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Boston Symphony Orchestra Concert Programs, Season 25,1905-1906, Trip
ACADEMY OF MUSIC, PHILADELPHIA. BostonSympRony Qrctiestia WILHELM GERICKE, Conductor. Twenty-first Season in Philadelphia* PROGRAMME OF THE FIRST CONCERT MONDAY EVENING, NOVEMBER 6, AT 8. J 5 PRECISELY. Hale. With Historical and Descriptive Notes by Philip Published by C. A. ELLIS, Manager. l A PIANO FOR THE MUSICALLY INTELLIGENT classes, artists' pianos If Pianos divide into two and popular pianos. The proportion of the first class to the second class is precisely the proportion of cultivated music lovers to the rest of society. A piano, as much as a music library, is the index of the musical taste of its owner. are among the musically intelligent, the ^f If you PIANO is worth your study. You will appreciate the " theory and practice of its makers : Let us have an artist's piano ; therefore let us employ the sci- ence, secure the skill, use the materials, and de- vote the time necessary to this end. Then let us count the cost and regulate the -price." Tf In this case hearings not seeing, is believing. Let us send you a list of our branch houses and sales agents (located in all important cities), at whose warerooms our pianos may be heard. Boston, Mass., 492 Boylston Street New York, 139 Fifth Avenue Chicago, Wabash Avenue and Jackson Boulevard Boston Symphony Orchestra. PERSONNEL. Twenty-fifth Season, 1905-1906. WILHELM GERICKE, Conductor First Viouns Hess, Willy, Concertmeister. Adamowski, T. Ondricek, K. Mahn, F Back, A. Roth, O. Krafft, W. Eichheim, H. Sokoloff, N. Kuntz, D. Hoffmann, J Fiedler, E. Mullaly, J. Moldauer, A. Strube, G. -
View This Volume's Front and Back Matter
Titles in This Series Volume 8 Kare n Hunger Parshall and David £. Rowe The emergenc e o f th e America n mathematica l researc h community , 1876-1900: J . J. Sylvester, Felix Klein, and E. H. Moore 1994 7 Hen k J. M. Bos Lectures in the history of mathematic s 1993 6 Smilk a Zdravkovska and Peter L. Duren, Editors Golden years of Moscow mathematic s 1993 5 Georg e W. Mackey The scop e an d histor y o f commutativ e an d noncommutativ e harmoni c analysis 1992 4 Charle s W. McArthur Operations analysis in the U.S. Army Eighth Air Force in World War II 1990 3 Pete r L. Duren, editor, et al. A century of mathematics in America, part III 1989 2 Pete r L. Duren, editor, et al. A century of mathematics in America, part II 1989 1 Pete r L. Duren, editor, et al. A century of mathematics in America, part I 1988 This page intentionally left blank https://doi.org/10.1090/hmath/008 History of Mathematics Volume 8 The Emergence o f the American Mathematical Research Community, 1876-1900: J . J. Sylvester, Felix Klein, and E. H. Moor e Karen Hunger Parshall David E. Rowe American Mathematical Societ y London Mathematical Societ y 1991 Mathematics Subject Classification. Primary 01A55 , 01A72, 01A73; Secondary 01A60 , 01A74, 01A80. Photographs o n th e cove r ar e (clockwis e fro m right ) th e Gottinge n Mathematisch e Ges - selschafft, Feli x Klein, J. J. Sylvester, and E. H. Moore. -
Boston Symphony Orchestra Concert Programs, Season 27,1907-1908, Trip
NEW NATIONAL THEATRE, WASHINGTON Twenty-seventh Season, J907-J908 DR. KARL MUCK, Conductor Programme at % FOURTH MATINEE WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE TUESDAY AFTERNOON, FEBRUARY 18 AT 430 PRECISELY PUBLISHED BY C. A. ELLIS, MANAGER : ^^ Piano. Used and indorsed by Reisenauer, Neitzel, Burmeister, Gabrilowitsch, Nordica, Campanari, Bispham, and many other noted artists, will be used by TERESA CARRENO during her tour of the United States this season. The Everett piano has been played recently under the baton of the following famous conductors Theodore Thomas Franz Kneisel Dr. Karl Muck Fritz Scheel Walter Damrosch Frank Damrosch Frederick Stock F. Van Der Stucken Wassily Safonoff Emil Oberhoffer Wilhelm Gericke Emil Paur Felix Weingartner REPRESENTED BY THE JOHN CHURCH COMPANY, New York, Cincinnati, Chicago Boston Symphony Orchestra PERSONNEL TWENTY-SEVENTH SEASON, 1907-1908 Dr. KARL MUCK, Conductor First Violins. Wendling, Carl, Roth, O. Hoffmann, J. Krafft, W. Concert-master. Kuntz, D. Fiedler, E. Theodorowicz, J. Czerwonky, R. Mahn, F. Eichheim, H. Bak, A. Mullaly, J. Strabe, G. Rissland, K. Ribarsch, A. Traupe, W. i second Violins. Barleben, K. Akeroyd, J. Fiedler, B. Berger, H. Fiumara, P. Currier, F. Rennert, B. Eichler, J. Tischer-Zeitz, H Kuntz, A. Swornsbourne, W. Goldstein, S. Kurth, R. Goldstein, H. Violas. Fenr, E. Heindl, H. Zahn, F. Kolster, A. Krauss, H. Scheurer, K. Hoyer, H. Kluge, M. Sauer, G. Gietzen, A. Violoncellos. Warnke, H. Nagel, R. Barth, C. Loeffler, E. Heberlein, H. Keller, J. Kautzenbach, A. Nast, L. Hadley, A. Smalley, R. Basses. Keller, K. Agnesy, K. Seydel, T. Elkind, S. Gerhardt, G. Kunze, M. -
The Hebrews in America
a5 Q^ * -4 oEy 9d 'o V-* o,"?- o ^^ ^ .« 5:) °. <5, ^d .4 °^ '='^^-^^*''-*'^&'r\,^^ %•> " J'/, ^ #'i?"-^*^ '•. ?*" '^ ^ I %^*°° ^ ^ \\^^' :^\MW/A' -.^^^v .^^ .«o. -^ A, \> » ^ * '^^l ^'-:'" *• /.^i:^'^% <?^^J^^'% 0°^;^^.% ^^ - '^o^ ^ SIR ^0 "^ ^!M - '^ ^!fe - .^^ ^O., •'„, X V.^^ . V THE Hebrews in America. A SERIES OF HISTORICAL AND BIOGRAPHICAL SKETCHES. BY ^ ISAAC MARKENS. of* / ( ^ FUBLISHED BY THE AUTHOR, No. 234 Broadway, . NEW YORK. 1888. Copyrighted, 1888, BY ISAAC MARKENS. ^<rO CONTENTS. PAGE. Preface v Historical i In the Army and Navy 126 In Commercial Life 139 In Public Office . 174 Biographical . 196 In the Pulpit 275 Institutions and Associations .... 309 Addenda ' 335 Index , , . 347 PREFACE. THE design of this volume is to show the degree of prominence and influence attained by the Hebrews of the United States. The preparation of the work was undertaken at the suggestion of the numerous readers of a less elaborate series of sketches upon the same subject which appeared in the " New York Mail and Express " about one year since. In the course of his earlier researches the author brought to light a vast amount of interesting material regard- ing the Hebrews in this country, the publication of which, in the secular press was, for obvious reasons, found impractic- able. The material then secured, which has been supple- mented by further investigation, constitutes the present volume. In preparing this work the author has con- sulted various State and Municipal histories and the collections of various Historical Societies, including " Colonial History of New York," " Westcott's Philadelphia." " Historical Collections of Rhode Island," " Daly's Jewish Settlements in North America," " Steven's History of Georgia," "Historical Collections of Georgia," ""Arnold's VI PREFACE. -
Boston Symphony Orchestra Concert Programs, Season 25,1905-1906, Trip
INFANTRY HALL, PROVIDENCE. BostonSympIiQnu Dictiestra WILHELM GERICKE, Conductor. Twenty-fifth Season, 1905-1906. PROGRAMME OF THE FIRST CONCERT THURSDAY EVENING, NOVEMBER 2, AT 8.15. Hale. With Historical and Descriptive Notes by Philip Published by C. A. ELLIS, Manager, l A PIANO FOR THE MUSICALLY INTELLIGENT artists' pianos f| Pianos divide into two classes, and popular pianos. The proportion of the first class to the second class is precisely the proportion of cultivated music lovers to the rest of society. A piano, as much as a music library, is the index of the musical taste of its owner. are among the musically intelligent, the ^f If you PIANO is worth your study. You will appreciate the " theory and practice of its makers : Let us have an artist's piano ; therefore let us employ the sci- ence, secure the skill, use the materials, and de- vote the time necessary to this end. Then let us count the cost and regulate the -price" \ In this case hearing, not seeing, is believing. Let us send you a list of our branch houses and sales agents (located in all important cities), at whose warerooms our pianos may be heard. fllnsmt&ijermlh Boston, Mass., 492 Boylston Street New York, 139 Fifth Avenue Chicago, Wabash Avenue and Jackson Boulevard . Boston Symphony Orchestra. PERSONNEL. Twenty=fifth Season, 1905-1906. WILHELM GERICKE, Conductor First Violins. Hess, Willy, Concertmeister. Adamowski, T. Ondricek, K. Mahn, F Back, A. Roth, O. Krafft, W. Eichheim, H. Sokoloff, N. Kuntz, D. Hoffmann, J. Fiedler, E. Mullaly, J. Moldauer, A. Strube, G. Rissland, K. -
Boston Symphony Orchestra Concert Programs, Season 25,1905-1906, Trip
BAPTIST TEMPLE, BROOKLYN. BostonSumpIioiiy OicIiBstra WILHELM GERICKE, Conductor. Twenty-fifth Season, J905-W06. PROGRAMME OF THE SECOND CONCERT FRIDAY EVENING, DECEMBER 8, AT 8. J 5 PRECISELY. With Historical and Descriptive Notes by Philip Hale* Published by C. A. ELLIS, Manager* l HAROLD BAUER Now playing in America in all prominent cities, in recital and with important musical organizations, writes as follows of the ifeim&lfamlm PIANO Messrs. Mason & Hamlin, Boston. Gentlemen : In a former letter to you I expressed my delight and satisfaction with your magnifi- cent pianofortes, and I have once more to thank you and to admire your untiring efforts to attain an artistic ideal. Your latest model, equipped with the centripetal tension bars, has developed and intensified the qualities of its precursors and has surpassed my highest expectations. As you know, I have used these instruments under many different conditions, in recital, with orchestra, in small and in large halls, and their adaptability to all require- ments has equally astonished and delighted me. The tone is, as always, one of never- failing beauty, the action is wonderful in its delicacy and responsiveness, and I consider that, as an instrument for bringing into prominence the individual qualities of tone and touch of the player, the Mason & Hamlin piano stands absolutely pre-eminent. The vertical grand (style O) is the only instrument of its kind, as far as I am aware, capable of giving complete satisfaction to any one accustomed to play upon a grand, and I have no hesitation in saying that it is without exception the finest upright piano I have ever met with. -
Boston Symphony Orchestra Concert Programs, Season 11, 1891-1892
TIxb National Conservator]] of music OF AMERICA. 126 and 128 East 17th Street, New York. [Incorporated September 21, 1885.] OFFICERS. Pres., Mrs. JEANNETTE M. THURBER. Treas., RICHARD IRVIN, Jr. Secretary, CHAS. INSLEE PARDEE, A.M. Founded for the benefit of Musical Talent in the United States, and conferring its benefits free upon all applicants sufficiently gifted to warrant the prosecution of a thorough course of studies, and unable to pay for the same, and upon others of the requisite aptitude on the payment of a small fee. FACULTY. Dr. ANTONIN DVORAK Has been engaged as Director, and will enter upon his duties September 23, 1892. Singing. Principal of Vocal Department— Signor Romualdo Sapio. Mrs. Beebe Lawton. Mme. Elena Corani. Mr. Christian Fritsch. Mr. R. Sapio. Preparatory. Miss Katherine W. Evans. Mr. Oscar Saenger. Mr. Wilford Watters. Opera Class — Herr Emil Fischer. Oratorio Class — Mrs. Beebe Lawton. Ensemble and Operatic Chorus — Mr. S. Camille Engel. Piano. Mr. Rafael Joseffy. Miss Adele Margulies. Mrs. Jessie Pinney Baldwin. Miss Elinor Comstock. Mr. Leopold Winkler. Mr. J. G. Huneker. Piano. Preparatory — Miss Mabel Phipps. Miss Carrie Konigsberg. Miss Adelaide Okell. Miss Grace Povey. Organ — Mr. Samuel P. Warren. Harp — Mr. John Cheshire. Mr. Horatio W. Parker. Violin. Mme. Camilla Urso. Mr. Leopold Lichtenberg. Mr. Jan Koert. Mr. Juan Buitrago. Viola — Mr. Jan Koert. Violoncello — Mr. Victor Herbert, Mr. Emile Knell. Contrabass — Mr. Ludwig Manoly. Flute — Mr. Otto Oesterle. Oboe — Mr. Arthur Trepte. Clarionet — Mr. Richard Kohl. Bassoon — Mr. Adolf Sohst. French Horn — Mr. Carl Pieper. Cornet — Mr. Carl Sohst. Harmony, Counterpoint, and Composition. Mr. -
Proquest Document 5/5 Eva Lundell
The Ensemble Étude for Violins: An Examination with an Annotated Survey of Violin Trios and Quartets and an Original Étude for Four Violins by Eva Lundell A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved April 2011 by the Graduate Supervisory Committee: Jonathan Swartz, Chair Jody Rockmaker Nancy Buck Frank Koonce Kay Norton ARIZONA STATE UNIVERSITY May 2011 ABSTRACT Études written for violin ensemble, which include violin duets, trios, and quartets, are less numerous than solo études. These works rarely go by the title “étude,” and have not been the focus of much scholarly research. Ensemble études have much to offer students, teachers and composers, however, because they add an extra dimension to the learning, teaching, and composing processes. This document establishes the value of ensemble études in pedagogy and explores applications of the repertoire currently available. Rather than focus on violin duets, the most common form of ensemble étude, it mainly considers works for three and four violins without accompaniment. Concentrating on the pedagogical possibilities of studying études in a group, this document introduces creative ways that works for violin ensemble can be used as both études and performance pieces. The first two chapters explore the history and philosophy of the violin étude and multiple-violin works, the practice of arranging of solo études for multiple instruments, and the benefits of group learning and cooperative learning that distinguish ensemble étude study from solo étude study. The third chapter is an annotated survey of works for three and four violins without accompaniment, and serves as a pedagogical guide to some of the available repertoire. -
MUSICAL CHAT GRAND Testimonial Concert to Mr
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org June 20th, 1881. THE MUSICAL CRITIC AND TRADE REVIEW. 149 MB. ERNEST EBERHAHD'S CONCERT. MUSICAL CHAT GRAND testimonial concert to Mr. Ernest Eberhard, director of the A Grand Conservatory of Music of 21 East 14th street, New York city, ABROAD. by his friends and pupils was given on Thursday evening, June 9th. The Under the title of "Phases of Musical England" will shortly be pub- night was a very inclement one and the audience was diminished in numbers lished a new work by Mr. Frederick J. Crowest, author of '' The Great Tone on that account. The programme which was very creditably performed Poets," In his new book Mr. Crowest will deal with some of the imperfec- contained the following numbers: ions of English musical art, under such heads as "Church Music." " Women 1. Variations for 2 Pianos, (Saint-Saens), Messrs. O. Hackh and H. and Music," "Singing and Singers," "Amateurs and Professionals," Schreyer. 2. Album Blatt, (Wagner-Wilhelmj), Mr. Leopold Lichtenberg. "Criticism," "Editing," "Commercialisms," "Street Music," &c. 3. "Let me Dream Again," (Sullivan), Miss Marian Lambert. 4. Con- certstiick, (Weber), Larghetto Affetuoso, (Departure); Allegro Passionata, L'Abbe Franz Liszt has been elected corresponding member of the Aca- (In the Battlefield); Marcia, (Entree); Presto Assai, (Wedding). (The demie des Beaux-Arts in the section of music in the place of the late M. Orchestra part on a 2d piano, by Miss Pieczonka, just from London), Herr Gsflspari. His two competitors were Johannes Brahms, of Vienna, and Albert Pieczonka. -
Two New Books On
In the World oÍMusic and Art THREE SINGERS WHO WILL ._J_i_- -' New Books on the APPEAR ROLES i ¦ i » Ii>Tl£ADÍÑg to [Two _r. y Polacco Head Random Art Notes Origin of Music Opera Company Spanish In San Francisco At Home and Abroad Felipe Pedrell and Eduardo M. Torner Contribute Another American opera company is of Valuable Information About Songs in prospect, to be located in San Fran¬ Goya's Painting Wellington, Long Supposed to of Their Native Land cisco, with the conductor, Giorgio Po¬ Have Been Is Believed To lacco, as the directing head. Mr-.Po- Lost, lucco, who has been spending the sum¬ Be in Italy ( By Katharine Wright Musical Catalana. His present book is mer in Chicago, recently returned in two volumes. A from a Those Interested in Spanish music third is to come. trip to the Golden Gate city, until it His "Cancionero" where he had been ROa&E (by mail). other, came into the possession wil! learn with pleasure of two new contains'classified invited to confer The of those who it to examples of all on the a great portrait of the Duke of brought Italy. traditional of with kj on »he foundations of this art in types subject group of the The reason it Spanish melody. He various leading financiers and Wellington painted by Goya, the Spanish remained in obscurity Musical Popular gives musical ama- was because, after Spain-"Cancionero Pedrell, and "Can¬ theories concerning the origin of the I teurs of the West. painter, which was supposed to have Goya's departure Español," by Felipe been the is in a for Bordeaux, about 1824. -
The Everlasting Folia
The Everlasting Folia: A Violinist’s Guide to Folias through Context, Catalog, Analysis, and Practice Emily M Acri A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2020 Reading Committee: Ronald Patterson, Chair David Rahbee Melia Watras Program Authorized to Offer Degree: Music ©Copyright 2020 Emily M Acri University of Washington Abstract The Everlasting Folia: A Violinist’s Guide to Folias through Context, Catalog, Analysis, and Practice Emily M Acri Chair of the Supervisory Committee: Ronald Patterson School of Music Arcangelo Corelli’s Follia was the last of his 12 Violin Sonatas Op. 5, published in 1700. The work is a theme and variations based on the later folia, a musical form from the late 17th century. Corelli’s Follia was highly regarded in the violin repertoire and created a standard for those to follow. Many composers sought to compose their own folia, many in direct relation to Corelli’s masterwork. There are documents citing the array of folia-related works, but there is not a source specifically focusing on the “Violin Folia Family”. As the title suggests, this document is organized in four major sections: Contextualizing Relevant Performer-Composers, Violin- Centric Folia Catalog, Comparing the Folias, and Practice Guide. This multifaceted document serves as a resource for teachers, students and performers on their quest to learn about this everlasting, ever-changing body of work for the violin. Acknowledgements Much of this dissertation was written during the uncertain times of COVID-19. I am grateful for Guemes Island, Washington for being a beautiful source of peace to live in during this time. -
Boston Symphony Orchestra Concert Programs, Season 11, 1891-1892
Tfie National Conservator!] of music OF AMERICA. 126 and 128 East 17th Street, New York. [Incorporated September 21, 18S5.] OFFICERS. Pres., Mrs. JEANNETTE M. THURBER. Treas., RICHARD IRVIN, Jr. Secretary, CHAS. INSLEE PARDEE, A.M. Founded for the benefit of Musical Talent in the United States, and conferring its benefits free upon all applicants sufficiently gifted to warrant the prosecution of a thorough course of studies, and unable to pay for the same, and upon otheis of the requisite aptitude on the payment of a small fee. FACULTY. Dr. ANTONIN DVORAK Has been engaged as Director, and will enter upon his duties September 23, 1892. Singing. Principal of Vocal Department— Signor Romualdo Sapio. Mrs. Beebe Lawton. Mme. Elena Corani. Mr. Christian Frksch. Mr. R. Sapio. Preparatory. Miss Katherine W. Evans. Mr. Oscar Saenger. Mr. Wilford Watters. Opera Class — Herr Emil Fischer. Oratorio Class — Mrs. Beebe Lawton. Ensemble and Operatic Chorus — Mr. S. Camille Engel. Piano. Mr. Rafael Joseffy. Miss Adeie Margulies. Mrs. Jessie Pinney Baldwin. Miss Elinor Comstock. Mr. Leopold Winkler. Mr. J. G. Huneker. Piano. Preparatory — Miss Mabel Phipps. Miss Carrie Konigsberg. Miss Adelaide Okell. Miss Grace Povey. Organ — Mr. Samuel P. Warren. Harp — Mr. John Cheshire. Mr. Horatio W. Parker. Violin. Mme. Camilla Urso. Mr. Leopold Lichtenberg. Mr. Jan Koert. Mr. Juan Buitrago. Viola — Mr. Jan Koert. Violoncello — Mr. Victor Herbert, Mr. Emile Knell. Contrabass — Mr. Ludwig IVianoly. Flute — Mr. Otto Oesterle. Oboe — Mr. Arthur Trepte. Clarionet — Mr. Richard Kohl. Bassoon — Mr. Adolf Sohst. French Horn — Mr. Carl Pieper. Cornet — Mr. Carl Sohst. Harmony, Counterpoint, and Composition. Mr.