Overhauling Louisiana's Traffic-Ticket Funding Scheme of Public Defend
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The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. -
MEET INFORMATION GATOR SOCIAL DID YOU KNOW MEET 2 BATON ROUGE, LA. What's Happening?
3 NCAA Championships ● 10 SEC Championships ● 8 with 19 NCAA Individual Titles MEET INFORMATION MEET 2 BATON ROUGE, LA. Date: Friday, Jan. 18 / 9 p.m. ET No. 3 Florida Gators No. 5 LSU Tigers Site: Pete Maravich Assembly Center (13,200) Head Coach: Jenny Rowland Head Coach: D-D Breaux Television: SEC Network Career (4th season): 43-9 Career (42nd season): 774-424-8 Video: WatchESPN At UF: same At LSU: same Live Stats: FloridaGators.com Tickets: Range in price from $12-$6. Contact LSU 2019: 1-0 / 1-0 SEC 2019: 1-1 / 0-1 SEC Ticket Office at (225) 578-2184 for more 2018 NCAA Finish: 3rd 2018 NCAA Finish: 4th information Series Record UF leads 70-40 (last meeting: UF was third (all-time): in 2018 NCAA Super Six (197.85) and What’s Happening? LSU was fourth (197.8375) Florida continues action versus Southeastern Conference “Tigers” when the Gators travel to No. 5 LSU. This is the 21st consecutive meeting both teams bring top-10 rankings. Meetings between these two teams are traditionally close. Of the GATOR SOCIAL last 20 meetings, less than a half a point was the deciding margin 17 times. Florida Gators Gymnastics The Florida-LSU dual ends the first-ever SEC Network Friday Night Heights triple-header. Olympic medalists Bart Conner Florida Gators and Kathy Johnson Clarke call the action Friday beginning at 9 p.m. @GatorsGym @FloridaGators Florida used its highest opening total (and the nation’s second-highest 2019 opening score) to take a 197.30-196.45 win over No. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
The Carter 1 Download Link
The carter 1 download link Walk In by Lil Wayne - Carter I, Hip Hop music from Atlanta, GA on ReverbNation. This Is The Carter. Download; Queue; Save Remove from Library; Add. rapidshare tha carter zip links available for free instant download. 1 (). All the songs and lyrics from the "Tha Carter" album Lil Wayne Dwayne. Lil Wayne The Carter 1 Album Download Zip mediafire links free download, download Lil Wayne The Carter Collection 2 (Bootleg) (de Exor), LiL Wayne. DOWNLOAD LINK ===> Transcript of Lil Wayne - Tha Carter I (Deluxe Edition)Flac~Majoruploader~ download free! Convert Youtube 1. The Carter 1 | Lil Wayne-Walk In to MP3 instantly. Free lil wayne the carter 1 album zip carter 1 album zip. The most Download The Free Weezy Album No download links are allowed! Has it Leaked is not a. lil wayne carter 1 mp3 Download Link ? keyword=lil-wayne-cartermp3&charset=utf-8 =========> lil wayne carter 1 mp3. Download Lil Wayne - Tha Carter V full album now & free! which Where can I download it New Hip Hop Albums & Mixtapes presented by DJBooth for Lil Wayne - Free Weezy Album () download links are externally hosted on Extabit. Download all of Lil Wayne's official mixtapes for free. The Carter Files · Lil Wayne Lil Weezy Ana Mixtape · Lil Weezy Ana Vol. 1 If you have any problems with the mixtape downloads or want to report a dead link, please contact me. Album Download Link: Lil Wayne - Tha Carter IV (Deluxe Edition) 1) Intro 2) Blunt Blowin. Carter," "Dr. Download all of Lil Wayne's official mixtapes for free. -
Dancer), Producers Quincy Jones & Brandon Tortikoff; Choreographer, Lula Elzy
PROFESSIONAL ARTS & ENTERTAINMENT CREDITS 1994 Performance Credits: * Television Pilot - “Big Time TV” (Dancer), Producers Quincy Jones & Brandon Tortikoff; Choreographer, Lula Elzy 1997 Choreography Credits: * Hip Hop Concert – Bad Boy Recording Artists “TOTAL” feat. “MISSY ELLIOT”; Lowe’s Theatre, NOLA 1998 Artist in Residency: * Teacher’s Aide - Audubon Montessori School; Creative Movement; Dolly Rivas class instructor * Teacher’s Aide - F.W. Gregory Middle School; Dance Department; Darlene Johnson class instructor Choreography Credits: * Showcase - “Arts in Education” New Orleans Contemporary Arts Center Spring * Stage play - “Timeless Wonders”, Ebony Square, NOLA * N.O. Jazz & Heritage Festival - “Arts Connection” Kids Tent Showcase, 1999 Artist in Residency: * Teacher’s Aide - F.W. Gregory Middle School – Dance Department; Darlene Johnson class instructor * Dance Specialist - Incarnate Word Youth Center After School Program, NOLA * Dance Specialist - Arts Council of New Orleans Urban Arts Summer Training Program – Dance Department; Saran Bynum, Project Specialist Performance Credits: * New Orleans Opera Association - “Aida” (Dancer); Choreographer Lula Elzy * M.T.V. - “Global Groove” (Dancer), NOLA Choreography Credits: * N.O. Jazz & Heritage Festival - “Arts Connection” Kids Tent Showcase. * DEBBIE ALLEN’S Seminar - “Cholesterol Low Down” New Orleans Ctr.; Artistic Director Dolly Rivas * Hip Hop Concert - Recording Artist “DMX” Featuring “Charlie Baltimore”, Municipal Auditorium, NOLA * T.V. Series - “Louisiana Jukebox”; R&B Recording -
The Extremes of Rap on Trial: an Analysis of the Movement to Ban Rap Lyrics As Evidence
The Extremes of Rap on Trial: An Analysis of the Movement to Ban Rap Lyrics as Evidence * MICHAEL CONKLIN This Article is a review of Rap on Trial: Race, Lyrics, and Guilt in America. The book largely focuses on the dangers of allowing rap lyrics to be presented as evidence in criminal trials. The authors posit that the fictitious and hyperbolic nature of rap lyrics are misrepresented by prosecutors as autobiographical confessions that document illegal activity and violent character traits of defendants. The authors compare rap to other musical genres and conclude that racism is the underlying cause for why the genres are treated differently in court. The authors also advocate for evidence nullification and argue for a complete ban on all rap-related evidence at trial. This Article assesses both the strengths and weaknesses of the evidence presented to support these claims. Furthermore, this Article discusses pragmatic issues such as how the author’s advocacy for their more extreme proposals may be counterproductive to enacting their more reasonable proposals. INTRODUCTION This Article is a review of Rap on Trial: Race, Lyrics, and Guilt in America, written by University of Richmond professor Erik Nielson and University of Georgia Law School professor Andrea L. Dennis.1 The book largely focuses on the dangers of allowing rap lyrics to be presented in criminal trials—what the authors refer to as “rap on trial.” The authors posit that the fictitious and hyperbolic nature of rap lyrics are misrepresented by prosecutors as autobiographical confessions that document illegal activity and violent character traits of defendants. -
No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change. -
Fly - Swag Surfin Free Mp3 Download Swag Surfing Mp3
fly - swag surfin free mp3 download Swag Surfing Mp3. We have collected a lot of useful information about Swag Surfing Mp3 . The links below you will find everything there is to know about Swag Surfing Mp3 on the Internet. Also on our site you will find a lot of other information about kitesurfing, wakeboarding, SUP and the like. Swag Surfin' (Explicit) - YouTube. https://www.youtube.com/watch?v=kf5QZ-WUGKo Jul 29, 2018 · Provided to YouTube by Universal Music Group Swag Surfin' (Explicit) · F.L.Y. (Fast Life Yungstaz) Jamboree ℗ 2009 The Island Def Jam Music Group Released on: 2009-01-01 Producer: Kevin "KE on . Author: FLYISDALIMIT. FLY – Swag Surfin Free Mp3 Download & Listen Online MP3GOO. https://imp3goo.co/download/fly-swag-surfin/ Free Download FLY – Swag Surfin Mp3. We have 20 mp3 files ready to listen and download. To start the download you need to click on the [Download] button. We recommend the first song named FLY - Swag Surfin HQ.mp3 with a quality of 320 kbps. F.L.Y. - Swag Surfin' [Prod. By K.E. On The Track] mp3 . https://www.livemixtapes.com/download/mp3/202862/fly_swag_surfin_prod_by_ke_on_the_track.html F.L.Y. Swag Surfin' [Prod. By K.E. On The Track] free mp3 download and stream. Swag Surfin - Wikipedia. https://en.wikipedia.org/wiki/Swag_Surfin "Swag Surfin" is the debut single by American hip hop group Fast Life Yungstaz. It is featured on their debut album Jamboree and is produced by K.E. on the Track.. It is the unofficial anthem of the WNBA's Washington Mystics and was played at the game in which the team won its first championship.Genre: Trap, pop rap. -
Free Weezy Album Zip
Free weezy album zip Continue Mixtape (20) Albums (1) Video (10) About the Game of Changing Artist and Celebrity, Lil Wayne began his career as almost a novelty - preteen delivering hardcore hip-hop - but after years of maturing and inventing a mixtape game, he has evolved into a million-selling rapper with a massive body of work, one so inventive and cunning that he makes his famous statement that the best rapper is worth considering. Born Dwayne Michael Carter Jr. and raised in the infamous New Orleans neighborhood of Hollygrove, he was a straight-student but never felt that his true intelligence was expressed through any report card. He found that music was the best way to express himself, and after taking the name Gangsta D he began to write rhymes. Combining a strong work ethic with aggressive self-promotion, the 11-year-old convinced cash money label to take over, even if it was just for casual jobs around the office. A year later, at the house, producer Manny Fresh collaborated with him with 14-year-old B.G. and named the duo B.G.'z. Although only the name B.G. appeared on the cover, the 1995 album True Story was accepted as B.G.'z's debut album by both fans and Cash Money. The 1997 album Chopper City was supposed to be a sequel, but when Wayne accidentally shot himself in the chest 9 mm, it became a solo release B.G. In the same year he officially took the nickname Lil Wayne, dropping D from his name to separate himself from his absent father. -
Fair Use, Girl Talk, and Digital Sampling: an Empirical Study of Music Sampling's Effect on the Market for Copyrighted Works
Oklahoma Law Review Volume 67 Number 3 2015 Fair Use, Girl Talk, and Digital Sampling: An Empirical Study of Music Sampling's Effect on the Market for Copyrighted Works William M. Schuster II Vinson & Elkins, [email protected] Follow this and additional works at: https://digitalcommons.law.ou.edu/olr Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation William M. Schuster II, Fair Use, Girl Talk, and Digital Sampling: An Empirical Study of Music Sampling's Effect on the Market for Copyrighted Works, 67 OKLA. L. REV. (2015), https://digitalcommons.law.ou.edu/olr/vol67/iss3/2 This Article is brought to you for free and open access by University of Oklahoma College of Law Digital Commons. It has been accepted for inclusion in Oklahoma Law Review by an authorized editor of University of Oklahoma College of Law Digital Commons. For more information, please contact [email protected]. Fair Use, Girl Talk, and Digital Sampling: An Empirical Study of Music Sampling's Effect on the Market for Copyrighted Works Cover Page Footnote Mike Schuster, [email protected], is a patent attorney who is licensed to practice law in the State of Texas. Schuster obtained his LL.M. in intellectual property/trade regulation from the New York University School of Law and his J.D., summa cum laude, from South Texas College of Law. The opinions expressed in this Article are those of the Author alone and should not be imputed to his employer or any of its clients. -
Petey Pablo Is Crazy
Call your cable provider to request MTV Jams Comcast Cable 1-800-COMCAST www.comcast.com Atlanta, GA Comcast ch. 167 Augusta, GA Comcast ch. 142 Charleston, SC Comcast ch. 167 Chattanooga, TN Comcast ch. 142 Ft. Laud., FL Comcast ch. 142 Hattiesburg, MS Comcast ch. 142 Houston, TX Comcast ch. 134 Jacksonville, FL Comcast ch. 470 Knoxville, TN Comcast ch. 142 Little Rock, AR Comcast ch. 142 Miami, FL Comcast ch. 142 Mobile, AL Comcast ch. 142 Montgomery, AL Comcast ch. 304 Naples, FL Comcast ch. 142 Nashville, TN Comcast ch. 142 Panama City, FL Comcast ch. 142 Richmond, VA Comcast ch. 142 Savannah, GA Comcast ch. 142 Tallahassee, FL Comcast ch. 142 Charter Digital 1-800-GETCHARTER www.charter.com Birmingham, AL Charter ch. 304 Dallas, TX Charter ch. 227 Greenville, SC Charter ch. 204 Ft. Worth, TX Charter ch. 229 Spartanburg, SC Charter ch. 204 Grande Communications www.grandecom.com Austin, TX Grande ch. 185 PUBLISHERS: Julia Beverly (JB) Chino EDITOR-IN-CHIEF: Julia Beverly (JB) MUSIC REVIEWS: ADG, Wally Sparks CONTRIBUTORS: Bogan, Cynthia Coutard, Dain Bur- roughs, Darnella Dunham, Felisha Foxx, Felita Knight, Iisha Hillmon, Jaro Vacek, Jessica Koslow, J Lash, Katerina Perez, Keith Kennedy, K.G. Mosley, King Yella, Lisa Cole- man, Malik “Copafeel” Abdul, Marcus DeWayne, Matt Sonzala, Maurice G. Garland, Natalia Gomez, Ray Tamarra, Rayfield Warren, Rohit Loomba, Spiff, Swift SALES CONSULTANT: Che’ Johnson (Gotta Boogie) LEGAL AFFAIRS: Kyle P. King, P.A. (King Law Firm) STREET REPS: Al-My-T, B-Lord, Bill Rickett, Black, Bull, Cedric Walker, Chill, Chilly C, Control- ler, Dap, Delight, Dereck Washington, Derek Jurand, Dwayne Barnum, Dr. -
Beats by Dr.Dre Beyonce Ft. Jay-Z Big Tymers Ft. Mike
Projects (Page 1 of 2) *Not a complete list Director Company Job Title 3M Post-It “Fresh Start” & “Go Ahead” Theresa Wingert Fiona Production Designer Alicia Keys ft. Maxwell “Fire We Make” Chris Robinson Robot Films Production Designer Audubon Nature Institute “Night Lights” Stephen Hunter 11 Days Production Designer Autotrader ft. Dukes of Hazzard Januz Kaminski Independent Media Art Director BBC First “Identity” Elizabeth Valleau Trollback Production Designer Beats by Dr.Dre Malik Sayeed Little Minx Production Designer Beyonce ft. Jay-Z “Deja Vu” Sophie Muller Oil Factory Production Designer Big Tymers “Get Your Roll On” Nick Quested FM Rocks Production Designer Big Tymers “Still Fly” Teri Heller Clever Entertainment Production Designer Big Tymers ft. Mike Tyson “10 Wayz” Troy Smith Cyclops Film Production Designer Boehringer Ingelheim & Eli-Lily Zack Resnicoff Impressionista Films Production Designer Bud Light Superbowl XLVII ft. Stevie Wonder Samuel Bayer Serial Pictures Art Director Can-Am Spyder ft.Drew Brees “Ultimate Loophole” Shane Valdes Wondros Production Designer Christian Mingle “Making the World a Better Place” Ron Hamad R2C Group Production Designer Chrysler Superbowl XLVI ft. Clint Eastwood David Gordon Green Chelsea Art Director Deborah Cox “Nobody’s Supposed to Be Here” Darren Grant Shooting Star Production Designer Dell “High Stakes” & “Busy Bees” Ken Morrison Strong Films Production Designer Department of Veteran Affairs Michael McCourt AMD Films Production Designer Depeche Mode “Free Love” John Hillcoat Anonymous