The Ukrainian Weekly 2005, No.2
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Contemporary Art in the Regions of Russia: Global Trends and Local Projects
Journal of Siberian Federal University. Humanities & Social Sciences 10 (2016 9) 2413-2426 ~ ~ ~ УДК 7.01 Contemporary Art in the Regions of Russia: Global Trends and Local Projects Dmitrii V. Galkin* and Anastasiia Iu. Kuklina National Research Tomsk State University 36 Lenina Str., Tomsk, 634050, Russia Received 21.04.2016, received in revised form 09.06.2016, accepted 19.08.2016 The authors deal with the problem of the development of contemporary art in the regions of Russia in the context of global projects and institutions, establishing ‘the rules of the game’ in the field of contemporary culture. The article considers the experience of working with contemporary art within the framework of the National Centre for Contemporary Arts and other organizations. So-called Siberian ironic conceptualism is considered as an example of original regional aesthetics. The article concludes that the alleged problem can be solved in the framework of specific exhibition projects and curatorial decisions, which aim at finding different forms of meetings (dialogue, conflict, addition) of a regional identity and global trends. Keywords: contemporary art, National Center for Contemporary Arts, curatorial activities, regional art. This article was prepared with the support of the Siberian Branch of the National Centre for Contemporary Arts. DOI: 10.17516/1997-1370-2016-9-10-2413-2426. Research area: art history. The growing interest of researchers and also intends to open a profile branch in Moscow. the public in the dynamic trends and issues But this is an example of the past three years. of contemporary art in Russia is inextricably There are more historically important and long- linked with the development of various projects standing examples. -
A Guide to the Archival and Manuscript Collection of the Ukrainian Academy of Arts and Sciences in the U.S., New York City
Research Report No. 30 A GUIDE TO THE ARCHIVAL AND MANUSCRIPT COLLECTION OF THE UKRAINIAN ACADEMY OF ARTS AND SCIENCES IN THE U.S., NEW YORK CITY A Detailed Inventory Yury Boshyk Canadian Institute of Ukrainian Studies University of Alberta Edmonton 1988 Canadian Institute of Ukrainian Studies University of Alberta Occasional Research Reports Publication of this work is made possible in part by a grant from the Stephania Bukachevska-Pastushenko Archival Endowment Fund. The Institute publishes research reports periodically. Copies may be ordered from the Canadian Institute of Ukrainian Studies, 352 Athabasca Hall, University of Alberta, Edmonton, Alberta, T6G 2E8. The name of the publication series and the substantive material in each issue (unless otherwise noted) are copyrighted by the Canadian Institute of Ukrainian Studies. PRINTED IN CANADA Occasional Research Reports A GUDE TO THE ARCHIVAL AND MANUSCRIPT COLLECTION OF THE UKRAINIAN ACADEMY OF ARTS AND SCIENCES IN THE U.S., NEW YORK CITY A Detailed Inventory Yury Boshyk Project Supervisor Research Report No. 30 — 1988 Canadian Institute of Ukrainian Studies University of Alberta Edmonton, Alberta Dr . Yury Boshyk Project Supervisor for The Canadian Institute of Ukrainian Studies Research Assistants Marta Dyczok Roman Waschuk Andrij Wynnyckyj Technical Assistants Anna Luczka Oksana Smerechuk Lubomyr Szuch In Cooperation with the Staff of The Ukrainian Academy of Arts and Sciences in the U.S. Dr. William Omelchenko Secretary General and Director of the Museum-Archives Halyna Efremov Dima Komilewska Uliana Liubovych Oksana Radysh Introduction The Ukrainian Academy of Arts and Sciences in the United States, New York City, houses the most comprehensive and important archival and manuscript collection on Ukrainians outside Ukraine. -
Harvard Historical Studies • 173
HARVARD HISTORICAL STUDIES • 173 Published under the auspices of the Department of History from the income of the Paul Revere Frothingham Bequest Robert Louis Stroock Fund Henry Warren Torrey Fund Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM WILLIAM JAY RISCH The Ukrainian West Culture and the Fate of Empire in Soviet Lviv HARVARD UNIVERSITY PRESS Cambridge, Massachusetts London, En gland 2011 Brought to you by | provisional account Unauthenticated Download Date | 4/11/15 12:32 PM Copyright © 2011 by the President and Fellows of Harvard College All rights reserved Printed in the United States of America Library of Congress Cataloging- in- Publication Data Risch, William Jay. The Ukrainian West : culture and the fate of empire in Soviet Lviv / William Jay Risch. p. cm.—(Harvard historical studies ; 173) Includes bibliographical references and index. I S B N 9 7 8 - 0 - 6 7 4 - 0 5 0 0 1 - 3 ( a l k . p a p e r ) 1 . L ’ v i v ( U k r a i n e ) — H i s t o r y — 2 0 t h c e n t u r y . 2 . L ’ v i v ( U k r a i n e ) — P o l i t i c s a n d government— 20th century. 3. L’viv (Ukraine)— Social conditions— 20th century 4. Nationalism— Ukraine—L’viv—History—20th century. 5. Ethnicity— Ukraine—L’viv— History—20th century. -
Museological Unconscious VICTOR TUPITSYN Introduction by Susan Buck-Morss and Victor Tupitsyn the Museological Unconscious
The Museological Unconscious VICTOR TUPITSYN introduction by Susan Buck-Morss and Victor Tupitsyn The Museological Unconscious VICTOR TUPITSYN The Museological Unconscious VICTOR TUPITSYN Communal (Post)Modernism in Russia THE MIT PRESS CAMBRIDGE, MASSACHUSETTS LONDON, ENGLAND © 2009 Massachusetts Institute of Technology All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means (including photocopying, recording, or information storage and retrieval) without permission in writing from the publisher. MIT Press books may be purchased at special quantity discounts for business or sales promotional use. For information, please email special_sales@ mitpress.mit .edu or write to Special Sales Department, The MIT Press, 55 Hayward Street, Cambridge, MA 02142. This book was set in Sabon and Univers by Graphic Composition, Inc., Bogart, Georgia. Printed and bound in Spain. Library of Congress Cataloging-in-Publication Data Tupitsyn, Viktor, 1945– The museological unconscious : communal (post) modernism in Russia / Victor Tupitsyn. p. cm. Includes bibliographical references and index. ISBN 978-0-262-20173-5 (hard cover : alk. paper) 1. Avant-garde (Aesthetics)—Russia (Federation) 2. Dissident art—Russia (Federation) 3. Art and state— Russia (Federation) 4. Art, Russian—20th century. 5. Art, Russian—21st century. I. Title. N6988.5.A83T87 2009 709.47’09045—dc22 2008031026 10 9 8 7 6 5 4 3 2 1 To Margarita CONTENTS PREFACE ix 1 Civitas Solis: Ghetto as Paradise 13 INTRODUCTION 1 2 Communal (Post)Modernism: 33 SUSAN BUCK- MORSS A Short History IN CONVERSATION 3 Moscow Communal Conceptualism 101 WITH VICTOR TUPITSYN 4 Icons of Iconoclasm 123 5 The Sun without a Muzzle 145 6 If I Were a Woman 169 7 Pushmi- pullyu: 187 St. -
Heroes and Villains : Creating National History in Contemporary Ukraine / David R
i HEROES AND VILLAINS iii HEROES AND VILLAINS Creating National History in Contemporary Ukraine David R. Marples Central European University Press Budapest • New York iv © 2007 by David R. Marples Published in 2007 by Central European University Press An imprint of the Central European University Share Company Nádor utca 11, H-1051 Budapest, Hungary Tel: +36-1-327-3138 or 327-3000 Fax: +36-1-327-3183 E-mail: [email protected] Website: www.ceupress.com 400 West 59th Street, New York NY 10019, USA Tel: +1-212-547-6932 Fax: +1-646-557-2416 E-mail: [email protected] Cover photograph: Lubomyr Markevych All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the permission of the Publisher. ISBN 978-963-7326-98-1 cloth Library of Congress Cataloging-in-Publication Data Marples, David R. Heroes and villains : creating national history in contemporary Ukraine / David R. Marples. -- 1st ed. p. cm. Includes bibliographical references and index. ISBN 978-9637326981 (cloth : alk. paper) 1. Ukraine--History--1921-1944--Historiography. 2. Ukraine--History--1944-1991-- Historiography. 3. Orhanizatsiia ukraïns’kykh natsionalistiv--History. 4. Ukraïns’ka povstans’ka armiia--History. 5. Historiography--Ukraine. 6. Nationalism--Ukraine. 7. Collective memory--Ukraine. I. Title. DK508.833.M367 2007 947.7'0842--dc22 2007030636 Printed in Hungary by Akaprint v In memory of a good friend, David W. J. Reid (1930–2006) vii CONTENTS Preface ............................................................................................................ ix Acknowledgements ........................................................................................ xxi Chapter 1: Independent Ukraine Reviews the Past .................................... 1 Chapter 2: The Famine of 1932–33 ............................................................ -
Who Pulls the Strings of Femen and Pussy Riot?
Who pulls the strings of Femen and Pussy Riot? theoccidentalobserver.net/2014/12/07/who-pulls-the-strings-of-femen-and-pussy-riot/ Francis Carr Begbie Christmas is a wonderful time at the Paris city centre church of La Madeleine. The magnificent vaulted ceilings echo to the sounds of baroque organ music and the choir rehearsing for the famous Christmas Eve concerts. But mainly it is a haven where generations of devout Catholics sit, pray and re- charge their spiritual batteries. Then last December 20 it became the scene of an obscenity. A young woman, naked to the waist apart from a blue veil, marched to the altar and proceeded to enact an “abortion” using a calf’s liver as a foetus. Then while screaming pro-abortion slogans she proceeded to urinate on the altar. After striking defiant poses for photographers she walked calmly back out. Radical feminist street outrage group Femen had struck again and were duly rewarded with a flood of fawning international TV, print and online coverage. Six years after they were launched in Kiev, Femen have become the one of the most fashionable brands in radical politics with guaranteed coverage for their lurid antics and an endless stream of pretty young women willing to make spectacles of themselves for the cameras. The toxic combination of narcissism, weaponised female rage and bare breasts has made them media darlings. They now have chapters in nine cities across the world including Rio, London, Frankfurt, Paris and Tel Aviv. Their hallmarks are slogans spray-painted on bare breasts and floral garlands. -
BASEES Sampler
R O U T L E D G E . TAYLOR & FRANCIS Slavonic & East European Studies A Chapter and Journal Article Sampler www.routledge.com/carees3 Contents Art and Protest in Putin's Russia by Laurien 1 Crump Introduction Freedom of Speech in Russia edited by Piotr 21 Dutkiewicz, Sakwa Richard, Kulikov Vladimir Chapter 8: The Putin regime: patrimonial media The Capitalist Transformation of State 103 Socialism by David Lane Chapter 11: The move to capitalism and the alternatives Europe-Asia Studies 115 Identity in transformation: Russian speakers in Post- Soviet Ukrane by Volodymyr Kulyk Post-Soviet Affairs 138 The logic of competitive influence-seeking: Russia, Ukraine, and the conflict in Donbas by Tatyana Malyarenko and Stefan Wolff 20% Discount Available Enjoy a 20% discount across our entire portfolio of books. Simply add the discount code FGT07 at the checkout. Please note: This discount code cannot be combined with any other discount or offer and is only valid on print titles purchased directly from www.routledge.com. www.routledge.com/carees4 Copyright Taylor & Francis Group. Not for distribution. 1 Introduction It was freezing cold in Moscow on 24 December 2011 – the day of the largest mass protest in Russia since 1993. A crowd of about 100 000 people had gathered to protest against electoral fraud in the Russian parliamentary elections, which had taken place nearly three weeks before. As more and more people joined the demonstration, their euphoria grew to fever pitch. Although the 24 December demonstration changed Russia, the period of euphoria was tolerated only until Vladimir Putin was once again installed as president in May 2012. -
The Ukrainian Weekly 2011, No.41
www.ukrweekly.com INSIDE: l The Yanukovych-Putin relationship – page 3 l An A+ for the University of Manitoba – page 9 l Ukrainian themes at Toronto Film Festival – page 12 THEPublished U by theKRAINIAN Ukrainian National Association Inc., a fraternal W non-profit associationEEKLY Vol. LXXIX No. 41 THE UKRAINIAN WEEKLY SUNDAY, OCTOBER 9, 2011 $1/$2 in Ukraine Ukraine’s independence anniversary celebrated in Congress Ukrainian National Information Service - WASHINGTON – The Ukrainian Congress Committee of America (UCCA), in co-spon sorship withth the Congressional Ukrainian- Caucus, hosted a special commemoration of the 20 anniversary of Ukraine’s Inde pendence in the U.S. Congress on Thursday, September 15. - The celebratory event, held at noon-4 p.m. in a Senate conference room over- looking the dome of the U.S. Capitol, was filled with Ukrainian hierarchy, dignitar ies from various countries, numerous past and present government officials, guests- from Ukraine, members of Congress, and the Ukrainian American community activ ists. They gathered to celebrate a free and independent Ukrainian state, as well as to witness the presentation of the Hrushevsky Stefan Kaczurak Award, awarded to a select few for their- UNIS Director Michael Sawkiw Jr. presents the Hrushevsky Award to Sen. Richard Lugar (R-Ind.). efforts in promoting U.S.-Ukraine relations. The program began with opening re marks from Michael Sawkiw Jr., director of the Ukrainian National Information Service,- of powerful remarks. The first of many prominent officials to Ukraine’s nuclear arsenal, which in 1991 the UCCA’s public affairs bureau based in Archbishop-Metropolitan Stefan Soroka appear at the event was Sen. -
Becoming Soviet: Lost Cultural Alternatives In
BECOMING SOVIET: LOST CULTURAL ALTERNATIVES IN UKRAINE, 1917-1933 Olena Palko, MA, BA (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of East Anglia School of History December 2016© ‘This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that copyright rests with the author and that use of any information derived there from must be in accordance with current UK Copyright Law. In addition any quotation or extract must include full attribution.’ Abstract This doctoral thesis investigates the complex and multi-faceted process of the cultural sovietisation of Ukraine. The study argues that different political and cultural projects of a Soviet Ukraine were put to the test during the 1920s. These projects were developed and executed by representatives of two ideological factions within the Communist Party of Bolsheviks of Ukraine: one originating in the pre-war Ukrainian socialist and communist movements, and another with a clear centripetal orientation towards Moscow. The representatives of these two ideological horizons endorsed different approaches to defining Soviet culture. The unified Soviet canon in Ukraine was an amalgamation of at least two different Soviet cultural projects: Soviet Ukrainian culture and Soviet culture in the Ukrainian language. These two visions of Soviet culture are examined through a biographical study of two literary protagonists: the Ukrainian poet Pavlo Tychyna (1891-1967) and the writer Mykola Khvyl'ovyi (1893-1933). Overall, three equally important components, contributing to Ukraine’s sovietisation, are discussed: the power struggle among the Ukrainian communist elites; the manipulation of the tastes and expectations of the audience; and the ideological and aesthetic evolution of Ukraine’s writers in view of the first two components. -
Culture and Customs of Ukraine Ukraine
Culture and Customs of Ukraine Ukraine. Courtesy of Bookcomp, Inc. Culture and Customs of Ukraine ADRIANA HELBIG, OKSANA BURANBAEVA, AND VANJA MLADINEO Culture and Customs of Europe GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Helbig, Adriana. Culture and customs of Ukraine / Adriana Helbig, Oksana Buranbaeva and Vanja Mladineo. p. cm. — (Culture and customs of Europe) Includes bibliographical references and index. ISBN 978–0–313–34363–6 (alk. paper) 1. Ukraine—Civilization. 2. Ukraine—Social life and customs. I. Buranbaeva, Oksana. II. Mladineo, Vanja. III. Title. IV. Series. DK508.4.H45 2009 947.7—dc22 2008027463 British Library Cataloguing in Publication Data is available. Copyright © 2009 by Adriana Helbig, Oksana Buranbaeva, and Vanja Mladineo All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2008027463 ISBN: 978–0–313–34363–6 First published in 2009 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 The authors dedicate this book to Marijka Stadnycka Helbig and to the memory of Omelan Helbig; to Rimma Buranbaeva, Christoph Merdes, and Ural Buranbaev; to Marko Pećarević. This page intentionally left blank Contents Series Foreword ix Preface xi Acknowledgments xiii Chronology xv 1 Context 1 2 Religion 30 3 Language 48 4 Gender 59 5 Education 71 6 Customs, Holidays, and Cuisine 90 7 Media 114 8 Literature 127 viii CONTENTS 9 Music 147 10 Theater and Cinema in the Twentieth Century 162 Glossary 173 Selected Bibliography 177 Index 187 Series Foreword The old world and the New World have maintained a fluid exchange of people, ideas, innovations, and styles. -
Esferas Literarias, 3 (2020), Pp
EL CINE POÉTICO-MÍSTICO DE PARADJANOV Y VAL DEL OMAR. TRADICIÓN CULTURAL Y ETNOGRÁFICA COMO PALIMPSESTO Elena Galea Pozo (Universidad de Córdoba) [email protected] RESUMEN: El presente artículo sigue las huellas de diferentes manifestaciones literarias en las obras de los cineastas José Val del Omar y Sergei Paradjanov. El cine de ambos es poético, espiritual y místico, y destaca por ser revolucionario en lo que se refiere a la creación de códigos iconográficos —para lo que se valen de textos donde aparecen la tradición cultural etnográfica, el folclore, leyendas populares y doctrinas místicas. PALABRAS CLAVE: cine experimental, mística, etnografía, poesía, religión, Val del Omar, Paradjanov. VAL DEL OMAR AND PARAJANOV’S POETIC-MYSTICAL CINEMA. ETHNOGRAPHICAL AND CULTURAL TRADITION AS A PALIMPSEST ABSTRACT: The present paper follows the traces of different literary expressions in the works of filmmakers José Val del Omar and Sergei Parajanov. Their cinema is poetic, spiritual and mystical, and it is remarkable for being groundbreaking regarding the creation of iconographic codes through the use of texts where ethnographic cultural traditions, folklore, popular tales and mystical theories are displayed. KEYWORDS: Experimental cinema, mysticism, ethnography, poetry, religion, Val del Omar, Parajanov. Las obras cinematográficas de los cineastas José Val del Omar y Serguei Paradjanov comparten ciertos aspectos que constituyen un cine con forma de poesía visual mística y en las que intervienen elementos poéticos y literarios, así como elementos de varias doctrinas místicas (fundamentalmente cristianas y musulmanas) y ciertas técnicas cinematográficas. Para situar en la historia del cine las obras cinematográficas de ambos cineastas, mencionaremos las más notables, sobre las que centraremos este artículo: Նռան գույնը (Sayat Nova. -
Xenophobia, Freedom of Conscience and Anti-Extremism in Russia in 2014
SoVA CENTER FoR INFoRMATIoN AND ANALYSIS Xenophobia, Freedom of Conscience and Anti-Extremism in Russia in 2014 A collection of annual reports by the SoVA Center for Information and Analysis Moscow 2015 UDC 323.1(470+571)(082.1)”2014” Содержание BBC 66.094я43+66.3(2Рос),54я43 X44 X44 Xenophobia, Freedom of Conscience and Anti-Extremism in Russia in 2014: Vera Alperovich, Natalia Yudina A collection of annual reports by the SoVA Center for Information and Analysis; Calm Before the Storm? Xenophobia and Radical Nationalism in Russia, [Alperovich Vera, Sibireva Olga, Kravchenko Maria, Yudina Natalia / Ed. by and Efforts to Counteract Them in 2014 ..................................................... 5 Verkhovsky Alexander] – М.: SOVA Center, 2015. – 164 pp.: tables Summary ............................................................................................. 5 ISBN 978-5-98418-036-8 Criminal Manifestations of Racism and Xenophobia ............................. 8 Systematic Racist and Neo-Nazi Violence ................................8 This collection of reports summarizes all the major areas of work addressed by the SOVA Center for Information and Analysis in 2014, in a similar fashion to collections in previous years. Vandalism .................................................................................. 14 There are three reports on themes which have become traditional for the SOVA Public Activity of Ultra-Right Radicals ............................................... 15 Center in this collection: The first report addresses radical nationalism and hate crime, and the efforts of government and society to combat these phenomena. The second report Position on the “Ukrainian Question” ........................................ 15 addresses problems relating to freedom of conscience in contemporary Russia. The third report addresses the misuse and abuse of ‘anti-extremism’ measures. The reports are Consequences of These Differences updated versions of original texts on the SOVA Center website.