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Boston Symphony Orchestra Concert Programs, Season 11, 1891-1892

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TIxb National Conservator]] of music OF AMERICA. 126 and 128 East 17th Street, New York. [Incorporated September 21, 1885.] OFFICERS. Pres., Mrs. JEANNETTE M. THURBER. Treas., RICHARD IRVIN, Jr. Secretary, CHAS. INSLEE PARDEE, A.M. Founded for the benefit of Musical Talent in the United States, and conferring its benefits free upon all applicants sufficiently gifted to warrant the prosecution of a thorough course of studies, and unable to pay for the same, and upon others of the requisite aptitude on the payment of a small fee. FACULTY. Dr. ANTONIN DVORAK Has been engaged as Director, and will enter upon his duties September 23, 1892. Singing. Principal of Vocal Department— Signor Romualdo Sapio. Mrs. Beebe Lawton. Mme. Elena Corani. Mr. Christian Fritsch. Mr. R. Sapio. Preparatory. Miss Katherine W. Evans. Mr. Oscar Saenger. Mr. Wilford Watters. Opera Class — Herr Emil Fischer. Oratorio Class — Mrs. Beebe Lawton. Ensemble and Operatic Chorus — Mr. S. Camille Engel. Piano. Mr. Rafael Joseffy. Miss Adele Margulies. Mrs. Jessie Pinney Baldwin. Miss Elinor Comstock. Mr. Leopold Winkler. Mr. J. G. Huneker. Piano. Preparatory — Miss Mabel Phipps. Miss Carrie Konigsberg. Miss Adelaide Okell. Miss Grace Povey. Organ — Mr. Samuel P. Warren. Harp — Mr. John Cheshire. Mr. Horatio W. Parker. Violin. Mme. Camilla Urso. Mr. Leopold Lichtenberg. Mr. Jan Koert. Mr. Juan Buitrago. Viola — Mr. Jan Koert. Violoncello — Mr. Victor Herbert, Mr. Emile Knell. Contrabass — Mr. Ludwig Manoly. Flute — Mr. Otto Oesterle. Oboe — Mr. Arthur Trepte. Clarionet — Mr. Richard Kohl. Bassoon — Mr. Adolf Sohst. French Horn — Mr. Carl Pieper. Cornet — Mr. Carl Sohst. Harmony, Counterpoint, and Composition. Mr. Bruno Oscar Klein. Mr. F. Q. Dulcken. Solfeggio. Mr. John Zobanaky. Mr. Emile Guyon. Miss Leila La Fetra. Chamber Music — Mr. Leopold Lichtenberg. Orchestra and Chorus — Mr. Frank van der Stucken. History of Music—Mr. Henry T. Finck. Diction — Mr. W. V. Holt. Italian — Signor Pietro Cianelli. Stage Deportment — Monsieur Mamert Bibeyran. Fencing — Monsieur Regis Senac. Accompanist — Sig. Ernesto Belli. Moniteurs — Miss Annie Wilson. Miss Lucille Du Pre. Semi-annual Entrance Examination. The semi-annual entrance examina- tions will take place as follows : — Violin, Violoncello, Contrabass, Harp, and all other Orchestral Instruments — January 4th, from 9 to 12 a.m. and 2 to 5 p.m. Applicants are required to bring their instruments and music with them. Piano and Organ — January 5th, at same hours as Violin. Applicants are required to bring their music. Voice — January 7th and 8th, from 9 to 12 a.m., from 2 to 5 and from 8 to 10 P.M. Applicants are required to bring their music. Orchestra — January 4th, from 4 to 6 p.m. Applicants are required to bring their nstruments. Chorus — January 6th, from 8 to 10 p.m. Operatic Chorus — January 7th, from 8 to 10 p.m. For further particulars, address PARDEE A. M. Secretary. CHAS. INSLEE f MUSIC HALL, BOSTON. BOSTON SYMPHONY ORCHESTRA. ARTHUR NIKiSCH, Conductor. Eleventh Season, 1891-92. PROGRAMME OF THE Ninth Rehearsal and Concert FRIDAY AFTERNOON, DECEMBER 18, AT 2.30. SATURDAY EVENING, DECEMBER !9, AT 8.00. WITH HISTORICAL AND DESCRIPTIVE NOTES PREPARED BY PHILIP HALE. PUBLISHED BY C. A. ELLIS, Manager. (269) ASON & HAMLIN HALL (Season 1891-92.) FOUR MORNING HOURSjEMUSIC Consisting of Music for Liszt Organ, Liszt Organ and Piano, and other Combinations, from eleven until twelve o'clock, as follows : First Recital, December ist, by Mr. FRANK LYNES. Second Recital, December 8th, by Mr. J. ELIOT TROWBRIDGE. Third Recital, December 17th, bv Mr. J. FRANK DONAHOE. Fourth Recital, December 30th, by Mr. HERMAN P. CHELRS. Tickets for the Fourth Recital may be had on application at Mason cS: Hamlin Hall, 154 and 155 Tremont Street. (270) " Ninth Rehearsal and Concert. Friday Afternoon, December 18, at 2.30. Saturday Evening, December 19, at 8.00. PROGRAMME. E HAM. W. A. MOZART, DIED DECEMBER 5, 1791 Mozart Overture, "Magic Flute" Mozart Aria from " Don Giovanni ozart Masonic Funeral Music " Mozart Aria, " Dove Sono," from " Marriage of Figaro Mozart Symphony in E-liat Adagio ; Allegro. Andante. Minuetto. Finale ; Allegro. SOLOIST Mme. FURSCH-MADI The next PUBLIC REHEARSAL will be on THURSDAY afternoon, De- jember 24, at 2.30. The Programme for the next Public Rehearsal and Concert will be found >n page 297. (271) SHORE LINE BOSTON Tfl NEW YORK NEW YORK "W BOSTON Trains leave either city, week-days, as follows, except as noted : DAY EXPRESS at 10.00 a.m. j Arrive at 4.30 p.m. BUFFET DRAWING-ROOM CARS. AFTERNOON SERVICE at 1.00 p.m. Arrive at 7.70 p.m. Dining Car beween Boston and New London. "GILT EDGE" LIMITED at 5.00 p.m. Daily, Sundays included, and arrive 11 p.m. Royal Smoking Car through. DINING* CAR BETWEEN BOSTON AND NEW LONDON. The last trains between the two cities to leave and arrive at termini the same day. MIDNIGHT EXPRESS at 12.00 o'clock. Daily, Sundays included, and arrive at 7.00 a.m. The LAST TRAIN from either City. Wagner Drawing-room Cars on Day Trains. Compartment Sleeping Cars on Night Trainsi Trains leave Boston from Park Square Station; New York, from Grand Central Station. j. R. KENDRICK, Gen'l Manager. GEO. L. CONNOR, Gen'l Pass'r Agent. OLID COLONY ttAJIXJJELCDJLJD. ROYAL BLUE LINE. Finest and Safest Trains in the World BETWEEN New York and Washington! VIA Jersey Central, Philadelphia & Reading, and Baltimore & Ohio Railroads. All trains vestibuled, heated by steam, lighted by the Pintsch Gas System, and pro- tected by Pullman's Anti-telescoping Device. Pullman Day Coaches, Parlor Cars, Sleeping Cars, and Dining Cars. New York to Washington in Five Hours Tickets on Sale at all Railroad Offices. Boston Office, - - 211 Washington Street. (272) Overture, "Majfic Flute." Emanuel Jphann Schikaneder, the author of the libretto of "The Magic Flute," was a wandering theatre director, poet, composer, and play-actor. Restless, a bore, vain, improvident, and yet shrewd, he was not without good qualities that had won him the friendship of Mozart. In 1791 Schikaneder found himself sorely embarrassed. He was at that time the director of the Auf der Wieden, a little theatre, no better than a booth, where comic operas were played and sung; and he no doubt would have made a success of his venture, had he curbed his ambition. Upon the verge of failure, he had one thing to console him, — a fairy drama which he had made out of " Lulu, or the Enchanted Flute," a story by Wieland. He asked Mozart to write the music for it ; and Mozart, pleased with the scenario, ac- cepted, and said, "If I do not bring you out of your trouble, and if the work is not successful, you must not blame me; for I have never written magic music." Schikaneder had followed closely Wieland's text; but he learned that Marinelli,.a rival manager, the director of I the Leopoldstadt Theatre, thought of putting upon the stage a piece > with the same subject. So he hurriedly, and with the assistance of ANNUAL GRAND SALE OF -LADIES' • DRESSES* Commencing MONDAY, DEC. 14th, closing out of this Attractive Assortment of NEWLY IMPORTED MODELS, And all of our own productions, at a very great sacri- fice. Everything marked down without regard to cost. Orders taken for balance of season at greatly reduced prices. 202 B0YLST0N ST. AND PARK SQ (273) [ADlEr^'JAligFO SPECIAL SALE. OUR MODELS of Gowns, Jackets, Coats, and Wraps (plain, braided, and fur trimmed), are now to be sold at HALF OUR REGULAR PRICES, to insure their immediate sale. :::::: 256 BOYLSTON STREET, BOSTON. OYSTERS AND SALADS WEBER'S A SPECIALTY. GENUINE VIENNA ICES. 25 Temple PL and 33 Vest St. JACOB THOMA, VIOLIN MAKER, FROM VIENNA. (Awarded a Prize Medal at the Vienna Exposition.) Old Violins, Violas, 'Cellos, ARTIST ITALIAN STRINGS, SILVER G'S, Artist Bows, Paris Rosin, etc. INSTRUMENTS TAKEN IN EXCHANGE. ARTISTIC REPAIRS A SPECIALTY. BOWS REHAIRED. Music Kail Building, Room 7, - BOSTON. (274) an actor named Gieseke, modified the plot, and substituted for the evil genius of the play the high priest Sarastro, who appears to be the custodian of the secrets and the executor of the wishes of the Masonic order. The story of the opera in its present form is known to all, and it would not call for comment at this late day if certain modern writers had not found a deep and symbolical meaning in the most trivial dialogue and even in the music of the overture. Some have gone so far as to regard the opera as a symbolical representa- tion of the French Revolution. The Queen of Night is to them the incarnation of Royalty. Pamina is Liberty, the daughter of Despot- ism, for whom Tamino, the People, burns with passionate love. Monostatos is Emigration, and Sarastro is the Wisdom of the Legis- lature, while the priests represent the National Assembly. Now, Mozart himself saw nothing in the text but the libretto of a magic opera. Goethe and Hegel were equally blind. The former once wrote of the text that "the author understood perfectly the art of producing great theatrical effects by contrasts," and Hegel praised the libretto highly for its mixture of the supernatural and the com- mon, for its episodes of the initiations and the tests. The Hoosac Tunnel Route. SHORT LINE TO Troy, Albany, Binghamton, Syracuse, Hornellsville, Rochester, Buffalo, Ni- agara Falls, Detroit, Cleveland, Cincinnati, Chicago, St. Louis, and all points "WIEST The three largest Tunnels in the world are : Europe, St. Gothard, 48,885 feet, 9% miles long. Mount Cenis, 39,482 feet, 7% miles long. America, Hoosac, 25,081 feet, 4% miles long. The last named is on the main line of the Fitchburg Railroad, and connects Boston with Saratoga and the West.
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  • European Train Names: a Historic Outline Christian Weyers

    European Train Names: a Historic Outline Christian Weyers

    ONOMÀSTICA BIBLIOTECA TÈCNICA DE POLÍTICA LINGÜÍSTICA European Train Names: a Historic Outline* Christian Weyers DOI: 10.2436/15.8040.01.201 Abstract This paper gives a first overview of the onomastic category of train names, searches to classify the corpus and reviews different stages of their productivity. Apart from geographical names (toponyms, choronyms, compass directions) generally indicating points of origin and destination of the trains in question, a considerable number of personal names have entered this category, of classical literary authors, musicians and scientists, but also of many fictional or non-fictional characters taken from literature or legendary traditions. In some cases also certain symbolic attributes of these persons and finally even heraldic figures have given their names to trains. In terms of their functionality, train names originally were an indicator of exclusiveness and high grade of travel quality, but they developed gradually, as they dispersed over the European continent, into a rather unspecific, generalized appellation, also for regional and local trains. After two periods of prosperity after 1950, the privatisation of railway companies starting in the 1990s had again a very positive effect on the category, as the number of named trains initially reached a new record in this decade. ***** The first train names appeared in England in the 1860s in addition to names for steam locomotives, and on two different levels. The Special Scotch Express between London King’s Cross and Edinburgh (inaugurated in 1862) was called by the public The Flying Scotsman from the 1870s, but it succeeded as the official name not before 1924. Also the names of the German diesel trainsets Der Fliegende Hamburger and Der Fliegende Kölner were colloquial name creations, as were the Train Bleu and the Settebello operated from 1922 and 1953 but officially named in 1947 and 1958, respectively.