Croatian Film Catalogue 2016
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Croatian Films 2008/2009
Address Kralja Zvonimira 20, 10000 Zagreb, Croatia Telephone +385 (0)1 465 54 39 Fax +385 (0)1 465 54 42 URL www.havc.hr E-mail [email protected] Acting Director Martina Petrović Collaborators Jadranka Hrga, Ivana Ivišić, Sanja Ravlić i Maja Nikolić In memoriam: Albert Kapović (1957-2008), Director of the Croatian Audiovisual Centre Contents Editor Hrvoje Pukšec Feature Films 8 Collaborators Ivana Ivišić, Ivan Kelava, Zrinka Lazarin Feature Films (Post)Production 30 Translation & Proofreading Feature Films Pre-production 42 Ivana Ivišić, Vera Kordić, Duško Čavić Feature Films Co-production 52 Design Vanja Cuculić, Marko Šesnić i Goran Turković Short Films 60 Printed by Sveučilišna tiskara d.o.o. Zagreb Documentary Films 78 Print run 400 Documentary Films (Pre/Post)Production 98 Publisher Croatian Audiovisual Centre | Zagreb, January, 2009 Animated Films 102 Animated Films (Pre/Post)Production 114 Experimental Films 122 Experimental Films (Pre/Post)Production 130 isbn 978-953-55208-1-8 Contacts 134 Opening towards the World Nikica Gilić In recent years, Croatian cinema has come to be rec- thrillers or French polars (Ostojić’s Nobody’s Son), in increase in international and regional cooperation Having said all this, I should point out that high- Ph. D., film scholar ognized as one of the most vital creative industries in the meditative style of the best Hungarian or Russian continued in 2008, with Buick Riviera, Three Stories quality documentaries and experimental films have the region. Croatian films and filmmakers been feted movies (Goran Rušinović’s Buick Riviera), or using the About Sleeplessness and Will Not Stop There) so one consistently been a great asset to Croatian cinema by reviewers and critics in the international press, as grotesque humour of Mediterranean and Southeastern can argue that Croatian film is opening itself up to the and thankfully, they continue to go from strength to well as by film festival juries at prestigious world festi- Europe (Brešan’s Will Not Stop There and Matanić’s world in yet another way. -
OPT 2015 Catalogue
OKANAGAN PRINT TRIENNIAL international exhibition of printmaking VERNON PUBLIC ART GALLERY OKANAGAN PRINT TRIENNIAL 2015 Vernon Public Art Gallery March 19 - May 21, 2015 Vernon Public Art Gallery 3228 - 31st Avenue, Vernon BC, V1T 2H3, Canada www.vernonpublicartgallery.com 250.545.3173 executive dorector’s Foreword The Vernon Public Art Gallery is proud to host the first international Okanagan Print Triennial (OPT) exhibition. This ambitious project was launched in 2009 as a national open juried print exhibition and expanded in 2012 to include the Americas. Wanting to highlight the important role printmaking has both in contemporary work and through historical methodologies, OPT was created to bring together the very best in current printmaking practices. This successful partnership between VPAG, the Kelowna Art Gallery and UBC Okanagan has flourished since its inception and was recognized for its regional importance by the BC Arts Council through the award of an innovations grant. Interest in this exhibition continues to grow and applications were received from 179 artists from 35 countries around the world. I would like to thank our Jurors Liz Wylie, Curator, Kelowna Art Gallery; Briar Craig, Artist and Professor of Printmaking, UBC Okanagan; Lubos Culen, Artist and Curator, Vernon Public Art Gallery for the many hours they contributed to the selection of the final 23 artists from 12 countries whose art will be exhibited at the 2015 OPT and are included in this publication. In conjunction with the OPT, the Kelowna Art Gallery will be hosting a solo exhibition for the winner of the 2012 OPT, Mitch Mitchell: For Whom You Build. -
Fiction & Documentary
FICTION & DOCUMENTARY FICTION 2 Nightlife by Damjan Kozole 4 Mother by Vlado Škafar 6 Huston, We Have A Problem by Žiga Virc 8 Perseverance by Miha Knific 10 Nika by Slobodan Maksimović 12 A Comedy of Tears by Marko Sosič 14 Case: Osterberg by Matej Nahtigal 1 FICTION 16 Šiška Deluxe by Jan Cvitkovič IN 18 Idyll by Tomaž Gorkič FICTION PRODUCTION 32 20 Family Film by Olmo Omerzu 43 DOCUMENTARY 22 The High Sun by Dalibor Matanić IN 24 Life is a Trumpet by Antonio Nuić DOCUMENTARY PRODUCTION 58 26 Ministry of Love by Pavo Marinković 28 Lucy in the Sky by Giuseppe Petitto 30 Our Everyday Life by Ines Tanović Production: Slovenian Film Centre Editor: Inge Pangos Translation: Borut Praper Visual & design: Boštjan Lisec Print: Collegium Graphicum Print run: 700 Ljubljana, January 2016 Slovenian Film Guide_Fiction & Documentary 3 Nightlife by Damjan Kozole Nočno življenje, 2016, DCP, 1:2.35, in colour, 93 min Late at night, a renowned lawyer is found on the sidewalk of a busy street in Ljubljana. He is semi-conscious and his body is covered in blood from numerous dog bite wounds. Phy- sicians at the Ljubljana Medical Centre are fighting for his life, while his wife is coping with the shock and her deepest fears. During that night she breaks all of the moral princi- ples she has advocated all her life. Damjan Kozole (1964) is an award-winning filmmaker whose directing credits include the critically acclaimed Spare Parts, nominated for the Golden Bear at the 53th Berlin IFF, Selected Filmography and Slovenian Girl, which premiered in 2009 at Toronto, Pusan and Sarajevo IFF and has (feature) been distributed worldwide. -
Triler U Hrvatskom Filmu
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository of Academy of Dramatic Art SVEUČILIŠTE U ZAGREBU AKADEMIJA DRAMSKE UMJETNOSTI ODSJEK FILMSKE I TV REŽIJE: IGRANI FILM Student: Goran Ribarić TRILER U HRVATSKOM FILMU DIPLOMSKI RAD Mentor: doc. dr. sc. Bruno Kragić Zagreb, 2015. 0 SADRŽAJ SADRŽAJ ................................................................................................................................. 1 1. UVOD ................................................................................................................................. 2 2. RATNI TRILER ............................................................................................................... 5 2.1. SVJEDOCI ............................................................................................................................................ 5 2.2. CRNCI ................................................................................................................................................... 8 3. POLITIČKO - ŠPIJUNSKI TRILER ........................................................................... 12 3.1. ZLATNE GODINE ............................................................................................................................. 12 3.2. TREĆA ŽENA .................................................................................................................................... 14 3.3. KRADLJIVAC USPOMENA ............................................................................................................ -
Croatian Films Features, Documentaries & Animation
Croatian Films Features, Documentaries & Animation Released in 2012 Content 2 Features (11) Documentaries (15) • Flower Square | Cvjetni trg by Krsto Papić · 8 • 20 Days in Tibet | 20 dana na Tibetu by Silvestar Kolbas · 36 • Goltzius and the Pelican Company by Peter Greenaway • Bare Island | Goli otok by Darko Bavoljak · 38 (minority co-production) · 10 • Big Day | Veliki dan by Đuro Gavran · 40 • Good to Go | Sretan do kraja by Matevž Luzar (minority co- • Blockade | Blokada by Igor Bezinović · 42 production) · 12 • Bosanoga, an Entirely Accidental Death | Bosanoga (sasvim • Halima’s Path | Halimin put by Arsen Anton Ostojić · 14 slučajna smrt) by Morana Komljenović · 44 • Hives | Košnice by Group of Directors · 16 • Čedo by Nikola Strašek · 46 • A Letter to My Dad | Pismo ćaći by Damir Čučić · 18 • Dr Andrija Štampar, Visionary | Dr. Andrija Štampar, vizionar by • My Beautiful Country | Most na Ibru by Michaela Kezele Mladen Juran · 48 (minority co-production) · 20 • Family Meals | Nije ti život pjesma Havaja by Dana Budisavljević · 50 • Night Boats | Noćni brodovi by Igor Mirković · 22 • The Fine Art of Mirroring - Youth Day 1987 by Toma Bačić · 52 • Sonja and the Bull | Sonja i bik by Vlatka Vorkapić · 24 • From Grain to Painting | Od zrna do slike by Branko Ištvančić · 54 • Vegetarian Cannibal | Ljudožder vegetarijanac by Branko • Hills Village 21000 Split | Brda 21000 Split by Silvio Mirošničenko Schmidt · 26 · 56 • When Day Breaks | Kad svane dan by Goran Paskaljević · 28 • The King | Kralj by Dejan Aćimović · 58 • Zagreb Stories -
PREMIJERE I PROGRAMI FESTIVALA Premijere Od 1
PREMIJERE I PROGRAMI FESTIVALA premijere od 1. siječnja do 31. prosinca 2011. Premijere hrvatskih profesionalnih kazališta i kazališnih grupa priredio: Goran Ivanišević ZAGREB Héderváry), Ivan Jončić (Veliki župan Rubido Dragić / Iva Mihalić; Olga Pakalović / Silvio Vovk Ciki), Tomislav Stojković (Podžupan), Dušan (Parovi iz romana), Dušan Bućan (Milan Domić), Bućan (Milan Domić), Dušan Gojić (Pristav), Mirta Zijad Gračić (Vladimir Lunaček, kritičar), Franjo HRVATSKO NARODNO Zečević (Valerija, kuma iz Varaždina), Kristijan Kuhar (Dr. Milivoj Dežman, urednik), Joško Ševo KAZALIŠTE U ZAGREBU Potočki (Župnik-ispovjednik), Olga Pakalović (Direktor i glavni urednik novina) (Dorica, Mirjanina mlađa sestra), Mia Krajcar (Kata, Cabaret: Dora Lipovčan, Mia Krajcar, Mia Biondić, Ivica Boban kuharica), Vanja Matujec (Sestra Bernarda, učiteljica Nera Stipičević, Ivana Krizmanić, Silvio Vovk, Ozren Zagorka u konviktu Sestara milosrdnica u Zagrebu), Marija Opačić redateljica Ivica Boban Tadić (Nadstojnica), Katija Zubčić (Časna majka), Glazbenici: Tomislav Ribičić (gitara), Siniša Reljić Mia Krajcar, Iva Mihalić, Ivana Krizmanić, Dora (klavijature) Lipovčan, Nera Stipičević (Učenice), Zijad Gračić Statisti: Hrvoje Kahlina, Karlo Keglević, Marko (Glumac) Staričić, Saša Tomić Zagorkin brak (Mađarska) i sanatorij Miroslav Krleža izvode: Livio Badurina (Inženjer Lajoš Nađ, Gospoda Glembajevi Mirjanin muž), Katija Zubčić (Svekrva, njegova redatelj Vito Taufer majka), Alen Šalinović (Dr. Franjo Nađ, njegov premijera 6. svibnja 2011. brat), Dora Lipovčan (Rozika, -
Croatian Films 2014
Contents Contents Notes • 7 Oko za oko Eye for an Eye, Antoneta Alamat Kusijanović • 41 Papigica Birdie, Lana Kosovac • 41 Feature Film — Poklon predsjednika Nixona President Nixon’s Present, Igor Šeregi • 42 finished – not yet released Glazbena kutija Music Box, Bruno Mustić • 10 Ponoćno sivo Midnight Grey, Branko Ištvančić • 42 Inferno, Vinko Möderndorfer • 11 Prekrasan dan Beautiful Day, Robert Knjaz • 43 Mirni ljudi Quiet People, Ognjen Sviličić • 12 Vožnja A Drive, Marina Kuveždić • 43 Most na kraju svijeta The Bridge at the End of the World, Branko Ištvančić • 13 Zajedno Together, Daniel Kušan • 44 post-production Broj 55 Number 55, Kristijan Milić • 14 Zajedno Together, Jasna Nanut • 44 Cure Girls, Andrea Štaka • 15 Zatvorite širom prozore Windows Wide Shut, Filip Peruzović • 45 Iza sna After the Dream, Igor Filipović • 16 Zujanje Buzzing, Dinko Božanić • 45 Kosac The Reaper, Zvonimir Jurić • 17 production Naslijeđe Heritage, Sanja Šamanović • 46 Lazar Lazarus, Svetozar Ristovski • 18 Sin Son, Goran Dević • 46 Otok ljubavi Love Island, Jasmila Žbanić • 19 pre-production Obična stara torba Plain Old Bag, Nebojša Slijepčević • 47 Spomenik Majklu Džeksonu Monument to Michael Jackson, Darko Lungulov • 20 Sadilishteto Sudilište Judgement, Stephan Komandarev • 21 Feature Documentary Film — Sveci Saints, Ivan Perić • 22 finished – not yet released Big Frather, Milivoj Puhlovski • 50 Svinjari The Enchanting Porkers, Ivan Livaković • 23 Ljubavna odiseja Happily Ever After, Tatjana Božić • 51 Zagreb Cappuccino, Vanja Sviličić • 24 Mitch -
60TIFF-CATALOGUE.Pdf
EΠΙΣΗΜΟΣ ΚΑΤΑΛΟΓΟΣ ΟFFICIAL CATALOG 60ό Διεθνές Φεστιβάλ Κινηματογράφου Θεσσαλονίκης 60th Thessaloniki International Film Festival ΥΠΟΣΤΗΡΙΚΤEΣ ΠΡΟΓΡΑΜΜΑΤΟΣ | FESTIVAL PROGRAM SUPPORTERS ΥΠΟΣΤΗΡΙΚΤEΣ ΠΡΟΓΡΑΜΜΑΤΟΣ | FESTIVAL PROGRAM SUPPORTERS Διοικητικό Συμβούλιο Board of Directors Πρόεδρος President Γιώργος Αρβανίτης Yorgos Arvanitis Αντιπρόεδρος Vice President Αχιλλέας Κυριακίδης Achilleas Kyriakidis Μέλη Members Γιώργος Τούλας Yorgos Christianakis Γιώργος Τσεμπερόπουλος Yorgos Toulas Γιώργος Χριστιανάκης Yorgos Tsemperopoulos Νομικός Σύμβουλος Legal Advisor Μαριάννα Παπαδοπούλου Marianna Papadopoulou Γραμματέας Secretary Μαρία Τζιώλα Maria Tziola Το Φεστιβάλ Κινηματογράφου Θεσσαλονίκης εποπτεύεται από το Υπουργείο Πολιτισμού και Αθλητισμού. The Thessaloniki International Film Festival is supervised by the Hellenic Ministry of Culture and Sports. Περιεχόμενα Contents Επιτροπές & Φεστιβάλ Juries & Awards 13 Διεθνές Διαγωνιστικό International Competition 24 Διαγωνιστικό “Meet the Neighbors” «Γνωρίστε τους γείτονες» Competition 33 Εκτός συναγωνισμού Out of Competition 39 VR VR 43 Ανοιχτοί Ορίζοντες Open Horizons 47 Ειδικές Προβολές Special Screenings 80 >> Film Forward >> Film Forward 92 Round Midnight Round Midnigh 100 Φεστιβάλ Ελληνικού Κινηματογράφου Greek Film Festival 104 Ματιές στα Βαλκάνια Balkan Survey 133 Αφιερώματα Tributes 149 Carte Blanche στον John Waters Carte Blanche to John Waters 166 Μεγαλώνοντας στα 80s The Boy 80s 173 Βραβείο LUX LUX Prize 179 Νεανική Οθόνη Youth Screen 182 Αγορά Agora 187 Παράλληλες Εκδηλώσεις Sidebar -
Croatian Documentaries 2011/2012
Documentary Films 2011 |12 Croatian Documentary Films 2011 – 2012 Documentary Films 2011 Documentary Films 2012 Album by Branko Ištvančić · 6 in production Citizens in Flower Square by Krsto Papić · 7 Always Faithful by Kristijan Milić · 44 The Cloud by Miroslav Sikavica · 8 Cedo by Nikola Strašek · 45 Fire! by Tonći Gaćina · 9 Dr Andrija Štampar, Visionary by Mladen Juran · 46 From Grain to Painting by Branko Ištvančić · 10 The End of the Light by Aleš Suk · 47 In War and Revolution by Ana Bilankov · 11 Foreclosure by Neven Hitrec · 48 The King by Dejan Aćimović · 12 Martićeva Street 14 D-F by Milivoj Puhlovski · 49 Land of Knowledge by Saša Ban · 13 Next by Velimir Rodić · 50 Marija´s Own by Željka Suková · 14 Passage for Stella by Ljiljana Šišmanović · 51 My Good and Beautiful Friends by Davor Kanjir · 15 Visaless by Petra Seliškar · 52 Slavenka or About the Pain by Petar Krelja · 16 Terrace by Sanja Šamanović, Vedran Šamanović · 17 in pre-production Under Pressure by Irena Ščurić · 18 Danke Deutschland by Miroslav Sikavica · 56 The War Reporter by Silvestar Kolbas · 19 Five Women by Tomislav Perica · 57 The Woman Who Talks to the Animals by Dana Budisavljević · 20 Zvonimir Berković by Željko Senečić · 21 Documentary Films 2012 in post-production 20 Days in Tibet by Silvestar Kolbas · 24 Blockade by Igor Bezinović · 25 Brda 21000 Split by Silvio Mirošničenko · 26 Family Meals by Dana Budisavljević · 27 Gangster of Love by Nebojša Slijepčević · 28 Generation ’68 by Nenad Puhovski · 29 Heritage by Tonči Gaćina · 30 Liberté, Égalité, Fraternité -
SHAKY PERIOD of 'INFECTION'
Croatian Society of Film Critics SHAKY PERIOD ‘ ‘ ‘The of INFECTION : SHOWSHOWSHOW MUSTMUSTMUST SELECTED TEXTS by the MEMBERS of GOGOGO the CROATIAN SOCIETY of FILM CRITICS ‘ from 2018 / 2019 ONONON! SHAKY PERIOD of ‘INFECTION‘ — ‘The SHOW MUST GO ON‘! he project you are looking at started at a time when our biggest concerns were the failure of T the most expensive Croatian film since indepen- dence, the stagnation of funds for complementary film ac- tivities and the diminishing presence of film criticism in the media. Today, after an earthquake that has shaken near- ly a quarter of Croatia’s population and in the midst of a global corona virus pandemic, those worries seem like a jest. We do not know what awaits us, but it is clear that the cultural sector will end up poorly in the new cards shuf- fling. It always does. New problems will not erase the old ones, but will aggravate them, and therefore: in the time of ‘Infection’ — ‘The Show Must Go On’! The world will not stop, neither should we. HRVOJE PUKŠEC — DIRECTOR OF THE CROATIAN SOCIETY OF FILM CRITICS ContentsContents InIn LIEU ofof an an 7 LIEU � INTRODUCTIONINTRODUCTION TheThe DIARY ofof DIANA B. — aa 9 DIARY DIANA B. — � REMARKABLEREMARKABLE PICTURE PICTURE TheThe LAST LAST SERB SERB in in — a and 13 CROATIACROATIA — a WITTY WITTY and � COMPLEXCOMPLEX RETHINKING RETHINKING ofof the the NATIONAL NATIONAL GENERALGENERAL — — is is THERE THERE a as a - 17 SUCHSUCH a THING THING as a STATE STATE- � BUILDINGBUILDING NATIONAL NATIONAL NARRATIVENARRATIVE in in CINEMA? CINEMA? F20 — -
The Celluloid Tinderbox
Central Europe Review The Celluloid Tinderbox Yugloslav screen reflections of a turbulent decade Edited by Andrew James Horton ______________________________________________________________________________________ 2000 Central Europe Review Ltd All Rights Reserved. May Not Be Copied or Distributed Page 1 Central Europe Review (http://www.ce-review.org/) Central Europe Review Published by Central Europe Review Ltd, UK 2000 Copyright © 2000 Central Europe Review Ltd All rights reserved The respective authors of individual chapters in this volume have asserted their rights under the Copyright, Designs and Patents Act, 1988 to be identified as the authors of their work. This book is sold subject to the condition that it shall not, by w ay of trade or otherw ise, be lent, resold, hired out or otherw ise circulated w ithout the publisher’s prior consent in any form of binding or cover, electronic or print, other than that in w hich it is published and w ithout a similar condition including this condition being imposed on the subsequent purchaser. Central Europe Review Ltd, Holly Cottage, Ellerdine Heath, Telford, Shropshire TF6 6RP Great Britain ISBN: 1-84287-002-5 Editor: Andrew James Horton Editorial Assistants: Pat FitzPatrick, Julie Hansen, Paul Nemes, Niobe Thompson ______________________________________________________________________________________ 2000 Central Europe Review Ltd All Rights Reserved. May Not Be Copied or Distributed Page 2 Central Europe Review (http://www.ce-review.org/) Central Europe Review Table of Contents Editor’s Note I. Introduction Dina Iordanova II. Who Will Take the Blame? How to make an audience grateful for a family massacre by Péter Krasztev III. Critical Mush The South Bank Show gives Emir Kusturica an easy ride by Andrew James Horton IV. -
Contributions to Literature-On-Screen Studies and Other Adaptation Studies / Beiträge Zur Erforschung Der Literaturverfilmungen Und Anderer Adaptionsfälle
Contributions to Literature-on-Screen Studies and other Adaptation Studies / Beiträge zur Erforschung der Literaturverfilmungen und anderer Adaptionsfälle Edited by / herausgegeben von ŽELJKO UVANOVIĆ Volume 2 / Band 2 2018 Adaptation: Theory, Criticism and Pedagogy Selected papers, student projects, and the film adaptation Osijek Sweet Osijek Edited by Ljubica Matek and Željko Uvanović Shaker Verlag Aachen 2018 Bibliographische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Diese Publikation wurde durch die freundliche Hilfe eines internen Forschungsprojekts der J.- J.-Strossmayer-Universität Osijek an der Fakultät für Geistes- und Sozialwissenschaften (UNIOS INGI 2015-11, PL: Prof. Dr. Željko Uvanović, Gastwissenschaftlerin: Prof. Dr. Kamilla Elliott, Lancaster University, UK) finanziert. Dem damaligen Rektor Herrn Prof. Dr. Željko Turkalj sowie dem damaligen Vize-Rektor für Wissenschaft und Forschung Herrn Prof. Dr. Rudolf Scitovski sei an dieser Stelle ganz herzlicher Dank ausgesprochen! © 2018 · Shaker Verlag Postfach 10 18 18 D-52018 Aachen Alle Rechte Vorbehalten. Dieses Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der Grenzen des Urhebergesetzes ohne schriftliche Zustimmung des Verlages ist unzulässig und strafbar. Das gilt insbesondere für Nachdruck, auch auszugsweise, Reproduktion, Vervielfältigung, Übersetzung, Mikroverfilmung sowie Digitalisierung oder Einspeicherung und Verarbeitung auf Tonträgern und in elektronischen Systemen aller Art. Verfasser einzelner Beiträge behalten ihre Rechte nur auf ihrem Beitrag. Alle Informationen in diesem Buch wurden mit größter Sorgfalt erarbeitet und geprüft. Weder Herausgeber, Autor noch Verlag können jedoch für Schäden haftbar gemacht werden, die in Zusammenhang mit der Verwendung dieses Buches stehen.