Ancient Myths Ancient Wisdom
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Norse Myth Guide
Norse Myth If it has a * next to it don’t worry about it for the quiz. Everything else is fair game within reason as I know this is a lot. Just make sure you know the basics. Heimdall -Characteristics -Can hear grass grow -Needs only as much sleep as a bird -Guards Bifrost -Will kill and be killed by Loki at Ragnarok -He is one of the Aesir -Has foresight like the Vanir -Other Names -Vindhler -Means "wind shelter" -The White God As -Hallinskidi -Means "bent stick" but actually refers to rams -Gullintani -Received this nickname from his golden teeth -Relationships -Grandfather to Kon the Young -Born of the nine mothers -Items -Gjallarhorn -Will blow this to announce Ragnarok -Sword Hofund -Horse Golltop -Places -Lives on "heavenly mountain" Himinbjorg -Stories -Father of mankind -He went around the world as Rig -He slept with many women -Three of these women, Edda, Amma, and Modir, became pregnant -They gave birth to the three races of mankind -Jarl, Karl, and Thrall -Recovering Brisingamen -Loki steals Brisingamen from Freya -He turns himself into a seal and hides -Freya enlists Heimdall to recover the necklace -They find out its Loki, so Heimdall goes to fight him -Heimdall also turns into a seal, and they fight at Singasteinn -Heimdall wins, and returns the necklace to Freya -Meaning of sword -A severed head was thrown at Heimdall -After this incident, a sword is referred to as "Heimdall's head" -Possession of knowledge -Left his ear in the Well of Mimir to gain knowledge Aegir* -Characteristics -God of the ocean/sea -Is sometimes said -
1 Inanna Research Script
INANNA RESEARCH SCRIPT (to be cut and shaped for performance) By Peggy Firestone Based on Translations of Clay Tablets from Sumer By Samuel Noah Kramer 1 [email protected] (773) 384-5802 © 2008 CAST OF CHARACTERS In order of appearance Narrators ………………………………… Storytellers & Timekeepers Inanna …………………………………… Queen of Heaven and Earth, Goddess, Immortal Enki ……………………………………… Creator & Organizer of Earth’s Living Things, Manager of the Gods & Goddesses, Trickster God, Inanna’s Grandfather An ………………………………………. The Sky God Ki ………………………………………. The Earth Goddess (also known as Ninhursag) Enlil …………………………………….. The Air God, inventor of all things useful in the Universe Nanna-Sin ………………………………. The Moon God, Immortal, Father of Inanna Ningal …………………………………... The Moon Goddess, Immortal, Mother of Inanna Lilith ……………………………………. Demon of Desolation, Protector of Freedom Anzu Bird ………………………………. An Unholy (Holy) Trinity … Demon bird, Protector of Cattle Snake that has no Grace ………………. Tyrant Protector Snake Gilgamesh ……………………………….. Hero, Mortal, Inanna’s first cousin, Demi-God of Uruk Isimud ………………………………….. Enki’s Janus-faced messenger Ninshubur ……………………………… Inanna’s lieutenant, Goddess of the Rising Sun, Queen of the East Lahamma Enkums ………………………………… Monster Guardians of Enki’s Shrine House Giants of Eridu Utu ……………………………………… Sun God, Inanna’s Brother Dumuzi …………………………………. Shepherd King of Uruk, Inanna’s husband, Enki’s son by Situr, the Sheep Goddess Neti ……………………………………… Gatekeeper to the Nether World Ereshkigal ……………………………. Queen of the -
High-Resolution Enceladus Atlas Derived from Cassini-ISS Images
ARTICLE IN PRESS Planetary and Space Science 56 (2008) 109–116 www.elsevier.com/locate/pss High-resolution Enceladus atlas derived from Cassini-ISS images Th. Roatscha,Ã,M.Wa¨hlischa, B. Giesea, A. Hoffmeistera, K.-D. Matza, F. Scholtena, A. Kuhna, R. Wagnera, G. Neukumb, P. Helfensteinc, C. Porcod aInstitute of Planetary Research, German Aerospace Center (DLR), Berlin, Germany bRemote Sensing of the Earth and Planets, Freie Universita¨t Berlin, Berlin, Germany cDepartment of Astronomy, Cornell University, Ithaca, NY, USA dCICLOPS/Space Science Institute, Boulder, CO, USA Received 3 January 2006; received in revised form 21 February 2007; accepted 21 March 2007 Available online 14 September 2007 Abstract The Cassini Imaging Science Subsystem (ISS) acquired 377 high-resolution images (o1 km/pixel) during three close flybys of Enceladus in 2005 [Porco, C.C., et al., 2006. Cassini observes the active south pole of Enceladus. Science 311, 1393–1401.]. We combined these images with lower resolution Cassini images and four others taken by Voyager cameras to produce a high-resolution global controlled mosaic of Enceladus. This global mosaic is the baseline for a high-resolution Enceladus atlas that consists of 15 tiles mapped at a scale of 1:500,000. The nomenclature used in this atlas was proposed by the Cassini imaging team and was approved by the International Astronomical Union (IAU). The whole atlas is available to the public through the Imaging Team’s website (http:// ciclops.org/maps). r 2007 Elsevier Ltd. All rights reserved. Keywords: Cassini; Icy satellites; Planetary mapping; Saturnian system 1. Introduction extended mission begins. -
Dal Barocco Al Modernismo) Influenze Sui Metodi, L’Ideologia, I Contenuti E Lo Stile
(Prof. ssa A. Cipolla) Filologia germanica SSD L-Fil-Let/15 36h LM 37 (6 CFU) I semestre La ricezione dei materiali nordici nelle letterature e nelle accademie europee dei secc. XVIII-XIX (dal Barocco al Modernismo) Influenze sui metodi, l’ideologia, i contenuti e lo stile Interpretazione metafisica/pragmatica del mito I mitografi del XIII sec. Letture dall’Edda di Snorri Skáldskaparmál ‘Dialogo sull’arte poetica’ (Snorri Sturluson, Edda, Skáldskaparmál, ed. A. Faulkes, London, Viking Society, 1998, pp. 1-5) 1 Hann hóf þar frásögn, at þrír Æsir fóru [Bragi] Iniziò a raccontare come tre Æsir, heiman, Óðinn ok Loki ok Hœnir, ok Óðinn, Loki e Hœnir, partirono da casa fóru um fjöll ok eyðimerkr, ok var illt til e viaggiarono per montagne e lande matar. En er þeir koma ofan í dal desolate, e col cibo andava male. A un nakkvarn, sjá þeir øxna flokk, ok taka certo punto, scendendo in una valle, einn uxann ok snúa til seyðis. En er þeir videro dall’alto una mandria di buoi, ne hyggja, at soðit mun vera, röfa þeir presero uno e lo misero a cuocere nel seyðin, ok var ekki soðit. Ok í annat seyðir. Ma quando credettero che dovesse sinn, er þeir röfa soðinn, þá er stund var essere pronto e aprirono la fornace, non liðinn, ok var ekki soðit; mæla þeir þá sín era cotto; e poi riaprirono il forno una ámilli, hverir þetta mun gegna. Þá heyra seconda volta, dopo che era passato un þeir mál í eikina upp yfir sik, at sá, er þar po’ di tempo, ma non era cotto: si sat, kvazk ráða því, er eigi soðnaði á consultarono chiedendosi da che cosa seyðinum. -
The Prose Edda
THE PROSE EDDA SNORRI STURLUSON (1179–1241) was born in western Iceland, the son of an upstart Icelandic chieftain. In the early thirteenth century, Snorri rose to become Iceland’s richest and, for a time, its most powerful leader. Twice he was elected law-speaker at the Althing, Iceland’s national assembly, and twice he went abroad to visit Norwegian royalty. An ambitious and sometimes ruthless leader, Snorri was also a man of learning, with deep interests in the myth, poetry and history of the Viking Age. He has long been assumed to be the author of some of medieval Iceland’s greatest works, including the Prose Edda and Heimskringla, the latter a saga history of the kings of Norway. JESSE BYOCK is Professor of Old Norse and Medieval Scandinavian Studies at the University of California, Los Angeles, and Professor at UCLA’s Cotsen Institute of Archaeology. A specialist in North Atlantic and Viking Studies, he directs the Mosfell Archaeological Project in Iceland. Prof. Byock received his Ph.D. from Harvard University after studying in Iceland, Sweden and France. His books and translations include Viking Age Iceland, Medieval Iceland: Society, Sagas, and Power, Feud in the Icelandic Saga, The Saga of King Hrolf Kraki and The Saga of the Volsungs: The Norse Epic of Sigurd the Dragon Slayer. SNORRI STURLUSON The Prose Edda Norse Mythology Translated with an Introduction and Notes by JESSE L. BYOCK PENGUIN BOOKS PENGUIN CLASSICS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., -
GIANTS and GIANTESSES a Study in Norse Mythology and Belief by Lotte Motz - Hunter College, N.Y
GIANTS AND GIANTESSES A study in Norse mythology and belief by Lotte Motz - Hunter College, N.Y. The family of giants plays apart of great importance in North Germanic mythology, as this is presented in the 'Eddas'. The phy sical environment as weIl as the race of gods and men owe their existence ultimately to the giants, for the world was shaped from a giant's body and the gods, who in turn created men, had de scended from the mighty creatures. The energy and efforts of the ruling gods center on their battles with trolls and giants; yet even so the world will ultimately perish through the giants' kindling of a deadly blaze. In the narratives which are concerned with human heroes trolls and giants enter, shape, and direct, more than other superhuman forces, the life of the protagonist. The mountains, rivers, or valleys of Iceland and Scandinavia are often designated with a giant's name, and royal houses, famous heroes, as weIl as leading families among the Icelandic settlers trace their origin to a giant or a giantess. The significance of the race of giants further is affirmed by the recor ding and the presence of several hundred giant-names in the Ice landic texts. It is not surprising that students of Germanic mythology and religion have probed the nature of the superhuman family. Thus giants were considered to be the representatives of untamed na ture1, the forces of sterility and death, the destructive powers of 1. Wolfgang Golther, Handbuch der germanischen Mythologie, Leipzig 1895, quoted by R.Broderius, The Giant in Germanic Tradition, Diss. -
Inanna: a Modern Interpretation
The University of Maine DigitalCommons@UMaine Honors College Spring 2019 Inanna: A Modern Interpretation Erin Butts University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Communication Commons, and the Theatre and Performance Studies Commons Recommended Citation Butts, Erin, "Inanna: A Modern Interpretation" (2019). Honors College. 485. https://digitalcommons.library.umaine.edu/honors/485 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. INANNA: A MODERN INTERPRETATION By Erin Butts A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Communications, Theatre) The Honors College The University of Maine May 2019 Advisory Committee: Elizabeth Neiman, Associate Professor of English and Women’s, Gender, and Sexuality Studies, Co-Advisor Mary Jean Sedlock, Lecturer in Theatre, Production Manager, and Technical Director, Co-Advisor Daniel Bilodeau, Chair of Theatre and Dance Julie Lisnet, Instructor of Theatre Jennie Woodard, Preceptor in the Honors College © 2019 Erin H. Butts All Rights Reserved ABSTRACT Sumer has a culture lost to history. Currently, the University of Maine offers no courses about ancient Mesopotamia, one of the first civilizations. Over the years, historians have been translating the cuneiform tablets containing their religion and history. There has been one adaptation of those translations, by Diane Wolkstein in 1983 to bring the stories to a wider audience through a collection of stories around the goddess Inanna. -
Barbarian Liquor Rituals
Hugvísindasvið A GIANTESS DECEIVED A Re-Investigation into the Origins and Functions of Hávamál Stanzas 104-110 in the Light of Sacral Kingship Ritgerð til M.A.-prófs Dorian Knight Maí 2012 Háskóli Íslands Hugvísindasvið Medieval Icelandic Studies A GIANTESS DECEIVED A Re-Investigation into the Origins and Functions of Hávamál Stanzas 104-110 in the Light of Sacral Kingship Ritgerð til M.A.-prófs Dorian Knight Kt.: 230584-5169 Leiðbeinandi: Gísli Sigurðsson Maí 2012 Dedication This thesis is dedicated to my parents who inspired me in the first place and whose financial contributions have allowed me to follow my interests, and to Zuz, who helped me in more ways than she knows. I would also like to greatly thank my friends in Iceland for all the memorable times we have shared and my supervisor Gísli Sigurðsson and Torfi Tulinius, the director of the M.A. programme in Medieval Icelandic Studies, for academic guidance when and where necessary. ABSTRACT (ENGLISH) The thesis illuminates stanzas 104-110 in Hávamál as a motif of initiation into sacral kingship by a comparison to the very same theme within Celtic mythology. Using Gísli Sigurðsson‟s premise that the oral background to much eddic poetry was more open to Gaelic influence than normally assumed and the inherent conservatism of the pagan Irish sacral kingship tradition I will focus on the following points: through a detailed analysis and comparison of a selected 11th century Old Irish text I illustrate that salient mythological aspects in Hávamál point to an initiation into sacral kingship underlying the text. Furthermore, in a similar manner to that which Gro Steinsland has recently provided for certain other eddic poems I attempt to show that these stanzas in Hávamál were written by a Christian editor/scribe using the hieros gamos motif on behalf of a Norwegian royal lineage, with Gunnlöð as an ancestress of Hörðaland. -
A Global Shape Model for Saturn's Moon Enceladus
ISPRS Annals of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume V-3-2020, 2020 XXIV ISPRS Congress (2020 edition) A GLOBAL SHAPE MODEL FOR SATURN’S MOON ENCELADUS FROM A DENSE PHOTOGRAMMETRIC CONTROL NETWORK M. T. Bland*, L. A. Weller., D. P. Mayer, B. A. Archinal Astrogeology Science Center, U.S. Geological Survey, 2255 N. Gemini Dr., Flagstaff, AZ 86001 ([email protected]) Commission III, ICWG III/II KEY WORDS: Enceladus, Shape Model, Topography, Photogrammetry ABSTRACT: A planetary body’s global shape provides both insight into its geologic evolution, and a key element of any Planetary Spatial Data Infrastructure (PSDI). NASA’s Cassini mission to Saturn acquired more than 600 moderate- to high-resolution images (<500 m/pixel) of the small, geologically active moon Enceladus. The moon’s internal global ocean and intriguing geology mark it as a candidate for future exploration and motivates the development of a PSDI. Recently, two PSDI foundational data sets were created: geodetic control and orthoimages. To provide the third foundational data set, we generate a new shape model for Enceladus from Cassini images and a dense photogrammetric control network (nearly 1 million tie points) using the U.S. Geological Survey’s Integrated Software for Imagers and Spectrometers (ISIS) and the Ames Stereo Pipeline (ASP). The new shape model is near-global in extent and gridded to 2.2 km/pixel, ~50 times better resolution than previous global models. Our calculated triaxial shape, rotation rate, and pole orientation for Enceladus is consistent with current International Astronomical Union (IAU) values to within the error; however, we determined a o new prime meridian offset (Wo) of 7.063 . -
The Role of Social Agents in the Translation Into English of the Novels of Naguib Mahfouz
Some pages of this thesis may have been removed for copyright restrictions. If you have discovered material in AURA which is unlawful e.g. breaches copyright, (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please read our Takedown Policy and contact the service immediately The Role of Social Agents in the Translation into English of the Novels of Naguib Mahfouz Vol. 1/2 Linda Ahed Alkhawaja Doctor of Philosophy ASTON UNIVERSITY April, 2014 ©Linda Ahed Alkhawaja, 2014 This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without proper acknowledgement. Thesis Summary Aston University The Role of Social Agents in the Translation into English of the Novels of Naguib Mahfouz Linda Ahed Alkhawaja Doctor of Philosophy (by Research) April, 2014 This research investigates the field of translation in an Egyptain context around the work of the Egyptian writer and Nobel Laureate Naguib Mahfouz by adopting Pierre Bourdieu’s sociological framework. Bourdieu’s framework is used to examine the relationship between the field of cultural production and its social agents. The thesis includes investigation in two areas: first, the role of social agents in structuring and restructuring the field of translation, taking Mahfouz’s works as a case study; their role in the production and reception of translations and their practices in the field; and second, the way the field, with its political and socio-cultural factors, has influenced translators’ behaviour and structured their practices. -
“Skapan Í Skáldskap Ok Skáldskaparskapan: Creation in and Creation of Norse Poetry” 1 Kevin J. Wanner (Western Michigan University)
“Skapan í Skáldskap ok Skáldskaparskapan: Creation in and Creation of Norse Poetry” 1 Kevin J. Wanner (Western Michigan University) The material translated below comes from eddic poems and Snorri Sturluson’s Edda, our two chief sources for creation and origin themes in Norse myth. The poems mostly date from probably the tenth and eleventh centuries, though they were first collected in writing in the thirteenth century in Iceland. Snorri’s Edda is a textbook of heathen myth and poetry written by a Christian Icelander ca. 1220-25. Iceland officially converted to Christianity in 999/1000. All translations are my own from the following editions: Gustav Neckel, ed. Edda: Die Lieder des Codex Regius nebst verwandten Denkmälern. 5th ed., rev. by Hans Kuhn. Heidelberg: Carl Winter, 1983. Snorri Sturluson. Edda: Gylfaginning and Prologue. Ed. by Anthony Faulkes. 2nd ed. London: Viking Society for Northern Research, 2005. Snorri Sturluson. Edda: Skáldskaparmál. Ed. by Anthony Faulkes. 2 vols. London: Viking Society for Northern Research, 1998. I. Material for Cosmogony, Anthropogony and Theogony A. Gylfaginning (The Tricking of Gylfi), ch. 3: Gylfaginning, the second major part of Snorri’s Edda, is a prose summary of Norse myth set within the frame of a dialogue between King Gylfi of Sweden, disguised under the name Gangleri, and three Æsir, sorcerous invaders from Troy. ö Gangleri began thus his conversation: “Who is the highest and oldest of all gods?” Hár [High] says: “That one is called Alföðr [All-Father] in our speech, but in Ásgarðr the old -
Interpretation of Inanna's Descent Myth “From the Great Above Inanna
Interpretation of Inanna’s Descent Myth “From the Great Above Inanna opened her ear to the Great Below.” In Sumerian, the word for ear and wisdom are the same. For example, Enki, the God of Wisdom, is said to have his ear “wide open” -- an unfiltered receptivity! This implies that Inanna's primary reason for “going to hell” was to seek wisdom and understanding. But in order to make such a spiritual journey, she first had to give up her earthly powers and possessions. They don’t allow a lot of luggage on the road to hell. Preparing for the Descent into the Underworld In the myth, she abandoned heaven and earth to descend to the underworld, her office of holy priestess, her temples in the seven principal cities where she was worshipped. She gave up her earthly powers and possessions -- an essential willingness required of any soul undertaking such a journey, of any soul following such a path of initiation. Inanna also recognized the need to protect herself. She gathered together seven of The Me, attributes of civilization which she transformed into such feminine allure as crown, jewelry, and a royal robe. These were intended serve as her protections. They included her crown, earrings of small lapis beads, a double strand of beads about her neck, her breastplate called “Come, man, come”, her golden hip girdle, the lapis measuring rod and line, and her royal breechcloth. Each of these adornments were worn at the level of each Kundalini chakra! Finally, she instructed her faithful servant, Ninshubur, what to do in case she did not return -- to lament her loss, beat the drum for her, and go to the cities -- to the temples where Enlil (her father’s father), Nanna (her father) and Enki (her mother’s father) were, and ask for their help.