British Society for Eighteenth-Century Studies Annual Conference 2005
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Birmingham 2020 – Think Big, Think BACO
FEATURE Birmingham 2020 – think big, think BACO BY LUCY DALTON When Richard Irving and Ann-Louise McDermott made their successful bid to host BACO 2020 in Birmingham, they knew it had far more going for it than the International Conference Centre! Lucy Dalton tells us a little more about the attractions of England’s second city and interviews the two local organisers. ver thought of England’s growth? Back in the Domesday Book era (geographical) waist as a skinny of 1086, the Manor of Birmingham was no-man’s-land? Well think again: sparsely populated and poor. Valued at 20 EEngland’s midriff is big. Not the ugly, shillings, it would hardly have featured on liposuction-inspiring, blobby fat; rather, that William the Conqueror’s tax-hunting radar. enviable bulky, athletic big that comes with Scattered habitation and gentle waterways years of determination, guts and training. punctuated rolling hills. Enter Peter de Why? Birmingham. Birmingham, new Lord of the Manor. In the Birmingham, UK, is the heavyweight mid-12th century he began holding markets centre of Mid-England. As the UK’s second at his castle, from whence developed a largest city (1.2 million inhabitants), market town. Little did the farmers of the and sistered with cities such as Chicago, time realise that the ring in the ground used Frankfurt, Milan, Johannesburg and for tethering bulls on market days would Changchun, it contends in a league of turn into one of Birmingham’s most iconic its own. Though Spaghetti Junction, a (shopping) landmarks almost a millennium Lucy Dalton convoluted local road network with a later: The Bullring. -
Liturgical Music in Anglican Benedictine Monasticism
LITURGICAL YUSIC , Tn Anglican CZ3enedictine;, Monasticism DOM DAVID NICHOLSON, O.S.B. Monk of Mount Angel Abbey, Oregon U.S.A. Contents Introduction 5 Elmore Abbey (Formerly Nashdom Abbey), Berks, England 7 Alton Abbey, Hants, England 9 St. Gregory's Abbey, Three Rivers, Michigan, U.S A 10 St. Mark's Priory, Camperdown, Victoria, Australia 12 Edgware Abbey, Middlesex, England 15 St. Mary's Abbey,Kent, England 16 Burford Priory, Oxon, England 18 Holy Cross Convent, Rempstone, England 20 St. Hilda's Priory, Sneaton Castle, Whitby, N. Yorkshire, England 24 Community of St. Peter the Apostle, Glos. England 26 St. Peter's Convent, Wakefield, West Yorkshire, England 27 Order of the Holy Cross, Berkeley, California, U.S A 29 Ewell Monastery, West Mailing, Kent, England (Cistercian) 31 For Burnham (House of Prayer) Slough, England (Cistercian) 32 Russell Savage, Assistant Organist, St. James (Anglican) Church, Vancouver, British Columbia. Assistant Organist, Westminster Abbey, Mission, British Columbia, Canada. ©1990 Mount Angel Abbey, St. Benedict Oregon 97373 Introduction This volume follows, in natural sequence, the series: Liturgical Music in andBenedictine women in Monasticism. the Canterbury Although Communion there are which not a great base numbertheir life of on monasteries the Rule of St. of men Benedict, they are a witness to the monastic calling. in severalEach cases,Monastery where was I was asked not ableto explain to compile its historical sufficient and information liturgical modus I gathered vivendi, this from but GordonThe Benedictine Beattie, O.S.B., and CistercianR.A.F., monk Monastic of Ampleforth Yearbook (1990) Abbey. edited by Rev. Dom I wish to thank all who contributed to this work. -
Sing Like a Catholic
Sing Like a Catholic Sing Like a Catholic Jeffrey A. Tucker CMAA Church Music Association of America Many essays are drawn from articles that appeared in The Wanderer, The New Liturgical Movement, Inside Catholic, and Sacred Music. Cover design by Chad Parish. Copyright © 2009 Church Music Association of America and pub- lished under the Creative Commons Attribution license 3.0. http://creativecommons.org/licenses/by/3.0/ Church Music Association of America 12421 New Point Drive Harbor Cove Richmond, Virginia 23233 Fax 240-363-6480 [email protected] website musicasacra.com ISBN: 978-1-60743-722-2 Contents Preface by Scott Turkington . .ix Introduction by Jeffrey A. Tucker . .xi 1. WHY CHANT? . 1 Why Chant Now? . 3 The Sociology of the Chant Movement . 6 The Mansion of the Past . 9 Music Without Borders . .13 The Musical Intentions of Vatican II . .16 The Changing Music Environment . .21 2. STRATEGY . .25 Israeli Hebrew and Latin Chant . .27 A New Model of Musicianship . .30 Remove the Roadblocks . .34 Three Paths to Sacred Music . .38 The Heroic Generation of Chanters . .41 Pay for Training . .44 3. PARISH LIFE . .49 Why the Stasis? . .51 Sing or Else . .55 Should Liturgy Cater to Our Differing Needs? . .58 To Be Young and Singing . .61 v vi Sing Like a Catholic When the Liturgy Committee Strikes . .65 Father Scorched Earth . .67 Rip Up Those Carpets! . .71 A Letter to Praise and Worship Musicians . .74 4. THE MASS . .81 Music for Real Parishes . .83 Should a Parish Impose Uniformity in Music? . .86 The Gathering Song . .89 The Trouble with Hymns . -
19 What Angels? Gregorian Chant and Spiritual Meaning in a Secular World
Fabian Lochner 19 What angels? Gregorian chant and spiritual meaning in a secular world: Reflections on an artistic collaboration between Gregorian chant ensemble Schola Nova Silvana and British poet Hilary Stobbs In conspectu angelorum psallam tibi. — Ps. 137.1 (138.1) What angels? Gregorian chant and spiritual meaning in a [In the countenance of the angels shall I sing praises unto you.] secular world Fabian Lochner Introduction Gregorian chant is a vast and extraordinary repertoire of devotional song, mostly in Latin, used for centuries in the formal liturgical wor- ship of Christian faith communities all over medieval Western Europe.1 1 There are few introductory-level publications on Gregorian chant for the musical practitioner and the ones available have some notable limitations. In the UK, The RSCM Guide to Plainchant (RSCM 2015) provides a starting point. Its American counterpart, Beginners Guide to Singing Gregorian Chant Notation, Rhythm and Solfeggio (Jones 2010) is of rather less value. TheRSCM Guide offers a chant primer by Dr Mary Berry (reprinted unchanged from a 1979 RSCM publication), supple- mented by an Anthology of Plainchant by John Rowlands-Pritchard which includes welcome transcriptions of chants from English sources but omits any reference to early chant notations (neums) and their rhythmic interpretation, pioneered by Dom Eugène Cardine (1970/1981). Rembert Herbert (1999), on pp. 63–93 contains a very accessible general introduction to chant and its history and much 350 Fabian Lochner Gregorian chant remains officially the ‘special music’ of the Catholic Church.2 However, the liturgical practice of Latin chant, as a full annual cycle of daily worship, is now limited to very few, mostly monastic, communities.3 Meanwhile, millions of ordinary people are drawn to listening to chant recordings in the privacy of their homes for reasons not necessarily else of value, to be discussed later in this chapter. -
The Lunar Society
Ch F-X ang PD e w Click to buy NOW! w m o w c .d k. ocu-trac The Lunar Society The Lunar Circle or Society was an informal club or association of significant scientific men which flourished in and around Birmingham for nearly forty years. Origins: The origins of the Lunar Society lie in a pattern of friendships that emerged in the late 1750s. Erasmus Darwin and Matthew Boulton first met in early 1757, possibly through family connections, as Boulton's mother's family were patients of Darwin; or possibly though shared friendships, as both were admirers of the printer John Baskerville and friends of the astronomer and geologist John Michell, a regular visitor to Darwin's house in Lichfield1. Darwin was a physician and poet who had studied at Cambridge and Edinburgh; Boulton had left school at fourteen and started work in his father's business making metal goods in Birmingham at the age of 21. Despite their different backgrounds they shared a common interest in experiment and invention, and their activities would show Darwin's theoretical understanding and Boulton's practical experience to be complementary2. Soon they were visiting each other regularly and conducting investigations into scientific subjects such as electricity, meteorology and geology3. Erasmus Darwin Matthew Boulton In 1758, first Boulton and then Darwin became friends of the Derby-based clockmaker John Whitehurst. The link began with Whitehurst supplying clock movements to Boulton’s manufacturing operation but then extended into other experiments. Boulton, Darwin and Whitehurst were in turn introduced by Mitchell to Benjamin Franklin on his visit to Birmingham in July 1758 "to improve and increase Acquaintance among Persons of Influence"4, and Franklin returned in 1760 to conduct experiments with Boulton on electricity and sound5. -
Liturgical Ensembles
NATIONAL ASSOCIATION of PASTORAL MUSICIANS PASTORAL August-September 2008 Music Liturgical Ensembles s Daily Mass section with complete Lectionary readings, psalm refrain and verses, antiphons, presidential prayers and hymn suggestions s All the great features of Today’s Missal— seasonal music and everything you need for Sundays and holy days for the entire year s Three seasonal issues, plus the annual Music Issue (included with subscription) s Excellent second missal— get 50 for your daily Mass chapel Advent-Lent 2009 issue now available Learn more at Cocp.org/td Call today for a FREE sample 1-800-LITURGY (548-8749) | OCP.ORG the price. The NPM staff has worked hard to reduce expenses in order to hold down costs for members. This year’s report shows overall expenses to be $40,000 lower than in 2005, the year of our last national convention. Over the past few years I have been impressed and moved by the generosity of NPM members in their personal and financial support. Thanks to member gifts in 2007, the Association was able this year to provide sixteen undergraduate and graduate students with more than $34,000 in scholarship funds for the coming academic year. Members showed strong support for the work of the Association by contributing more than $50,000 to the 2007 NPM Annual Fund—more than in From the President any previous year. The numbers, of course, tell only part of the story. The real measure of NPM is in the ministry of its Dear Members, members—the musicians, clergy, liturgists, and other leaders who serve the Church at prayer. -
The Schola Gregoriana of Cambridge
The Schola Gregoriana of Cambridge Newsletter Spring 2017 News of Associates: We are delighted to welcome as new Associates: Rev. Dom Peter Burns OSB, Suzanne Cabral, Dr. Eileen French, Alan Gardner, Roger Hill, John Mackenzie, Hilary Peters, Kamala Singh and Anna Svendsen. We record with sadness the deaths of Muriel Dean, Rosemary McCabe and Reg Selous. FROM THE DIRECTOR The Schola’s activities in recent years have taken place in the shadow of the sudden and unexpected decision of the Community of Jesus to sell St Benedict’s, thus requiring the Schola to find new accommodation for its library, archives, and liturgical paraphernalia, and to make new arrangements for administration of the Schola. We were sorry to have to say farewell to Bill and Holly and Sr Hannah, as well as Ron Minor. We are grateful to the Fathers of the Birmingham Oratory, who have generously made new accommodation available to us. The task of relocation has consumed a great part of our trustees’ energies, and limited the Schola’s capacity to engage in other initiatives. Nevertheless, the Schola’s team of musical directors have remained busy in the meantime, and the Schola has been involved in many and various activities. Space does not permit me to mention each individual event, but I hope that in briefly describing some of our more memorable activities readers will be able to appreciate the range of our current work, and the vital and unique role that the Schola 1 continues to play in passing on the treasures of the Gregorian tradition to future generations. -
The Adventurous History of Sabrina Sidney
CONSTRUCTING THE EIGHTEENTH-CENTURY WOMAN: THE ADVENTUROUS HISTORY OF SABRINA SIDNEY By KATHARINE ILES A thesis submitted to the University of Birmingham For the degree of DOCTOR OF PHILOSOPHY School of History and Cultures College of Arts and Law University of Birmingham April 2012 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT The story of Thomas Day’s attempt to educate a young girl according to the theories of Jean-Jacques Rousseau, with the aim of marrying her, has often been referred to as a footnote in Enlightenment history. However, the girl chosen by Day, Sabrina Sidney, has never been placed at the centre of any historical enquiry, nor has the experiment been explored in any depth. This study places Sabrina at its centre to investigate its impact on her and to examine the intellectual and societal debates that informed Thomas Day’s decision to educate a wife. This thesis argues that Sabrina Sidney was in a constant state of construction, which changed depending on a myriad of factors and that constructions of her were fluid and flexible. -
Early Dominican Mass Chants: a Witness to Thirteenth-Century
4 THE CATFIOLTCUN LVERS I'l'Y OF AMISK 1C.A ,, EARLY DOMINICAN MASS CHANTS A WITNESS TO THIRTEENTH CENTURY CHANT S't'YLE A DISSERTATION Submitted to the Faculty of the Renjamin T. Rome School of Mr~sic of the Ca'tholic University of America in Partial Fulfillment of the Requirements for the Degree Doctor- of Phi.losophy The Reverend Robert R. Maller, O..P. Washington, D. C. 1986 This dissertation was approved by Ruth Steiner * as Director, and by'conrad ~ernierand Cyrilla Barr as Readers. -. Director Reader /I Reader (Dissertation Abstract) EARLY DOMINICAN MASS CHANTS A WITNESS TO THIRTEENTH CENTURY CHANT STYLE by The Reverend Robert B. Haller, 0. P. * I This dissertation is an examination and analysis oE the earliest known sources of Domini,can Mass chants, the process by'which these were edited, and the style of the chant which resulted. To accomplish this, three closely u related chant traditions are studied and compared with the chant of other traditions: the Cistercian chant as edited 9 under Bernard of Clairvaux, the pre-1244 edition of Dominican chant, and the Dominican chant reformed under Numbert of Romans and completed in 1256. By examining the musical ,principles which guided the editors in their work and the cultural and religious pre-suppositions which underlay these principles, the author seeks to gain insight into the editorial process and what that process can reveal about the aesthetic sense of the age in which it is found. By examining early Cistercian and Dominican legislative documents the autho,r provides a brief history of the reforms and the spirit which underlay them. -
ECONOMICS, POLITICS and PHILOSOPHY We Are Exhibiting at These Fairs
Peter Harrington london ECONOMICS, POLITICS AND PHILOSOPHY We are exhibiting at these fairs: 7–8 October 2017 pasadena Antiquarian Book, Print, Photo & Paper Fair Pasadena Center, Pasadena, CA www.bustamante-shows.com/book/index-book.asp 14–15 October seattle Seattle Antiquarian Book Fair Seattle Center Exhibition Hall www.seattlebookfair.com 3–5 November chelsea Chelsea Old Town Hall Kings Road, London SW3 www.chelseabookfair.com 10–12 November boston Boston International Antiquarian Book Fair Hynes Convention Center bostonbookfair.com 17–19 November hong kong China in Print Hong Kong Maritime Museum www.chinainprint.com Cover illustration from Atelier Populaire. Mai 68: Début d’une lutte prolongée; item 5. VAT no. gb 701 5578 50 Illustration opposite from John Blaxton’s The English usurer; item 15. Peter Harrington Limited. Registered office: WSM Services Limited, Connect House, 133–137 Alexandra Road, Wimbledon, London SW19 7JY. Design: Nigel Bents. Photography: Ruth Segarra. Registered in England and Wales No: 3609982 Peter Harrington london catalogue 137 ECONOMICS, POLITICS AND PHILOSOPHY All items from this catalogue are available to view at Dover Street mayfair chelsea Peter Harrington Peter Harrington 43 Dover Street 100 Fulham Road London w1s 4ff London sw3 6hs uk 020 3763 3220 uk 020 7591 0220 eu 00 44 20 3763 3220 eu 00 44 20 7591 0220 usa 011 44 20 3763 3220 usa 011 44 20 7591 0220 Dover St opening hours: 10am–7pm Monday–Friday; 10am–6pm Saturday www.peterharrington.co.uk 1 1 ANDERSON, James. Observations on the means of exciting a spirit of National Industry; chiefly intended to promote the Agriculture, Commerce, Manufactures, and Fisheries, of Scotland. -
A Brief History of Christ Church
A Brief History of Christ Church MEDIEVAL PERIOD Christ Church was founded in 1546, and there had been a college here since 1525, but prior to the dissolution of the monasteries, the site was occupied by a priory dedicated to the memory of St Frideswide, the patron saint of both university and city. St Frideswide, a noble Saxon lady, founded a nunnery for herself as head and for twelve more noble virgin ladies sometime towards the end of the seventh century. She was, however, pursued by Algar, prince of Leicester, for her hand in marriage. She refused his frequent approaches which became more and more desperate. Frideswide and her ladies, forewarned miraculously of yet another attempt by Algar, fled up river to hide. She stayed away some years, settling at Binsey, where she performed healing miracles. On returning to Oxford, Frideswide found that Algar was as persistent as ever, laying siege to the town in order to capture his bride. Frideswide called down blindness on Algar who eventually repented of his ways, and left Frideswide to her devotions. Frideswide died in about 737, and was canonised in 1480. Long before this, though, pilgrims came to her shrine in the priory church which was now populated by Augustinian canons. Nothing remains of Frideswide’s nunnery, and little of the Saxon church - perhaps a few stones - but the cathedral and the buildings around the cloister are the oldest on the site. Her story is pictured in cartoon form by Burne-Jones in one of the windows in the cathedral. One of the gifts made to the priory was the meadow between Christ Church and the river; Lady Montacute gave the land to maintain her chantry which lay in the Lady Chapel close to St Frideswide’s shrine. -
Encyclopédie
The Enlightenment 2 of 62 http://www.open.edu/openlearn/history-the-arts/history/history-art/the-enlightenment/content-section-0?utm_source=openlearnutm_campaign=olutm_medium=ebook Wednesday 22 May 2019 About this free course This free course provides a sample of Level 2 study in Arts and Humanities: http://www.open.ac.uk/courses/find/arts-and-humanities. This version of the content may include video, images and interactive content that may not be optimised for your device. You can experience this free course as it was originally designed on OpenLearn, the home of free learning from The Open University - www.open.edu/openlearn/history-the-arts/history/history-art/the-enlightenment/content-section-0. There you’ll also be able to track your progress via your activity record, which you can use to demonstrate your learning. The Open University, Walton Hall, Milton Keynes MK7 6AA Copyright © 2016 The Open University Intellectual property Unless otherwise stated, this resource is released under the terms of the Creative Commons Licence v4.0 http://creativecommons.org/licenses/by-nc-sa/4.0/deed.en_GB. Within that The Open University interprets this licence in the following way: www.open.edu/openlearn/about-openlearn/frequently-asked-questions-on-openlearn. Copyright and rights falling outside the terms of the Creative Commons Licence are retained or controlled by The Open University. Please read the full text before using any of the content. We believe the primary barrier to accessing high-quality educational experiences is cost, which is why we aim to publish as much free content as possible under an open licence.