Xenophobia, Freedom of Conscience and Anti-Extremism in Russia in 2014
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James Rowson Phd Thesis Politics and Putinism a Critical Examination
Politics and Putinism: A Critical Examination of New Russian Drama James Rowson A thesis submitted for the degree of Doctor of Philosophy Royal Holloway, University of London Department of Drama, Theatre & Dance September 2017 1 Declaration of Authorship I James Rowson hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 Abstract This thesis will contextualise and critically explore how New Drama (Novaya Drama) has been shaped by and adapted to the political, social, and cultural landscape under Putinism (from 2000). It draws on close analysis of a variety of plays written by a burgeoning collection of playwrights from across Russia, examining how this provocative and political artistic movement has emerged as one of the most vehement critics of the Putin regime. This study argues that the manifold New Drama repertoire addresses key facets of Putinism by performing suppressed and marginalised voices in public arenas. It contends that New Drama has challenged the established, normative discourses of Putinism presented in the Russian media and by Putin himself, and demonstrates how these productions have situated themselves in the context of the nascent opposition movement in Russia. By doing so, this thesis will offer a fresh perspective on how New Drama’s precarious engagement with Putinism provokes political debate in contemporary Russia, and challenges audience members to consider their own role in Putin’s autocracy. The first chapter surveys the theatrical and political landscape in Russia at the turn of the millennium, focusing on the political and historical contexts of New Drama in Russian theatre and culture. -
Access Full Issue
ISSN 2520-2073 (print) ISSN 2521-442X (online) TRAINING, LANGUAGE AND CULTURE ‘Tell me and I forget. Teach me and I remember. Involve me and I learn’ ‒ Benjamin Franklin Vol. 4 Issue 4 2020 Issue DOI: 10.22363/2521-442X-2020-4-4 The quarterly journal published by Peoples’ Friendship University of Russia (RUDN University) ISSN 2520-2073 (print) AIMS AND SCOPE TRAINING, LANGUAGE AND CULTURE ISSN 2521-442X (online) Training, Language and Culture (TLC) is a peer-reviewed journal that aims to promote and disseminate research spanning the spectrum of language and linguistics, education and culture studies with a special focus on professional communication and professional discourse. Editorial Board of A quarterly journal published by RUDN University Training, Language and Culture invites research-based articles, reviews and editorials covering issues of relevance for the scientific and professional communities. EDITORIAL BOARD Dr Elena N. Malyuga Peoples’ Friendship University of Russia (RUDN University), Moscow, Russian Federation FOCUS AREAS Barry Tomalin Glasgow Caledonian University London, London, UK Training, Language and Culture covers the following areas of scholarly interest: theoretical and practical perspectives in language and linguistics; Dr Michael McCarthy University of Nottingham, Nottingham, UK culture studies; interpersonal and intercultural professional communication; language and culture teaching and training, including techniques and Dr Robert O’Dowd University of León, León, Spain technology, testing and assessment. Dr Elsa Huertas Barros University of Westminster, London, UK Dr Olga V. Aleksandrova Lomonosov Moscow State University, Moscow, Russian Federation LICENSING Dr Lilia K. Raitskaya Moscow State Institute of International Relations (MGIMO University), Moscow, Russian Federation All articles and book reviews published in Training, Language and Culture are licensed under a Creative Commons Attribution 4.0 International Li- Dr Alex Krouglov University College London, London, UK cense (CC BY 4.0). -
Tufts Hemispheres 2016
EMISPHERES EMISPHERES THE TUFTS UNIVERSITY JOURNAL OF INTERNATIONAL AFFAIRS A Tufts Undergraduate Student Publication ARTICLES Examining Power Relations: The Role of International Aid on NGO Accountability MEGAN TAYLOR Redefining Asian Economic Regionalism Through the Asian Infrastructure Investment Bank JESSICA WEISS Unholy Terror: How Enabling Environments Drive Suicide Attacks While Religion Takes the Backseat RACHEL (RUIJIA) MOROTA CHU EMERGING ACTORS Soft Power in Full Force: India and the Nuclear Suppliers Group JULIE GEORGE Vladimir Putin’s Hegemony: From Passive Revolution to Caesarism GRIGORY KHAKIMOV The Implications of 3D Printing in the Asia Pacific TIMOTHY YIN INTERVIEW Harnessing Corporate Power to Fight Climate Change: A Conversation with Mindy S. Lubber INTERVIEW BY ARMAN SMIGIELSKI PHOTOGRAPHIC EXPLORATION China Emerges ALEXA REILLY EDITORIALS The New Nativist Backlash: Conditions Causing a Rise of Radical Right Wing Political Parties in Europe NANDITA BALOO Iran’s Emergence toward Global Integration EMISPHERES RIA MAZUMDAR Mayer Campus Center Kurdistan: The Newest Country in the Middle East? VOL. 39, 39, 2016 VOL. Tufts University WILLY CLEMENTS Medford, MA 02155 [email protected] www.tuftshemispheres.org EMERGING ACTORS VOL. 39, 2016 HEMISPHERES THE TUFTS UNIVERSITY UNDERGRADUATE JOURNAL OF INTERNATIONAL AFFAIRS Hemispheres, The Tufts University Undergraduate Journal of International Affairs, is the oldest academic publication of its kind. In 1975, under the direc- tion of an energetic group of students including Sashi Tharoor, the future undersecretary-general of the United Nations, the Fletcher School of Law & Diplomacy at Tufts established the Fletcher Forum of World Affairs. Motivated by the Fletcher Forum’s success, in 1977 students in the Tufts undergraduate program in International Relations established their own academic journal of international affairs. -
UNIVERSITY of CALIFORNIA Los Angeles Byzantine Liturgy and The
UNIVERSITY OF CALIFORNIA Los Angeles Byzantine Liturgy and the Primary Chronicle A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Slavic Languages and Literatures by Sean Delaine Griffin 2014 ABSTRACT OF THE DISSERTATION Byzantine Liturgy and the Primary Chronicle by Sean Delaine Griffin Doctor of Philosophy in Slavic Languages and Literatures University of California, Los Angeles, 2014 Professor Gail Lenhoff, Chair The monastic chroniclers of medieval Rus’ lived in a liturgical world. Morning, evening and night they prayed the “divine services” of the Byzantine Church, and this study is the first to examine how these rituals shaped the way they wrote and compiled the Povest’ vremennykh let (Primary Chronicle, ca. 12th century), the earliest surviving East Slavic historical record. My principal argument is that several foundational accounts of East Slavic history—including the tales of the baptism of Princess Ol’ga and her burial, Prince Vladimir’s conversion, the mass baptism of Rus’, and the martyrdom of Princes Boris and Gleb—have their source in the feasts of the liturgical year. The liturgy of the Eastern Church proclaimed a distinctively Byzantine myth of Christian origins: a sacred narrative about the conversion of the Roman Empire, the glorification of the emperor Constantine and empress Helen, and the victory of Christianity over paganism. In the decades following the conversion of Rus’, the chroniclers in Kiev learned these narratives from the church services and patterned their own tales of Christianization after them. The ii result was a myth of Christian origins for Rus’—a myth promulgated even today by the Russian Orthodox Church—that reproduced the myth of Christian origins for the Eastern Roman Empire articulated in the Byzantine rite. -
Russian Foreign Policy and National Identity
University of New Orleans ScholarWorks@UNO Senior Honors Theses Undergraduate Showcase 12-2017 Russian Foreign Policy and National Identity Monica Hanson-Green University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/honors_theses Part of the Political Science Commons Recommended Citation Hanson-Green, Monica, "Russian Foreign Policy and National Identity" (2017). Senior Honors Theses. 99. https://scholarworks.uno.edu/honors_theses/99 This Honors Thesis-Restricted is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Honors Thesis-Restricted in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Honors Thesis-Restricted has been accepted for inclusion in Senior Honors Theses by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. RUSSIAN FOREIGN POLICY AND NATIONAL IDENTITY An Honors Thesis Presented to the Program of International Studies of the University of New Orleans In Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts, with University High Honors and Honors in International Studies By Monica Hanson-Green December 2017 Advised by Dr. Michael Huelshoff ii Table of Contents -
The European and Russian Far Right As Political Actors: Comparative Approach
Journal of Politics and Law; Vol. 12, No. 2; 2019 ISSN 1913-9047 E-ISSN 1913-9055 Published by Canadian Center of Science and Education The European and Russian Far Right as Political Actors: Comparative Approach Ivanova Ekaterina1, Kinyakin Andrey1 & Stepanov Sergey1 1 RUDN University, Russia Correspondence: Stepanov Sergey, RUDN University, Russia. E-mail: [email protected] Received: March 5, 2019 Accepted: April 25, 2019 Online Published: May 30, 2019 doi:10.5539/jpl.v12n2p86 URL: https://doi.org/10.5539/jpl.v12n2p86 The article is prepared within the framework of Erasmus+ Jean Monnet Module "Transformation of Social and Political Values: the EU Practice" (575361-EPP-1-2016-1-RU-EPPJMO-MODULE, Erasmus+ Jean Monnet Actions) (2016-2019) Abstract The article is devoted to the comparative analysis of the far right (nationalist) as political actors in Russia and in Europe. Whereas the European far-right movements over the last years managed to achieve significant success turning into influential political forces as a result of surging popular support, in Russia the far-right organizations failed to become the fully-fledged political actors. This looks particularly surprising, given the historically deep-rooted nationalist tradition, which stems from the times Russian Empire. Before the 1917 revolution, the so-called «Black Hundred» was one of the major far-right organizations, exploiting nationalistic and anti-Semitic rhetoric, which had representation in the Russian parliament – The State Duma. During the most Soviet period all the far-right movements in Russia were suppressed, re-emerging in the late 1980s as rather vocal political force. But currently the majority of them are marginal groups, partly due to the harsh party regulation, partly due to the fact, that despite state-sponsored nationalism the position of Russian far right does not stand in-line with the position of Russian authorities, trying to suppress the Russian nationalists. -
The Usual Suspects Protesting in Russia Harriman Magazine Is Published Biannually by the Harriman Institute
the harriman institute at columbia university the usual suspects Protesting in Russia Harriman Magazine is published biannually by the Harriman Institute. Managing Editor: Ronald Meyer Editor: Masha Udensiva-Brenner Comments, suggestions, or address changes may be e-mailed to Masha Udensiva-Brenner at [email protected]. Cover photo by Artem Drachev: Demonstration in Moscow on Bolotnaya Square, May 6, 2012. Design and Production: Columbia Creative Harriman Institute Kimberly Marten, Acting Director (2012–2013) Timothy Frye, Director Alla Rachkov, Associate Director Lydia C. Hamilton, Program Manager, Alumni and Student Affairs Harriman Institute Columbia University 420 West 118 Street New York, NY 10027 Tel: 212-854-4623 Fax: 212-666-3481 For the latest news and updates about the Harriman Institute, visit www.harriman.columbia.edu. Stay connected through Facebook and Twitter! www.twitter.com/HarrimanInst www.facebook.com/pages/The-Harriman- Institute/165273220175750 FROM THE DIRECTOR elcome to the inaugural issue of the Harriman Magazine. Our hope is that the magazine will allow us to develop deeper and more sustained ties with W the alumni of the Institute—our MARS degree recipients and Harriman Certificate holders—as well as with our visiting scholars and postdoctoral fellows, as they progress in their careers. The Alumni Notes section will be a permanent feature; in the next issue we will begin publishing Postdoc Notes—so please send us your information. The heart of the magazine will feature in-depth profiles and stories about Institute alumni, visitors, faculty, and students and their projects. Our inaugural issue profiles two alums who have worn many hats at Harriman. -
Pussy Riot: Art Or Hooliganism? Changing Society Through Means of Participation
Pussy Riot: Art or Hooliganism? Changing Society through Means of Participation Camilla Patricia Reuter Ritgerð til BA-prófs í listfræði Háskóli Íslands Hugvísindasvið Pussy Riot: Art or Hooliganism? Changing Society through Means of Participation Camilla Patricia Reuter Lokaverkefni til BA-gráðu í listfræði Leiðsögukennari: Hlynur Helgason Íslensku- og menningadeild Menntavísindasvið Háskóla Íslands Maí 2015 Ritgerð þessi er lokaverkefni til BA- gráðu í listfræði og er óheimilt að afrita ritgerðina á nokkurn hátt nema með leyfi rétthafa. © Camilla Patricia Reuter 2015 Prentun: Bóksala Menntavísindasviðs Reykjavík, Ísland 2015 Preface In my studies of art history the connection between the past and present has always intrigued me. As a former history major, the interest in historical developments comes hardly as a surprise. This is why I felt that the subject of my essay should concentrate on a recent phenomenon in art with a rich history supporting it. My personal interest in Russian art history eventually narrowed my topics down to Pussy Riot and Voina, which both provide a provocative subject matter. Having spent a semester in St. Petersburg studying the nation’s art history one discovers a palpable connection between politics and art. From Ilya Repin’s masterpieces to the Russian avant-garde and the Moscow Conceptualists, Russian art history is provided with a multitude of oppositional art. The artistic desire to rebel lies in the heart of creativity and antagonism is necessary for the process of development. I wish to thank you my advisor and professor Hlynur Helgason for accepting to guide me in my writing process. Without the theoretical input from my advisor this bachelor’s thesis could not have been written. -
Contemporary Art in the Regions of Russia: Global Trends and Local Projects
Journal of Siberian Federal University. Humanities & Social Sciences 10 (2016 9) 2413-2426 ~ ~ ~ УДК 7.01 Contemporary Art in the Regions of Russia: Global Trends and Local Projects Dmitrii V. Galkin* and Anastasiia Iu. Kuklina National Research Tomsk State University 36 Lenina Str., Tomsk, 634050, Russia Received 21.04.2016, received in revised form 09.06.2016, accepted 19.08.2016 The authors deal with the problem of the development of contemporary art in the regions of Russia in the context of global projects and institutions, establishing ‘the rules of the game’ in the field of contemporary culture. The article considers the experience of working with contemporary art within the framework of the National Centre for Contemporary Arts and other organizations. So-called Siberian ironic conceptualism is considered as an example of original regional aesthetics. The article concludes that the alleged problem can be solved in the framework of specific exhibition projects and curatorial decisions, which aim at finding different forms of meetings (dialogue, conflict, addition) of a regional identity and global trends. Keywords: contemporary art, National Center for Contemporary Arts, curatorial activities, regional art. This article was prepared with the support of the Siberian Branch of the National Centre for Contemporary Arts. DOI: 10.17516/1997-1370-2016-9-10-2413-2426. Research area: art history. The growing interest of researchers and also intends to open a profile branch in Moscow. the public in the dynamic trends and issues But this is an example of the past three years. of contemporary art in Russia is inextricably There are more historically important and long- linked with the development of various projects standing examples. -
Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18
Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town. -
Russia 2012-2013: Attack on Freedom / 3 Introduction
RUSSIA 2012-2013 : Attack on Freedom Article 1: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood. Article 2: Everyone is entitled to all the rights and freedoms set forth in this Declaration, without distinction of any kind, such as race, colour, sex, language, religion, political or other opinion, national or social origin, property, birth or other status. Furthermore, no distinction shall be made on the basis of the political, jurisdictional or international status of the country or territory to which a person belongs, whether it be independent, trust, non-self-governing or under any other limitation of sovereignty. Article 3: Everyone has the right to life, liberty and security of person. Article 4: No one shall be held in slavery or servitude; slavery and the slave trade shall be prohibited in all their forms. Article 5: No one shall be subjected to torture or to cruel, February 2014 / N°625a Cover photo: Demonstration in front of the State Duma (Russian Parliament) in Moscow on 18 July 2013, after the conviction of Alexei Navalny. © AFP PHOTO / Ivan Novikov 2 / Titre du rapport – FIDH Introduction -------------------------------------------------------------------------------------------- 4 1. Authoritarian Methods to Suppress Rights and Freedoms -------------------------------- 6 2. Repressive Laws ------------------------------------------------------------------------------------ 8 2.1. Restrictions on Freedom -
Elena Sannikova Papers
http://oac.cdlib.org/findaid/ark:/13030/c8wh2wkw No online items Inventory of the Elena Sannikova papers Finding aid prepared by Hoover Institution Archives Staff Hoover Institution Archives 434 Galvez Mall Stanford University Stanford, CA, 94305-6003 (650) 723-3563 [email protected] © 2019 Inventory of the Elena Sannikova 2019C8 1 papers Title: Elena Sannikova papers Date (inclusive): 1974-2018 Collection Number: 2019C8 Contributing Institution: Hoover Institution Archives Language of Material: Russian Physical Description: 12 manuscript boxes, 1 oversize box(7.0 linear feet) Abstract: Diaries, writings, correspondence, printed matter, and photographs relating to the status of civil liberties and to political prisoners in the Soviet Union and in post-Soviet Russia. Physical Location: Hoover Institution Archives Creator: Sannikova, Elena Access The collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Archives. Preferred Citation [Identification of item], Elena Sannikova papers, [Box no., Folder no. or title], Hoover Institution Archives Acquisition Information Materials were acquired by the Hoover Institution Archives in 2018. Accruals Materials may have been added to the collection since this finding aid was prepared. To determine if this has occurred, find the collection in Stanford University's online catalog at http://searchworks.stanford.edu/ . Materials have been added to the collection if the number of boxes listed in the catalog is larger than the number of boxes listed in this finding aid. Biographical Note Elena Sannikova (born 1959), was a Soviet and Russian human rights activist and political writer.