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The Birdman of Colby: Eagle-Eyed Professor Herb Wilson Is Winging His Way Into the Hearts of Students and Birders Alike
Colby Magazine Volume 89 Issue 2 Spring 2000 Article 9 April 2000 The Birdman of Colby: Eagle-eyed Professor Herb Wilson is winging his way into the hearts of students and birders alike Robert Gillespie Colby College Follow this and additional works at: https://digitalcommons.colby.edu/colbymagazine Part of the Ornithology Commons Recommended Citation Gillespie, Robert (2000) "The Birdman of Colby: Eagle-eyed Professor Herb Wilson is winging his way into the hearts of students and birders alike," Colby Magazine: Vol. 89 : Iss. 2 , Article 9. Available at: https://digitalcommons.colby.edu/colbymagazine/vol89/iss2/9 This Contents is brought to you for free and open access by the Colby College Archives at Digital Commons @ Colby. It has been accepted for inclusion in Colby Magazine by an authorized editor of Digital Commons @ Colby. The Birdman of Colby Eagle-eyed Professor Herb Wilson is winging his way into the hearts of students and birders alike By Robert Gillespie man studying turkey vultures lies next to a dead calf in the to learn how birds in the wild will respond to the made-up sound. A de ert for days, waiting fo r the birds to land on him. Is thi Maybe different syllables mean different thing , he says, or it scientific research, asks a newspaper reporter in an e-mail that may be the song itself that's important and not the individual reaches Colby's resident bird expert, or nutty obse ion? yllables in a particular order. Or certain bird "might hold a "He isn't going to have any success until he gives off ethyl syllable longer; they might drawl; they might have a different mercaptan-that's the smelly stuff, sulfur and mercury in one," pitch," he explained, making the birds sound like plain folk who Herb Wilson answered with amiable matter-of-factness-ex understand each other despite different regional dialects. -
The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. -
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ARTICLE ADAPTING COPYRIGHT FOR THE MASHUP GENERATION PETER S. MENELL† Growing out of the rap and hip hop genres as well as advances in digital editing tools, music mashups have emerged as a defining genre for post-Napster generations. Yet the uncertain contours of copyright liability as well as prohibitive transaction costs have pushed this genre underground, stunting its development, limiting remix artists’ commercial channels, depriving sampled artists of fair compensation, and further alienating netizens and new artists from the copyright system. In the real world of transaction costs, subjective legal standards, and market power, no solution to the mashup problem will achieve perfection across all dimensions. The appropriate inquiry is whether an allocation mechanism achieves the best overall resolution of the trade-offs among authors’ rights, cumulative creativity, freedom of expression, and overall functioning of the copyright system. By adapting the long-standing cover license for the mashup genre, Congress can support a charismatic new genre while affording fairer compensation to owners of sampled works, engaging the next generations, and channeling disaffected music fans into authorized markets. INTRODUCTION ........................................................................ 443 I. MUSIC MASHUPS ..................................................................... 446 A. A Personal Journey ..................................................................... 447 B. The Mashup Genre .................................................................... -
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ARCADE 8 AUGUST 20, 2015 BY MICHAEL OSSORGUINE CONTRIBUTING REPORTER fter the release of Lil Wayne's trou- bled and unimpressive "Free Weezy A Album" on Tidal, and months of feuding with Cash Money Records, fans might finally be getting the Weezy they deserve in his own hometown, New Orle- ans, with "Lil Weezyana Fest." Manager Cortez Bryant announced the concert, set for 7 p.m. Aug. 28 at Bold Sphere Music located in Champions Square, on Instagram. His post featured a cartoonish roster complete with lav- ish displays o wealth and, of course, Lil War,nes infamous skateboard. ' We coming home to give the city the greatest concert ever!" Cortez said. The concert will feature a reunion of the Hot Boys, the hip hop group that jumpstarted his career in the '90s. This reunion is happening despite member Turk's assertion that missing member B.G., aka Baby Gangsta, could not make it. "He was busy;' Turk said in an inter- view last year for HipllopDX. "It never worked out. It always was, Tmma do this. We gon' do this. This what gon' happen: But it never did." In 2012, B.G. was arrested for posses- sion of firearms, and will not appear with the rest of the Hot Boys in August. Lil Wayne made an announcement for thi reunion during an interview with Q93.3FM radio host DJ Wild Wayne in July, noting that the legendary producer Mannie Fresh will al o appear to replace B.G. Mannie Fre h was re ponsibl for omc of the succe s of the Hot Boy , and featured on Lil Wayne'· early hi most notably " 10 DJ," the swagg ring ba heavy dub hit any Lil Way1 fan will re m mber from "'!ha artcr." "I'm coming h m to give my city a 111 it upport," Wayn aid t rv1ew Pl a come out, enjoy lo e your mind." In th long wait for th mingly pcr- an ntly delayed "Cart r V" album, it m Lil Wayne' mu ical areer i in a rut and completely dominated by petty industry politi s. -
Young Thug She Notice
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Dade County Radio December 2012 Playlist
# No Title Artist Length Count 1 Miami Bass FEST III CHICO 1:18 228 2 FreddieMcGregor_Da1Drop 0:07 126 3 dadecountyradio_kendrick DROP 0:05 121 4 DROP 0:20 104 5 daoneradiodrop 0:22 90 6 Black Jesus @thegame 4:52 52 7 In The End (new 2013) @MoneyRod305 ft @LeoBre 3:53 49 8 M.I.A. Feat. @Wale (Dirty) @1Omarion 3:57 48 9 Up (Remix) K Kutta , LoveRance, 50 Cent 2:43 47 10 Drop-DadeCounty Patrice 0:10 47 11 My Hood (Feat Mannie Fresh) B.G. 3:58 46 12 SCOOBY DOO JT MONEY 4:32 45 13 Stay High _Official Music Video_ Fweago Squad (Rob Flamez) Feat Stikkmann 3:58 45 14 They Got Us (Prod. By Big K.R.I.T.) Big K.R.I.T. 3:27 44 15 You Da One Rihanna 3:22 44 16 Love Me Or Not (Radio Version) @MoneyRod305 Ft @Casely 4:04 44 17 Haters Ball Greeezy 3:14 44 18 Playa A** S*** J.T. Money 4:35 44 19 Ni**as In Paris Jay-Z & Kanye West 3:39 43 20 Myself Bad Guy 3:26 43 21 Jook with me (dirty) Ballgreezy 3:46 42 22 Ro_&_Pat_Black_-_Soldier 05_Ridah_Redd_feat._Z 3:37 42 23 Go @JimmyDade 3:49 42 24 Keepa @Fellaonyac 4:43 41 25 Gunplay-Pop Dat Freestyle Gunplay 1:47 41 26 I Need That Nipsey Hussle ft Dom Kennedy 2:47 40 27 Harsh Styles P 4:18 40 28 American Dreamin' Jay-Z 4:48 40 29 Tears Of Joy (Ft. -
District Court of the Virgin Islands Division of St
Case: 3:10-cv-00140-CVG-RM Document #: 59 Filed: 08/01/13 Page 1 of 18 DISTRICT COURT OF THE VIRGIN ISLANDS DIVISION OF ST. THOMAS AND ST. JOHN BARCLAY ASSOCIATES, INC., ) KINGSBRIDGE ASSOCIATES, INC., ) WARWICK ASSOCIATES, INC., HARVEY ) BIRDMAN, DIANE BIRDMAN, HERBERT ) HIRSCH, BONITA HIRSCH ) Civil No.: 2010-140 ) Plaintiff, ) ) v. ) ) INTERNAL REVENUE SERVICE, ) COMMISSIONER OF THE INTERNAL ) REVENUE SERVICE, DOUGLAS H. ) SHULMAN, in his official ) capacity, GOVERNMENT of the ) VIRGIN ISLANDS, VIRGIN ISLANDS ) BUREAU of INTERNAL REVENUE, ) CLAUDETTE WATSON-ANDERSON, in ) her official capacity, GOVERNOR ) JOHN P. DEJONGH, in his official ) capacity, LOUIS M. WILLIS in his ) individual1 capacity. ) ) Defendants. ) ) ) ATTORNEYS: Joseph A. DiRuzzo, III Esq. Fuerst Ittleman David & Joseph, PL Miami, FL For Barclay Associates, Inc., Kingsbridge Associates, Inc., Warwick Associates, Inc., Harvey Birdman, Diane Birdman, Herbert Hirsch, and Bonita Hirsch. Carol Thomas-Jacobs, AAG Tamika Archer, AAG Vincent F. Frazer, AG V.I. Department of Justice 1 When the events giving rise to the complaint occurred, Louis M. Willis was Director of the Virgin Islands Bureau of Internal Revenue. The current Director is Claudette Watson-Anderson. Pursuant to Federal Rule of Civil Procedure 25(d), the caption of this matter was changed to reflect the transition of directorship. Case: 3:10-cv-00140-CVG-RM Document #: 59 Filed: 08/01/13 Page 2 of 18 Birdman v. IRS, VIBIR et al. Civil No. 2010-140 Memorandum Opinion Page 2 St. Thomas, U.S.V.I. For Louis M. Willis in his official and individual capacity, Governor John P. DeJongh, Claudette Watson- Anderson, and Virgin Islands Bureau of Internal Revenue. -
Cash Money Records Chain
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YA HEARD ME? Is a Documentary Film About a Regional Version of Hip-Hop Specific to New Orleans, Louisiana Called “Bounce”
Directed by Matt Miller and Stephen Thomas RUNNING TIME: 77 min www.yaheardmefilm.com CONTACT: Kim Dixon, Emily Froelich dominion3 Public Relations 6464 Sunset Blvd. Suite 740 Los Angeles, CA 90028 Ph: (323) 466-3393 Fx: (323) 466-2773 [email protected] [email protected] DIRECTORS’ NOTES YA HEARD ME? Is a documentary film about a regional version of hip-hop specific to New Orleans, Louisiana called “Bounce”. Bounce is not just a style of music but a holistic community involving dance, block parties and clubs, which celebrates the unique contemporary story of New Orleans urban lifestyle. YA HEARD ME? uses extensive interviews and footage of the Bounce scene from 2002-2006, as well as an archival library of NOLA television program “All Good In The Hood” spanning the Bounce scene from the inside from 1997 until the present. Post-Katrina follow up in such locations as Houston, Atlanta, Mobile, Baton Rouge and New Orleans, make this documentary a snapshot into a culture rooted in tradition, then uprooted by tragedy. The resulting story is a vital, raw, rhythm driven experience told by the characters that created this important community. YA HEARD ME? is a definitive view of a people, a time and a location that may never exist in the same way again. Matt Miller Stephen Thomas SCRATCH MAGAZINE, SEPT/OCT 2007 More Bounce To The Ounce A new documentary goes deeper into the roots of New Orleans rap. “Triggerman” is merely the rue in New Orleans bounce's gumbo. The first documentary about bounce, Ya Heard Me, is a bottom-up look at the genre. -
MEET INFORMATION GATOR SOCIAL DID YOU KNOW MEET 2 BATON ROUGE, LA. What's Happening?
3 NCAA Championships ● 10 SEC Championships ● 8 with 19 NCAA Individual Titles MEET INFORMATION MEET 2 BATON ROUGE, LA. Date: Friday, Jan. 18 / 9 p.m. ET No. 3 Florida Gators No. 5 LSU Tigers Site: Pete Maravich Assembly Center (13,200) Head Coach: Jenny Rowland Head Coach: D-D Breaux Television: SEC Network Career (4th season): 43-9 Career (42nd season): 774-424-8 Video: WatchESPN At UF: same At LSU: same Live Stats: FloridaGators.com Tickets: Range in price from $12-$6. Contact LSU 2019: 1-0 / 1-0 SEC 2019: 1-1 / 0-1 SEC Ticket Office at (225) 578-2184 for more 2018 NCAA Finish: 3rd 2018 NCAA Finish: 4th information Series Record UF leads 70-40 (last meeting: UF was third (all-time): in 2018 NCAA Super Six (197.85) and What’s Happening? LSU was fourth (197.8375) Florida continues action versus Southeastern Conference “Tigers” when the Gators travel to No. 5 LSU. This is the 21st consecutive meeting both teams bring top-10 rankings. Meetings between these two teams are traditionally close. Of the GATOR SOCIAL last 20 meetings, less than a half a point was the deciding margin 17 times. Florida Gators Gymnastics The Florida-LSU dual ends the first-ever SEC Network Friday Night Heights triple-header. Olympic medalists Bart Conner Florida Gators and Kathy Johnson Clarke call the action Friday beginning at 9 p.m. @GatorsGym @FloridaGators Florida used its highest opening total (and the nation’s second-highest 2019 opening score) to take a 197.30-196.45 win over No. -
Dj Drama Mixtape Mp3 Download
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SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival.