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The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. -
Milli-Q Gradient and Milli-Q Gradient A10 User Manual
Milli-Q® Gradient and Milli-Q® Gradient A10® User Manual Notice The information in this document is subject to change without notice and should not be construed as a commitment by Millipore Corporation. Millipore Corporation assumes no responsibility for any errors that might appear in this document. This manual is believed to be complete and accurate at the time of publication. In no event shall Millipore Corporation be liable for incidental or consequential damages in connection with or arising from the use of this manual. We manufacture and sell water purification systems designed to produce pure or ultrapure water with specific characteristics (μS/cm, T, TOC, CFU/ml, Eu/ml) when it leaves the water purification system provided that the Elix Systems are fed with water quality within specifications, and properly maintained as required by the supplier. We do not warrant these systems for any specific applications. It is up to the end user to determine if the quality of the water produced by our systems matches his expectations, fits with norms/legal requirements and to bear responsibility resulting from the usage of the water. Millipore’s Standard Warranty Millipore Corporation (“Millipore”) warrants its products will meet their applicable published specifications when used in accordance with their applicable instructions for a period of one year from shipment of the products. MILLIPORE MAKES NO OTHER WARRANTY, EXPRESSED OR IMPLIED. THERE IS NO WARRANTY OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. The warranty provided herein and the data, specifications and descriptions of Millipore products appearing in Millipore’s published catalogues and product literature may not be altered except by express written agreement signed by an officer of Millipore. -
User Manual Milli-Q Integral 3/5/10/15 Systems
User Manual Milli-Q Integral 3/5/10/15 Systems About this User Manual Purpose x This User Manual is intended for use with a Milli-Q® Integral Water Purification System. x This User Manual is a guide for use during the installation, normal operation and maintenance of a Milli-Q Integral Water Purification System. It is highly recommended to completely read this manual and to fully comprehend its contents before attempting installation, normal operation or maintenance of the Water Purification System. x If this User Manual is not the correct one for your Water Purification System, then please contact Millipore. Terminology The term “Milli-Q Integral Water Purification System” is replaced by the term “Milli-Q System” for the remainder of this User Manual unless otherwise noted. Document Rev. 0, 05/2008 About Millipore Telephone See the business card(s) on the inside cover of the User Manual binder. Internet Site www.millipore.com/bioscience Address Manufacturing Millipore SAS Site 67120 Molsheim FRANCE 2 Legal Information Notice The information in this document is subject to change without notice and should not be construed as a commitment by Millipore Corporation. Millipore Corporation assumes no responsibility for any errors that might appear in this document. This manual is believed to be complete and accurate at the time of publication. In no event shall Millipore Corporation be liable for incidental or consequential damages in connection with or arising from the use of this manual. We manufacture and sell water purification systems designed to produce pure or ultrapure water with specific characteristics (PS/cm, T, TOC, CFU/ml, Eu/ml) when it leaves the water purification system provided that the System is fed with water quality within specifications, and properly maintained as required by the supplier. -
2011 MTV Video Music Awards”
Here are the nominees for the “2011 MTV Video Music Awards”: VIDEO OF THE YEAR Adele Tyler, The Creator Title: Rolling In The Deep Title: Yonkers Album: 21 Album: Goblin Director: Sam Brown Director: Wolf Haley Label: XL/Columbia Label: XL Recordings Production Company: Flynn Production Company: Happy Place Producer: Hannah Chandler Producer: Tara Razavi Katy Perry Bruno Mars Title: Firework Title: Grenade Album: Teenage Dream Album: Doo-Wops and Hooligans Director: Dave Meyers Director: Nabil Elderkin Label: Capitol Label: Elektra Production Company: Radical Media Production Company: Little Minx/RSA Producers: Robert Bray, Danny Lockwood Producer: Anne Johnson Beastie Boys Title: Make Some Noise Album: Hot Sauce Committee Part Two Director: Adam Yauch Label: Capitol Records Production Company: Directors Bureau Producer: Samantha Storr BEST FEMALE VIDEO Adele Katy Perry Title: Rolling In The Deep Title: Firework Album: 21 Album: Teenage Dream Director: Sam Brown Director: Dave Meyers Label: XL/Columbia Label: Capitol Production Company: Flynn Production Company: Radical Media Producers: Hannah Chandler Producers: Robert Bray, Danny Lockwood Beyonce Nicki Minaj Title: Run The World (Girls) Title: Super Bass Album: 4 Album: Pink Friday Director: Francis Lawrence Director: Sanaa Hamri Label: Parkwood Entertainment/Columbia Label: Young Money/Cash Money Records Production Company: DNA Production Company: 305 Films Producer: Justin Diener Producers: Kimberly S. Stuckwisch, Michelle Larkin & Keith "KB" Brown Lady GaGa Title: Born This Way Album: Born This Way Director: Nick Knight, Haus of Gaga Label: Streamline/Interscope/Konlive Production Company: Factory Films, Ltd. Producers: Nicole Ehrlich, Steven Johnson BEST MALE VIDEO Cee Lo Green Eminem feat. Rihanna Title: F*** You Title: Love The Way You Lie Album: The Lady Killer Album: Recovery Director: Matt Stawski Director: Joseph Kahn Label: Elektra Label: Aftermath Records Production Company: Refused TV Production Company: H.S.I. -
Lucid Dream-Pop
MUSIC TRACK IT DOWN The only tunes you need this March p.130 HOCUS OPUS The month’s most spellbinding albums p.152 COMPETITIVE COMPILATIONS Key comps and mixes reviewed p.156 LU C I D DREAM-POP Kelly Lee Owens breaks the mould with her stunning, self-titled debut album... p.152 djmag.com 129 HOUSE BEN ARNOLD James Hadfield and Danny Linton. With its tribal howls, Soak skirts the right side of QUICKIES 'world music' without being Phil Weeks wanky — always a perilous Raw Instrumental Vol. 2 [email protected] tightrope act. Instead, it's PW/Robsoul Recordings wonky and wonderful. Man 8.0 Power himself drops in a moody, Phil Weeks is clearly never visited with writer's acidic re-rub, while Axel Boman block. This eight-track EP being rather sturdy wallops yet another remix out evidence of this, a collection of weaponised into the bleachers, dropping house music to damage dancefloors. Bravo. the four-four in favour of a new genre, Balearic garage (which Justin Cudmore has just been coined here, this Forget It EP very moment). The Bunker New York 8.5 Oh yes. This blisteringly acidic four-tracker for MICHAEL ZAHNSCHIRM & THERESA LIPP ZAHNSCHIRM MICHAEL Jamie Lidell/Matthew The Bunker New York had us at hello. 'New Jack Pic: Herbert MONEY Lidell/Herbert The House' is a deeply classy slab, while 'Forget Moony Me SHOT! Accidental Jnr It' is machine music par excellence. Contemplatin' EP 9.0 Klamauk Lidell and Herbert have been 9.5 muckers for donkey's years, MIA LUCCI KINDISCH Thoroughly arresting house but this bootleg of the former's music here from German/ track 'When I Come Back Venezuelan/Austrian, Around' from his majestic 2005 Eduardo A. -
MEET INFORMATION GATOR SOCIAL DID YOU KNOW MEET 2 BATON ROUGE, LA. What's Happening?
3 NCAA Championships ● 10 SEC Championships ● 8 with 19 NCAA Individual Titles MEET INFORMATION MEET 2 BATON ROUGE, LA. Date: Friday, Jan. 18 / 9 p.m. ET No. 3 Florida Gators No. 5 LSU Tigers Site: Pete Maravich Assembly Center (13,200) Head Coach: Jenny Rowland Head Coach: D-D Breaux Television: SEC Network Career (4th season): 43-9 Career (42nd season): 774-424-8 Video: WatchESPN At UF: same At LSU: same Live Stats: FloridaGators.com Tickets: Range in price from $12-$6. Contact LSU 2019: 1-0 / 1-0 SEC 2019: 1-1 / 0-1 SEC Ticket Office at (225) 578-2184 for more 2018 NCAA Finish: 3rd 2018 NCAA Finish: 4th information Series Record UF leads 70-40 (last meeting: UF was third (all-time): in 2018 NCAA Super Six (197.85) and What’s Happening? LSU was fourth (197.8375) Florida continues action versus Southeastern Conference “Tigers” when the Gators travel to No. 5 LSU. This is the 21st consecutive meeting both teams bring top-10 rankings. Meetings between these two teams are traditionally close. Of the GATOR SOCIAL last 20 meetings, less than a half a point was the deciding margin 17 times. Florida Gators Gymnastics The Florida-LSU dual ends the first-ever SEC Network Friday Night Heights triple-header. Olympic medalists Bart Conner Florida Gators and Kathy Johnson Clarke call the action Friday beginning at 9 p.m. @GatorsGym @FloridaGators Florida used its highest opening total (and the nation’s second-highest 2019 opening score) to take a 197.30-196.45 win over No. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Lil Wayne the Carter 3 Album Zip
Lil Wayne The Carter 3 Album Zip Lil Wayne The Carter 3 Album Zip 1 / 2 DOWNLOAD ALBUM: Lil Wayne – Tha Carter III [zip File] - Music/Radio - Nairaland.. To zip through a backstory that is gradually calcifying into legend, Lil Wayne was ... A few years later, he released Tha Carter II, his last RIAA-approved, ... Tha Carter III is a monumental album full of powerful, self-defeating .... To download THA CARTER 3 ZIP, click on the Download button So Mike Tyson tha carter 3 download zip as well rap. Mp3 waynecarter 29 zip. Jay-Z 5:16 FLAC A Milli 3:41 FLAC Got Money feat. Size: 58, 49 MB.. Minime Buja Artist: Lil Wayne Album: Tha Carter V Released: 2018 Style: Hip Hop ... Tracklist: 1 – Lil Wayne – I Love You Dwayne 2 – Lil Wayne – Don't Cry 3 .... By 2000 that album was considered an undeniable classic. This brings me to Lil Wayne's Tha Carter II. Lil Wayne Carter 3 Zip Zippyshare.. Lil Wayne Tha Carter V Album Zip Download Lil Uzi Vert, J Cole, Swizz. Visit ... Lil Wayne's Tha Carter III Lil Wayne Carter 3, Tha Carter Iii, Mrs Officer. Open.. Download: The carter 3 album download zip file ______ ______ ______ ______ ______ ______ ______ ______. Lil Wayne & Raj Smoove .... Lil Wayne. Tha Carter III [Deluxe Edition] [Revised Track Listing]. (Digital Download - Cash Money / Republic / Universal #1783553). Album Information .... Recording sessions for the album began in late 2008, shortly after Lil Wayne's sixth studio album, Tha Carter III (2008) was released to strong .... Tha Carter III | Lil Wayne to stream in hi-fi, or to download in True CD Quality on Qobuz.com. -
Lil Wayne Sasaraf Hulk
Lil wayne sasaraf hulk click here to download 14 Apr - 4 min Eminem Lil Wayne Record By Musicx Incredible hulk you're trapped in my. [Verse 1: Lil Wayne] And wifey keep tellin' me the pills gon' kill me. And all I do is skate and smoke and rap and fuck. Also try: the carter 3 deluxe edition zip download, lil wayne the carter 3 6 download sasaraf hulk new album Wayne 3 peat lil drought mp3 da. lil wayne megaman hulk, lil wayne president carter download hulk, lil wayne Lil wayne sasaraf free cashing out instrumental mp3 lil wayne. Wayne lil wayne mercy download hulk lil wayne love me lil wayne everything Free cash out cashin out free cashing out livemixtapes thugged out lil boosie free Hulk wale cashin out mp3 download lil wayne sasaraf hulk cashing out hulk. Free megaman lil wayne download hulk lil wayne album for free lil wayne Music lil wayne music site lil wayne sasaraf hulk lil wayne free music videos. knockout lil wayne clean download, lil wayne don't love me download, lil wayne Music lil boosie chill out free lil wayne sasaraf hulk mirror lil wayne hulk. John lil wayne blunt blowin hulk lil wayne new album free lil wayne rollin hulk Blunt blowin lil wayne blunt blowin free lil wayne lil wayne sasaraf hulk. Get Smoked (feat. Lil Mouse). Lil Wayne. [Hook] 09, we tote; my niggas ain't no joke. And we keep Keep that fucking red bandana: Hulk Hogan I'm cuttin' up. Datpiff lil wayne dedication 4 zip free lil wayne sasaraf hulk lil wayne rebirth album free. -
Mediamonkey Filelist
MediaMonkey Filelist Track # Artist Title Length Album Year Genre Rating Bitrate Media # Local 1 Kirk Franklin Just For Me 5:11 2019 Gospel 182 Disk Local 2 Kanye West I Love It (Clean) 2:11 2019 Rap 4 128 Disk Closer To My Local 3 Drake 5:14 2014 Rap 3 128 Dreams (Clean) Disk Nellie Tager Local 4 If I Back It Up 3:49 2018 Soul 3 172 Travis Disk Local 5 Ariana Grande The Way 3:56 The Way 1 2013 RnB 2 190 Disk Drop City Yacht Crickets (Remix Local 6 5:16 T.I. Remix (Intro 2013 Rap 128 Club Intro - Clean) Disk In The Lonely I'm Not the Only Local 7 Sam Smith 3:59 Hour (Deluxe 5 2014 Pop 190 One Disk Version) Block Brochure: In This Thang Local 8 E40 3:09 Welcome to the 16 2012 Rap 128 Breh Disk Soil 1, 2 & 3 They Don't Local 9 Rico Love 4:55 1 2014 Rap 182 Know Disk Return Of The Local 10 Mann 3:34 Buzzin' 2011 Rap 3 128 Macc (Remix) Disk Local 11 Trey Songz Unusal 4:00 Chapter V 2012 RnB 128 Disk Sensual Local 12 Snoop Dogg Seduction 5:07 BlissMix 7 2012 Rap 0 201 Disk (BlissMix) Same Damn Local 13 Future Time (Clean 4:49 Pluto 11 2012 Rap 128 Disk Remix) Sun Come Up Local 14 Glasses Malone 3:20 Beach Cruiser 2011 Rap 128 (Clean) Disk I'm On One We the Best Local 15 DJ Khaled 4:59 2 2011 Rap 5 128 (Clean) Forever Disk Local 16 Tessellated Searchin' 2:29 2017 Jazz 2 173 Disk Rahsaan 6 AM (Clean Local 17 3:29 Bleuphoria 2813 2011 RnB 128 Patterson Remix) Disk I Luh Ya Papi Local 18 Jennifer Lopez 2:57 1 2014 Rap 193 (Remix) Disk Local 19 Mary Mary Go Get It 2:24 Go Get It 1 2012 Gospel 4 128 Disk LOVE? [The Local 20 Jennifer Lopez On the -
A Feminist Critique of Nicki Minaj's Barbie Persona
“All Girls Are Barbies”: A Feminist Critique of Nicki Minaj’s Barbie Persona A Senior Project Presented to The Faculty of the Communication Studies Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment Of the Requirements for the Degree Bachelor of Arts By Camellia Sarmadi Dr. Richard Besel Senior Project Advisor Signature Date T. C. Winebrenner Department Chair Signature Date © 2012 Camellia Sarmadi Sarmadi 2 Table of Contents Introduction……………………………………………….…………......3 Background .......................………………………………….......……….6 Method…….…………...…………………………………….......…..…..11 Analysis………........……………………………………………..………17 Conclusion…………….......……………………………………………...21 Sarmadi 3 “All Girls Are Barbies”: A Feminist Critique of Nicki Minaj’s Barbie Persona Introduction Whether it is as “Martha,” “Roman Zolanksi,” or “Harajuku Barbie,” Nicki Minaj and her alter egos are always grabbing the attention of journalists, fans, and other hip-hop artists. As one of the newest members of an elite group of emcees and rappers within the hip-hop genre, Nicki Minaj displays her talent for theatrics by personifying some of her favorite alter egos. While other female emcees (femcees) have appeared throughout pop culture such as Lil’ Kim and Lauryn Hill, Nicki Minaj arguably is the first to obtain this level of fame and notoriety. The release of her debut album Pink Friday in 2010 was certified Platinum by the Recording Industry Association of America, making her the first artist to have seven singles on the Billboard Hot 100 at once (Iandoli). There is no doubt that Nicki Minaj’s alter egos, especially Harajuku Barbie, have helped establish her as a powerful femcee and have given her a lasting place in hip- hop history. Throughout Minaj’s time in the spotlight, her audience has seen her morph from one character to the next, all adorned with different outfits, different tonalities, and different postures. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.