Towards Nepalese English Literature
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Nepal Studies in Japan- Social Sciences and Humanities Hiroshi Ishii
109 研 究動向 Nepal Studies in Japan- Social Sciences and Humanities HiroshiIshii 1. Introduction Until the middle of this century, Nepal was closed to most foreigners, though there were some notable exceptions. The collapse of the Rana regime in 1951 and the open-door policy taken by the new government offered a great prospect for those who had cherished aspirations to visit Nepal. Some organized large scale multi- purpose expeditions combined with mountaineering, an approach that charac- terized the early years of the Japanese activities in Nepal. Small scale expeditions and individual studies followed and broadened the scope to the area other than the high Himalayan region. Various interests were shown by Japanese scholars but natural sciences will not be dealt with here except where they are relevant to the issues of social sciences and humanities which form the focus of this review. 2. Social Sciences and Humanities Japanese scholars have shown diverse interests in this field as we see below. Many of the studies were made through fieldwork but there were also studies based on written sources. 2. 1. Before 1950 Among less than a dozen Japanese who visited Nepal before 1950, Kawaguchi's work is worth mentioning. Being a Buddhist monk, he became interested in Tibetan Buddhism and visited Nepal in 1899 to 1900 before he went to Tibet and returned again in 1902 and 1905. The travelogues of his trips contain valuable descriptions of Nepal at that time as well as information on Buddhism. (Kawaguchi 1909, 1966) Sanskrit Buddhist manuscripts, sculpture and his other collections are kept in several institutions in Japan and are still being studied. -
David Bottoms, Poet Laureate of Georgia Featured at Georgia Poetry Society 118Th Quarterly Meeting
GEORGIA POETRY SOCIETY: SERVING GEORGIA’S POETS SINCE 1979 Volume 30, Number 2: Summer 2008 DAVID BOTTOMS, POET LAUREATE OF GEORGIA FEATURED AT GEORGIA POETRY SOCIETY 118TH QUARTERLY MEETING Come enjoy another exciting Other program highlights include the ever-popular program on Saturday, July 19, 2008 at member readings. Dr. Robert Simon will read from his new Kennesaw State University (KSU). We book of poetry, Jill Jennings will provide a workshop and the thank Dr. Robert Simon, faculty member Dr. Robert Lynn will unveil the GPS 2008 anthology, The at KSU and to the Department of Foreign Reach of Song. Languages and the College of Humanities Simon is Assistant Professor of Spanish at KSU. He has and Social Sciences for their support. taught both Spanish and Portuguese languages and has It is our good fortune to have as our investigated the presence of Surrealism, Mysticism and featured reader, David Bottoms, Poet Laureate of Georgia. postmodernism in Contemporary Peninsular Literature. He Bottoms was born in Canton Georgia in 1949. His first book, is widely published in several journals (The Reach of Song, Shooting Rats at the Bibb County Dump, was selected by The American Poetry Journal and The New York Quarterly) Robert Penn Warren as winner of the 1979 Walt Whitman and has a book of poetry, New Poems from the Airplane and Award of the Academy of American Poets. Bottoms’ poems Graveyard. He explains his poetry as “an exploration of the have been published in a wide variety of magazines that intimate connection between love, death, and the languages includes The Atlantic, The New Yorker, Harper’s, The Paris that harness and define me as both a poet and a scholar.” Review and Poetry, and more than four dozen anthologies Jennings has won top awards from several poetry and and textbooks. -
Kesar Lall: a Homage on the Occasion of His Buraa Janko
1 2 Kesar Lall : A Homage on the occasion of his Buraa Janko Monday, February 2, 2004 3 Editors: Corneille Jest Tej Ratna Kansakar Mark Turin Design and Publishing: Marina Paper, Kathmandu ISBN 99933-890-7-2 © the editors, 2004 4 PUSHPA -THE CHILDREN’S OWN PAPER : December 1945 5 6 7 8 Contents Tej Ratna Kansakar ............................................................................11 Siddhi B. Amatya ...............................................................................18 Nhuchhe Bahadur Bajracharya...........................................................20 Kumar Bahadur Bhatta ......................................................................27 Christoph Cüppers ............................................................................30 Jim Fisher ..........................................................................................34 David Gellner ....................................................................................35 Bhasudev P. Gorkhaly ........................................................................36 Corneille Jest .....................................................................................38 Madhav Lal Karmacharya ..................................................................45 Ruth Obee .........................................................................................48 Mac Odell..........................................................................................49 Toshiko Omura..................................................................................53 -
Bishnu Kumari Waiba - Poems
Classic Poetry Series Bishnu Kumari Waiba - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Bishnu Kumari Waiba(1937 – 1993) <b>Parijat</b> was a Nepali writer. Her real name was<b> Bishnu Kumari Waiba </b> (waiba is a subgroup of Tamang) but she wrote under the pen name <b>Parijat</b> (Parijat is night-flowering fragrant jasmine flower). Her most acclaimed publication is Siris Ko Phul (The Blue Mimosa), which has also been adapted in the literature curriculum of some colleges in some English-speaking countries. <b>Early Life and Education</b> Parijat was born in 1937 in the hill station of Darjeeling, India, a place known for its tea gardens. Because her mother Amrit Moktan died early, she was raised by her father Dr. K.N. Waiba, who was a psychologist, and her grandparents. The birth place of Parijat, Darjeeling, was a major centre of Nepali language, culture and literature during her growing up years. Darjeeling, which was once part of Nepal, remains inhabited by Nepali people and never lost its character as a major centre of Nepali language, culture and literature. Sharing a close relationship with Nepal, Darjeeling has played an influential role in the development of Nepal's literature. Therefore, Parijat was intricately connected to Nepal and Nepali literature from her early childhood. Having had a keen interest in literature from her childhood, she was destined to play an important and well- appreciated role in strengthening Nepali literature. Parijat completed part of her schooling in Darjeeling and came to Kathmandu, Nepal in 1954. -
Tribhuvan University Bhupi Sherchan
Tribhuvan University Bhupi Sherchan : A Rebel in Nepali Poetry A Thesis Submitted to the Faculty of Humanities and Social Sciences, Department of English, Ratna Rajyalaxmi Campus, in Partial Fulfillment of the Requirements For the Degree of Master in English by Manoj Lama TU Regd. No: 6-2-40-154-2010 Roll No: 400315/72 June 2018 Declaration I hereby declare that the thesis entitled “Bhupi Sherchan : A Rebel in Nepali Poetry” is my own original work carried out as a Master’s student at the Department of English at Ratna Rajya Laxmi Campus except to the extent that assistance from others in the thesis design and conception in the presentation style and linguistic expression are duly acknowledged. All the sources used for the thesis have been fully and properly cited. It contains no material which to a substantial extent has been accepted for the award of any other degree at Tribhuvan University or any other educational institution, except where due acknowledgement is made in the thesis. Manoj Lama June 2018 Tribhuvan University Faculty of Humanities and Social Sciences Ratna Rajyalaxmi Campus, Kathmandu Letter of Approval This is to certify that the thesis entitled “Bhupi Sherchan : A Rebel in Nepali Poetry” submitted to the Department of English, Ratna Rajyalaxmi Campus, by Manoj Lama, has been approved by the undersigned members of the research committee: ……………………………. Mr. Bam Dev Sharma Supervisor ……………………………. External Examiner ……………………………. Mr. Pradip Sharma Head Department of English Acknowledgements I would like to express my deepest and sincere gratitude to my respected research supervisor Mr. Bam Dev Sharma, Department of English, Ratna Rajya Laxmi Campus, who guided me with valuable supervision, constructive help and guidelines. -
DIBRUGARH UNIVERSITY Syllabus of MIL(Nepali) for Undergraduate Courses Under CBCS W.E.F
DIBRUGARH UNIVERSITY Syllabus of MIL(Nepali) for Undergraduate Courses under CBCS w.e.f. 2018-2019 Preamble The Syllabus for UG Courses in MIL (Nepali) is designed in accordance with Dibrugarh University Regulations for the Academic Programmes under Choice Based Credit System (CBCS), 2018. Three Years UG programmes include Six Semesters. No Honours course is offered in Nepali in UG Courses in Dibrugarh University. This Course of MIL (Nepali) is prepared for the students of B.A., B.Sc., & B.Com. The First Semester students of B.A., B.Sc., & B.Com. having honours in any other subjects will have to take MIL (Nepali—1.100). B.Sc. Non-Honors students have to take MIL (Nepali—1.100 & 2.100) in 1st & 2nd Semesters. B.A. Non-Honors students will have to choose MIL (Nepali—3.100 & 4.100) in 3rd & 4th Semesters. B.Com. Non-Honors students have to take MIL (Nepali—3.100 & 4.100) in 3rd & 4th Semesters. There shall be 100 marks and 2 credits for each paper. Each paper will be divided into 4 Units having 25 marks for each Unit. Examination and Evaluation shall be done on a continuous basis. There shall be In-Semester Assessments and End-Semester Examination in each paper during every Semester. 20 marks of each paper shall be allotted for In-Semester evaluations which will comprise Sessional Examinations, Assignments, Paper Presentations, Viva-voce etc. The End-Semester Examination will be of 80 marks covering the whole syllabus. Complete course structure MIL (Nepali) Semester-I Course Title: History of Literature, Poetry & Grammar and Composition. -
Rairang IPO For
S.N. BOID Applicants Name Alloted Kitta 1 1301070000057319 Mukunda Chapagain 10 2 1301180000073267 AMBIKA DHITAL 10 3 1301100000126894 PRAYUSHI SHAKYA 10 4 1301060000828009 MANIRAJ SHRESTHA 10 5 1301060001040886 Binod Karki 10 6 1301060001292962 KIRAN KARKI 10 7 1301060001122536 SUMI KOIRALA 10 8 1301060000023947 SAGUN HAMAL 10 9 1301340000030257 KIRAN BHATTARAI 10 10 1301060001272312 SUYASH SIGDEL 10 11 1301120000536539 Ramesh Maharjan 10 12 1301470000015477 SUNIL MAHARJAN 10 13 1301170000040977 RUPA KESHARI MAHARJAN 10 14 1301360000011301 DURGA LAXMI SHRESTHA 10 15 1301480000026551 RATI MAHARJAN 10 16 1301120000273488 Saroj Adhikari 10 17 1301010000211211 AAYAN PUDASAINI 10 18 1301090000579181 ABISHEK SHRESTHA 10 19 1301060000062444 PAWAN WAGLE 10 20 1301120000045697 CHANDRA BAHADUR CHHETRI 10 21 1301110000101741 narayan acharya 10 22 1301010000006837 RABIN SHAKYA 10 23 1301280000030041 KHAGESHOR DHAKAL 10 24 1301100000579047 TEJ BAHADUR KARKI 10 25 1301380000003491 SURESH BOLAKHE 10 26 1301060000653270 DIRGHA PRASAD SHARMA 10 27 1301370000879456 Dawa Finju Sherpa 10 28 1301120001152428 RAMESH PRASAD ADHIKARI 10 29 1301040000234357 KALYAN ACHARYA 10 30 1301370000148752 Bhim Bahadur Tamang 10 31 1301390000189981 JEEVAN CHANDRA BHANDARI 10 32 1301080000075105 LOK MANI POKHAREL 10 33 1301110000006850 YUB RAJ SHRESTHA 10 34 1301370000068886 Raghabendra Yadav 10 35 1301100000064684 JANARDAN UPADHYAY 10 36 1301070000300604 Rabin Bhandari 10 37 1301480000026564 KABINDRA SINGH 10 38 1301120000408354 Ashok Pokhrel 10 39 1301060000858101 BIBEK -
I. Introduction Writer Parijat, the Nepali Name for a Species of Jasmine With
I. Introduction Writer Parijat, the Nepali name for a species of jasmine with a special religious significance, is the pen name adopted by Bishnu Kumari Waiba, a Tamang woman who was born in the Tea-Estate of Darjeeling in 1937 A.D. She was the daughter of Kalu Sing Waiba and Amrita Moktan. She has been hailed by her contemporaries as one of the most innovative and first modern novelist of Nepal. The themes and philosophical outlook of her poems, novels and stories are influenced by her Marxist and feminist views and her own personal circumstances. Parijat suffered from a partial paralysis since her youth and ventured from her home only rarely during the past twenty years. She was unmarried and childless, a status that was not usual for a woman in Nepalese society and that is due partly to her illness and partly, it seems due to personal preference. Despite her disability, Parijat is a formidable force in Nepali literature, and her flower-filled room in a house near Balaju has become a kind of shrine for progressive Nepali writers. Parijat is a beautiful, intense-looking woman. She is concerned with a Nepali tribal group of antiquity but of uncertain origin. She is a Buddhist by birth and her childhood was deeply unhappy. According to Lama Religion, she was named Chheku Lama. Her mother died while Parijat was still young, and an elder brother drowned shortly afterward. At the age of about thirteen, it seems that she became passionately involved in a love affair that ended in heartbreak and a period of intense depression. -
Sidney Keyes: the War-Poet Who 'Groped for Death'
PINAKI ROY Sidney Keyes: The War-Poet Who ‘Groped For Death’ f the Second World War (1939-45) was marked by the unforeseen annihilation of human beings—with approximately 60 million military and civilian deaths (Mercatante 3)—the second global belligerence was also marked by an Iunforeseen scarcity in literary commemoration of the all-destructive belligerence. Unlike the First World War (1914-18) memories of which were recorded mellifluously by numerous efficient poets from both the sides of the Triple Entente and Central Powers, the period of the Second World War witnessed so limited a publication of war-writing in its early stages that the Anglo-Irish litterateur Cecil Day-Lewis (1904-72), then working as a publications-editor at the English Ministry of Information, was galvanised into publishing “Where are the War Poets?” in Penguin New Writing of February 1941, exasperatedly writing: ‘They who in folly or mere greed / Enslaved religion, markets, laws, / Borrow our language now and bid / Us to speak up in freedom’s cause. / It is the logic of our times, / No subject for immortal verse—/ That we who lived by honest dreams / Defend the bad against the worse’. Significantly, while millions of Europeans and Americans enthusiastically enlisted themselves to serve in the Great War and its leaders were principally motivated by the ideas of patriotism, courage, and ancient chivalric codes of conduct, the 1939-45 combat occurred amidst the selfishness of politicians, confusing international politics, and, as William Shirer notes, by unsubstantiated feelings of defeatism among world powers like England and France, who could have deterred the offensive Nazis at the very onset of hostilities (795-813). -
Thesis Full Version (1.534Mb)
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2019 Birds with Wolf Hearts, a Collection of Poetry, with an Analysis of Contemporary Nepalese Women's Poetry Walsh, Eleanor http://hdl.handle.net/10026.1/14293 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. BIRDS WITH WOLF HEARTS, A COLLECTION OF POETRY, WITH AN ANALYSIS OF CONTEMPORARY NEPALESE WOMEN’S POETRY by ELEANOR WALSH A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY School of Humanities and Performing Arts March 2019 Acknowledgements I would first like to thank my supervisors Anthony Caleshu, Min Wild and Mandy Bloomfield, for their tireless effort with this project, as well as great ideas, feedback, and guidance. The research for this thesis was supported by the Roland Levinsky Scholarship fund and the Santander Scholarship Program. I’m so grateful for their assistance, without which such extensive fieldwork could never have taken place. -
The Publishing of a Poet: an Empirical Examination of the Social Characteristics of Canadian Poets As Revealed in Small Press Literary Magazines
The Publishing of a Poet: An Empirical Examination of the Social Characteristics of Canadian Poets as Revealed in Small Press Literary Magazines by Diane Monique Barlee B.A., University of Victoria, 2008 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Sociology ! Diane Monique Barlee, 2011 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee The Publishing of a Poet: An Empirical Examination of the Social Characteristics of Canadian Poets as Revealed in Small Press Literary Magazines by Diane Monique Barlee B.A., University of Victoria, 2008 Supervisory Committee Dr. Richard Ogmundson (Department of Sociology) Supervisor Dr. Peyman Vehabzadeh (Department of Sociology) Departmental Member Dr. Iain Macleod Higgins (Department of English) Outside Member iii Abstract Supervisory Committee Dr. Richard Ogmundson (Department of Sociology) Supervisor Dr. Peyman Vehabzadeh (Department of Sociology) Departmental Member Dr. Iain Macleod Higgins (Department of English) Outside Member This thesis is an exploratory examination of the social characteristics of 139 poets featured in a selection of five small press Canadian literary journals. The investigation charts and analyzes the demographics of 64 poets who were published in 1967, and 75 poets who were published in four small press literary magazines in 2010. The 2010 magazines were purposely sampled as representatives of specific geographical areas in Canada (i.e., the West Coast, the Prairies, Central Canada, and the East Coast). The results indicate that in 1967 female poets were less likely to be published; however, 43 years later, this bias has been rectified. -
Sung Poetry in the Oral Tradition of the Gulf Region and the Arabian Peninsula
Oral Tradition, 4/1-2 (1989): 174-88 Sung Poetry in the Oral Tradition of the Gulf Region and the Arabian Peninsula Simon Jargy Historical Background As far back as we can go in the past history of the Arabs and Arabia, we fi nd poetry present as a huge memorial to their real and imaginary heroic exploits, as a witness to their way of life and feelings, and most of all as an expression of the deepest roots of their soul. Being essentially oral in its origins and developments, this poetry, with its rhythms, intonations, accents, and long or short syllables fi tted in quite naturally with music. In the old classical Arabic terminology, poetry (Shicr) identifi es with song (Nashīd): reciting it is synonymous with singing it (Anshada al-Shicr). This bond between Shicr (poetry) and Inshād (chant or recitative) still has the same meaning in the spoken Arabic of the Peninsula and the Gulf region where Nishīda (song) is synonymous with Giṣīda (poem). In pre-Islamic Arabia, Inshād likely had a dual function: religious and social. Both stem from the rhythmical syllables of the Arabic language (rhymed prose: Sajc, and metrical poetry: Shicr), as well as from rhythmical movements of camels. Coming from ancient times, this is the Ḥidā’ (literally “stimulating the camel’s step”) that the Bedouin sings following the steps of his camel and for his own entertainment. It has survived in the actual form we call “recitative” or “cantilena,” as the common Ḥadwā still designates, in the spoken Bedouin dialect of the Gulf, the folk songs of both the desert and the sea.