of the Flies Ian McEwan, Atonement Salman Rushdie Midnight's Children Norton Anthology of English Literature, volume 2 Additional texts (choose one for presentation) The campus novel (Kingsley Amis, Lucky Jim) Dystopia now (Anthony Burgess, Clockwork Orange) Anger and after (Keith Waterhouse, Billy Liar; Alan Sillitoe, The Loneliness of the Long-Distance Runner) Women Writers (Angela Carter, Fay Wheldon, Emma Tennant, Penelope Lively) Other voices: Salman Rushdie (The Moor’s Last Sigh); Kazuo Ishiguro (The Remains of the Day); Ben Okri; Clive Sinclair (Blood Libels). Postmodernism: Julian Barnes; Martin Amis; Ian McEwan; Graham Swift. -
A Writer's Calendar
A WRITER’S CALENDAR Compiled by J. L. Herrera for my mother and with special thanks to Rose Brown, Peter Jones, Eve Masterman, Yvonne Stadler, Marie-France Sagot, Jo Cauffman, Tom Errey and Gianni Ferrara INTRODUCTION I began the original calendar simply as a present for my mother, thinking it would be an easy matter to fill up 365 spaces. Instead it turned into an ongoing habit. Every time I did some tidying up out would flutter more grubby little notes to myself, written on the backs of envelopes, bank withdrawal forms, anything, and containing yet more names and dates. It seemed, then, a small step from filling in blank squares to letting myself run wild with the myriad little interesting snippets picked up in my hunting and adding the occasional opinion or memory. The beginning and the end were obvious enough. The trouble was the middle; the book was like a concertina — infinitely expandable. And I found, so much fun had the exercise become, that I was reluctant to say to myself, no more. Understandably, I’ve been dependent on other people’s memories and record- keeping and have learnt that even the weightiest of tomes do not always agree on such basic ‘facts’ as people’s birthdays. So my apologies for the discrepancies which may have crept in. In the meantime — Many Happy Returns! Jennie Herrera 1995 2 A Writer’s Calendar January 1st: Ouida J. D. Salinger Maria Edgeworth E. M. Forster Camara Laye Iain Crichton Smith Larry King Sembene Ousmane Jean Ure John Fuller January 2nd: Isaac Asimov Henry Kingsley Jean Little Peter Redgrove Gerhard Amanshauser * * * * * Is prolific writing good writing? Carter Brown? Barbara Cartland? Ursula Bloom? Enid Blyton? Not necessarily, but it does tend to be clear, simple, lucid, overlapping, and sometimes repetitive. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 I
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced info the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on untii complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Uneconomic Rag Ball to Be Replaced
Friday, Feb. 2nd, 1968 UNION NEWS No. 342 Price 3d. THREE DAYS TO POLLING DAY BUT IN R.S.H. HUSTINGS VOTERS UNMOVED % CANDIDATES GRILLED ON POLICIES by U.N. Election Correspondent 'J’HE three Presidential candidates put their cases for election to the voters in the Riley Smith on Wed nesday. Union President Jack Straw chaired the hustings and was seen to flush all three candidates referred to the danger of a President too committed to outside bodies such as N.U.S. AH the candidates called for more frequent General Meetings and better communications with the ordinary Union member. i—— , + , and that he would represent Tony Boyden, De Lee’s | the interests of the students proposer, opened the hust- nationally, ings with a call to elect De Lee because he was a- MORE O.GJVLs political, made rational Philip Kelly follow ed this by saying that he was standing speeches and had the inter- because the Union accepts Philip Kelly answering a ques sets of all members at heart. certain goals. There should be tion from the floor. more student representation in ORGANIZATION the University and this would Nigel De Lee said that he be his main priority if he was would not enforce his opinions elected. To bring the ordinary Nigel de Lee addresses the electorate in the Riley Smith. Jack Straw sits in the chair. On the on anybody, his principal aim student more into the Union left are the othei' candidates and their proposei's. Exec in being organisation. “The fortnightly general meetings Union” he claimed “is a loose would be held and a weekly brief mass of people united by social newsletter would be issued. -
Theatre Archive Project: Interview with Colin George
THEATRE ARCHIVE PROJECT http://sounds.bl.uk Colin George – interview transcript Interviewer: Kate Harris 21 November 2005 Actor and Director. A Man for All Seasons; audiences; Birmingham Rep; children's theatre; Coventry Belgrade theatre; The Crucible Theatre, Sheffield; drama students; The Elizabethan Theatre Company; Albert Finney; Tyrone Guthrie; Peter Hall; Laurence Olivier; Look Back in Anger; Harold Pinter; The Playhouse Nottingham; The Playhouse, Sheffield; repertory; Maggie Smith; television. KH: This is an interview on the 21st of November with Colin George. Can I just confirm that I've got your permission to put this into the archive? CG: You have. KH: Brilliant, I'd just like to start by asking about how you began working in the theatre? CG: Yes, I began straight from Oxford. I'd been… I suppose inspired by Laurence Olivier principally and his film Henry V, but also I saw him as a boy, in his first Richard III, his first great performance, at the New Theatre, with Olivier, with Richardson and those great seasons they had, Hotspur, you know and so on and decided I'd go into the theatre. And my mother, God bless her, said, ‘Well, get a degree first darling, then you'll always have something to fall back on’, which proved absolutely right, because when I was middle aged - not middle aged, but getting on, three kids and that and no money having left Sheffield and all that - I went to Australia to set up a drama department and later worked for twelve years in Hong Kong, was head of acting at the drama… and that saved my life. -
Plaque Schemes Across England
PLAQUE SCHEMES ACROSS ENGLAND Plaque schemes are listed below according to region and county, apart from thematic schemes which have a national remit. The list includes: the name of the erecting body (with a hyperlink to a website where possible); a note of whether the scheme is active, dormant, proposed or complete; and a link to an email contact where available. While not all organisations give details of their plaques on their websites, the information included on the register should enable you to contact those responsible for a particular scheme. In a few cases, plaques are described as ‘orphaned’, which indicates that they are no longer actively managed or maintained by the organisation that erected them. English Heritage is not responsible for the content of external internet sites. BEDFORDSHIRE Bedford Borough ACTIVE Council Various historical schemes BEDFORDSHIRE Biggleswade COMPLETED Contact EAST History Society 1997-2004 BEDFORDSHIRE Dunstable COMPLETED Contact Town Council CAMBRIDGESHIRE Cambridge Blue ACTIVE Contact Plaques Scheme since 2001 CAMBRIDGESHIRE Eatons ACTIVE Contact Community Association 1 PLAQUE SCHEMES ACROSS ENGLAND CAMBRIDGESHIRE Great Shelford ACTIVE Contact Oral History Group CAMBRIDGESHIRE Littleport Society AD HOC One-off plaque erected in 2011, more hoped for. CAMBRIDGESHIRE Peterborough ACTIVE Contact Civic Society since the 1960s CAMBRIDGESHIRE St Ives ACTIVE Contact EAST Civic Society since 2008 CAMBRIDGESHIRE St Neots Local ACTIVE Contact History Society ESSEX (Basildon) PROPOSED Contact Foundation -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
HOBA Newsletter 2015
Heath Old Boys Association Newsletter Summer 2015 Another special year very year is special at The Crossley Heath School but 2014 has been particularly memorable. E Looking back over 2014, this has been a year of heritage, history and tradition as we celebrated 150 years of education in the Crossley and Porter building. But, of course, our present-day school has another strong thread of history because in 1985, Crossley and Porter merged with Heath Grammar School, founded by Dr John Favour, Vicar of Halifax, in 1600. During the course of 2014, I have learned so much about Friday, 25 September 2015 Reunion Dinner at the origins of the school and feel even more strongly Heath RUFC, West Vale, Halifax 6.45pm AGM that I am a custodian, here for a short period of time, 7 for 7.45pm Reunion Dinner playing my part in keeping the school secure for the Dress: Lounge suits/smart casual. future. £17 per person payable to HOBA via Jon Hamera Mob: 07770 697176/Duncan Turner. The birthday gave us a wonderful opportunity to come aClick on the magenta text for the link or email address. together as a community and enjoy many activities. I shall always remember climbing the precarious stairs In a world where it seems harder than ever for children into the clock tower and actually writing my name on to be happy, where bullying is inescapable because of the wall alongside the names of Head Boys from the social media, where Childline gets more calls of distress past. We have deposited a time capsule in the tower, than ever before — as a school we have an important hidden from view, which we hope will be discovered role to play. -
Blue Plaques Erected Since the Publication of This Book
Leeds Civic Trust Blue Plaques No Title Location Unveiler Date Sponsor 1 Burley Bar Stone Inside main entrance of Leeds Lord Marshall of Leeds, President of Leeds Civic 27 Nov ‘87 Leeds & Holbeck Building Society Building Society, The Headrow Trust, former Leader of Leeds City Council Leeds 1 2 Louis Le Prince British Waterways, Leeds Mr. William Le Prince Huettle, great-grandson 13 Oct ‘88 British Waterways Board Bridge, Lower Briggate, Leeds of Louis Le Prince (1st Plaque) 1 3 Louis Le Prince BBC Studios, Woodhouse Sir Richard Attenborough, Actor, Broadcaster 14 Oct ‘88 British Broadcasting Corporation Lane, Leeds 2 and Film Director (2nd Plaque) 4 Temple Mill Marshall Street, Leeds 11 Mr Bruce Taylor, Managing Director of Kay’s 14 Feb ‘89 Kay & Company Ltd 5 18 Park Place 18 Park Place, Leeds 1 Sir Christopher Benson, Chairman, MEPC plc 24 Feb ‘89 MEPC plc 6 The Victoria Hotel Great George Street, Leeds 1 Mr John Power MBE, Deputy Lord Lieutenant of 25 Apr ‘89 Joshua Tetley & Sons Ltd West Yorkshire 7 The Assembly Rooms Crown Street, Leeds 2 Mr Bettison (Senior) 27 Apr ‘89 Mr Bruce Bettison, then Owner of Waterloo Antiques 8 Kemplay’s Academy Nash’s Tudor Fish Restaurant, Mr. Lawrence Bellhouse, Proprietor, Nash’s May ‘89 Lawrence Bellhouse, Proprietor, Nash’s off New Briggate, Leeds 1 Tudor Fish Restaurant Tudor Fish Restaurant 9 Brodrick’s Buildings Cookridge Street, Leeds 2 Mr John M. Quinlan, Director, Trinity Services 20 Jul ‘89 Trinity Services (Developers) 10 The West Bar Bond Street Centre, Boar Councillor J.L. Carter, Lord Mayor of Leeds 19 Sept ‘89 Bond Street Shopping Centre Merchants’ Lane, Leeds 1 Association Page 1 of 14 No Title Location Unveiler Date Sponsor 11 Park Square 45 Park Square, Leeds 1 Mr. -
Leeds Civic Trust Annual Report Donations and Sponsorship 2017 Chair’S Introduction
16/17 LEEDS CIVIC TRUST ANNUAL REPORT DONATIONS AND SPONSORSHIP 2017 CHAIR’S INTRODUCTION The Trust gratefully acknowledges the support its work has received from partners and supporters in the form of grants, donations The Trust has had another terrific year at the forefront of As well as Facebook and Twitter we can now add Instagram and gifts in kind. a wide range of discussions that affect this wonderful city to our social media presence. These platforms enable us to of ours! reach out to a much wider audience and they will make a This year, we were pleased to welcome ten new corporate members to the Trust. They comprise the nine members listed in bold significant contribution to broadening our membership. Hand below plus Oakapple Group, who joined us as a gold member. The work of Leeds Civic Trust has not in the least been in hand with this comes our new website. Our thanks must impeded by changes in Director and Chair.We welcomed go to Meleri who has worked extremely hard to bring this to GOLD CORPORATE MEMBERS CORPORATE MEMBERS Martin Hamilton as Director Designate to the Trust in fruition. All of this must surely mark our arrival into the 21st Acanthus WSM Architects Leeds Beckett University October 2016 and it was officially handed over into his very century! A sleeker and more user-friendly approach to our CEG Adair Paxton LLP Leeds Building Society capable hands on Kevin’s retirement in December 2016. communications will no doubt bring us enormous benefits in www.ceg.co.uk Leeds College of Music the long term.