DOCSLIB.ORG

Dancer), Producers Quincy Jones & Brandon Tortikoff; Choreographer, Lula Elzy

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

PROFESSIONAL ARTS & ENTERTAINMENT CREDITS 1994 Performance Credits: * Television Pilot - “Big Time TV” (Dancer), Producers Quincy Jones & Brandon Tortikoff; Choreographer, Lula Elzy 1997 Choreography Credits: * Hip Hop Concert – Bad Boy Recording Artists “TOTAL” feat. “MISSY ELLIOT”; Lowe’s Theatre, NOLA 1998 Artist in Residency: * Teacher’s Aide - Audubon Montessori School; Creative Movement; Dolly Rivas class instructor * Teacher’s Aide - F.W. Gregory Middle School; Dance Department; Darlene Johnson class instructor Choreography Credits: * Showcase - “Arts in Education” New Orleans Contemporary Arts Center Spring * Stage play - “Timeless Wonders”, Ebony Square, NOLA * N.O. Jazz & Heritage Festival - “Arts Connection” Kids Tent Showcase, 1999 Artist in Residency: * Teacher’s Aide - F.W. Gregory Middle School – Dance Department; Darlene Johnson class instructor * Dance Specialist - Incarnate Word Youth Center After School Program, NOLA * Dance Specialist - Arts Council of New Orleans Urban Arts Summer Training Program – Dance Department; Saran Bynum, Project Specialist Performance Credits: * New Orleans Opera Association - “Aida” (Dancer); Choreographer Lula Elzy * M.T.V. - “Global Groove” (Dancer), NOLA Choreography Credits: * N.O. Jazz & Heritage Festival - “Arts Connection” Kids Tent Showcase. * DEBBIE ALLEN’S Seminar - “Cholesterol Low Down” New Orleans Ctr.; Artistic Director Dolly Rivas * Hip Hop Concert - Recording Artist “DMX” Featuring “Charlie Baltimore”, Municipal Auditorium, NOLA * T.V. Series - “Louisiana Jukebox”; R&B Recording Artist “Elemental Groove * Programmers Convention - Mercury Records, Dallas, TX – R&B Recording Artist “Windy” * T.V. Commercial - “Coleman’s Sports & Accessories”, Director Chris Robinson 2000 Artist in Residency: * Dance Specialist - NOLA Contemporary Arts Center Summer Camp –Creative Movement/Dance Dept.; Saran Bynum Project Specialist Performance Credits: * Music Video - Universal/Cash Money Recording artists “Big Tymers” Model * Feature Film - Universal Films– “Baller Blockin” (girl #1/car driver), * House of Blues – “Soul 2 Soul” Hip Hop Dancer, Big Stan Productions Choreography Credits: * Musical - “Kids Uptown Musical Theater”, Producer Delfaeyo Marsalis * Music Video – No Limit Recording Artist “Boss Playa”, Director Will Horton * Music Video – Fubu recording artists “54th Platoon”, Director Quintral Armstrong * Programmer’s Convention - Capitol Records, NOLA; recording artist “Methrone” Ambassadorship: * Asst. to Director of Dance Studies - The Louis Armstrong Foundation, Inc.; Creole Folk Dance, Robin Parson, Director 2001 Ambassadorship: * Asst. to Director of Dance Studies - The Louis Armstrong Foundation, Inc.; Creole Folk Dance, Robin Parson, Director Choreography Credits: * Dance Coach -Edna Karr Magnet School Cougarettes * School Tour - “Stop The Violence Put the Guns Away” inner city sponsored by The Louis Armstrong Foundation, Inc. * Jazz Concert - “Concerts in the Park” – Sponsored by NOLA Jazz National Hisoric Park & The Louis Armstrong Foundation Inc. 2003 Artist in Residency: * Dance Specialist - Atlanta, Ga. Fulton County Arts Council – Abernathy Arts Center 2004 Artist in Residency: * Dance Specialist - Atlanta, Ga. Fulton County Arts Council – West End Arts Center * Dance Specialist - Atlanta, Ga. Fulton County Arts Council – Southwest Fulton Arts Center * Dance Specialist - Cobb County Parks Recreation & Cultural Affairs Dept. – Mablehouse Arts Center * Dance Specialist - Cobb County Parks Recreation & Cultural Affairs Dept. – The Art Place Print Modeling Credits: * Pulitzer Prize Novel - “Getting Mother’s Body” Cover Model; Author, Susan-Lori Parks * Magazine - Atlanta Hip Hop Chronicle – Featured Model * Magazine - “Black Issues”– Hair Model Choreography Credits: * Artist Development -Marvelous Marvin Studios; Recording Artist “Jordan Dollar” Video Production Credits: * Production Asst. - GG&L Records/Focus Films Music Video – “TYRA” Director, Fatt Cats 2005 Artist in Residency: * Dance Specialist - Atlanta, Ga. Fulton County Arts Council – West End Arts Center Video Production Credits: * Production Asst. - Television One Documentary “Divine Restoration” Director, Rui Feliz * Key Production Asst. - Universal/Cash Money Records/”F” Filmz Music Video; “BYRDMAN” Director, Aaron Corseault * Key Production Asst. - Bad Boy South/ Fred Films Music Video; “YOUNG CITY” Director, Scott Franklin * Key Production Asst. - Knightscope Ent. Music Video; “STREET RUNNERS” Director, Chris Robinson * Office Production Asst. - Universal/Cash Money Records/F Films Music Video; “LIL WAYNE” Director, Aaron Corseault 2006 Video Production Credits: * Key Production Asst. - Virgin Records/FM Rocks Music Video; “FRANCHISE BOYS” Director, Benny Boom * Key Production Asst. - Universal Records/Boomtown Prod. Music Video; “BABY BOY DA PRINCE” Director, Boomtown * Office Production Asst. - Atlantic Records/FM Rocks Music Video; “NELLY” Director, Fatt Cats * Office Production Asst.: Arista Records/The Filming Co. Music Video; “T.I” Featuring “BUN B” Director, Dr. Teeth * Asst. Production Office Coordinator - Apocalypse Productions Music Video; “YOUNG A” Director, Phenomenon * Asst. Production Office Coordinator - Lifetime T.V. Music Video; “FANTASIA” Director, Dianne Martel Film Production Credits: * Asst. Production Office Coordinator - Louis Armstrong Foundation T.V. Pilot; “JAZZ, THE FIRST DAYS” Director, Eddie Edwards * Production Office Coordinator - Joel Castleberg Productions T.V. Pilot “BOURBON STREET” Director, John Coppola Choreography Credits: * T.V. Pilot - Joel Castleberg Productions– “BOURBON STREET” 2007 Video Production Credits: * Production Coordinator - Warner Brothers/Robot films Music Video – “MIKE JONES” Director, Syndrome 2008 Film Production Credits: * Office Production Asst. - TNT Network 2008 NBA Allstar Series “OVERTIME” DIRECTOR, Maceo Grant * Dance Coordinator - Chess Productions Feature Film “CHESS” a.k.a. “WHO DO YOU LOVE” DIRECTOR, Jerry Zaks Performance Credits: * Feature Film - “LIBRARIAN 3” Background Talent (French Quarter goer) Director, Johnathan Frakes * Feature Film - “FINAL DESTINATION 4” Featured Talent (shoe store clerk/movie goer,) Director David Ellis * Feature film - “THE OPEN ROAD” Featured Talent (airline ticket clerk) Director, Michael Meredith * Feature Film - “BAD LEUITENANT” Featured Talent (Senegalese wife) Director, Werner Herzog 2009 Choreography Credits: * New Orleans Jazz & Heritage Festival - Dj Hektik feat. The New Orleans Baby Doll Ladies 2010 Performance Cedits: * H.B.O. Documentary – “If God is Willing & The Creek Don’t Rise, 40 Acres & A Mule Filmworks; Spike Lee, Director Choreography Credits: * Mardi Gras Parade – “Krewe of Zulu” .
Recommended publications
  • Diapositive 1

    Diapositive 1

    From Body-space to Technospace: The Virtualization of Urban Experience in Music Videos Christophe Den Tandt Université Libre de Bruxelles Postcolonialism and Postmodernity Research Group January 2010 Music videos: expanding the realm of performance . Music videos transport performers “out of a musical context—into the everyday (the street, the home) [or] into the fantastic (the dream, the wilderness)” (Simon Frith, Performing Rites: On the Value of Popular Music, 1996, p. 225) The Cardigans: “For What It’s Worth” Placebo: “The Bitter End” The New Radicals. “You Get What You Give” Music videos: expanding the realm of performance Into the streets: Dancing in the streets (carnivalesque appropriation) Roaming the streets (alienated subjects in the asphalt Jungle) Dancing in the virtual streets (exploring virtualized urban space) Dancing in the streets Lavigne, Avril. “Sk8ter Boy.” Music video. Dir. Francis Lawrence. 2002. Dancing in the streets Appropriation of urban space Generational solidarity Subcultural channels Carnivalesque empowerment Roaming the streets Avril Lavigne: “I’m With You” Faithless: “Insomnia.” Dir. Lindy Heymann. (1996). Placebo: “The Bitter End” John Huston’s The Asphalt Jungle (1950) Dancing in the virtual streets The Red Hot Chili Peppers. Californication. Music video. Dirs. Jonathan Dayton and Valerie Faris. 2000. Dancing in the virtual streets Postmodern pastiche Computer graphics / virtual reality Cf. Cyberpunk SF: William Gibson’s Neuromancer (1984); Virtual Light (1993); Andy and Larry Wachowski. The Matrix. 1998 Jean Baudrillard. Simulation and Simulacra ? Body-space vs. technospace How can videos map the issues involved in the virtualization of urban experience? Music videos = performing artists transposed out of customary performance space to new locales Performance, agency (body-space) defined with regard to the technologies of the informational megalopolis (techno-space).
  • The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis

    The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis

    The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship.
  • ALEX DELGADO Production Designer

    ALEX DELGADO Production Designer

    ALEX DELGADO Production Designer PROJECTS DIRECTORS STUDIOS/PRODUCERS THE KEYS OF CHRISTMAS David Meyers YouTube Red Feature OPENING NIGHTS Isaac Rentz Dark Factory Entertainment Feature Los Angeles Film Festival G.U.Y. Lady Gaga Rocket In My Pocket / Riveting Short Film Entertainment MR. HAPPY Colin Tilley Vice Short Film COMMERCIALS & MUSIC VIDEOS SOL Republic Headphones, Kraken Rum, Fox Sports, Wendy’s, Corona, Xbox, Optimum, Comcast, Delta Airlines, Samsung, Hasbro, SONOS, Reebok, Veria Living, Dropbox, Walmart, Adidas, Go Daddy, Microsoft, Sony, Boomchickapop Popcorn, Macy’s Taco Bell, TGI Friday’s, Puma, ESPN, JCPenney, Infiniti, Nicki Minaj’s Pink Friday Perfume, ARI by Ariana Grande; Nicki Minaj - “The Boys ft. Cassie”, Lil’ Wayne - “Love Me ft. Drake & Future”, BOB “Out of My Mind ft. Nicki Minaj”, Fergie - “M.I.L.F.$”, Mike Posner - “I Took A Pill in Ibiza”, DJ Snake ft. Bipolar Sunshine - “Middle”, Mark Ronson - “Uptown Funk”, Kelly Clarkson - “People Like Us”, Flo Rida - “Sweet Spot ft. Jennifer Lopez”, Chris Brown - “Fine China”, Kelly Rowland - “Kisses Down Low”, Mika - “Popular”, 3OH!3 - “Back to Life”, Margaret - “Thank You Very Much”, The Lonely Island - “YOLO ft. Adam Levine & Kendrick Lamar”, David Guetta “Just One Last Time”, Nicki Minaj - “I Am Your Leader”, David Guetta - “I Can Only Imagine ft. Chris Brown & Lil’ Wayne”, Flying Lotus - “Tiny Tortures”, Nicki Minaj - “Freedom”, Labrinth - “Last Time”, Chris Brown - “She Ain’t You”, Chris Brown - “Next To You ft. Justin Bieber”, French Montana - “Shot Caller ft. Diddy and Rick Ross”, Aura Dione - “Friends ft. Rock Mafia”, Common - “Blue Sky”, Game - “Red Nation ft. Lil’ Wayne”, Tyga “Faded ft.
  • G-Eazy & DJ Paul Star in the Movie Tunnel Vision October/November 2017 in the BAY AREA YOUR VIEW IS UNLIMITED

    G-Eazy & DJ Paul Star in the Movie Tunnel Vision October/November 2017 in the BAY AREA YOUR VIEW IS UNLIMITED

    STREET CONSEQUENCES MAGAZINE Exclusive Pull up a seat as Antonio Servidio take us through his life as a Legitimate Hustler & Executive Producer of the movie “Tunnel Vision” Featuring 90’s Bay Area Rappers Street Consequences Presents E-40, Too Short, B-Legit, Spice 1 & The New Talent of Rappers KB, Keak Da Sneak, Rappin 4-Tay Mac Fair & TRAP Q&A with T. A. Corleone Meet the Ladies of Street Consequences G-Eazy & DJ Paul star in the movie Tunnel Vision October/November 2017 IN THE BAY AREA YOUR VIEW IS UNLIMITED October/November 2017 2 October /November 2017 Contents Publisher’s Word Exclusive Interview with Antonio Servidio Featuring the Bay Area Rappers Meet the Ladies of Street Consequences Street Consequences presents new talent of Rappers October/November 2017 3 Publisher’s Words Street Consequences What are the Street Consequences of today’s hustling life- style’s ? Do you know? Do you have any idea? Street Con- sequences Magazine is just what you need. As you read federal inmates whose stories should give you knowledge on just what the street Consequences are. Some of the arti- cles in this magazine are from real people who are in jail because of these Street Consequences. You will also read their opinion on politics and their beliefs on what we, as people, need to do to chance and make a better future for the up-coming youth of today. Stories in this magazine are from big timer in the games to small street level drug dealers and regular people too, Hopefully this magazine will open up your eyes and ears to the things that are going on around you, and have to make a decision that will make you not enter into the game that will leave you dead or in jail.
  • Script to Screen a ONE DAY FILM INTENSIVE Program Guidelines

    Script to Screen a ONE DAY FILM INTENSIVE Program Guidelines

    Script to Screen A ONE DAY FILM INTENSIVE Program Guidelines IMPORTANT DATES APPLICATION DEADLINE Tuesday, January 2, 2018 – 11:59 pm SCRIPT TO SCREEN WORKSHOP When: Friday, Feb. 16, 2018 (if selected, applicant must be able to attend on this day) Where: Campus of Fayetteville State University Time: 8:30 am – 5 pm OVERVIEW PROGRAM PURPOSE The purpose of Script to Screen is to provide students who are exploring a career in the film industry an opportunity to experience the many facets of film production under the guidance of a professional active in the industry. In this one-day film production intensive with noted writer, producer and Jamel "Mel City" Thornton. Students in grades 9-12 will learn theory and application in six key areas of film production: • Development and scriptwriting • Pre-production • Production • Wrap • Post-Production • Pitch and shopping distribution ABOUT MEL CITY Mel City got his start in the industry on Spike Lee’s infamous He Got Game. His extensive resume includes work on OX’s hit television series New York Undercover; Belly; countless music videos for artists such as DMX, The Lox, Ja Rule, Mobb Deep, Sean “Diddy” Combs, and Janet Jackson. Mel City has also worked with highly sought after directors like Chris Robinson, Director X (formerly Little X), Dave Myers and Benny Boom and is currently producing FLINT 6, a fictional-biopic which confronts the Flint Water Crisis head on. An Army veteran, Mel City holds a B.S. in Communication Arts & Mass Communication from St. John’s University, attended Thurgood Marshall School of Law (Houston, Texas) and is currently studying for the New York Uniform Bar Exam.
  • Camille Mclucas DOB: 08/31/1992 HEIGHT: 5’5” | WEIGHT: 125 Lbs

    Camille Mclucas DOB: 08/31/1992 HEIGHT: 5’5” | WEIGHT: 125 Lbs

    Camille McLucas DOB: 08/31/1992 HEIGHT: 5’5” | WEIGHT: 125 lbs. HAIR: Brown | EYES: Brown ____________________________________________________________________________________________________ FILM Note to Self Dancer J.R. Taylor COMMERCIAL Geico Workout Instructor Tool of North America TELEVISION @midnight w/ Chris Hardwick Dancer Comedy Central/Chris Dupre The Jimmy Kimmel Show"13 w/R. Kelly Dancer ABC The Tonight Show with Jay Leno"11 Dancer NBC LIVE PERFORMANCE Phlextravaganza "The Xperience “15 Dancer Alan "Phlex" Kirk Phlextravaganza "Rayven Justice “15 Principal Dancer Alan "Phlex" Kirk Natalie LaRose Europe Promo Tour “15 Dancer J.R. Taylor R. Kelly's Black Panties Tour "14 Dancer Sabrina McField Toys for Tots Benefit Concert w/ Sahyba Dancer Oth'than Burnside Lili Claire Benefit Concert w/ B. Howard” Dancer Roland Ro-Ro Tabor Billboard Awards "11 w/ Beyonce Dancer Frank Gatson BMI Awards w/ Cali Swag District Dancer Oth'than Burnside VIDEOS Tyga "Splashin" Dancer Cat Rendic Diddy “Don’t Bother Me, I’m Workin’” Dancer/Freestyler Hype Williams Simply Rayne “How we do Dancer Alan “Phlex” Kirk Sahyba "Marco Polo Where you At” Dancer Oth'than Burnside K. Briscoe ft. Busta Rhymes "Dishes Dancer Benny Boom Ray Castle "No love for Haters” Dancer Fresh Redding Kelly Rowland "What a Feeling" Dance Extra Frank Gatson Beyonce “Run the World” Dance Extra Frank Gatson Jennifer Lopez ft Pitbull "On the Floor" Dance Extra Frank Gatson EDUCATION Columbia College Chicago Bachelor of Arts in Dance SPECIAL SKILLS Dance Styles: Yoga, Contemporary/Modern dance, African (Dunham technique) MOVE WITH US Agent: Lyndsay Marie Farias | [email protected] 4605 Lankershim Blvd. Suite 340, North Hollywood, CA 91602 | PH: (323) 462-5300 | F: (323) 462-0100 .
  • Atlanta's DJ Drama "Pay Attention"

    Atlanta's DJ Drama "Pay Attention"

    Atlanta's DJ Drama "Pay Attention" Written by Keith ID378 Friday, 12 November 2004 18:55 - Atlanta’s finest, DJ Drama, has just released Gangsta Grillz XIII hosted by Nelly. Not only is it hosted by the St. Louis superstar, but this volume is the prelude to the up and coming Gangsta Grillz DVD, available this December nationally. Now one of the hottest brands in the mixtape game has become one of the hottest brands in hip-hop DVDs. It features exclusive interviews with T.I., Lil Jon, Ludacris, Jazze Pha, Trick Daddy, Pharrell, David Banner and many more hip-hop icons. Produced entirely by Gorilla Flix; the company owned by acclaimed video director Benny Boom. Additionally, DJ Drama is the official DJ for T.I. and is currently on a promo tour for the new Urban Legend album on Grand Hustle/Atlantic Records, as well as, the remaining dates for the Jay-Z and Friends Tour. Besides working for Grand Hustle, DJ Drama is a member of the Aphilliates, an Atlanta based DJ organization comprised of Don Cannon, Sense, Jamad, and Ox. “Pay Attention” to this affiliation as they are setting the standard for DJ’s worldwide. Bad Boy’s Mase has just chosen DJ Sense to be his official tour DJ and DJ Don Cannon is currently on tour with BME’s Lil Scrappy. DJ Drama has also been nominated for seven Southern Entertainment Awards (2005), including Best Mix Series (Gangsta Grillz) and #1 DJ in the South. Log onto www.southerentawards.com to vote. Recently, Drama won Best Mixtape DJ in the first annual AUM Awards ( www.atlantaurbanmix.com ) ceremony held in Atlanta, GA on November 9.
  • MEET INFORMATION GATOR SOCIAL DID YOU KNOW MEET 2 BATON ROUGE, LA. What's Happening?

    MEET INFORMATION GATOR SOCIAL DID YOU KNOW MEET 2 BATON ROUGE, LA. What's Happening?

    3 NCAA Championships ● 10 SEC Championships ● 8 with 19 NCAA Individual Titles MEET INFORMATION MEET 2 BATON ROUGE, LA. Date: Friday, Jan. 18 / 9 p.m. ET No. 3 Florida Gators No. 5 LSU Tigers Site: Pete Maravich Assembly Center (13,200) Head Coach: Jenny Rowland Head Coach: D-D Breaux Television: SEC Network Career (4th season): 43-9 Career (42nd season): 774-424-8 Video: WatchESPN At UF: same At LSU: same Live Stats: FloridaGators.com Tickets: Range in price from $12-$6. Contact LSU 2019: 1-0 / 1-0 SEC 2019: 1-1 / 0-1 SEC Ticket Office at (225) 578-2184 for more 2018 NCAA Finish: 3rd 2018 NCAA Finish: 4th information Series Record UF leads 70-40 (last meeting: UF was third (all-time): in 2018 NCAA Super Six (197.85) and What’s Happening? LSU was fourth (197.8375) Florida continues action versus Southeastern Conference “Tigers” when the Gators travel to No. 5 LSU. This is the 21st consecutive meeting both teams bring top-10 rankings. Meetings between these two teams are traditionally close. Of the GATOR SOCIAL last 20 meetings, less than a half a point was the deciding margin 17 times. Florida Gators Gymnastics The Florida-LSU dual ends the first-ever SEC Network Friday Night Heights triple-header. Olympic medalists Bart Conner Florida Gators and Kathy Johnson Clarke call the action Friday beginning at 9 p.m. @GatorsGym @FloridaGators Florida used its highest opening total (and the nation’s second-highest 2019 opening score) to take a 197.30-196.45 win over No.
  • Mike Epps Slated As Host for This Year's BET HIP HOP AWARDS

    Mike Epps Slated As Host for This Year's BET HIP HOP AWARDS

    Mike Epps Slated As Host For This Year's BET HIP HOP AWARDS G.O.O.D. MUSIC'S KANYE WEST LEADS WITH 17 IMPRESSIVE NOMINATIONS; 2CHAINZ FOLLOWS WITH 13 AND DRAKE ROUNDS THINGS OUT WITH 11 NODS SIX CYPHERS TO BE INCLUDED IN THIS YEAR'S AWARDS TAPING AT THE BOISFEUILLET JONES ATLANTA CIVIC CENTER IN ATLANTA ON SATURDAY, SEPTEMBER 29, 2012; NETWORK PREMIERE ON TUESDAY, OCTOBER 9, 2012 AT 8:00 PM* NEW YORK, Sept. 12, 2012 /PRNewswire/ -- BET Networks' flagship music variety program, "106 & PARK," officially announced the nominees for the BET HIP HOP AWARDS (#HIPHOPAWARDS). Actor and comedian Mike Epps (@THEREALMIKEEPPS) will once again host this year's festivities from the Boisfeuillet Jones Atlanta Civic Center in Atlanta on Saturday, September 29, 2012 with the network premiere on Tuesday, October 9, 2012 at 8:00 pm*. Mike Epps completely took-over "106 & PARK" today to mark the special occasion and revealed some of the notable nominees with help from A$AP Rocky, Ca$h Out, DJ Envy and DJ Drama. Hip Hop Awards nominated artists A$AP Rocky and Ca$h Out performed their hits "Goldie" and "Cashin Out" while nominated deejay's DJ Envy and DJ Drama spun for the crowd. The BET HIP HOP AWARDS Voting Academy is comprised of a select assembly of music and entertainment executives, media and industry influencers. Celebrating the biggest names in the game, newcomers on the scene, and shining a light on the community, the BET HIP HOP AWARDS is ready to salute the very best in hip hop culture.
  • The Evolution of Commercial Rap Music Maurice L

    The Evolution of Commercial Rap Music Maurice L

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
  • The Carter 1 Download Link

    The Carter 1 Download Link

    The carter 1 download link Walk In by Lil Wayne - Carter I, Hip Hop music from Atlanta, GA on ReverbNation. This Is The Carter. Download; Queue; Save Remove from Library; Add. rapidshare tha carter zip links available for free instant download. 1 (). All the songs and lyrics from the "Tha Carter" album Lil Wayne Dwayne. Lil Wayne The Carter 1 Album Download Zip mediafire links free download, download Lil Wayne The Carter Collection 2 (Bootleg) (de Exor), LiL Wayne. DOWNLOAD LINK ===> Transcript of Lil Wayne - Tha Carter I (Deluxe Edition)Flac~Majoruploader~ download free! Convert Youtube 1. The Carter 1 | Lil Wayne-Walk In to MP3 instantly. Free lil wayne the carter 1 album zip carter 1 album zip. The most Download The Free Weezy Album No download links are allowed! Has it Leaked is not a. lil wayne carter 1 mp3 Download Link ? keyword=lil-wayne-cartermp3&charset=utf-8 =========> lil wayne carter 1 mp3. Download Lil Wayne - Tha Carter V full album now & free! which Where can I download it New Hip Hop Albums & Mixtapes presented by DJBooth for Lil Wayne - Free Weezy Album () download links are externally hosted on Extabit. Download all of Lil Wayne's official mixtapes for free. The Carter Files · Lil Wayne Lil Weezy Ana Mixtape · Lil Weezy Ana Vol. 1 If you have any problems with the mixtape downloads or want to report a dead link, please contact me. Album Download Link: Lil Wayne - Tha Carter IV (Deluxe Edition) 1) Intro 2) Blunt Blowin. Carter," "Dr. Download all of Lil Wayne's official mixtapes for free.
  • The Extremes of Rap on Trial: an Analysis of the Movement to Ban Rap Lyrics As Evidence

    The Extremes of Rap on Trial: an Analysis of the Movement to Ban Rap Lyrics As Evidence

    The Extremes of Rap on Trial: An Analysis of the Movement to Ban Rap Lyrics as Evidence * MICHAEL CONKLIN This Article is a review of Rap on Trial: Race, Lyrics, and Guilt in America. The book largely focuses on the dangers of allowing rap lyrics to be presented as evidence in criminal trials. The authors posit that the fictitious and hyperbolic nature of rap lyrics are misrepresented by prosecutors as autobiographical confessions that document illegal activity and violent character traits of defendants. The authors compare rap to other musical genres and conclude that racism is the underlying cause for why the genres are treated differently in court. The authors also advocate for evidence nullification and argue for a complete ban on all rap-related evidence at trial. This Article assesses both the strengths and weaknesses of the evidence presented to support these claims. Furthermore, this Article discusses pragmatic issues such as how the author’s advocacy for their more extreme proposals may be counterproductive to enacting their more reasonable proposals. INTRODUCTION This Article is a review of Rap on Trial: Race, Lyrics, and Guilt in America, written by University of Richmond professor Erik Nielson and University of Georgia Law School professor Andrea L. Dennis.1 The book largely focuses on the dangers of allowing rap lyrics to be presented in criminal trials—what the authors refer to as “rap on trial.” The authors posit that the fictitious and hyperbolic nature of rap lyrics are misrepresented by prosecutors as autobiographical confessions that document illegal activity and violent character traits of defendants.