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Panel Discussion, “Of Subjugation and Human Consciousness, Dubois in Africa and Fanon in the U.S.” Between Michele Lewis, the Robert E
Excerpt from the panel discussion, “Of Subjugation and Human Consciousness, DuBois in Africa and Fanon in the U.S.” between Michele Lewis, the Robert E. Lee Chair of Sociology at University of California, Berkeley and Fran Touissaint, Performance Studies Chair of University of Mississippi at Jackson. This conversation took place as part of the symposium, “Humans after Labor” hosted by the University of Michigan in Ann Arbor, in November of 2014. Moderated by August Vollbrecht and plenary from Andrew Mehall. This excerpt is from 1:03:52 to 1:17:41 and focuses on face paints contemporary role of masking in relation to rap music. August Vollbrecht: I think we have to go back to the clown the contemporary understanding of the clown and it’s understanding in America. It presupposes minstrelsy and-- Andrew Mehall: And brings us back to the more local concerns and ICP and how they’re taking it from an earlier Black, Detroit model, Esham more specifically the cover of Homey Don’t Play-- AV: Which is 1991 and predates face paint in Dead Presidents, that’s 1993, drawn from an earlier model which is from Bloods, and that came from recorded interviews of returning Black Vietnam vets. Fran Touissaint: Black Skin, White Mask! I see where the title comes from! (audience laughter) Michele Lewis: Cue the Rolling Stones robbing Bo Diddley at gunpoint! (audience laughter) FT: Yeah, but only stealing a sawbuck. The contemporary clown, albeit seemingly neutral, is steeped in these racial, gender, and class misrepresentations. Janet Davis talks about this in her book about the American circus. -
THE CHEKHOV DREAMS a Play by John Mckinney Copyright © 2014
THE CHEKHOV DREAMS A play by John McKinney Copyright © 2014 by John McKinney 67 East 11St. Apt. #708 New York, NY 10003 (212) 598-9970 [email protected] ii CHARACTERS JEREMY Mid-30’s, affable, well-read, reclusive, a wounded soul. KATE Mid-30’s, beautiful, sophisticated, perceptive, deceased. CHRISSY Early 20’s, cute, upbeat, eager, passionate. EDDIE Late 30’s, jaded, decadent, addicted to just about everything. CHEKHOV Mid 40’s, wise, eccentric, crotchety, deceased. SETTING Time: The present. Place: New York City, various locations; A lake, various times and seasons. Author’s notes: This play was written as a dark romantic comedy, accent on the comedy. As such, the default tempo for the play should be brisk and lively, pausing or stopping only as necessary to reflect the deeper, more serious moments. Scene transitions should occur as smoothly as possible with a minimum of set and prop handling to ensure that the story keeps moving apace. In essence the play should avoid the trap of over-indulging in the darker currents of the story and becoming labored or ponderous. As this play explores two alternating states of mind – dreams and reality – it is intended that the design elements establish a distinctive motif for each. For example, there might be a magical, sparkling quality to the lighting to represent the water reflecting off of the lake in the dream scenes, while the real life apartment scenes might have a grittier, more somber feel especially as most of these scenes occur at night. Similarly, the dream scenes might be accompanied by a recurring ethereal theme, or “dreamscape,” which would shift in tone from light and magical to something more ominous, reflecting the main character’s psychological journey. -
This Interview Is Being Conducted on Barry Chism. Let's Start with The
This interview is being conducted on Barry Chism. Let's start with the beginning of your life. When were you born? Mr. Chism: I was born on May 21, 1925, about a mile and a half south of here in Greenbrier, Tennessee and I haven't been afar from this spot forever. With the exception of going to war... Mr. Chism: Well that was not voluntary, but I did go. I was kind of hoping and kind of hoping and kind of thinking that the war was going to end before I got into it because of my age. I was drafted a twenty-five year old man and pretty soon they dropped it down to a twenty-one year man and I thought that I was still in pretty good shape. I wasn't twenty-one yet but I was still in high school. I believe it was in 1942 that they dropped the draft age down to eighteen. But they guaranteed you; supposedly, a year’s training before you go overseas. That was in the bill that passed by our lawmakers at that time. No person under the age of nineteen would be sent overseas. I still thought I was in pretty good shape. So I did manage to graduate from high school, then the draft got me. I wound up beginning to take basic training at Fort McClellan, Alabama. But first they pick you up and send you to what is called a reception center. I don’t know why they call those things reception centers. We didn't get such a good reception there. -
Diapositive 1
From Body-space to Technospace: The Virtualization of Urban Experience in Music Videos Christophe Den Tandt Université Libre de Bruxelles Postcolonialism and Postmodernity Research Group January 2010 Music videos: expanding the realm of performance . Music videos transport performers “out of a musical context—into the everyday (the street, the home) [or] into the fantastic (the dream, the wilderness)” (Simon Frith, Performing Rites: On the Value of Popular Music, 1996, p. 225) The Cardigans: “For What It’s Worth” Placebo: “The Bitter End” The New Radicals. “You Get What You Give” Music videos: expanding the realm of performance Into the streets: Dancing in the streets (carnivalesque appropriation) Roaming the streets (alienated subjects in the asphalt Jungle) Dancing in the virtual streets (exploring virtualized urban space) Dancing in the streets Lavigne, Avril. “Sk8ter Boy.” Music video. Dir. Francis Lawrence. 2002. Dancing in the streets Appropriation of urban space Generational solidarity Subcultural channels Carnivalesque empowerment Roaming the streets Avril Lavigne: “I’m With You” Faithless: “Insomnia.” Dir. Lindy Heymann. (1996). Placebo: “The Bitter End” John Huston’s The Asphalt Jungle (1950) Dancing in the virtual streets The Red Hot Chili Peppers. Californication. Music video. Dirs. Jonathan Dayton and Valerie Faris. 2000. Dancing in the virtual streets Postmodern pastiche Computer graphics / virtual reality Cf. Cyberpunk SF: William Gibson’s Neuromancer (1984); Virtual Light (1993); Andy and Larry Wachowski. The Matrix. 1998 Jean Baudrillard. Simulation and Simulacra ? Body-space vs. technospace How can videos map the issues involved in the virtualization of urban experience? Music videos = performing artists transposed out of customary performance space to new locales Performance, agency (body-space) defined with regard to the technologies of the informational megalopolis (techno-space). -
The BET HIP-HOP AWARDS '09 Nominees Are in
The BET HIP-HOP AWARDS '09 Nominees Are In ... Kanye West Leads The Pack With Nine Nominations As Hip-Hop's Crowning Night Returns to Atlanta on Saturday, October 10 and Premieres on BET Tuesday, October 27 at 8:00 p.m.* NEW YORK, Sept.16 -- The BET HIP-HOP AWARDS '09 nominations were announced earlier this evening on 106 & PARK, along with the highly respected renowned rapper, actor, screenwriter, film producer and director Ice Cube who will receive this year's "I AM HIP-HOP" Icon Award. Hosted by actor and comedian Mike Epps, the hip-hop event of the year returns to Atlanta's Boisfeuillet Jones Civic Center on Saturday, October 10 to celebrate the biggest names in the game - both on the mic and in the community. The BET HIP-HOP AWARDS '09 will premiere Tuesday, October 27 at 8:00 PM*. (Logo: http://www.newscom.com/cgi-bin/prnh/20070716/BETNETWORKSLOGO ) The Hip-Hop Awards Voting Academy which is comprised of journalists, industry executives, and fans has nominated rapper, producer and style aficionado Kanye West for an impressive nine awards. Jay Z and Lil Wayne follow closely behind with seven nominations, and T.I. rounds things off with six nominations. Additionally, BET has added two new nomination categories to this year's show -- "Made-You-Look Award" (Best Hip Hop Style) which will go to the ultimate trendsetter and "Best Hip-Hop Blog Site," which will go to the online site that consistently keeps hip-hop fans in the know non-stop. ABOUT ICE CUBE Veteran rapper, Ice Cube pioneered the West Coast rap movement back in the late 80's. -
Khalid Releases “Otw” Feat. Ty Dolla $Ign & 6Lack Today—Click Here to Listen Khalid Nominated for Five 2018 Billboard
KHALID RELEASES “OTW” FEAT. TY DOLLA $IGN & 6LACK TODAY—CLICK HERE TO LISTEN KHALID NOMINATED FOR FIVE 2018 BILLBOARD MUSIC AWARDS (Los Angeles, CA)—Today, Multi-platinum global superstar Khalid releases a brand-new track entitled “OTW” featuring Ty Dolla $ign and 6lack. The song is available now at all digital retail providers via Right Hand Music Group/RCA Records. Click HERE to listen. This past Tuesday, Khalid appeared on the Today Show (Click HERE) to announce the 2018 Billboard Music Award nominations for which he has been nominated for five awards including Top New Artist, Top R&B Artist, Top R&B Male Artist, Top R&B Album for American Teen, and Top R&B Song for “Young Dumb & Broke.” Khalid’s most recent release “Love Lies” with Keep Cool/RCA Records’ Normani is off to an explosive start having debuted at #43 on the Billboard Hot 100 and it has already received over 200 million streams worldwide since its release on February 14th. The track, which was just certified GOLD by the RIAA, is garnering critical acclaim with MTV calling it “a match made in musical heaven” and The FADER calling it a “slow-burning R&B ballad”. Since its release, the track has racked up over 150 million streams on Spotify alone, and the song’s official video has over 30 million views on YouTube. “Love Lies” also broke the Top 5 on the streaming platform’s US (#2) and Global (#3) Viral Charts. Additionally, Khalid he will be hitting the road again on “The Roxy Tour”, which will be making a number of stops in major cities including Los Angeles, Atlanta, and Philadelphia. -
ALEX DELGADO Production Designer
ALEX DELGADO Production Designer PROJECTS DIRECTORS STUDIOS/PRODUCERS THE KEYS OF CHRISTMAS David Meyers YouTube Red Feature OPENING NIGHTS Isaac Rentz Dark Factory Entertainment Feature Los Angeles Film Festival G.U.Y. Lady Gaga Rocket In My Pocket / Riveting Short Film Entertainment MR. HAPPY Colin Tilley Vice Short Film COMMERCIALS & MUSIC VIDEOS SOL Republic Headphones, Kraken Rum, Fox Sports, Wendy’s, Corona, Xbox, Optimum, Comcast, Delta Airlines, Samsung, Hasbro, SONOS, Reebok, Veria Living, Dropbox, Walmart, Adidas, Go Daddy, Microsoft, Sony, Boomchickapop Popcorn, Macy’s Taco Bell, TGI Friday’s, Puma, ESPN, JCPenney, Infiniti, Nicki Minaj’s Pink Friday Perfume, ARI by Ariana Grande; Nicki Minaj - “The Boys ft. Cassie”, Lil’ Wayne - “Love Me ft. Drake & Future”, BOB “Out of My Mind ft. Nicki Minaj”, Fergie - “M.I.L.F.$”, Mike Posner - “I Took A Pill in Ibiza”, DJ Snake ft. Bipolar Sunshine - “Middle”, Mark Ronson - “Uptown Funk”, Kelly Clarkson - “People Like Us”, Flo Rida - “Sweet Spot ft. Jennifer Lopez”, Chris Brown - “Fine China”, Kelly Rowland - “Kisses Down Low”, Mika - “Popular”, 3OH!3 - “Back to Life”, Margaret - “Thank You Very Much”, The Lonely Island - “YOLO ft. Adam Levine & Kendrick Lamar”, David Guetta “Just One Last Time”, Nicki Minaj - “I Am Your Leader”, David Guetta - “I Can Only Imagine ft. Chris Brown & Lil’ Wayne”, Flying Lotus - “Tiny Tortures”, Nicki Minaj - “Freedom”, Labrinth - “Last Time”, Chris Brown - “She Ain’t You”, Chris Brown - “Next To You ft. Justin Bieber”, French Montana - “Shot Caller ft. Diddy and Rick Ross”, Aura Dione - “Friends ft. Rock Mafia”, Common - “Blue Sky”, Game - “Red Nation ft. Lil’ Wayne”, Tyga “Faded ft. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Regional Oral History Office University of California the Bancroft Library Berkeley, California
Regional Oral History Office University of California The Bancroft Library Berkeley, California Faith Traversie Rosie the Riveter World War II American Homefront Oral History Project A Collaborative Project of the Regional Oral History Office, The National Park Service, and the City of Richmond, California Interviews conducted by Elizabeth Castle in 2005 Copyright © 2007 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ********************************* All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Faith Traversie. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER
Jae Blaze CREATIVE DIRECTOR/CHOREOGRAPHER ____________________________________________________________________________________________________ AWARDS/NOMINATIONS MTV Hip Hop Video - Black Eyed Peas “My Humps” MTV Best New Artist in a Vide - Sean Paul “Get Busy” (Nominee) TELEVISION/FILM King Of The Dancehall (Creative Director) Dir. Nick Cannon American Girl: Saige Paints The Sky Dir. Vince Marcello/Martin Chase Prod. American Girl: Alberta Dir. Vince Marcello Sparkle (Co-Chor.) Dir. Salim Akil En Vogue: An En Vogue Christmas Dir. Brian K. Roberts/Lifetime Tonight SHow w Gwen Stefani (Co-Chor.) NBC The X Factor (Associate Chor.) FOX Cheetah Girls 3: One World (Co-Chor.) Dir. Paul Hoen/Disney Channel Make It Happen (Co-Chor.) Dir. Darren Grant New York Minute Dir. D. Gorgon American Music Awards w/ Fergie (Artistic Director) ABC/Dick Clark Productions Divas Celebrate Soul (Co-Chor.) VH1 So You Think You Can Dance Canada Season 1-4 CTV Teen Choice Awards w/ Will.I.Am FOX American Idol w/ Jordin Sparks FOX American Idol w/ Will.I.Am FOX Superbowl XLV Halftime Show w/ Black Eyed Peas (Co-Chor.) FOX/NFL Soul Train Awards BET Idol Gives Back w/ Black Eyed Peas (Co-Chor.) FOX Grammy Awards w/ Black Eyed Peas (Co-Chor.) CBS / AEG Ehrlich Ventures NFL Thanksgiving Motown Tribute (Co-Chor.) CBS/NFL American Music Awards w/ Black Eyed Peas (Co-Chor.) ABC/Dick Clark Productions BET Hip Hop Awards (Co-Chor.) BET NFL Kickoff Concert w/ Black Eyed Peas (Co-Chor.) NFL Oprah w/ Black Eyed Peas (Co-Chor.) ABC/Harpo Teen Choice Awards w/ Black Eyed Peas -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
DONNIE BRASCO by Paul Attanasio Based on the Book, "Donnie Brasco," by Joseph D. Pistone with Richard Woodley REVISED
DONNIE BRASCO by Paul Attanasio Based on the book, "Donnie Brasco," by Joseph D. Pistone with Richard Woodley REVISED DRAFT July 27, 1992 1 EXT. DAY. WASHINGTON, D.C. An AERIAL VIEW of the nation's capital, MOVING IN on the stolid limestone box of FBI HEADQUARTERS. Supered below: FBI HEADQUARTERS. WASHINGTON, D.C. 1981. CUT TO: 2 INT. DAY. FBI HEADQUARTERS A spacious corner OFFICE. American flag, FBI seal, and a plush c arpet-- Fed eral blue . CLENDON HOGUE, 40s, barrel chest, shrewd eyes over half-moon glasses, PRESIDES behind a vast desk. The impressive mien of earned authority. Before him: JULES BONOVOLONTA, late 40s, Green Beret veteran, SUPERVISOR, 140 pounds of pugnacity and gristle. Ex-street agent cramped by headquarters. PAT MARSHALL, late 30s, a CASE AGENT, compulsively organized, with haunted choirboy's eyes. CLARENCE LEBOW, early 40s. Assistant SECTION CHIEF. Brooks Brothers, heavy starch. LEBOW It's going down tonight. JULES Says who? A fucking wire. LEBOW A reliable wire. JULES A fiction writer. Hogue peruses SURVEILLANCE PHOTOS of Sonny Red and Sonny Black. Then reads the INFORMANT'S REPORT. MARSHALL is that the 209, sir? LEBOW There's going to be a war between Sonny Red and Sonny Black--it's all over the streets. JULES Clarence, you couldn't find the streets with an asphalt detector. (CONTINUED) 2. 2 CONTINUED: MARSHALL Sonny Black goes, everyone with him goes. JULES That's doesn't mean it's tonight. LEBOW Even if it's not tonight--and I ' m not saying it's not tonight--it could still be tonight because it could be any night.