Eric Clapton 461 Ocean Boulevard Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Eric Clapton 461 Ocean Boulevard Mp3, Flac, Wma Eric Clapton 461 Ocean Boulevard mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: 461 Ocean Boulevard Country: New Zealand Released: 1974 Style: Blues Rock MP3 version RAR size: 1481 mb FLAC version RAR size: 1433 mb WMA version RAR size: 1513 mb Rating: 4.9 Votes: 344 Other Formats: VQF AAC WMA FLAC RA WMA DMF Tracklist Hide Credits Motherless Children A1 Arranged By, Bass – Carl RadleArranged By, Vocals, Guitar – Eric ClaptonDrums – Jamie 4:55 OldakerGuitar – George TerryOrgan – Dick SimsPiano – Albhy GalutenWritten-By – Trad.* Give Me Strength A2 Bass – Carl RadleDrums – Al Jackson*Guitar – George TerryOrgan – Dick SimsWritten-By, 2:51 Vocals, Dobro – Eric Clapton Willie And The Hand Jive A3 Bass – Carl RadleDrums – Jamie OldakerGuitar – George TerryOrgan – Dick SimsVocals – 3:46 Yvonne EllimanVocals, Guitar – Eric ClaptonWritten-By – Johnny Otis Get Ready Bass – Carl RadleDrums – Jamie OldakerElectric Piano – Albhy GalutenGuitar – George A4 3:50 TerryOrgan – Dick SimsWritten-By, Vocals – Yvonne EllimanWritten-By, Vocals, Guitar – Eric Clapton I Shot The Sheriff Backing Vocals – Yvonne EllimanBacking Vocals, Guitar – George TerryBass – Carl A5 4:30 RadleDrums – Jamie OldakerOrgan – Dick SimsPiano – Albhy GalutenVocals, Guitar – Eric ClaptonWritten-By – Bob Marley I Can't Hold Out B1 Arranged By, Vocals, Guitar – Eric ClaptonBass – Carl RadleDrums – Jamie OldakerOrgan – 4:10 Dick SimsWritten-By – Elmore James Please Be With Me B2 Bass – Carl RadlePercussion – Jamie OldakerVocals, Dobro, Guitar – Eric ClaptonVocals, 3:25 Guitar – George Terry, Yvonne EllimanWritten-By – Charles Scott Boyer* Let It Grow Backing Vocals – Tom Bernfield, Yvonne EllimanBacking Vocals, Guitar – George TerryBass B3 4:57 – Carl RadleDrums – Jamie OldakerOrgan – Dick SimsPiano, Synthesizer [ARP] – Albhy GalutenWritten-By, Vocals, Dobro, Acoustic Guitar – Eric Clapton Steady Rollin' Man Arranged By, Vocals, Guitar – Eric ClaptonBass – Carl RadleDrums – Jim Fox Guitar – B4 3:14 George TerryOrgan – Dick SimsPiano, Clavichord – Albhy GalutenWritten-By – Robert Johnson Mainline Florida Backing Vocals – Tom Bernfield, Yvonne EllimanBass – Carl RadleDrums – Jamie B5 4:05 OldakerOrgan – Dick SimsPiano – Albhy GalutenVocals, Guitar – Eric ClaptonWritten-By, Backing Vocals, Guitar – George Terry Companies, etc. Distributed By – Atlantic Recording Corporation Phonographic Copyright (p) – RSO Records, Inc. Copyright (c) – RSO Records, Inc. Mastered At – Specialty Records Corporation Pressed By – PRC Recording Company, Richmond, IN Published By – Casserole Music Corp. Published By – Eldorado Music Published By – Cayman Music Inc. Published By – Arc Music Published By – Rare Exit Recorded At – Criteria Recording Studios Printed By – Queens Litho Credits Art Direction – Bob Defrin Engineer – Karl Richardson Engineer [Second] – Steve Klein Photography By – David Gahr Producer – Tom Dowd Notes Recorded at Criteria Recording Studios, Miami, Florida. ℗© 1974 RSO Records PRC Recording Company, Richmond, IN pressing with plating (metalwork) done at Specialty Records Corporation. This version has Rockefeller Plaza address on both labels. 461 Ocean Boulevard: version with 1841 Broadway address on both labels. 461 Ocean Boulevard: version with Rockefeller Plaza address on A-label and 1841 Broadway on B- label. Publishing Information: Tracks A1, A2, A4, B3, B4 and B5 published by Casserole, BMI. Track A3 published by Eldorado, BMI. Track A5 published by Cayman, ASCAP. Track B1 published by Arc, BMI. Track B2 published by Rare Exit, ASCAP. Barcode and Other Identifiers Matrix / Runout (A-side, center label): ST-SO-743147RI Matrix / Runout (B-side, center label): ST-SO-743148RI Matrix / Runout (A-side, etched, SRC stamped): ST-SO 743147B-1-11 SRC Matrix / Runout (B-side, etched, SRC stamped): ST-SO-743148B-1 SRC Pressing Plant ID: RI Rights Society: BMI Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category Country Year 461 Ocean Boulevard (LP, SO 4801 Eric Clapton RSO SO 4801 US 1974 Album, LY,) 461 Ocean Boulevard (CD, P2 31821 Eric Clapton Polydor P2 31821 Canada 1996 Album, Club, RE, RM) 461 Ocean Boulevard (CD, UICY-40177 Eric Clapton Polydor UICY-40177 Japan 2018 Album, Ltd, RE, RM, Hi-) 461 Ocean Boulevard (LP, 2394 138 Eric Clapton RSO 2394 138 South Africa 1974 Album, Gat) 461 Ocean Boulevard (CD, UICY-25055 Eric Clapton Polydor UICY-25055 Japan 2011 Album, RE, RM, SHM) Related Music albums to 461 Ocean Boulevard by Eric Clapton Eric Clapton - Honolulu 1977 - 1st Night Derek And The Dominos - Layla And Other Assorted Love Songs (The Layla Sessions - 20th Anniversary Edition) Eric Clapton - Time Pieces - The Best Of Eric Clapton Eric Clapton - Crossroads Eric Clapton - E.C. Was Here Eric Clapton - Slowhand Eric Clapton - Time Pieces (The Best Of Eric Clapton) Eric Clapton - There's One In Every Crowd.
Recommended publications
  • Summon up Remembrance Summon up Remembrance
    SUMMON UP REMEMBRANCE SUMMON UP REMEMBRANCE bY Marzieh Gail ml GEORGE RONALD OXFORD GEORGE RONALD, Publisher 46 High Street, Kidlington, Oxford, OX5 2DN 0 MARZIEH GAIL 1987 All Rights Reserved British Library Cataloguing in Publication Data Gail, Mar&h Summon up remembrance. I. Khan, Ali-Kuli 2. Diplomats-Iran- Biography 3. Bahais-United States- Biography 1. Title 327.2’0()2’4 IX 316.y.K5 ISBN o-8539%25X-y ISBN o-R53gR-259-7 pbk Phototypcsct by Sunrise Setting, Torquay, Devon, U.K. I’IIIN rtl) IN THb u 5 A Contents IN PERSIA I Safe from the Evil Eye 2 Born with a Tooth 5 3 A Son Meets His Father 9 4 A Sense of Station I.5 5 Trials and Tantrums 20 6 Your Best, Not Your Smallest 24 7 House of Oblivion 3.5 8 Death Owns All Seasons 42 9 The Mad Mirza 49 IO Wine and Roses 55 I I With Hashish through the Keyhole 59 12 Bottle in Hand to the BahP’i Faith 62 13 Journey to the Muslim Shrines 67 14 A Bridge of Boats 75 I 5 A Prince Accepts the Faith 79 16 Khan Becomes a Dervish 8s 17 Escape from Sanandaj 90 18 The Point of No Return 97 19 In Sight of the Goal IO4 IN THE HOLY LAND 20 The Arrival 107 21 Working for the Master 109 22 Red Ink for Martyrs’ Blood 116 23 The Covenant-Breakers Attack 122 24 A Crisis of Faith I27 25 The Goal of the Living Martyrs I34 26 Prayer is not Enough I39 27 The Frightening Change I43 IN THE WEST 28 Paris and Natalie I49 29 No One at the Dock IS5 30 Visions, or Vision? 161 3 I Mirz6 and Khan Stop Smoking 167 32 When the Lights Went Out I73 33 The Trials of Mrs Cole I78 34 The Prime Minister Cometh 182 35 Khan Meets
    [Show full text]
  • Eric Clapton
    ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album.
    [Show full text]
  • Here’S One in Every Crowd Erlasting Cultural Statement – Everything You Do from a Lot
    Hittin’ the Note: Bill, did you feel at all a need to vindicate this period of Clapton’s music? Once you’ve It’s OK; you’re safe with me! photo by Sid Smith been labeled “God” – as Clapton was in what began as graffi ti on a London subway wall and grew into an ev- Well, I actually happen to like There’s One in Every Crowd erlasting cultural statement – everything you do from a lot. I understand why it’s overlooked – there’s no big hit that moment is viewed under a microscope. It seems, on there, and the cover was probably not the most striking. I though, that this particular chapter of Eric’s story has think most people don’t realize the business of the business taken some critical heat over the years. – There’s One In Every Crowd and E.C. Was Here were cut out in 1976 because RSO Records left Atlantic and went to Bill Levenson: I think what I came up against right from Polydor. There was a housecleaning of product, and when the start wasn’t a vindication of the music or the artist − it those records got cut out, they didn’t come into print again was the vindication of the There’s One In Every Crowd and for a decade. People think that they were cut out because E.C. Was Here albums. When people talk about this era, they weren’t good or they weren’t selling, but they were cut they invariably talk about 461 Ocean Boulevard – it was out because distribution stopped on the Atlantic side.
    [Show full text]
  • Spring Heights Song Book
    Spring Heights Song Book Camper Edition CCLI License 11068700 Edited 2020 1 TABLE OF CONTENTS Indescribably…………………………….14 Lead Me Jesus……………………………14 All in All…………………………………..4 Jesus is the Rock…………………………14 Alive……………………………………….4 Light the Fire…………………………….15 Amazing Grace……………………………4 Lord be Glorified………………………...15 Amazing Love……………………………..4 Lord I Life Your Name of High………….15 Ancient of Days…………………………...5 Lord You Have My Heart………………..15 Ask Seek Knock…………………………...5 Lovely Noise……………………………...16 As the Deer………………………………..5 Love the Lord Your God…………………16 Be Glorified………………………………..5 Mighty to Save…………………………...17 Breath……………………………………...6 Must Be Done in Love…………………...17 Brighter……………………………………6 Nothing is Impossible……………………17 Build Your Kingdom……………………...6 One Name………………………………..18 Children Go Where I Send Thee…………7 Open the Eyes of my Heart……………...18 Days of Elijah……………………………...7 Open Up the Heavens…………………...18 Deep Cries Out……………………………7 Our God…………………………………18 Everlasting God…………………………...8 Peace Like a River………………………..19 Every Move I Make……………………….8 River of Life……………………………...19 Father I Adore You………………………..8 Place in the Choir………………………..19 Forever…………………………………….8 Sanctuary………………………………...20 Give it Away……………………………….9 Seek Ye First……………………………...20 Give Me Oil in My Lamp…………………9 Shine Jesus Shine………………………...20 God So Loved……………………………..9 God of Wonders…………………………10 Step By Step……………………………...20 He Is My Rock…………………………...10 Shout to the Lord………………………..21 Here I am Lord…………………………..10 Sing Wherever I Go……………………..21 Here I am to Worship……………………11
    [Show full text]
  • Name Artist Album Track Number Track Count Year Wasted Words
    Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B.
    [Show full text]
  • Foxe's Book of Martyrs
    FOXE'S BOOK OF MARTYRS CHAPTER I - History of Christian Martyrs to the First General Persecutions Under Nero Christ our Savior, in the Gospel of St. Matthew, hearing the confession of Simon Peter, who, first of all other, openly acknowledged Him to be the Son of God, and perceiving the secret hand of His Father therein, called him (alluding to his name) a rock, upon which rock He would build His Church so strong that the gates of hell should not prevail against it. In which words three things are to be noted: First, that Christ will have a Church in this world. Secondly, that the same Church should mightily be impugned, not only by the world, but also by the uttermost strength and powers of all hell. And, thirdly, that the same Church, notwithstanding the uttermost of the devil and all his malice, should continue. Which prophecy of Christ we see wonderfully to be verified, insomuch that the whole course of the Church to this day may seem nothing else but a verifying of the said prophecy. First, that Christ hath set up a Church, needeth no declaration. Secondly, what force of princes, kings, monarchs, governors, and rulers of this world, with their subjects, publicly and privately, with all their strength and cunning, have bent themselves against this Church! And, thirdly, how the said Church, all this notwithstanding, hath yet endured and holden its own! What storms and tempests it hath overpast, wondrous it is to behold: for the more evident declaration whereof, I have addressed this present history, to the end, first, that the wonderful works of God in His Church might appear to His glory; also that, the continuance and proceedings of the Church, from time to time, being set forth, more knowledge and experience may redound thereby, to the profit of the reader and edification of Christian faith.
    [Show full text]
  • The Ticket-Of-Leave Man's Wife;
    THE TICKET-OF-LEAVE MAN'S WIFE; OR, S I X YEARS AFTER. IN THREE ACTS. Being a continuation of Mr. Tom Taylor's Drama of the " Ticket-of-Leave Man." BY CHARLES SMITH CHELTNAM, AUTHOR OF A Lesson in Love; More Precious than Gold; A Fairy's Father; Mrs. Green's Snug Little Business; Slowtop's Engagements; A Lucky Escape; Aurora Floyd; Deborah; Dinner for Nothing, &c, &c. THOMAS HAILES LACY, THEATRICAL PUBLISHER, LONDON. NOTE BY THE AUTHOR. THE happy idea of continuing the interesting story embodied in Mr. TOM TAYLOR'S renowned " Ticket-of- Leave Man" originated with Mr. SEFTON PARRY, the liberal and spirited Proprietor and Manager of the New Greenwich Theatre, and, prospectively, of the Prince's Theatre, Holborn. At his suggestion, and in consultation with him, the present Drama was con- structed and written. The literary and dramatic treatment of the piece is entirely my own. I further avail myself gladly of this opportunity to acknowledge the obligation I am under to Mr. TOM TAYLOR, for the ready courtesy with which he gave me permission to adopt the names of a large portion of the dramatis persona; of his Drama. CHARLES SMITH CHELTNAM. HAMMERSMITH, April 19th, 1866. THE TICKET-OF-LEAVE MAN'S WIFE. 7 COSTUMES. BRIERLY.—First dress; Light trousers and waistcoat, black frock coat, grey hat. Second dress : Seedy black coat, dark trousers, old felt hat. DALTON.—First dress: Worn Tweed suit, billycock hat. Second dress: Respectable black walking suit, white cravat, black hat. Third dress: Same as first. Moss.—First dress: Long-tailed rusty black coat, buttoned up, black trousers, old black hat.
    [Show full text]
  • Seeking Peace
    FOREWORD BY MADELEINE L’eNGLE JOHANN CHRISTOPH ARNOLD SEEKINGPEACE NOTES AND CONVERSAtioNs aloNg the WAY PREFACE BY THICH NHAT HANH Praise for Seeking Peace Mairead Maguire, Nobel Peace Prize laureate Seeking Peace inspires each of us to seek peace within our own hearts…It gives hope that we can find wholeness, happiness, and harmony, which is after all the fulfilment of God’s plan for humanity. Former Senator Bill Bradley Seeking Peace addresses important challenges facing our society. I commend the author for seeking to assist all of us with this life-long journey. Jonathan Kozol, author, Amazing Grace Seeking Peace is a tough, transcendent envisioning of peace: neither fatuous nor sentimental, but arduous and courageous. Arnold writes in the tradition of the Berrigans, of Simone Weil and Thomas Merton. Activists of all stripes, even those who think themselves agnostics, ought not to ignore this book. Jesse L. Jackson, The Rainbow/PUSH Coalition A splendid book drawing on the rich experiences of the author and on relevant observations by legendary activists and writers…A valuable contribution to contemporary thought, and a guide for action as the struggle continues. Brother David Steindl-Rast, Mount Saviour Monastery Seeking Peace is a book for people who realize that we are fish out of water. Arnold speaks out of a living tradition of radical response to the challenge of one whose very name is Peace. There is living water here for gasping fish. Muhammed Gemea’ah, The Islamic Cultural Center of N.Y. An excellent work… Seeking Peace is the very essence of what we are all about.
    [Show full text]
  • I'll Make a Man out of You 000 Maniacs 10 More Than This 10,000
    # -- -- 20 Fingers I'll Make A Man Out Of You Short #### Man 000 Maniacs 10 20th Century Boy More Than This T. Rex 10,000 Maniacs 21St Century Girls Because The Night 21St Century Girls Like The Weather More Than This 2 Chainz feat.Chris Brown These Are The Days Countdown Trouble Me Countdown (MPX) 100% Cowboy 2 Chainz ftg. Drake & Lil Wayne Meadows, Jason I Do It 101 Dalmations (Disney) 2 Chainz & Wiz Khalifa Cruella De Vil We Own It (Fast & Furious) 10cc 2 Evisa Donna Oh La La La Dreadlock Holiday I'm Mandy 2 Live Crew I'm Not In Love Rubber Bullets Do Wah Diddy Diddy The Things We Do For Love Me So Horny Things We Do For Love We Want Some P###Y Things We Do For Love, The Wall Street Shuffle 2 Pac California Love 112 California Love (Original ... Dance With Me Changes Dance With Me (Radio Version) Changes Peaches And Cream How Do You Want It Peaches And Cream (Radio ... Until The End Of Time (Radio ... Peaches & Cream Right Here For You 2 Pac & Eminem U Already Know One Day At A Time 112 & Ludacris 2 Pac & Eric Will Hot & Wet Do For Love 12 Gauge 2 Pac Featuring Dr. Dre Dunkie Butt California Love 1910 Fruitgum Co. 2 Pistols & Ray J. 1, 2, 3 Red Light You Know Me Simon Says You Know Me (Wvocal) 1975 2 Pistols & T-Pain & Tay Dizm Sincerity Is Scary She Got It TOOTIMETOOTIMETOOTIME She Got It (Wvocal) 1975, The 2 Unlimited Chocolate No Limits 1999 Man United Squad Lift It High (All About Belief) 1 # 30 Seconds To Mars When Your Young ..
    [Show full text]
  • House of Bread a Guided Advent Journey for Families
    House of Bread A Guided Advent Journey for Families םחל תיב Bethlehem بيت لحم Prophecy Candle Welcome to Week 1 of Advent 2020! This week, we focus on ope. We will look for hope in our homes, our families and our world. We will think about hope in another place, Bethlehem. The family activities for this week are designed to be done at your own pace and schedule. A Prayer for Hope for all the children of God: O Mystery as grand as the universe Be born again a promise of hope, Lovingly dedicated to the women of Bethlehem and their families. O Mighty Force of all creation, a sign of love and joy to the world. O Power beyond all our power, Be born again in our hearts, You have come to us as an infant. that we too might be called Vulnerable, fragile, beautiful. Makers of peace You have come to us and Children of God. in the midst of poverty, powerlessness and longing. A Prayer for Hope when feeling despair: Come again, O Promiser of Peace. Come again, to the city of your birth “Dear God, please give me strength when mired in fear, oppression and injustice. I am weak, love when I feel forsaken, Come again, where Children dream courage when I am afraid, wisdom when I of homes they have never seen. feel foolish, comfort when I am alone, hope when I feel rejected, and peace when I am in Be born again among refugees. turmoil. Amen.” Be born again in stables and homes. Be born again in many cities and languages.
    [Show full text]
  • Blues Link Magazine
    January/ February 1974 25p The Best of Polydor Blues 2343 047 Freddy King His Early Years 048 Wynonie Harris/ Jump Blues Eddie Vinson 2310 256 John Lee Hooker Slim’s Stomp 2383 200 Elmore James/ Cotton Patch Hotfoots Walter Horton ' 2460 168 Johnny Mars Blues From Mars 169 Doctor Ross Live At Montreux 185 The Mighty Flea Let The Good Times Roll 186 Various American Blues Legends ’73 2310 252 Jimmy Dawkins Transatlantic 770 2683 007 Various The Excello Story 2460 206 Jimmy Witherspoon Ain’t Nobody’s Business 2460 201 Jay McShann The Band That Jumps The Blues “ For a catalogue of Polydor Jazz and Blues albums please send a s.a.e. to : Simon Gee at Polydor Ltd., 17/19 Stratford Place, London W1N 0BL” . Blues-Link 94, Puller Road, Barnet, Herts., EN5 4HD, U.K. EDITOR Mike Black ASSISTANT EDITOR Alan Balfour LAYOUT AND DESIGN Mike Black SUBSCRIPTIONS: £1.50 for six ( $4 surface, £8 air mail). 25p single copy postpaid. Overseas subscribers pay by IMO or International Giro please or if by personal cheque add an extra 25p to cover bank clearance charges. Blues-Link Giro Account Number—32 733 4002 All articles and photos in Blues-Link are copyright and may not be reproduced without permission of the Editor although this permission will normally be freely given. Copyright: Blues-Link Publications 1973 January/February 74 issue. Dutch Agent: Martin Van Olderen Pretoriusstraat 96, Amsterdam-oost. Cover Photo: Willie Johnson — Valerie Wilmer. Photo-Set and printed by Plaistow Press Magazines Ltd. editorial This issue sees the departure of John Stiff and Frank Sidebottom from the editorial staff due to personal commitments and we would like to take this opportunity to thank them for all the work that they have put in.
    [Show full text]
  • The Use of Campus Based Restorative Justice Practices to Address Incidents of Bias: Facilitators’ Experiences
    University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-18-2018 The Use of Campus Based Restorative Justice Practices to Address Incidents of Bias: Facilitators’ Experiences Desiree Anderson University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Educational Leadership Commons, and the Higher Education Administration Commons Recommended Citation Anderson, Desiree, "The Use of Campus Based Restorative Justice Practices to Address Incidents of Bias: Facilitators’ Experiences" (2018). University of New Orleans Theses and Dissertations. 2442. https://scholarworks.uno.edu/td/2442 This Dissertation is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The Use of Campus Based Restorative Justice Practices to Address Incidents of Bias: Facilitators’ Experiences A Dissertation Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Educational Administration by Desirée Anderson B.A.
    [Show full text]