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Summon up Remembrance Summon up Remembrance
SUMMON UP REMEMBRANCE SUMMON UP REMEMBRANCE bY Marzieh Gail ml GEORGE RONALD OXFORD GEORGE RONALD, Publisher 46 High Street, Kidlington, Oxford, OX5 2DN 0 MARZIEH GAIL 1987 All Rights Reserved British Library Cataloguing in Publication Data Gail, Mar&h Summon up remembrance. I. Khan, Ali-Kuli 2. Diplomats-Iran- Biography 3. Bahais-United States- Biography 1. Title 327.2’0()2’4 IX 316.y.K5 ISBN o-8539%25X-y ISBN o-R53gR-259-7 pbk Phototypcsct by Sunrise Setting, Torquay, Devon, U.K. I’IIIN rtl) IN THb u 5 A Contents IN PERSIA I Safe from the Evil Eye 2 Born with a Tooth 5 3 A Son Meets His Father 9 4 A Sense of Station I.5 5 Trials and Tantrums 20 6 Your Best, Not Your Smallest 24 7 House of Oblivion 3.5 8 Death Owns All Seasons 42 9 The Mad Mirza 49 IO Wine and Roses 55 I I With Hashish through the Keyhole 59 12 Bottle in Hand to the BahP’i Faith 62 13 Journey to the Muslim Shrines 67 14 A Bridge of Boats 75 I 5 A Prince Accepts the Faith 79 16 Khan Becomes a Dervish 8s 17 Escape from Sanandaj 90 18 The Point of No Return 97 19 In Sight of the Goal IO4 IN THE HOLY LAND 20 The Arrival 107 21 Working for the Master 109 22 Red Ink for Martyrs’ Blood 116 23 The Covenant-Breakers Attack 122 24 A Crisis of Faith I27 25 The Goal of the Living Martyrs I34 26 Prayer is not Enough I39 27 The Frightening Change I43 IN THE WEST 28 Paris and Natalie I49 29 No One at the Dock IS5 30 Visions, or Vision? 161 3 I Mirz6 and Khan Stop Smoking 167 32 When the Lights Went Out I73 33 The Trials of Mrs Cole I78 34 The Prime Minister Cometh 182 35 Khan Meets -
Bad Rhetoric: Towards a Punk Rock Pedagogy Michael Utley Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2012 Bad Rhetoric: Towards A Punk Rock Pedagogy Michael Utley Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Rhetoric and Composition Commons Recommended Citation Utley, Michael, "Bad Rhetoric: Towards A Punk Rock Pedagogy" (2012). All Theses. 1465. https://tigerprints.clemson.edu/all_theses/1465 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. BAD RHETORIC: TOWARDS A PUNK ROCK PEDAGOGY A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Professional Communication by Michael M. Utley August 2012 Accepted by: Dr. Jan Rune Holmevik, Committee Chair Dr. Cynthia Haynes Dr. Scot Barnett TABLE OF CONTENTS Page Introduction ..........................................................................................................................4 Theory ................................................................................................................................32 The Bad Brains: Rhetoric, Rage & Rastafarianism in Early 1980s Hardcore Punk ..........67 Rise Above: Black Flag and the Foundation of Punk Rock’s DIY Ethos .........................93 Conclusion .......................................................................................................................109 -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
Pdf, 297.01 KB
00:00:00 Music Transition “Crown Ones” off the album Stepfather by People Under the Stairs. [Music continues under the dialogue, then fades out.] 00:00:05 Oliver Host Hello! I’m Oliver Wang. Wang 00:00:07 Morgan Host And I’m Morgan Rhodes. You’re listening to Heat Rocks. Rhodes 00:00:10 Oliver Host Every episode, we invite a guest to join us to talk about a heat rock. You know, an album that burns its way into our collective memory. And today, we’re gonna be letting the love rain shower down upon us. [Morgan chuckles.] To exclusively revisit the 2000 debut album Who is Jill Scott? Words and Sounds Vol. 1 by Jill Scott. 00:00:32 Music Music “Love Rain” from the album Who is Jill Scott? Words and Sounds Vol. 1 by Jill Scott. Love rain down on me, on me Down on me Love rain down on me, on me Down on me Love rain down on me, on me Down on me [Volume decreases and continues under the dialogue then fades out.] 00:00:50 Oliver Host Many of us were introduced to Jill Scott in the late nineties when The Roots rolled her out on the strength of their and Scott’s hit “You Got Me”. Even if she was taken off the eventual commercial version of the single in favor of Erykah Badu, Scott refused to stay behind the scenes. And come Y2K, we all got to bear witness to Scott in her full, resplendent glory on her debut. -
African American Sheet Music Collection, Circa 1880-1960
African American sheet music collection, circa 1880-1960 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Title: African American sheet music collection, circa 1880-1960 Call Number: Manuscript Collection No. 1028 Extent: 6.5 linear feet (13 boxes) and 2 oversized papers boxes (OP) Abstract: Collection of sheet music related to African American history and culture. The majority of items in the collection were performed, composed, or published by African Americans. Language: Materials entirely in English. Administrative Information Restrictions on Access Unrestricted access. Terms Governing Use and Reproduction Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. The use of personal cameras is prohibited. Source Collected from various sources, 2005. Custodial History Some materials in this collection originally received as part of the Delilah Jackson papers. Citation [after identification of item(s)], African American sheet music collection, Stuart A. Rose Manuscript, Archives, and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, October 13, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. African American sheet music collection, circa 1880-1960 Manuscript Collection No. 1028 This finding aid may include language that is offensive or harmful. -
Here’S One in Every Crowd Erlasting Cultural Statement – Everything You Do from a Lot
Hittin’ the Note: Bill, did you feel at all a need to vindicate this period of Clapton’s music? Once you’ve It’s OK; you’re safe with me! photo by Sid Smith been labeled “God” – as Clapton was in what began as graffi ti on a London subway wall and grew into an ev- Well, I actually happen to like There’s One in Every Crowd erlasting cultural statement – everything you do from a lot. I understand why it’s overlooked – there’s no big hit that moment is viewed under a microscope. It seems, on there, and the cover was probably not the most striking. I though, that this particular chapter of Eric’s story has think most people don’t realize the business of the business taken some critical heat over the years. – There’s One In Every Crowd and E.C. Was Here were cut out in 1976 because RSO Records left Atlantic and went to Bill Levenson: I think what I came up against right from Polydor. There was a housecleaning of product, and when the start wasn’t a vindication of the music or the artist − it those records got cut out, they didn’t come into print again was the vindication of the There’s One In Every Crowd and for a decade. People think that they were cut out because E.C. Was Here albums. When people talk about this era, they weren’t good or they weren’t selling, but they were cut they invariably talk about 461 Ocean Boulevard – it was out because distribution stopped on the Atlantic side. -
Shelleypaulson2018-Single
“I still remember the first photo Shelley sent to me, and how I caught my breath at the beauty she captured, but even more, how she was able to capture the relationship between my daughter and her horse. These photos are lifetime mementos that we will treasure always.” Marie Henn HEARTFELT EQUESTRIAN PORTRAITS so you will always remember The bond you share with your horse is special, and it’s a feeling you will always want to remember. The touch of their soft nose, the way they make you laugh, how it feels to ride together through golden fields at sunset… As a fellow horse lover, I understand what it’s like to love a horse so deeply and to want to freeze this moment forever. We never know how much time we have left to enjoy our beloved animals. Investing in beautiful, quality photography is a wonderful way to preserve our memories of them for years to come. SHELLEY PAULSON photographer and horse lover I can’t remember a time when I didn’t love horses. I was that horse-crazy girl who spent summers on horseback, falling in love over and over with these beautiful creatures. One by one I said goodbye to the horses of my youth and now have only photographs to remind me of my beloved childhood companions. Now I have my own little farm and get to be with my sweet horses every day. I can’t help but take photos of them as I watch warm evening light stream into the barn and kiss their fuzzy ears, or see perfectly formed snowflakes land on their velvety winter coats. -
PRINTS & PRODUCTS Enjoy Your Photos
“I still remember the first photo Shelley sent to me, and how I caught my breath at the beauty she captured, but even more, how she was able to capture the relationship between my daughter and her horse. These photos are lifetime mementos that we will treasure always.” Marie Henn HEARTFELT EQUESTRIAN PORTRAITS so you will always remember The bond you share with your horse is special, and it’s a feeling you will always want to remember. The touch of their soft nose, the way they make you laugh, how it feels to ride together through golden fields at sunset… As a fellow horse lover, I understand what it’s like to love a horse so deeply and to want to freeze this moment forever. We never know how much time we have left to enjoy our beloved animals. Investing in beautiful, quality photography is a wonderful way to preserve our memories of them for years to come. SHELLEY PAULSON photographer and horse lover I can’t remember a time when I didn’t love horses. I was that horse-crazy girl who spent summers on horseback, falling in love over and over with these beautiful creatures. One by one I said goodbye to the horses of my youth. I now have only the photographs from those days to bring me back into the moments and the horses that shaped me. Now I have my own little farm and get to be with my sweet horses every day. I can’t help but take photos of them as I watch warm evening light stream into the barn and kiss their fuzzy ears, or see perfectly formed snowflakes land on their velvety winter coats. -
Nashville Fire Local 140 Honor Guard
Nashville Fire Local 140 Honor Guard NASHVILLE FIRE LOCAL 140 HONOR GUARD Standard Operations Manual Honoring those who have gone before, by standing tall with those still beside us 1 | Page Nashville Fire Local 140 Honor Guard Table of Contents Introduction…………………………………………………………… Page 3 Preparatory……………………………………………………………. Page 4 Union Responsibilities…………………………………………. Page 6 Departmental Responsibilities…………………………………. Page 7 Funeral/Event Coordinator Responsibilities………………………… . Page 8 Family Liaison Coordinator………………………………………… Page 13 Drill & Ceremony Objectives……………………………………….. Page 16 Drill & Ceremony Commands………………………………………. Page 19 Marching…………………………………………………………….. Page 27 Basic Axe Movements………………………………………………. Page 33 Posting/Retrieving Colors…………………………………………… Page 40 Flag Etiquette……………………………………………………….. Page 44 Casket Guard………………………………………………………... Page 50 Casket Management…………………………………………………. Page 51 2 | Page Nashville Fire Local 140 Honor Guard 3 | Page Nashville Fire Local 140 Honor Guard Introduction Many of us have experienced the loss of a firefighter and whether it is duty related or not, the period is extremely traumatic to all involved. The intent of this manual is to provide a checklist and guide so that all parties will be able to organize and coordinate a ceremony that will be a fitting tribute to a fallen comrade as well as prepare the unit for performance in memorials, parades, presentation of color and other civic events. Just as in the everyday operations of the fire service, when tragedy strikes, we must be prepared to deal with the conditions that will prevail. Procedures must be in place to handle the chaos and emotional burden that a situation of this magnitude presents. These procedures can also help alleviate the confusion and miscommunication caused by the time constraints of the situation. Some of the areas that need to be addressed are: 1. -
Stock DECEMBER 2020
DISTRO / 2020 DISQUE LP CODE STOCK CHF !Attention! - S/T INLP 859 1 12 562 – Cuando vivir es morir INLP 524 2 14 7 seconds – Leave a light on INLP 780 X 25 7 seconds – The crew INLP 599 x 18 7 seconds – Walk together, rock together INLP 107 1 16 A wilhelm scream – S/T INLP 493 1 17 Accidente – Amistad Y Rebelión INLP 918 1 10 Accidente – Pulso INLP 278 2 13 Accidente – S/t INLP 230 2 10 Adhesive – Sideburner INLP 879 1 18 Adolescents – OC Confidential INLP 622 2 12 Adolescents – S/T INLP 006 1 22 Adult Magic – S/T INLP 133 2 14 Against me! - As the eternal cowboy INLP 748 X 21 Against me! - Is reinventing Axl Rose INLP 228 1 21 Against me! - Searching for a former clarity 2LP INLP 752 1 28 Against me! - Shape Shift With Me INLP 342 1 32 Against me! - Transgender dysphoria blues INLP 751 3 27 Agent Attitude – First 2 Eps INLP 614 1 12 Agnostic front – Another voice INLP 668 1 17 Agnostic front – Live At CBGB INLP 543 x 19 Agnostic front – Victim in pain INLP 010 1 17 Alea Jacta Est – Dies Irae INLP 606 4 16 Alea Jacta Est – Gloria Victis INLP 357 2 10 Alea Jacta Est – Vae Victis INLP 776 1 15 Alkaline trio – Maybe i'll cacth fire INLP 222 x 18 Alkaline trio – My shame is true INLP 626 X 26 Alkaline trio – This addiction INLP 373 x 22 All – Allroy for prez INLP 240 1 20 All – Allroy Saves INLP 939 1 22 All – Allroys revenge INLP 238 X 27 All – Breaking things INLP 319 1 28 All – Pummel INLP 651 2 28 All out War – Dying Gods INLP 338 X 18 All Pigs Must Die – Hostage Animal INLP 698 1 21 All pigs must die – Nothing violates this nature INLP 701 1 22 All pigs must die – s/t INLP 015 1 22 Altair – Nuestro Enemigo INLP 294 2 12 American Football - S/T LP3 INLP 1010 2 28 UK 20 American football – s/t INLP 018 X 24 American Football – S/T (EP) INLP 762 x 16 American Football – S/T LP2 INLP 731 X 25 And So Your Life Is Ruined – s/t INLP 938 1 12 Page 1 DISTRO / 2020 And yo your life is ruined – s/t INLP 835 1 13 Angel Du$t - Pretty Buff INLP 1011 1 28 Angel Dust – A.D. -
The Phoenix Flame
THE PHOENIX FLAME University High School– 55 Clinton Place, Newark, NJ 07108 –http://www.nps.nj.us/ - Edwin Mendez , Principal A Phoenix embodies: Responsibility Intergrity Service & Excellence Volume 1, Issue 1 2017-2018 SY Phoenix Always Rising: From Student to Successful Alumni Many students have passed through the Kelly Williams, PhD Lydelle H. King College & Career Ac- Senior Producer ESPN doors of 55 Clinton Place with different cess Director (NPS) Students reflect on Class of 1996 goals, dreams and aspirations. But there Class of 1998 alumni advice. was one thing that each of these students “Enjoy this year “Live your life for you… had in common, they entered these doors follow your curiosity. Even “University’s Alumni defi- with a great sense of purpose. and the next four ahead. It only though you may not have a nitely gave me an idea that comes once! Live clear vision for your career, no matter where you come When you enter the doors of University each moment and soak up the memories. Enjoy you are probably curious about things which from, you can rise up from High School as a freshman or a 7th grad- the ride!” may or may not be obvious to you. It’s im- all the negativity and make er, you know that no matter what, you’re portant to follow your curiosity and uncover something positive out of going to rise up. As a student at UHS, your less obvious interests. Pursuing them you’ve already beat the odds, you are a Lieutenant Sharef Talbert sets you on the path of unlocking who you are it. -
Spring Heights Song Book
Spring Heights Song Book Camper Edition CCLI License 11068700 Edited 2020 1 TABLE OF CONTENTS Indescribably…………………………….14 Lead Me Jesus……………………………14 All in All…………………………………..4 Jesus is the Rock…………………………14 Alive……………………………………….4 Light the Fire…………………………….15 Amazing Grace……………………………4 Lord be Glorified………………………...15 Amazing Love……………………………..4 Lord I Life Your Name of High………….15 Ancient of Days…………………………...5 Lord You Have My Heart………………..15 Ask Seek Knock…………………………...5 Lovely Noise……………………………...16 As the Deer………………………………..5 Love the Lord Your God…………………16 Be Glorified………………………………..5 Mighty to Save…………………………...17 Breath……………………………………...6 Must Be Done in Love…………………...17 Brighter……………………………………6 Nothing is Impossible……………………17 Build Your Kingdom……………………...6 One Name………………………………..18 Children Go Where I Send Thee…………7 Open the Eyes of my Heart……………...18 Days of Elijah……………………………...7 Open Up the Heavens…………………...18 Deep Cries Out……………………………7 Our God…………………………………18 Everlasting God…………………………...8 Peace Like a River………………………..19 Every Move I Make……………………….8 River of Life……………………………...19 Father I Adore You………………………..8 Place in the Choir………………………..19 Forever…………………………………….8 Sanctuary………………………………...20 Give it Away……………………………….9 Seek Ye First……………………………...20 Give Me Oil in My Lamp…………………9 Shine Jesus Shine………………………...20 God So Loved……………………………..9 God of Wonders…………………………10 Step By Step……………………………...20 He Is My Rock…………………………...10 Shout to the Lord………………………..21 Here I am Lord…………………………..10 Sing Wherever I Go……………………..21 Here I am to Worship……………………11