Camille Mclucas DOB: 08/31/1992 HEIGHT: 5’5” | WEIGHT: 125 Lbs

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Camille McLucas DOB: 08/31/1992 HEIGHT: 5’5” | WEIGHT: 125 lbs. HAIR: Brown | EYES: Brown ____________________________________________________________________________________________________ FILM Note to Self Dancer J.R. Taylor COMMERCIAL Geico Workout Instructor Tool of North America TELEVISION @midnight w/ Chris Hardwick Dancer Comedy Central/Chris Dupre The Jimmy Kimmel Show"13 w/R. Kelly Dancer ABC The Tonight Show with Jay Leno"11 Dancer NBC LIVE PERFORMANCE Phlextravaganza "The Xperience “15 Dancer Alan "Phlex" Kirk Phlextravaganza "Rayven Justice “15 Principal Dancer Alan "Phlex" Kirk Natalie LaRose Europe Promo Tour “15 Dancer J.R. Taylor R. Kelly's Black Panties Tour "14 Dancer Sabrina McField Toys for Tots Benefit Concert w/ Sahyba Dancer Oth'than Burnside Lili Claire Benefit Concert w/ B. Howard” Dancer Roland Ro-Ro Tabor Billboard Awards "11 w/ Beyonce Dancer Frank Gatson BMI Awards w/ Cali Swag District Dancer Oth'than Burnside VIDEOS Tyga "Splashin" Dancer Cat Rendic Diddy “Don’t Bother Me, I’m Workin’” Dancer/Freestyler Hype Williams Simply Rayne “How we do Dancer Alan “Phlex” Kirk Sahyba "Marco Polo Where you At” Dancer Oth'than Burnside K. Briscoe ft. Busta Rhymes "Dishes Dancer Benny Boom Ray Castle "No love for Haters” Dancer Fresh Redding Kelly Rowland "What a Feeling" Dance Extra Frank Gatson Beyonce “Run the World” Dance Extra Frank Gatson Jennifer Lopez ft Pitbull "On the Floor" Dance Extra Frank Gatson EDUCATION Columbia College Chicago Bachelor of Arts in Dance SPECIAL SKILLS Dance Styles: Yoga, Contemporary/Modern dance, African (Dunham technique) MOVE WITH US Agent: Lyndsay Marie Farias | [email protected] 4605 Lankershim Blvd. Suite 340, North Hollywood, CA 91602 | PH: (323) 462-5300 | F: (323) 462-0100 .

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From Body-space to Technospace: The Virtualization of Urban Experience in Music Videos Christophe Den Tandt Université Libre de Bruxelles Postcolonialism and Postmodernity Research Group January 2010 Music videos: expanding the realm of performance . Music videos transport performers “out of a musical context—into the everyday (the street, the home) [or] into the fantastic (the dream, the wilderness)” (Simon Frith, Performing Rites: On the Value of Popular Music, 1996, p. 225) The Cardigans: “For What It’s Worth” Placebo: “The Bitter End” The New Radicals. “You Get What You Give” Music videos: expanding the realm of performance Into the streets: Dancing in the streets (carnivalesque appropriation) Roaming the streets (alienated subjects in the asphalt Jungle) Dancing in the virtual streets (exploring virtualized urban space) Dancing in the streets Lavigne, Avril. “Sk8ter Boy.” Music video. Dir. Francis Lawrence. 2002. Dancing in the streets Appropriation of urban space Generational solidarity Subcultural channels Carnivalesque empowerment Roaming the streets Avril Lavigne: “I’m With You” Faithless: “Insomnia.” Dir. Lindy Heymann. (1996). Placebo: “The Bitter End” John Huston’s The Asphalt Jungle (1950) Dancing in the virtual streets The Red Hot Chili Peppers. Californication. Music video. Dirs. Jonathan Dayton and Valerie Faris. 2000. Dancing in the virtual streets Postmodern pastiche Computer graphics / virtual reality Cf. Cyberpunk SF: William Gibson’s Neuromancer (1984); Virtual Light (1993); Andy and Larry Wachowski. The Matrix. 1998 Jean Baudrillard. Simulation and Simulacra ? Body-space vs. technospace How can videos map the issues involved in the virtualization of urban experience? Music videos = performing artists transposed out of customary performance space to new locales Performance, agency (body-space) defined with regard to the technologies of the informational megalopolis (techno-space).
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