In the World oÍMusic and Art THREE SINGERS WHO WILL ._J_i_- -' New Books on the APPEAR ROLES i ¦ i » Ii>Tl£ADÍÑg to [Two _r. y Polacco Head Random Art Notes Origin of Music Opera Company Spanish In San Francisco At Home and Abroad Felipe Pedrell and Eduardo M. Torner Contribute Another American opera company is of Valuable Information About Songs in prospect, to be located in San Fran¬ Goya's Painting Wellington, Long Supposed to of Their Native Land cisco, with the conductor, Giorgio Po¬ Have Been Is Believed To lacco, as the directing head. Mr-.Po- Lost, lucco, who has been spending the sum¬ Be in Italy ( By Katharine Wright Musical Catalana. His present book is mer in Chicago, recently returned in two volumes. A from a Those Interested in Spanish music third is to come. trip to the Golden Gate city, until it His "Cancionero" where he had been ROa&E (by mail). other, came into the possession wil! learn with pleasure of two new contains'classified invited to confer The of those who it to examples of all on the a great portrait of the Duke of brought Italy. . traditional of with kj on »he foundations of this art in types subject group of the The reason it Spanish melody. He various leading financiers and Wellington painted by Goya, the Spanish remained in obscurity Musical Popular gives musical ama- was because, after Spain-"Cancionero Pedrell, and "Can¬ theories concerning the origin of the I teurs of the West. painter, which was supposed to have Goya's departure Español," by Felipe been the is in a for Bordeaux, about 1824. bis furm- Poular "Cante Flamenco," the name a He reports over destroyed by artist, cionero «'.sica! de la Linca given great enthusiasm stndio somewhere ture was sold. The second-haad dealer Eduardo M. Torner. form of Andalusian melody with free the project. The plans the in Italy. Its where¬ Asturiano," by contemplate abouts are known to The who bought the unfinished portrait e*i- in as a lead¬ rhythms and occasional intervals of construction of a modern eight persons. Pedrell is known Europe \ opera house, *on!y sketches of the Duke of dently did not think that the English He is the com- less than a semi-tone. According to fully equipped with all the latest im- Welling¬ ing musical authority. ton by are in the British caa&g of countenance was the sort of "Loe Pirineos," and one suggestion cantes Flamencos came | provements in the way of Goya Museum -fljer of an opera, efficiency and a private art collection. this picture to sell well, so he painted ia a literary activities have been into Spain with the Flemings who came on the stage and comfort and beauty JHow i| »raong his picture remained hidden for over Spanish style of whiskers. This paint¬ to the Rivista from Flanders in the time of theEm- m the auditorium, likewise the organi¬ a important contributions hundred years is one of those ing changed hands often and was final¬ peror Charles V. Another theory cred- zo tion of a company and an orchestra stories which are worth ly bought by an English consul in a choristers its the tunes of cante Famanco with of the first rank. telling. small "ÉxpÍrÜnced to Spanish town, a man, evidently, being Arab melodies from Africa trans- The promoters of the are Goya, or, give him his proper .-4 tnr the r.exr choir of polo voices at enterprise who appreciated art and knew that un¬ Presbyterian Church. Fifth Ave- formed by Flemish gypsies. engaged in a drive to raise the final title, Francisco José Goya y Lucientes, 1ffftrrt (.Sopranos, altos, derneath there might be a i He*nth Street. WITH THE GALLO OPERA half million of a was born in in at Fuen- wonderful^ ""Si, baf-e*l Works of tho oM masters Pedrcll's examples of Catalan melo- COMPANY NEXT WEEK fund of $2,500,000, Spain, 1746, He never sold but Ora-.orlos «ill be rendered. four-fifths thereof a small painting. it, told '¿Standard dies bear a certain resemblance to being already raised. detodos, town in the Province his file to read at sight. Write for scene. The composer ha3 not striven This amount is intended to cover the sisters, "If ever I die and you are b^abla WILUAM C. CARL. of opportunity which they believed it cost of Aragona, near the town of Sara- Provençal types, while the Castilian for spectacular effects of San Carlo to was of constructing the and hard up, remember that the painting is 5SSÄÄ.DR-i w-t nth St. rhythm and Forces when they started for it, and that the building gossa. He studied under the then well tunes appear to be more strikingly but has utilized it is glad to have them come here. He ai-^emblinc equipment. As soon as worth a great deal of money." color, folksongs with I the complete sum has been known painter, José who MUSICAL INSTRUCTION Spanish in character. These are sup- His Give has had other concerts given for their other acquired Martine«, These two telling simplicity. "Sevilliana" is Seven details will be of found his a English íbdjes earn« to posed to have originated in songs of Operas entertainment, and in other ways is which not the announced, pupil v.ery lively youth and particularly effective. In fact, his en¬ all to their least is the appointment one Italy, accompanied by the portrait, and COLLEGE the Visigoths blended with Moorish tire doing possible make fir3t of Mr. Polacco to the head of who always insisted on painting, NEVM^RrT contribution to the play is worth In Week impressions of America pleasant. the com¬ not as they had a small income, they man¬ melodies. It is upon the music of Opening The pany. according to rule, but according to OF MUSIC hearing. Perhaps he will be heard program will contain music that For the aged to get on without parting with NEW ADDRESS Southern which in¬ Seven as will recall their native lands to some twenty-eight years Mr. Polacco mood he was in. NOTE Spain, however, from later on a larger scale. performances of many dif¬ [ has enjoyed the enviable reputation of the painting. The war came, and they cludes ferent are of the immigrants, and will contain Martinez had in EAST 85 ST. the songs and dances Of Anda¬ operas scheduled for the other music being one of the world's leading oper- studied Naples and found that a great deal of their in¬ 114-116 representative of the land atic and was a NEW BUILDING. lusia, that most of the njusic opening week of the San Carlo Grand to new symphonic conductors. He is very careful and exact come was OIR earnest instantly which is be their home. Mr. known in painter, swallowed up. They decided A High School of Music fur recognized as is and Issues Opera Company's season beginning Mme. Ñamara and Mr, Mac¬ favorably the United States ¿.dents: all branches -taught by Spanish founded, Bodanzky Monday Bodanzky, for his performances with the Metro- Instructors from beginning in this music a of night, September 20, at the millen will give their services free for "minent Instruction strong tinge Ori¬ Manhattan Opera House. politan and Chicago opera tottliMt |.erf=Goyescas," by the Tuesday afternoon, 19. America last winter from Russia in augurated by Mrs. F. S. Coolidge to conduct works by their members in The only School of Music Irr the U. S. Ossip Gabrilowitsch, pianist and con¬ time stimulate the creation of chamber mu¬ Paris. His wife is the charter"! by Congress. unfortunate Enrique Granados, who ductor of the DeUoit to appear in one performance with American lyric Symphony Or¬ the organization at the sic works. It offers a prize of $1,000 to soprano, Edith Mason, who after hav- JEANNETTE M. THURHER. Founder. superintended its production at the chestra, wirl be Ahe soloist at the first Chicago Lexing¬ the of the best trio for ing sung- last winter in Adele Ro¬ of ton; Bettina Freeman, last heurd in composer piano, the Opéra and Artistic Faculty: Marguliea, House. Then there pair concerts, and Francis Macmil- New violin and cello, submitted to a the Opéra Comique in Paris and mualdo Saplo, Leopold Lichtenberg, Metropolitan Opera len, will be the York with the Century Opera in jury Monte Cario also at Henry T. Finck. and others. was the of Isabel violinist, soloist at the dramatic soprano names of whose members will be an- was reengaged all dancing Rodriguez. second pair. rôles; Marie Rappold, nounced later. three houses for the by Thlrtv-slxth Tear Opens October 4th. But the most vivid manifestation from The for the dramatic soprano, of the Metropolitan; coming season. Enroll Sept. :7th to Oct. 2d. Inc. program opening con¬ Anna Fitziu, whose New York The prize winning composition will came a later. This was a certs consists of Weber's overture to appear¬ its first Addr«*s Sec. 126 W. 79th St., N. T. City Spain year "Der ances have been made with both the have performance by' the El- appear in a series of joint recitals at musical revue, "The Land of Joy," at Freischütz," Brahms concerto Metropolitan and shuco Trio at the Berkshire Festival the Greenwich No. 2 in B flat major for piano with Mr. Chicago forces; No- of Chamber Village Theater cora- tho Park Theater. Few who ex¬ buko Hara, a Japanese soprano from Music, 1921, to be held mencing Sunday evening, October 27. Gabrilowitsch, and Richard Strauss's the imperial Theater in who will at Pittslield, Mass. The special condi- CENTERS perienced the intoxication of this en¬ "Death and The sec¬ Tokio, PREPARATORY Transfiguration." make her American début, and tions governing this contest are as Mildred Wellerson, a will Tour chili's Musical Education directed and will its or ond program consists of Schubert's Eugenio cellist, ap¬ supervised by tertainment forget spell, the Cibelli, an American-Italian tenor re¬ follows: pear in a concert at Hall "Unfinished" symphony, Carl Gold- The contest will be open from now November 6. Carnegie witchery of the gypsy, Doloretes, who mark's concerto in A minor for cently returned from opera houses of ¡ MR. FRANK DAMROSCH has the of all violin, Italy to make his first appearance in until August 1, 1921. All manuscripts Institute of M-usical Art. since.alas! gone way Mr. Macmillen playing the solo a.s Dirtctor, and part, this country. arriving later will be returned in¬ Walter Damrosch has secured for Center.* nave been established In districts flesh. Charpentier's suite, "Impressions The first opera will be eligible, as will also those not com- first performance in New .f Manhattan end the Bronx, Brooklyn an.1 of Italy." "Carmen," with the conditions York Leo itctloos oí Long Island fèr children 7 to 12 Will the wave of interest in Spanish Mr. with Miss Gentle in the title part. On plying stipulated Sowcrby's new concerto in F major yeara Piano, Violin and Elements of Mu- Bodanzky will begin the first Mme. in this announcement. for with cos¬ concert with a Tuesday night Lipkowska will piano orchestra. It will be ilc. For circular onply to .Secretar/, music, Spanish books, Spanish work which had its first appear as Gilda in Only compositions which are not pub¬ given by the New York 1» CLAREMONT AVE.. NEW YORK CITY one "Riçcoletto." "Tosca" Symphony ür- tumes which swept Paris last year and public performance hundred years will be lished, and have not been performed chestra early in the season earlier to the the overture to "Der given Wednesday nipht, with with E. was mildly reflected here in a belated day, Miss Freeman, Messrs. Cibelli, Valle in public, either in part or their en¬ Robert Schmitz as the soloist. "kfallibSe Meihod of Memorizing" Freischütz." On October 8, 1820, it and de tirety, will be No composi¬ The concerto is T. ANTOINETTE enthusiasm for the of Blasco was first Biasi. Mnrie Rappold will sing accopteii. in three parts: The writings publicly performed at Copen¬ the title rôle of "Aida" tion which has already won a prize f.rst is a movement in Ibáñez make itself in the under the direction of the com¬ Thursday nifcht, fast marching PIANO HT A Tl I\ HARMONY felt coming hagen, with Stell.» «le Mette, will bo accepted. Transcriptions or time; the second is a musical season? poser. Weber was touring Denmark and mezzo-soprano, will not be fantasy, marked C0*C£MJ(Í!AT¡0N ff íliVi/ «eMORY Manuel Salazar, tenor. ¡ adaptations eligible. by the composer to be played whimsi- DEVELOPED WARD' TRAINED at the time. The closing number of the Anna Fitziu will The winner of the is to grant and in Meanwhile at the Maxine Elliott program, "Death and sing Elsa in "Lohen¬ prize cally meditative mood; the last MIND Transfiguration," grin" for tho first time in New York to Mrs. Coolidge the sole control of movement is a martial one. is*i»EAL TRAINING "Ä"; no in is now thirtv-one years POlftiAKO CONTROL IN PUBLIC PLAYINO. Theater small feature tho suc¬ old, having Friday night. "Madame Butterfly" will the rights of performance, eithm- in Leo Sowerby is an Til (UK .. been American, born . , ., 939 8th Av. cess of Love" is due to the written "in 1888-'89. It was the be the matinee bill with public or private, of the prize winning bhunVan Oyck Studios AtM&st "Spanish third of a series of tone the Saturday No- twenty-five years ago in Grand Rapids. incidental music H. Maurice poems, buko liara heading the cast. composition during a period of four He has accomplished all his musical by other being "Macbeth" (1886-'87) and -a months from ¡he date of the award of' Before the curtain is lifted "Don Juan" studies in the United States. Two PIANO Jacquet. (1887-'88). Prize Contest the prize, and transfer to her from years ago Mr. Damrosch in on Schubert's "Unfinished" Flagler that the of the presented this romance ef love and hate, at¬ symphony date ownership origi- New York for the first time his over¬ IR01LCONSERVATORY was begun in his twenty-fifth year. He Closes September 30 nal manuscript thereof. This stipula-I ture, "Comes MRS. A. M. VIRGIL. DIRECTOS. mosphere is created by music from be¬ 30 Autumn Time." Mr. lived six years longer, but wrote only September is the final date on tion refers in no way to the copyright, was NOW LOCATED AT hind the scenes. Airs from the Prov¬ which American Sowerby then serving with the the allegro, the andante and nine meas- composers may enter but to the manuscript as a souvenir. 332d Field Artillery. 120 WEST 72nd ST., N. Y. ince of. Murcia reveal all the ures of the scherzo. their compositions in the contest for All (piajio score and capri- the offered bv manuscripts Sketches for the piano concerto were ciousness and contradictions of the prizes Harry Harkness separate parts for violin and cello) begun by Sowerby in and VIRTUOSO in Flagler. The first prize of $1,000 and must be sent and marked the 1916; when Spanish temperament, its intensity and Opera Brooklyn second of anonymously, first draft of the composition was .VIOLIN prize $500 have already at-; with a nom de plume or chiffre. A performed in the indifference, hauteur and melancholy. The second performance of the près- tracted a number of aspirants. George sealed envelope with the nomde plume« Chicago following ¡lOFFRIOâiISCHOOL ent season of grand opera by the Ital- W. John year it contained a part for soprano In certain Chadwick, Alden or chiffre on the and contain- BPONCNT JOACHIM FAMOUS SYSTEM respects the music awakens at Carpenter. outside, voice. The present version, which i'an Lyric Federation the Brooklyn Franz Kneisel and Leopold Stokowski ing name and address of the composer, elim¬ __¦_. 1013 CARNEGIE HALL memories of Raoul Lanarra's extraor¬ of even- inates the vocal part, besides introduc¬ TUE*. 4 FRI., 9.30.130 TEL. CIRCLE IS50. Academy Music, following last will serve with Walter Damrosch as must be enclosed. Any distinguishing] dinary opera "La Hubañera," which was ing's performance of "Aida," will be ing other radical changes, was scored Reproduction of the of the Duke of judges. marks of identity will be concealed in the summer of 1913 and first Goya Painting Wellington sung in Boston under the régime of given on Saturday evening, September According to the conditions govern- from the jury. The composer of the played ^S^SlTosner 18, at 8 o'clock. The opera will be the by the Chicago Orchestra last March. Tearher of th* Violin Henry Russell. In the first act there ing contest the composition to be work ranking highest after the prize true to life. Goya, although he ad¬ to part with the bot were de¬ "Fedora," by Giordano. Among those submitted must be of will be awarded painting:, ¦FKXAL COCRHE3 FOR TEACHBR» is an Ave in the second be¬ symphonic struc- winning composition Walter mired the master's work, never would termined their trust an Maria, who will take part is Barbara El- ture, in one movement honorable mention if he so desires. Damrosch, conductor of the to put in hon¬ COMPOSITION a (overture, prel¬ New York work rule rote often trothal dances, vaguely reminiscent of dredge, soprano who has sung sue- | ude, or symphonic and must The name of no other contestant than Symphony Orchestra, sailed by and and was est artist. They sought counsel of a RTDIO: 153 WEST END ATE. in and poem), from Europe for home yesterday on "The Land of Joy," while in the last cessfully Switzerland, Germany not occupy more than eighteen minutes the prize winner will be revealed by After given to impetuous moods which al¬ British official, who gave the name of France. The other artists have not yet in The at tthe Lafayette. the tour of Europe FIA NIST a tragic srtain accompanies the death been performance. work must never the secretary any time, except by of the New York Orchestra ways led him into trouble. an artist on whom they could rely. announced. Fulgehzio will direct. have been published or in the consent of the composer. Symphony jo$ef ACCOMPANIST performed the conductor spent his vacation on the This explanation is in Now, tho artist, too, had suffered by ADLER INSTRUCTION public, and the composer must be a All music will be returned, and no beach at France. necessary citizen of the United is taken for Etretat, order to tell the of the thé war, but, as artists all over the Smimr. 137 Weit 88th St. Tel. Schuyler l«5009. States. responsibility manuscripts -» story paint¬ KmlMii: «il W. 158 St. Tel. AudotMit MOO. A full orchestral score must be sent lost in transit. ing of the duke's world do, out of pity for these to the The must be sent to portrait, which, Symphony Society of New York, compositions London as historians nave was English women he told them that he 33 West Forty-second Street, New York Hugo Kortschak, secretary, Berkshire Group Exhibits recounted, City, before October 1, 1920, and should Music Colony, South Mountain, Pitts- In never finished, owing to Goya's tem¬ would advance some money. They aaid "g°COfiSWELL bear on Mass. ! He so that they could not get on with less sî&fï,, plainly marked its title a field, Manchester, perament. caused much dis¬ TtXXTBJJt Af-TTVITT OF THE MUSICAL BODT DHILHARMONIf page England B «. Geerte »n, Stamiert. Cann., until Sept. I. i motto, but not the name of the com- The turbance in his native town during the than 5,000 francs. The artist hadn't ^ A sealed second exhibition in Manches¬ poser. envelope containing time of the that amount, but they him to - CONCERTS rival besought Yt IMlV »»EZ20 CONTRALTO the name and address of the ter, England, the London was processions, by pro¬ r«iOA. 1SÎ0.SEVENTY-NINTH SEASON.19J1 composer Music Notes by group that all do his best. He had some who KLIWKl ,^S£.WS8rw and bearing on the outside the same on view during the latter part of Au¬ cessions, agreed that it would friends, motto as is placed on .the title be a jolly good if the authori¬ lent him the money, and he gave it to JOSEF STRANSKY.Conductor page At the of season con- gust. The Manchester Guardian says: thing should accompany each musical manu- opening every ties the the ladies. Although they said that the certgoers see new faces at principal "Whereas last December the exhibits put up money to send him HENRY HADLEY, Associate Conductor. script. These envelopes will not be to Rome to but portrait was' valuable, at first sight it opened until after the prizes have been and subsidiary desks. Fourteen new of the decorative art group lent sup¬ study, Goya had made have the orchestra of so enemies that no one was not prepossessing. Every month / SERIES AT CARNEGIE HALL awarded. players joined port, on this occasion Spanish many would pay The first will tie Philharmonic Society for its paint¬ his to Rome. the needy ladies wrote for money, and JL%* Method of Sin«-|nr. 12 Thursday __,_>...... «eason to prize composition be ! Messrs. Fichard ings by Gustavo de Maeztu are here to expenses .mir. ?id.r,tkIlanXS w. 83d St. Tel. Evenings. price $6.00 $20.00 performed by the New York seventy-ninth season; were disappointed when *> Schuyleï «3«L 16 Friday Afternoons..season to Symphony and Samuel first violins; the more What he learned in Rome was of purchaser price $8.00 $30.00 Orchestra at one of its regular con¬ Culp Kuskin, «atisfy conventionally minded had not bee/, found for the OF 4 Saturday Evenings...season price $1.75 to $5.00 certs in William Eastes, viola; P. Guia and The great benefit to him. When he returned picture. fTEACHER New York City during the visitor. London groups show sixty- The was voice 12 Sunday Afternoons.season to season of Albert Bortolomasi, basses; N. Ko- home he artist losing heart, too, as no price $5.00 $18.00 1920-'21. i Bruno oboe; one exhibits, of which twelve are by accepted a job at painting tap¬ valPEAVEY:!m and PIANO. loukis, flute; Labate, after one wanted to buy the picture, much C*«NEGIE HALL. «, V. Assisting Artists: Gustave Langenus, clarinet; Edward the brothers Nash.Paul and John. estries, which he'was ready to MQMLYNi«S£?Ä'ilSTUDIO: »9 National to less give 6,000 francs for It, yet he EUCLID AVENUE.AVENI Rachmaninoff Seidel Samaroff Symphony Roelofsma, bass clarinet; Louis Gales, The latter is to be accept the post as assistant to Mengs, Kreisler Casals for Harman proving the more hadn't the heart to refuse the beseech¬ Grainger Schulz Hempel Bauer Serato Play Immigrants trumpet; Dutschke, horn; interesting of the two. He is particu- the royal portrait painter, and it was Lhevinne As part of the welcome of the "Land Richard Van der Eist and Bancion that ing appeals for money. "*Zalish«^ra^" INSTBECTOB. Matzenauer Godowsky Megerlin of the Free" to the trombones. larly so in his small wood engravings. through that painter the Duke of lT*n»»71 thousands of immi¬ Wankoff, sums show an Wellington was induced to have his Finally, when the had reached Tickets ready now at the offices of The Philharmonic of grants who are entering it by way of They admirable sense of com- Society New York the National Symphony Or¬ Commencing Sunday evening. Sep- position and medium. Mr. Paul Nash picture painted. 18,000 franca, the artist himself felt New York, Carnegie Hall chestra will a concert on Ellis tember the Theater will that must be done, as he give 19, Lexington continues in his now well known vein, Now, the duke was the very antithe¬ something "¦¦¦!«*¦«# violin Island on Sunday afternoon, September begin a Sunday night series of con- ran the risk of losing all this money. 2A0EN6ES INSTRUCTION FELIX F. LEIFELS, are and seems to have become a sis of Goya, and any sensible Manager for those who at person ¡mttatlmM 19, there that j certs under the management of the recipe It is true that he had plenty of work, ST. time. From 2,000 to 7,000 of them are Musical Bureau of America, commenc- draftsman. One of these looks like a would have realized that a portrait of Tele. CUcla 2363. on but people and he couldn't ^^__¿Í5_WLS«TH the island every Sunday awaiting ing with a recital by Toscha Seidel, scene in the tortured battis arca of the duke could never by any chance be paid slowly, permission to enter the country. Artur violinist, and Harold Bauer, pianist, very well ask to be paid ahead of tits» .>W ACCOMPANI8T conductor of the France, but he calls it 'Early Spring, finished if Goya was the painter. The tÄCji_!LB^m ^^ ¦¦ e»w tsmwF AND COACH Bodanzky, orchestra, followed by Leopold Godowsky and in order to the debts incurred lmtlm will direct the concert, and there Max on 2tj. Fulmer.' Thérèse Lessore has Duke of Wellington, after his victory pay by CONCERT REPERTOIRE. will Rosen September managed these ladies. . & be two over was needy English *n»ÈsfTr«?'7**r **> »T.. N. V. Tel. Circle 4171. soloists, both American.Mme. Among the artiBts engaged for this to convey her de-pression at what she j Napoleon, sent by the Brit¬ Marguerite Ñamara, soprano, and series, which will continue for thirty- saw in the 'Gallery at the ish government to act as plenipoten¬ Not a person offered more than one- ¦ v«»i«« s-jwetoita*. Francis Macmillen, violinist. nine consecutive weeks, are Emmy Agricul- ANDREWSwTeaeher of tural Hall' rather But tiary at the peace conference at the fourth the sum he had sent away. Dis* «Webtet «t*.V CHEVALIER- Hlnrtnff. This concert is part of the scheme Destinn, Alessandro Bonci, Riccardo successfully. 52£« SIO. LOVÉROE. one wishes Austrian His uniform was a gusted with life and at him¬ SSKiT'i *'»--: <**" «w». fonMfljr planto of Frederick A. Wallace, Deputy Com¬ Stracciari, Margaret Matzenauer, Max she had not. Mr. A. P. AI- capital. swearing "W«e>> rf luij ï34 W. ¿et» St. T«rt.Ctr«l«47S7. missioner of Immigration, to make im¬ Rosen, Jan Kubelik, Frieda Hempel, linson has beautiful one, and he that il self for being a good-natured fool, he that skillfully painted the. thought migrants realize this is tho land Mischa Levitzki, Helen Yorke, Carlo would be very niee to have a started to clean the AH his «É DDátil all bi M"lc H'h"oï Enciszo, Nina Tarasova, the Russian Grampians and Scawfell under snow. portrail painting. >m*a ¦ nAmrlW ;r:A^ * nAND PROFESSIONAL ENTERTAINERS Symphony Orchestra and others. But his dexterity leaves one somewhat to hang in the palace which had beer spare time was spent in clearing away -National Orchestra cold.though not in the way he realized given him by a grateful nation for hi! the black whiskers. This work waa a Symphony Michio Itow, a Japanese dancer, and success at war. worked to as he discovered the meaning of the word while Goya verj supreme joy him, ARTIJR CONDUCTOR a Russian will paint-! isus Club*"»°ÂxH Sonia Serova, dancer, ing. There is much sound work in his quickly, and he had decided that h< underneath the wonderful head, which HÍLEF «, 'The Black would finish the work in a few he realized was the work of a great -J5j?'-«,5-«I« WEHT IIJJTM NT. CLUB, PROFESSIONAL ENTERTAINERS portrait, Dress,' but Mr. sittings BODANZKY or THE CITY or NEW yohk with his He first made the two sketches whicl master. All his bad humor ACA0£*V Of WILLEM Orrlifntr»» J. Entertainer* "Par Kxc«li«n<'«" Dickey, 'H. Ä. Spiers, Esq.,' disap¬ *>Ut>IC. 125 Wert GUEST afe so weli known ttSEiUS M«»"«M. DtVartar. 1S3 WEST 53d HT. Tel. Circle 1176-1177, produces a better picture. Mr. Bom- and worked car.e peared, and he realized that some¬ *tt*0 vAíV-t*'OI< K' .".'""..VIOLIN, THEOBY "---.^L Conductor Bitter 'T,DABNEY'SS~! berg shows three exhibits which he fully sketching the duke's head ii where there must be a signature o< MENGELBERG Servio« at Zleofald Mldnitht Fraile. Muitelant Furnlihsd. calls colors. The uniform was to be lef some sort. He soon found it, >."? '¦*"-««.» 318 WEST I39TH ST. Tal. Audubon 'Rocks,' 'Doubles' and 'Pines,' "Signed ***λÉ>J7!Tyt BECKER tt«»»*»y Hall. N. V. For DEACON JOHNSON'S Office. 1299. for another He worked ÜC farn^aU H»||, M»n.,H'«J..Tbur. 60.SYMPHONY CONCERTS.60 ORCHESTRA.SINGERS and PLAYERS but the evidence produced is hardly sitting. rap Goya, 1822." The artist w»a so happy -^J^w^ TEL. 4-100 Circle. OFFICE IM W. 53rd. idly, and as the portrait now h< at his that he wrote to the own¬ **r .iNoi«B~ 30.EVENINGS.AFTERNOONS-30 ¦.*..¦ sufficient justification. The three most shows, find WILLI.AMS - 15th Infantry Band famous members of the group.Mr. worked remarkably well. ers of the paintyig, telling them that Music for all occiaioa«. LIEUT. F. W. SIMPSON, 1920.CARNEGIE HALL^-1921 JONES & llarulmanter. 238 W. 139th St. Tel. Atiilu-ion «835. Jacob Epstein, Mr. Roger Fry and Mr. Unfortunately, * the duke and h« Continué*! en nut .* HK.UK» Or 13 roNi'KRTK, EVKMN« OB AFTKKNOON BANCROFT C. R. W. Nevinson.do not exhibit. started arguing, probably about th« par« á«%u00YLE »¿¿f* Vi*¿:*ï>ueZ Lower Ti«»!- li'jx«-» (»«»iln* i>. .f<50.00 Drea* Circle (reniaWwier).$22.¡50 iaiz Band* end B«l««t Entertainer. Furnished for t;pp*r Tl«r Boxe« (seating- »).. 870.00 (front All Oec.ilon*. 1547 Broad««, ay. Tel. Bryant 4SIS. "The paintings and of war or about art, and Wellington, s I'ur'iuct Balcony »«».-.Ion). IS.75 Î: MINUTÓLO drawings * ..»?. H»»«». 87.6« Balcony (rear im.-tli.-n). 18.0« contractor Señor Gustavo de Maeztu make most man who was accustomed to have even Metropolitan Art School SPOOLER~.V'M.**,«,*.».«!?*-u"«* v. tnaaa Clrcl« (drat three row*).. S0.00 Musician*, Orrlicstru« & .lajea Combination* Sap----«-" **.^-**»*.jt. furnlHlied. 313 1Ï. I-Oth. Tel. HAKI.EM 243 of the other works on exhibition seem one agree with him, insisted on holdinj 6« W. 57 »T. MBtUKM OIT EVätNJNQ OR Practical Inat Jjowar Tier Box«*« IAmFÖNCKRTH. aW¿»NOON ORLANDO'S Orchestra rather amateurish. Señor de to his argument. ruction f f\ I f\ Ö JRX (Mating $)..*»**,*« Uraaa Circle Maeztu In IgMTY ^kj.Jr^Wgft Tter (remainder)., 91.V00 Ml W. 113th St. Modern V/UIjWK l,'pp«r Bogas (Matins; »).. 1BO.00 Balcony (front atctlon). J2.Ä0 Tal. 7870-S60* Cathedral. .<* shows fifteen oil of who was over I'aciuit H*b t». 26.00 ¦ Wi I ¦«fflllltklRl paintings landscape Goya, quick tempered, PORTRAIT. IJFB. POSTS» L»r««a Clrcl* Balcony (rear «action). 1Ï1.00 JB FBÄMKLIM''''^^'"^K-STKKTAIVKHS wAct (ßr/rt thre* row«) 20.00 We fun..«.) Ulm. to Churchill's. Shunl.y'n. Relsrn- und figure subjects. His landscape« come by his antagonism, hurled a pies __y_g__gggj_g ....¦¦*« * PARTIAT. Ï.IHT OF HOI/OISTS. wobei'». TEL. MM BRYANT. 1547 BROADWAY, and portraits are romantic and ter cast at the duke's head. INTRK.ÔR DCÍOEATIOtV ^îî?. l»rnm«itle Art, Flits Kn*.nl*r Pablo < »««il» Harfa Rachmaninoff <7.abr.lowHwrh GUS. CREAGKS painted iVTAINKD GLASS HamajKitf i__.lon._Mr Osalp J. with a SCTiPTTR-ß AND Ole» N«va*s John Vowr.il Arthur Knbln«t«la Best profánalo.».I Ulant. Union MoNicInn« full technical equipment. The Naturally Wellington left the roon MODBUHO v,f'»»* Mmntmraitm !*_Mn*r* K«i(io.ph Oana }>;.n.-ie Mof-mlllen T.tram Fi-rnlft-ieel. 6S5 Ï.KVOX AV. Tel. Si 13. MIKIATU&K PAINTING "»«E WAYNE *<«ooia Henno MnlaatwHarh S«»«t« Fr)»fI_n__-_ Zlmballst Aud. largest painting is 'Dwellers in the Vil¬ and never would return to have th« .ft.?!» I/M» Ornatcta YoUtDdo M«r«> MULFORD S ORCHESTRAS Ci-MSMS) Mbii»-Ziki-h, Kllr N>yFrtuicc» Aldi« Laeal 310. A. F. M. Mu.lo far all aooatlam. lage.' The composition is not very details of the uniform sketched, and s< 't**"m* "('Veite i Vf«4artH «Cm«*'. TJiaPam'.u* phony Appear* foOr limp» on .T. A Feuratman'a World'« Entertainer., urobaatraa uni minti'lan* of nuiüity. is well conveved. The best been It» in all Induatrlal eub.laot*. Artl»«» Sett*« In ».»-warb, N. J. Ir.qulr» office. «2S Broad H»., Newark. M»H« 1545 Broadway. Tel .».yarn ggST, Might rail 80.4:1*1 landscape destroyed, but by iom« sträng Write or rail far parUcaUro. », K. MAÍY«¡*IM.K_V, Mail ¿ft W. Uml w. fhon« Murray Hill 342«. M. is perhaps 'Church of Les«s." The accident it was *,#*(# ******* «¦«. /'«*. VflK KMAIIK ÏH TKK OKKIT'ÏAI. PIANO only stored away in i N. T. SoW of Rm ft An *¦»»¡BITY* » J«K5*w u u