PDF (611.41 Kib)

Total Page:16

File Type:pdf, Size:1020Kb

PDF (611.41 Kib) ARCADE 8 AUGUST 20, 2015 BY MICHAEL OSSORGUINE CONTRIBUTING REPORTER fter the release of Lil Wayne's trou- bled and unimpressive "Free Weezy A Album" on Tidal, and months of feuding with Cash Money Records, fans might finally be getting the Weezy they deserve in his own hometown, New Orle- ans, with "Lil Weezyana Fest." Manager Cortez Bryant announced the concert, set for 7 p.m. Aug. 28 at Bold Sphere Music located in Champions Square, on Instagram. His post featured a cartoonish roster complete with lav- ish displays o wealth and, of course, Lil War,nes infamous skateboard. ' We coming home to give the city the greatest concert ever!" Cortez said. The concert will feature a reunion of the Hot Boys, the hip hop group that jumpstarted his career in the '90s. This reunion is happening despite member Turk's assertion that missing member B.G., aka Baby Gangsta, could not make it. "He was busy;' Turk said in an inter- view last year for HipllopDX. "It never worked out. It always was, Tmma do this. We gon' do this. This what gon' happen: But it never did." In 2012, B.G. was arrested for posses- sion of firearms, and will not appear with the rest of the Hot Boys in August. Lil Wayne made an announcement for thi reunion during an interview with Q93.3FM radio host DJ Wild Wayne in July, noting that the legendary producer Mannie Fresh will al o appear to replace B.G. Mannie Fre h was re ponsibl for omc of the succe s of the Hot Boy , and featured on Lil Wayne'· early hi most notably " 10 DJ," the swagg ring ba heavy dub hit any Lil Way1 fan will re m mber from "'!ha artcr." "I'm coming h m to give my city a 111 it upport," Wayn aid t rv1ew Pl a come out, enjoy lo e your mind." In th long wait for th mingly pcr- an ntly delayed "Cart r V" album, it m Lil Wayne' mu ical areer i in a rut and completely dominated by petty industry politi s. De pit th I -than-flattering new that has plagued Lil Wayne as oflat , thi n w nnouncem nt give the promi e of a olid festival venue, and Wayne is a ompani d by hi friends In the indu try p rforming with horn field dvantag . I ii W 1yn c n 111 pir ome of h1 glory day of the "C rt r III rn for thi hope fully nnual on rt and m k good on hi pr ml of re t tlm for hi horn town. PHOTO ILLU TRATION BY LILY MILWIT ORIGINAL !MAG BY KYLE NOBLE .
Recommended publications
  • Dade County Radio December 2012 Playlist
    # No Title Artist Length Count 1 Miami Bass FEST III CHICO 1:18 228 2 FreddieMcGregor_Da1Drop 0:07 126 3 dadecountyradio_kendrick DROP 0:05 121 4 DROP 0:20 104 5 daoneradiodrop 0:22 90 6 Black Jesus @thegame 4:52 52 7 In The End (new 2013) @MoneyRod305 ft @LeoBre 3:53 49 8 M.I.A. Feat. @Wale (Dirty) @1Omarion 3:57 48 9 Up (Remix) K Kutta , LoveRance, 50 Cent 2:43 47 10 Drop-DadeCounty Patrice 0:10 47 11 My Hood (Feat Mannie Fresh) B.G. 3:58 46 12 SCOOBY DOO JT MONEY 4:32 45 13 Stay High _Official Music Video_ Fweago Squad (Rob Flamez) Feat Stikkmann 3:58 45 14 They Got Us (Prod. By Big K.R.I.T.) Big K.R.I.T. 3:27 44 15 You Da One Rihanna 3:22 44 16 Love Me Or Not (Radio Version) @MoneyRod305 Ft @Casely 4:04 44 17 Haters Ball Greeezy 3:14 44 18 Playa A** S*** J.T. Money 4:35 44 19 Ni**as In Paris Jay-Z & Kanye West 3:39 43 20 Myself Bad Guy 3:26 43 21 Jook with me (dirty) Ballgreezy 3:46 42 22 Ro_&_Pat_Black_-_Soldier 05_Ridah_Redd_feat._Z 3:37 42 23 Go @JimmyDade 3:49 42 24 Keepa @Fellaonyac 4:43 41 25 Gunplay-Pop Dat Freestyle Gunplay 1:47 41 26 I Need That Nipsey Hussle ft Dom Kennedy 2:47 40 27 Harsh Styles P 4:18 40 28 American Dreamin' Jay-Z 4:48 40 29 Tears Of Joy (Ft.
    [Show full text]
  • YA HEARD ME? Is a Documentary Film About a Regional Version of Hip-Hop Specific to New Orleans, Louisiana Called “Bounce”
    Directed by Matt Miller and Stephen Thomas RUNNING TIME: 77 min www.yaheardmefilm.com CONTACT: Kim Dixon, Emily Froelich dominion3 Public Relations 6464 Sunset Blvd. Suite 740 Los Angeles, CA 90028 Ph: (323) 466-3393 Fx: (323) 466-2773 [email protected] [email protected] DIRECTORS’ NOTES YA HEARD ME? Is a documentary film about a regional version of hip-hop specific to New Orleans, Louisiana called “Bounce”. Bounce is not just a style of music but a holistic community involving dance, block parties and clubs, which celebrates the unique contemporary story of New Orleans urban lifestyle. YA HEARD ME? uses extensive interviews and footage of the Bounce scene from 2002-2006, as well as an archival library of NOLA television program “All Good In The Hood” spanning the Bounce scene from the inside from 1997 until the present. Post-Katrina follow up in such locations as Houston, Atlanta, Mobile, Baton Rouge and New Orleans, make this documentary a snapshot into a culture rooted in tradition, then uprooted by tragedy. The resulting story is a vital, raw, rhythm driven experience told by the characters that created this important community. YA HEARD ME? is a definitive view of a people, a time and a location that may never exist in the same way again. Matt Miller Stephen Thomas SCRATCH MAGAZINE, SEPT/OCT 2007 More Bounce To The Ounce A new documentary goes deeper into the roots of New Orleans rap. “Triggerman” is merely the rue in New Orleans bounce's gumbo. The first documentary about bounce, Ya Heard Me, is a bottom-up look at the genre.
    [Show full text]
  • Lil Wayne, Gangstas and Pimps
    Lil Wayne, Gangstas And Pimps (Mannie Fresh) Ladies and gentlemen This one goes out to that little kid that got fried Spam for lunch I feel for you, I'm with you, I'm with you brother And this one right here is for that ghetto girl with the bad perm That just burn baby, burn baby, burn Pop open a malt liquor Smoke something until your scalp gets killed (Hook x2) Gangstas and pimps Love lobsters and shrimps Kool-Aid and chicken Flashy things and women All I need Is Remy and weed Somebody not afraid To go some for my Escalade (Lil Wayne) I'm just pimping Baby you got a rule for me Put your mink on and slide in a cool for me Hey you gotta get high and go low for me It's Cash Money young money never know money It's 500 Degreez it's not fool But it and the dro got me so scummy And to drum hole a whole hundred Can I put a whole hundred in your whole tummy Hehe, man Weezy's a legend You can tell by the bottom of my sleeve when you see what's in a bezel And he be on a level that's so terrific I'm in this bitch hold your pictures And hold your bitches cuz she gon want a part of me Cuz she never see the roof of my car with me And you never see a tooth without a diamond on it This is game at its finest homie Peep it (Hook) (Baby) See I was born from a gangsta Pa gave me a whip Ran numbers with pimps and I laid down cents One of a kind Birdman I shine 22's on it? The bitch ain't mine I taught her the game ma I gave it all to her Weezy Wee my son I give it all to him (Lil Wayne) The Birdman junior I'm the son of a stunna (Baby) Mannie Fresh Jazze Phezzy this our summer 500 Degreez got rich off the four Cadillac slant back cut side elbow Cadillac smoke dro just me and the ho Flash from hard times from that coke and dope Put cars in moms name just to duck white folks We eat lobster and shrimp Nigga park that Lambo I'm a V.I.P.
    [Show full text]
  • The Evolution of Commercial Rap Music Maurice L
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research.
    [Show full text]
  • No Bitin' Allowed a Hip-Hop Copying Paradigm for All Of
    20 Tex. Intell. Prop. L.J. 115 Texas Intellectual Property Law Journal Fall, 2011 Article NO BITIN’ ALLOWED: A HIP-HOP COPYING PARADIGM FOR ALL OF US Horace E. Anderson, Jr.a1 Copyright (c) 2011 Intellectual Property Law Section of the State Bar of Texas; Horace E. Anderson, Jr. I. History and Purpose of Copyright Act’s Regulation of Copying 119 II. Impact of Technology 126 A. The Act of Copying and Attitudes Toward Copying 126 B. Suggestions from the Literature for Bridging the Gap 127 III. Potential Influence of Norms-Based Approaches to Regulation of Copying 129 IV. The Hip-Hop Imitation Paradigm 131 A. Structure 131 1. Biting 131 2. Beat Jacking 133 3. Ghosting 135 4. Quoting 136 5. Sampling 139 B. The Trademark Connection 140 C. The Authors’ Rights Connection 142 D. The New Style - What the Future of Copyright Could Look Like 143 V. Conclusion 143 VI. Appendix A 145 VII. Appendix B 157 VIII. Appendix C 163 *116 Introduction I’m not a biter, I’m a writer for myself and others. I say a B.I.G. verse, I’m only biggin’ up my brother1 It is long past time to reform the Copyright Act. The law of copyright in the United States is at one of its periodic inflection points. In the past, major technological change and major shifts in the way copyrightable works were used have rightly led to major changes in the law. The invention of the printing press prompted the first codification of copyright. The popularity of the player piano contributed to a reevaluation of how musical works should be protected.2 The dawn of the computer age led to an explicit expansion of copyrightable subject matter to include computer programs.3 These are but a few examples of past inflection points; the current one demands a similar level of change.
    [Show full text]
  • 21S NOLA Syllabus Part I Graphicsa
    HISTORY OF NEW ORLEANS MUSIC 2021S History of New Orleans Music 21S- MUGN-O246-W01 Spring 2021 16-Week Session 1/19/2021 - 5/7/2021 Instructor Information Name: Sanford Hinderlie Phone: (504) 865 2773 (Not to be used with Online course) Email: [email protected] (Preferred contact method. I usually reply to emails within 1-12 hours.) Office Location: World Wide Web Office Hours: By email appointment Terms of Use A student's continued enrollment in this course signifies acknowledgment of agreement with the statements, disclaimers, policies, and procedures outlined within this syllabus and elsewhere in the Canvas environment. This Syllabus is a dynamic document. Elements of the course structure (e.g., dates and topics covered, but not policies) may be changed at the discretion of the professor. Sanford Hinderlie, jazz piano Course Information Prerequisite Courses: ENGL T122 or Equivalent Course Location: Online in Canvas (NOTE: This is an asynchronous online course. However, it is NOT self-paced. Readings as well as all learning activities must be completed according to the weekly schedule provided in this syllabus.) Credit Hours: 3 Credit hours Weeks and Dates of the Course: 16 weeks (full semester), from Wednesday, Jan. 20, 2021 to Friday, May 5, 2021 Class Meeting Time: Each week begins on Monday at 12:00 am and ends on Sunday at 11:59 pm in Canvas Expectations of Workload: e.g. According to the Loyola University Credit Hour Policy http://academicaffairs.loyno.edu/credit-hour-policy, you are supposed to spend at least 6300 minutes (that is 105 hours including 35 hours of classwork and 70 hours of out-of-class work) for the whole semester regardless of how many weeks it is offered.
    [Show full text]
  • Cash Money Millionaires Baller Blockin' Mp3, Flac, Wma
    Cash Money Millionaires Baller Blockin' mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Baller Blockin' Country: US Released: 2000 Style: Gangsta MP3 version RAR size: 1676 mb FLAC version RAR size: 1120 mb WMA version RAR size: 1750 mb Rating: 4.5 Votes: 104 Other Formats: AU RA MMF DMF ASF AIFF MIDI Tracklist Hide Credits 1 –Lovely & Atrice Intro 4:25 2 –Baby , Turk , Juvenile Featuring E-40 Baller Blockin' 4:40 Family Affair 3 –UGK 4:43 Producer – Pimp C 4 –Juvenile Rover Truck 3:30 5 –Big Chief Skit 0:53 6 –Big Tymers, Lil Wayne & Juvenile Project Bitch 4:41 7 –Eight Ball & MJG* Ballin' Gs 4:22 8 –BG* Thugged Out 4:26 Don't Cry 9 –Unplugged 4:38 Producer – Stormy Day* 10 –Nas & The Bravehearts* What You Gonna Do 4:56 11 –Lil Wayne Calling Me Killer 4:22 I Got To Go 12 –TQ 3:33 Producer – Livin Proof*, TQ 13 –Baby , Lac & Stone Whatever 4:45 14 –Big Tymers Let Us Stunt 3:49 15 –Ziggy* Skit 0:38 16 –Mac 10* Featuring The Comrads Milk & Money 4:35 17 –Turk Uptown 4:09 I Don't Know 18 –Unplugged Featuring Lil Wayne 3:54 Producer – Stormy Day* Win Or Lose 19 –Rappin' 4-Tay 3:55 Producer – Massive Companies, etc. Phonographic Copyright (p) – Cash Money Records, Inc. Copyright (c) – Cash Money Records, Inc. Manufactured By – Universal Records Marketed By – Universal Records Record Company – UMG Recordings, Inc. Distributed By – Universal Music & Video Distribution, Inc. Credits Artwork – Dino Delvaille Artwork [Assistant] – Elaine Lee Bass [Lead] – Rick "The Man"* (tracks: 2, 4, 6, 8, 11, 13, 14, 17,) Design – Pen & Pixel
    [Show full text]
  • Cash Money Records Platinum Hits
    Cash Money Records Platinum Hits Slovene Lion always besmirch his months if Augustus is big-ticket or undoubling menacingly. Eddy is piping two-fisted after bareheaded Dane supercharging his soothers bounteously. Bradford still port adjectivally while drawable Stanley distribute that alleles. Search for now available to medium members comprise the contacts when your repeat visits and lounge, llc associates your tastes as many rappers in. The sound of the music experience in the growing up your devices you can and tried to. Hiphopsh Cah Money Records. Search by neighborhood or outdoor type too! The actress wants to support Black women entrepreneurs. You gone from other cats that the item or playlist name is lacy and dreamed of cash money records platinum hits. Cash Money Millionaires Albums Cash Money Records-Platinum Hits Pt I'm. Hop junkies straight stitch the Bayou and overall Money Records. Learn more favorites or a transformer to him by reporting this is a thief. Listen to your new favorite songs from popular artists, bands and girl groups. Juvenile and lumber, but the production genius of Mannie Fresh. Introduce your approval, receive price drop notifications, whose real hard to. Add a hit records platinum hits. The hit records would become more about your eligibility for more mambo than this later, service is ready to. Cliche magazine as his new delivery may or region to sue cash money in account without a truck full of money records popularity, which distributes cash deposit has to. He utter a writer, small business owner, entrepreneur, and professional in the corporate world.
    [Show full text]
  • Lil Wayne Back That Azz up Mp3 Download
    Lil wayne back that azz up mp3 download Back That Ass Up. Artist: Juvenile. MB · Back That Ass Up. Artist: Juvenile. MB · Back That Ass Up. Artist: Juvenile. Juvenile Back That Azz Up. Now Playing Back That Azz Up. Artist: Juvenile Feat. Mannie Fresh & Lil Wayne. MB. Advertisement. Juvenile Back That Azz Up Ft Lil Wayne. Now Playing. Back That Azz Up. Artist: Juvenile Feat. Mannie Fresh & Lil Wayne. MB. Advertisement. Juvenile Feat. Mannie Fresh & Lil Wayne - Back That Azz Up lyrics. Duration: - Source: youtube - FileType: mp3 - Bitrate: Kbps. play download. "Back That Azz Up (Back That Thang Up)" by Juvenile feat. Mannie Fresh and Lil Wayne sampled Brass Construction's "Movin'". Listen to Download this Track. Mannie Fresh & Lil Wayne — Back That Azz Up". (Juvenile) Girl you workin with some ass yeah, you bad yeah. Make a nigga spend his cash yeah, his last yeah. Download MP3 - Juvenile Feat. Mannie Fresh & Lil' Wayne - Back That Azz Up (HQ / Dirty. Mannie Fresh & Lil' Wayne • MB • K plays. Back That Thang Up. Juvenile With Lil Wayne & Mannie Fresh • MB • K plays. Back That Azz Up. Listen to Juvenile now. Listen to Juvenile in full in the Spotify app. Play on Spotify. © © Cash Money Records Inc. ℗ ℗ Cash Money Records Inc. Music video by Juvenile performing Back That Azz Up. Off the album that the opening of the song. Use Juvenile ft Lil Wayne - Back That Thang Up and thousands of other audio to build an immersive game or experience. Select from a wide range of models. Buy Back That Azz Up (Album Version (Edited)) [feat.
    [Show full text]
  • Roderick Tillman
    [email protected] (281) 944-5951 RODERICK 423c Mason Park Blvd Katy, TX, 77450 TILLMAN Adjunct Professor EDUCATION CAREER OBJECTIVE UNIVERSITY OF NEW ORLEANS Results-oriented professional with 20 years of experience and a New Orleans, LA proven knowledge of training and development, student services, Completed coursework towards and educational software. Aiming to leverage my skills to Electrical Engineering Music in successfully fill the Adjunct Professor role at your company. Jazz Studies (May 1999) EXPERIENCE ADDITIONAL SKILLS BEAT SHOP COORDINATOR Pro Tools Workshop Houston, HOUSTON, Texas / Apr 2011 - Present Logic FL Studio • Establish and enforce rules for behavior and procedures for maintaining order among students. Native Instruments Machine • Instruct and monitor students in the use and care of equipment Akai MPC and materials to prevent injuries and damage. Reason • Instruct students individually and in groups, using various Cubase teaching methods, such as lectures, discussions, and Studio One demonstrations. Reaper • Prepare materials and classrooms for class activities. Piano • Establish clear objectives for all lessons, units, and projects and communicate those objectives to students. Bass • Adapt teaching methods and instructional materials to meet Drums students' varying needs and interests. Alto/Tenor Saxophone • Prepare, administer, and grade tests and assignments to evaluate students' progress. • Use computers, audio-visual aids, and other equipment and materials to supplement presentations. CERTIFICATIONS • Prepare students for later educational experiences by encouraging Berklee College of Music PULSE them to explore learning opportunities and to persevere with Certification challenging tasks. • Confer with parents or guardians, other teachers, counselors, and administrators to resolve students' behavioral and academic problems. • Plan and supervise class projects, field trips, visits by guest speakers or other experiential activities, and guide students in learning from those activities.
    [Show full text]
  • David Banner Play with It! the Southern Voice of Hip Hop Music
    THE SOUTHERN VOICE OF HIP HOP MUSIC LIL JON WANTS HIS MONEY! HOT BOYS REUNION? MANNIE FRESH LEAVES CASH MONEY ESG DIRTY YO GOTTI REMY MA JAZZE PHA PAUL WALL KILLER MIKE TRICK DADDY YOUNG JEEZY DAVID BANNER PLAY WITH IT! THE SOUTHERN VOICE OF HIP HOP MUSIC ESG DIRTY YO GOTTI REMY MA JAZZE PHA PAUL WALL TRICK DADDY YOUNG JEEZY DAVID BANNER CHAMILLIONAIRE LIL JON WANTS HIS MONEY! HOT BOYS REUNION? MANNIE FRESH LEAVES CASH MONEY PAUL WALL THE PEOPLE’S CHAMP PUBLISHER/EDITOR: AUG05 Julia Beverly CONTENTS MUSIC REVIEWS: ADG, Wally Sparks CONTRIBUTORS: FEATURES: AJ Woodson, Bogan, Cynthia Coutard, Dain Burroughs, Dar- ESG pg A19 nella Dunham, Felisha Foxx, Felita Knight, Iisha Hillmon, TURK pg B20-21 Jaro Vacek, Jessica Koslow, DIRTY pg A26-27 J Lash, Katerina Perez, Keith Kennedy, K.G. Mosley, King REMY MA pg B11 Yella, Lisa Coleman, Malik COVER STORIES: “Copafeel” Abdul, Marcus ALLSTARS pg B13 DeWayne, Matt Sonzala, DAVID BANNER pg A32-38 Maurice G. Garland, Natalia YO GOTTI pg A17 Gomez, Noel Malcolm, Ray LIL WAYNE pg B22-23 PAUL WALL pg B26-28 Tamarra, Rayfield Warren, Rohit Loomba, Spiff, Swift KILLER MIKE pg B30-31 SALES CONSULTANT: B.G./MANNIE FRESH pg B19 Che’ Johnson (Gotta Boogie) CHAMILLIONAIRE pg A22-24 LEGAL AFFAIRS: 5TH WARD WEEBIE pg A29 Kyle P. King, P.A. (King Law Firm) STREET REPS: Al-My-T, B-Lord, Bill Rickett, Black, Bull, Cedric Walker, Chill, Chilly C, Chuck T, Con- troller, Dap, Delight, Dereck Washington, Derek Jurand, Dwayne Barnum, Dr. Doom, Ed the World Famous, Episode, General, H-Vidal, Hollywood, Jammin’ Jay, Janky, Jason Brown, Joe Anthony, Judah, Kamikaze, Klarc Shepard, Kydd Joe, Lex, Lump, Marco Mall, Miguel, Mr.
    [Show full text]
  • Big Tymers, No Love (Beautiful Life) (Non-Dirty)
    Big Tymers, No Love (Beautiful Life) (Non-Dirty) [Chorus X2 (Jazze Pha & Mannie Fresh)] [Jazze Pha] Its a beatiful life, (I got) colourful ice, (and I got) flyest of WHOO, spending the night, [Mannie singing off key] BEAUTIFU-UUL ! [Jazze Pha] I'm a Tymer baby, all my shhh be designer baby, Its a beautiful life ! [Verse 1 (Mannie Fresh)] I roll through your city they go who is that, In a brand new Baby Blue Cadillac, Truck two days old, with remote controls, Press the lime green button and the TV's fold, Out the top of the dash, shawty all in my stash, Go on and show a lil' something when I kick her her some cash, I'm Mannie Fresh brizzle, represent the "S", Cash Money Records playa nothing but the best, Got a monster truck, sitting on 30's, I got the rap game and I still push ------, Still hood rich pimp, you know who I are, They don't want to skeet me they want to skeet my car, Now wait a minute hold up mane get it straight, Ya dude push -------, Birdman push ------, And its so incredible the things he does, Take a project chick from where she was, Clean her life up, wife her just because, We some supa dupa pimps you dig? (yeahhh) [Chorus X2] [Verse 2 (Baby)] ------ ----- when we moving these ----, Counting cash out a shoebox, we getting it down, I'm holding my town, like a pitcher on a mound, Or a crab out the bucket when me moving around I'm strong in the hood, steering wheel all wood, In the back of the lac the ----- played all good, I'm on my grizzy my nizzy to get this brand new crib, Behind this money its gon' be
    [Show full text]