SHAKESPEARE THEATRE COMPANY Dear Friend, Table of Contents Welcome to STC’s Hero/ STC Board of Trustees Traitor Repertory, the first Coriolanus Title Page 5 installment in the Clarice Board of Trustees W. Mike House Emeritus Trustees Smith Repertory Series. Michael R. Klein, Chair Jerry J. Jasinowski R. Robert Linowes*, About the Playwright: Shakespeare 6 Robert E. Falb, Vice Chair Norman D. Jemal Founding Chairman William Shakespeare’s John Hill, Treasurer Jeffrey M. Kaplan James B. Adler Synopsis: Coriolanus 7 Coriolanus and Friedrich Pauline Schneider, Secretary Scott Kaufmann Heidi L. Berry* Michael Kahn, Artistic Director Abbe D. Lowell David A. Brody* Coriolanus Cast 9 Schiller’s Wallenstein Eleanor Merrill Melvin S. Cohen* share a stage because the title characters The Body Politic Trustees Melissa A. Moss Ralph P. Davidson share a dilemma: their power as charismatic Nicholas W. Allard Robert S. Osborne James F. Fitzpatrick by Drew Lichtenberg 10 Ashley M. Allen Stephen M. Ryan Dr. Sidney Harman* military leaders brings them into conflict with Stephen E. Allis George P. Stamas Lady Manning Wallenstein Title Page 11 the political world. In this North American Anita M. Antenucci Bill Walton Kathleen Matthews Jeffrey D. Bauman Lady Westmacott William F. McSweeny About the Playwright: Schiller 14 premiere of Schiller’s work, translated and Afsaneh Beschloss Rob Wilder V. Sue Molina freely adapted by former Poet Laureate Robert Landon Butler Suzanne S. Youngkin Walter Pincus Synopsis: Wallenstein 15 Pinsky, Wallenstein muses, “Once men have Dr. Paul Carter Eden Rafshoon Chelsea Clinton Ex-Officio Emily Malino Scheuer* Wallenstein Cast 17 climbed the heights of greatness…the world Dr. Mark Epstein Chris Jennings, Lady Sheinwald forgets the things that got them there.” Watch Andrew C. Florance Managing Director Mrs. Louis Sullivan Cast Biographies 18 Miles Gilburne Daniel W. Toohey how military strategy, political ambition and Barbara Harman Sarah Valente Direction and class warfare collide in these two classic works John R. Hauge Lady Wright Design Biographies 23 and judge for yourself whom to name “hero” Stephen A. Hopkins Lawrence A. Hough * Deceased About STC 26 or “traitor.” Support 27 I’m pleased to once again work alongside David Muse, STC’s former Associate Artistic For STC 38 Director and current Artistic Director of The STC Staff 42 Studio Theatre, who collaborated with me on our Leadership Repertory in 2010 and our Audience Services 43 Roman Repertory in 2008. David directed a breakthrough production of Coriolanus at Yale School of Drama 10 years ago, and we The Shakespeare Theatre Company dedicates these are both excited to re-explore the play in new ways. We are fortunate to also welcome back productions to the memory of our dear friend. STC Affiliated Artist Patrick Page and Chicago talent Steve Pickering to lead our casts. For the final show in our 2012–2013 Season, Nancy Mitchell McCabe we will produce Rebecca Bayla Taichman’s interpretation of Shakespeare’s The Winter’s “Volunteer and Fan” Tale. Rebecca has a stimulating vision for this production, one of Shakespeare’s most beautiful and theatrical late Romances. We One of STC’s longest-serving hope you can join us. and most active volunteers and Warm regards, supporters, Nancy touched the lives of STC artists, audiences and staff through her work on First Rehearsal breakfasts, actor welcome baskets, Michael Kahn Artistic Director Happenings at the Harman and Shakespeare Theatre Company her beloved Academy for Classical Acting. We will miss her deeply.

Cover photos by Scott Suchman.

2 3 “Colorful, intense, energetiC … forCeful” The WashingTon PosT Recipient of the 2012 Regional Theatre Tony Award®

Artistic Director Michael Kahn Angels, Demons, AnD sAvAges Managing Director Chris Jennings

William Shakespeare’s

Performances Begin March 28, 2013 Opening Night April 9, 2013 Sidney Harman Hall

Director Fight Director David Muse Rick Sordelet

Set Designer Voice and Text Coach Blythe R.D. Quinlan Ellen O’Brien

Costume Designer Literary Associate Murell Horton Drew Lichtenberg

Lighting Designer Assistant Director Mark McCullough Jenny Lord

Composer/Sound Designer Production Stage Manager Mark Bennett Bret Torbeck*

New York Casting Stage Manager Binder Casting Joseph Smelser* Jay Binder, CSA/Jack Bowdan, CSA Assistant Stage Manager Resident Casting Director Hannah R. O’Neil* Daniel Neville-Rehbehn

www.phillipscollection.org tHrougH mAy 12, 2013 1600 21st Street, NW Co-organized by the Phillips Collection and the Parrish Art museum Dupont Circle Metro 202-387-2151 made possible through support from The Clarice Smith Repertory Series is sponsored by the Robert H. Smith Family Foundation. thursday nights open until 8:30 pm Proudly sponsored by Restaurant Partner: Zaytinya Members enjoy free unlimited admission and discounts. Join us!

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers.

5 Jackson Pollock, Number 1, 1950 (Lavender Mist), 1950. National Gallery of Art, Washington, D.C. Ailsa Mellon Bruce Fund © 2012 The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

PHLINS2733_STC1p.indd 1 2/13/13 4:58 PM About the Playwright: Shakespeare Synopsis: Coriolanus

No man’s life has been the subject of more speculation than William Rome’s plebeians riot over a food shortage, angry that the patricians have been hoarding corn. As Shakespeare’s. While Shakespearean scholars have dedicated their lives Menenius, a patrician senator popular among the people, attempts to calm them, Caius Martius, a military to the search for evidence, the truth is that no one really knows what hero, arrives. He scorns the plebeians and tells Menenius that the rioting has won them a concession: the truth is. Scholars agree that a William Shakespeare was baptized tribunes will be elected to represent the interests of the people in the senate. News arrives that Rome is at Stratford-upon-Avon on April 26, 1564. Tradition holds that he was about to be invaded by a neighboring tribe, the Volscians. Eager to fight Aufidius, the Volscians’ general, born three days earlier, on April 23—the same date on which, 52 years Martius volunteers himself. After the patricians leave, the tribunes Sicinius and Brutus discuss their dislike later, he was recorded to have died. On November 27, 1582, a marriage of Martius and his contempt for the people. license was granted to 18-year-old William and 26-year-old Anne Hathaway. A daughter, Susanna, was born to the couple six months Volumnia, Martius’ mother, lectures his wife, Virgilia, who is afraid that Martius will die in battle, on the later. We know that twins, Hamnet and Judith, were born soon after and valor to be found in war. As fighting begins in the Volscian city of Corioles, Martius curses his retreating were baptized. What we do not know is how the young Shakespeare troops and forces his way through the city gates, alone. The soldiers believe him dead, but he returns came to travel to London and how he first came to the stage. Whatever and rallies the Romans to conquer the city. Covered in blood, Martius finds and defeats Aufidius, leaving the truth may be, it is clear that in the years between 1582 and 1592 him and the Volscians humiliated. After the battle, Cominius honors Martius with the honorific surname someone calling himself William Shakespeare became involved in the London theatre scene and was a “Coriolanus,” in recognition of his role in taking Corioles. principal actor with one of several repertory companies. In Rome, Menenius criticizes Brutus and Sicinius for their hostility to Coriolanus and their political By 1592 Shakespeare had become prominent enough as a playwright to engender professional jealousy. ambitions. When Coriolanus returns from Corioles in triumph, the senate votes to elect him as consul, the A rival playwright, Robert Greene, wrote snidely of an “upstart crow, beautified with our feathers, that with highest office in Rome. He cringes, however, at the required ceremony of wearing the “gown of humility,” his tiger’s heart wrapped in a player’s hide supposes he is as well able to bombast out a blank verse as in which he must show his scars to the plebeians and beg for their votes. When the plebeians arrive to see the best of you, and being an absolute Johannes-factotum is in his own conceit the only Shakescene in a his wounds, Coriolanus is condescending, but they approve his election nonetheless. After he departs, the country.” In the years between 1591 and 1593, the theatres of London were temporarily shut down due tribunes stir up anger in the plebeians at Coriolanus’ mockery. At home, Volumnia tells Coriolanus that he to an outbreak of plague; Shakespeare turned his considerable talents to sonnet writing and acquired a must apologize to the people, and he reluctantly assents. When Coriolanus returns, the plebeians, urged on patron, the young Lord Southampton, to whom two of his poems, Venus and Adonis and The Rape of by the tribunes, banish him from Rome. Coriolanus leaves, denouncing Rome bitterly. Lucrece, are dedicated. In Antium, the capital of Volscian territory, a disguised Coriolanus interrupts Aufidius’ feast and makes In 1594 Shakespeare was listed as a stockholder in the Lord Chamberlain’s Men; he was a member of him an offer: kill me now, or accept my help in conquering Rome. Aufidius embraces him as an ally. In this company for the rest of his career, which lasted until approximately 1611. When James I came to Rome, the tribunes congratulate themselves on their ousting of Coriolanus, until they hear news of the the throne in 1603, he issued a royal license to Shakespeare and his fellow players, inviting them to call Volscian army approaching, led by Coriolanus. In the field, Aufidius tells a lieutenant that he hates being themselves The King’s Men. The King’s Men leased the Blackfriar’s Theatre in London in 1608. This theatre, overshadowed by Coriolanus, who has won his soldiers’ hearts, and intends to kill him after the war. As which had artificial lighting and was probably heated, served as their winter playhouse. The famous Globe Coriolanus and the Volscians draw closer to Rome, Menenius visits Coriolanus’ camp and entreats him Theatre was their summer performance space. not to attack Rome, but Coriolanus curtly dismisses him. Finally, outside the city, Coriolanus’ family arrives. Volumnia pleads with him to spare Rome. Coriolanus agrees to broker a peace between the Volscians In the years since Shakespeare’s death, he had fallen to the depths of obscurity only to be resurrected and the Romans. The Volscian army retreats, and Volumnia enters Rome to the adulation of the people. as the greatest writer of English literature and drama. In the 1800s, his plays were so popular that many In Antium, Aufidius plots to kill Coriolanus. As Coriolanus returns, Aufidius insults him in the public square refused to believe that an actor from Stratford had written them. To this day some believe that Sir Francis and incites his soldiers and the Volscians to kill him. Bacon was the real author of the plays; others argue that Edward DeVere, the Earl of Oxford, was the man. Still others contend that Sir Walter Raleigh or Christopher Marlowe penned the lines attributed to Shakespeare. Whether the plays were written by Shakespeare the man or Shakespeare the myth, it is clear that no other playwright has made such a significant and lasting contribution to the English language.

6 7 Cast

Coriolanus

The Patricians Caius Martius, later Caius Martius Coriolanus...... Patrick Page* Volumnia, his mother...... Diane D’Aquila* Virgilia, his wife...... Aaryn Kopp* Young Martius, his son...... Hunter Zane Menenius Agrippa, senator and friend to Coriolanus...... Robert Sicular* Cominius, consul and Roman general...... Steve Pickering* Titus Lartius...... Nick Dillenburg* Junius Brutus...... tribunes of ...... Philip Goodwin* Sicinius Velutus...... } the people Derrick Lee Weeden* Roman Senators...... Lise Bruneau*, Reginald Andre Jackson*, Michael Santo* Valeria, a noblewoman...... Lise Bruneau* Tullus Aufidius, general of the Volscian army...... Reginald Andre Jackson* Volscian Lords...... Nick Dillenburg*, Steve Pickering*, Michael Santo* The Plebeians Citizens, Soldiers, Attendants, Messengers, Heralds, Aediles...... John Bambery+, Jeffrey Baumgartner*, Philip Dickerson, Avery Glymph*, Chris Hietikko*, Jacqui Jarrold+, Joe Mallon+, Glen Pannell*, $32.00 Max Reinhardsen+, Brian Russell*, Jjana Valentiner, Jaysen Wright Understudies Bev Appleton* (Roman Senator/Volscian Lord/Ensemble), John Bambery+ (Titus Lartius/Volscian Lord), Jeffrey Baumgartner* (Cominius/Volscian Lord), Lise Bruneau* (Volumnia), Hannah Cassidy Burkhauser (Ensemble), Colin Carmody (Young Martius), Andrew Criss (Ensemble), Nick Dillenburg* (Caius Martius Coriolanus), Patrick Foley (Ensemble), Jacqui Jarrold+ (Virgilia), Michael Leicht (Ensemble), John Lescault* (Sicinius Velutus/Ensemble), Glen Pannell* (Tullus Aufidius/Roman Senator), Lawrence Redmond* (Menenius), Michael Santo* (Junius Brutus), Jjana Valentiner (Valeria/Roman Senator), Andrew Wassenich (Ensemble), Jaysen Wright (Ensemble), Jacob Yeh (Ensemble)

Special effects makeup designed by Scott Ramp.

Directorial Assistant: Robert Lutfy Production Assistant: Christopher Kee Anaya-Gorman

Lead Drummer/Percussion Coach: Philip Dickerson Music Assistant/Copyist: Eric Tipler

Special Thanks: Milltone drum designed by Larry Miller. SOG Knives/Chris Casbaugh, Vulcan’s Forge/Lewis Shaw, Ear Peace/Jay Clark.

THERE WILL BE ONE 15-MINUTE INTERMISSION.

The Shakespeare Theatre Company operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and employs members of the Stage Directors and Choreographers Society and United Scenic Artists. The Company is also a constituent + of Theatre Communications Group (TCG), the national organization for not-for-profit professional theatre, and is a member of the Performing Arts Alliance, the D.C. Chamber of Commerce, Association of Performing Arts Presenters PENN QUARTER • WEST END (APAP), American Alliance for Theatre and Education and DC Arts and Humanities Education Collaborative.

Copyright laws prohibit the use of cameras and recording equipment in the theatre.

*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers. +Acting Fellow of the Shakespeare Theatre Company. 9 The Body Politic

Early in the action of Coriolanus, Shakespeare surprises us with a scene of familial intimacy. Volumnia, Coriolanus’ mother, discusses her grandson, Young Martius, who plays at being a soldier in emulation of his father. “He had rather see the swords and hear a drum than look upon his schoolmaster,” Volumnia says proudly. “I saw him run after a gilded butterfly,” says Valeria, another Roman matron describing a scene of childlike play that ends unexpectedly: ...and when he caught it, he let it go again, and after it again, and over and over he comes, and up again, catched it again. Or whether his fall enraged him, or how ’twas, he did so set his teeth and tear it. O, I warrant it, how he mammocked it! (act 1, scene 3)

A mammock is a hunk of meat, more figuratively a scrap, shred or fragment. This passage is the first Left: The Monstrous Beast of War, artist unknown, circa 1630. Right: Abraham Bosse, frontispiece of Hobbes’ Leviathan, 1642. time it appears as a verb in the English language, in Shakespeare’s vivid image of dismemberment. In our contemporary era of gun violence, when military weapons and ideologies can intrude into the If Coriolanus portrays the dismemberment of the Roman body politic, Friedrich Schiller’s Wallenstein private sphere of children’s lives with horrific consequences, Shakespeare suddenly looks prescient. depicts a body that is already mutilated, a Germany endlessly divided by total war. There is more at stake than butterflies. The play is set in 1634, the exact midpoint of the Thirty Years’ War. More than a thousand years after In Coriolanus, Shakespeare draws his plot from Plutarch’s Lives, which tells the story of the Charlemagne unified Western Europe under the name of the Holy Roman Empire, it now consists aristocratic Caius Martius Coriolanus, the legendary warrior who helped establish democracy in of more than 400 warring members in an area roughly the size of Texas. What had started as a local Rome by defeating Tarquin the Proud, only to lead an army against the republic himself. In adapting religious conflict between Protestant and Catholic nobles in Bohemia has blown up into a continent- this story, Shakespeare seems to question the underpinnings of democracy, while at the same time wide conflagration. Peasants live in terror as wave after wave of invaders—Saxon, Danish, Swedish— finding fault in our attraction to charismatic military leaders. To this provocative plot, Shakespeare rape and pillage their way across the countryside. Foreign armies, consisting largely of mercenary adds a guiding metaphor very much in Elizabethan vogue: that of the body politic. soldiers, pioneer unprecedented and unimaginable tortures. Entire cities are reduced to ashes. Soldiers eat their own horses during the winter months for sustenance. “The senators of Rome are this good belly,” Coriolanus’ friend Menenius tells a group of rioting citizens in the play’s first scene, which evokes contemporary images of Tea Party and Occupy For the German people, who bore the brunt of the suffering, the war would forever be regarded protests, “And you the mutinous members.” According to Menenius, the leaner “members” of the as a national trauma. In the early 20th century, both political sides sought to purge the infection commonwealth need to feed the “belly” in order for it to remain healthy. In other words, Menenius through different means. Bertolt Brecht would set his apocalyptic anti-war play, Mother Courage and is a proponent of trickle-down economics. Her Children, during the Thirty Years’ War, while Adolf Hitler would advocate an identity politics of aggressive militarism in order to resurrect the spirit of the “First Reich.” Throughout the play, Shakespeare draws our attention to the image of the body politic, and, like Young Martius’ butterfly, to the dismemberment of that body. Instability, Shakespeare seems to be Like Shakespeare, Schiller seems to challenge such ideological polarities with his provocative choice saying, is human nature, and thus it is also the nature of the bodies we create, whether physical of plot: the last days of Wallenstein. When Albrecht Wallenstein, the key figure in the Thirty Years’ or political. Late in the play, Coriolanus’ rival, the Volscian general Aufidius, comments on the War, was killed by assassins in Eger Castle, he was possibly attempting to negotiate a peace with impermanence of human creations: the enemy Swedes. The war had raged for 15 years before he was killed; it would rage for 15 years So our virtues more after he was killed. The Wallensteinfrage (“Wallenstein Question”) has never been solved, up Lie in th’interpretation of the time... to the present day. Was he attempting to unify Europe in peace, or was he angling for something One fire drives out one fire, one nail one nail; more personal? Czechs claim him as a national hero, a would-be King of Bohemia lost to history. Rights by rights falter, strengths by strengths do fail. (act 4, scene 7) Austrians consider him a traitor to Vienna and the Emperor, a Coriolanus who had forsaken his Rome. Most other Germans simply consider him the man who could have stopped the bloodshed. It’s hard to think of a more pessimistic commentary on human history. Might makes right, therefore right is relative. There is no such thing as morality, only competing political ideologies, as one Schiller was in fact, like Shakespeare, writing about a central dilemma of his times. From the 1770s to interpretation drives out another. In the 20th century, Coriolanus was adopted for propagandistic the 1790s, he witnessed the first democratic revolutions since the time of the Romans. He also saw uses by extremist parties on both left and right. It was Adolf Hitler’s favorite Shakespeare play, and it the equally destabilizing and terrifying rise of Napoleon. In an age of democratic revolutions, Schiller was also Bertolt Brecht’s. understood, the people’s demand for freedom is absolute. However, he also understood that in an age of autocratic counterinsurgencies, the state demands a similarly paramount loyalty. Wallenstein is In our own fractured era of competing political ideologies, what is the interpretation of our time? caught inextricably between his people’s demand for freedom, which recognizes no political boundaries, Perhaps one kind of answer lies in what happens to Coriolanus, one of Shakespeare’s most and his loyalty to the state and the Emperor, who made him the great man he is. In Coriolanus and ambiguous tragic heroes. Like Martius’ butterfly, and like the state of Rome at the end of the play, Wallenstein, Schiller and Shakespeare both portray this tragic paradox, central to both plays: man is he is mammocked. absolutely free only in the life to come. For so long as he lives, his divided loyalties make him simply another member of the body politic.

10 Drew Lichtenberg, Literary Associate 11 Recipient of the 2012 Regional Theatre Tony Award®

Artistic Director Michael Kahn Managing Director Chris Jennings

Friedrich Schiller’s

TASTE THIS; Translated and Freely Adapted by Robert Pinsky Performances Begin March 29, 2013 Opening Night April 17, 2013 Sidney Harman Hall

IT’S GOING Director Resident Casting Director Michael Kahn Daniel Neville-Rehbehn

Set Designer Fight Director TO CHANGE Blythe R.D. Quinlan Rick Sordelet Costume Designer Voice and Text Coach Murell Horton Ellen O’Brien YOUR LIFE. Lighting Designer Literary Associate Mark McCullough Drew Lichtenberg

Composer/Sound Designer Assistant Director JOSÉ ANDRÉS Fitz Patton Gus Heagerty Wig Designer Production Stage Manager Tom Watson Joseph Smelser*

New York Casting Assistant Stage Managers Binder Casting Elizabeth Clewley* Jay Binder, CSA/Jack Bowdan, CSA Hannah R. O’Neil*

The Clarice Smith Repertory Series is sponsored by the Robert H. Smith Family Foundation.

Wallenstein was commissioned through the generous support of The Beech Street Foundation.

Wallenstein is supported in part by an award from the National Endowment for the Arts.

Innovative Greek, Turkish and Lebanese cuisine by Chef José Andrés. Restaurant Partner: Carmine’s 701 9TH STREET NW | WASHINGTON DC 20001 | 202.638.0800 | ZAYTINYA.COM *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers. 13 About the Playwright: Schiller Synopsis: Wallenstein

Sometimes characterized as Germany’s answer to Shakespeare, It is 1634. The Thirty Years’ War has been raging across Europe for 15 years. Sometimes called a religious war, Friedrich Schiller (November 10, 1759–May 9, 1805) is one of the the conflict is actually over political power itself, as Protestant and Catholic factions have fought on both sides. greatest German poets and playwrights, as well as one of the first Duke Wallenstein of Bohemia, the supreme commander of the Holy Roman Emperor’s army, has assembled modern European intellectuals. His alliance, at the turn of the 19th the largest land force that Europe has ever seen. Composed of a polyglot stew of mercenaries, they are loyal century, with his close friend Johann Wolfgang von Goethe resulted to Wallenstein, whom they believe has the power to end the war and bring peace. However, Wallenstein has in a body of writings that touch on all aspects of human knowledge, been negotiating secretly with the enemy Swedes, and he envisions a peace in which he holds great power. including poetry and philosophy, history and natural science, psychology and spirituality. He is perhaps most famous as the author of the words As the action begins, Octavio Palladini, Wallenstein’s oldest friend and one of his generals, arrives in in the Ode to Joy, which appears in the last movement of Beethoven’s Wallenstein’s camp in Pilsen with Questenberg, a diplomat sent by the Emperor from Vienna. They discover, Ninth Symphony. to their alarm, that Wallenstein has gathered together all of his chief generals, who espouse sentiments that come close to treason. In a war council, Questenberg presents Wallenstein with the Emperor’s command: he Born in the petty principality of Württemberg, a duchy of the Holy Roman is to divert eight regiments to Milan, to escort the Spanish Habsburg Prince. Instead of agreeing to the order, Empire, Schiller spent a traumatic adolescence in the Karlsschule, the Wallenstein threatens to resign his commission, sending the meeting into chaos. Afterward, in conference strict military academy overseen personally by the repressive Duke Karl with his brother-in-law Count Czerny and his Field-Marshall Kolibas, Wallenstein demands that his generals Eugen. His first play,The Robbers (1782), written while he was still a sign an oath of loyalty to him, unconditional, with no mention of the Emperor. Czerny and Kolibas agree to student, is marked by revolutionary calls for freedom and emphatic assertions of the individual’s will to action. trick the generals that night at a banquet. Schiller was imprisoned for two weeks and forbidden from writing more plays, but he fled from the Duke’s prison in Stuttgart and began the career of a writer. After success in Mannheim with Cabal and Love (1784), At the banquet, Max Palladini, Octavio’s son, meets secretly with Wallenstein’s daughter Thekla. They are in Schiller moved to Leipzig. Here he reached a crisis point with Don Carlos (1787), a blank verse play that love, but Thekla understands that their marriage will come at the cost of Max betraying the Emperor. That combined his youthful idealism with increasingly ambitious historical and political content. night at the banquet, Max refuses to sign the oath of loyalty prepared by Czerny and Kolibas, raising the suspicions of the drunken generals. The next day, Wallenstein meets with Lundquist, a Swedish Captain, but Feeling that he was unable to continue writing drama after Don Carlos, Schiller turned to aesthetic, historical he hesitates, uncertain whether to commit himself to the other side. and philosophical studies. In 1788, he was appointed professor at the University of Jena, and his History of the Thirty Years’ War (1791–1793) was read widely. Meeting Goethe in 1794, Schiller proceeded to write his In his officer’s quarters, Octavio reveals Wallenstein’s death warrant, signed by the Emperor, to Max, who groundbreaking theoretical essays, the most famous of which include The Theater Considered as a Moral cannot believe his father’s diplomatic deceit. Octavio then shows the warrant to two of Wallenstein’s generals, Institution (1794), Letters on the Aesthetic Education of Man (1795) and On Naïve and Sentimental Poetry Harvaty and Bailey. Harvaty leaves with Octavio, but Bailey stays behind, posing as one of Wallenstein’s (1796). In these writings, Schiller articulated an aesthetic program in which art, particularly dramatic art, was loyalists. When the warrant becomes public knowledge, Wallenstein’s soldiers revolt. After trying to talk charged with the moral edification of the individual in order to bring about social change. to a regiment of Grenadiers, Wallenstein gives the order to open fire on his own troops. Max breaks with Wallenstein, horrified. Inspired by these writings, Schiller began to be aware of an urge to return to playwriting. Moving to Weimar, Germany’s literary capital, Schiller co-founded the Weimar Court Theatre with Goethe, beginning a brief-lived Forced to flee to the mountain stronghold of Eger, Wallenstein arrives with his smaller band of followers, renaissance of German theatre practice and theory. After christening the stage with Wallenstein (1799), an where he is greeted by Gordon, the fortress commander. News arrives of Max’s death, trampled by his own epic 10-act tragedy based on his historical writings, Schiller would write only four more plays—Maria Stuart horses in a meaningless battle against the Swedes. Thekla leaves to find Max’s gravesite. Meanwhile, Bailey (1800), The Maid of Orleans (1801), The Bride of Messina (1803) and Wilhelm Tell (1804)—each of them enlists Devereux and MacDonald, two Scottish captains in Wallenstein’s troop, to kill him as he prepares for pairing a momentous historical subject with an innovative dramatic form. He died in 1805, at the age of 46, bed. Wallenstein and his generals are murdered. Octavio, arriving too late to spare Wallenstein’s life, is named due to complications from tuberculosis. Schiller’s theoretical writings have proven enormously influential Prince and commander of the armies. in modern culture, and his mature plays—idealistic in theme, realistic in treatment—embody his aesthetic program. As Goethe said: “The idea of freedom assumed a different form as Schiller advanced in his own development and became a different man. In his youth it was physical freedom that preoccupied him and found its way into his works; in later life it was spiritual freedom.”

14 15 Cast

Wallenstein

Albrecht Wallenstein, Duke of Friedland...... Steve Pickering* Kolibas, a general...... Derrick Lee Weeden* Count Czerny, Wallenstein’s brother-in-law...... Michael Santo* Colonel Bailey...... Chris Hietikko* Octavio Palladini...... Robert Sicular* Max Palladini, his son...... Nick Dillenburg* Questenberg, envoy from the Emperor...... Philip Goodwin* Harvaty, a general...... Brian Russell* Tiefenbach, a general...... Jeffrey Baumgartner* Goetz, a general...... Andrew Criss Countess Czerny, Wallenstein’s sister...... Diane D’Aquila* Thekla, Wallenstein’s daughter...... Aaryn Kopp* Astrologer...... Jeffrey Baumgartner* SM Lundquist, a Swedish Colonel...... Glen Pannell* Singing Boy...... Colin Carmody Swedish Captain...... Avery Glymph* Macdonald, a soldier...... Reginald Andre Jackson* Devereux, a soldier...... Glen Pannell* Gordon, commander of the fortress at Eger...... Philip Goodwin* Whether you’re in town for a Generals/Grenadiers/Servants...... John Bambery+, Philip Dickerson, Avery Glymph*, Reginald Andre Jackson*, corporate retreat or a family gathering, Jacqui Jarrold+, Michael Leicht, Joe Mallon+, Max Reinhardsen+, Jaysen Wright Understudies parties of 6 or more are our specialty. Bev Appleton* (Questenberg/Gordon), John Bambery+ (Max), Jeffrey Baumgartner* (Wallenstein), Lise Bruneau* (Countess), Hannah Cassidy Burkhauser (Ensemble), Andrew Criss (Tiefenbach/Astrologer), Patrick Foley (Ensemble), Jacqui Jarrold+ (Thekla), Michael Leicht (Macdonald), John Lescault* (Czerny), Joe Mallon+ (Lundquist/Devereux/General), Glen Pannell* (Bailey), Lawrence Redmond* (Havarty/ A proud sponsor of the Kolibas), Max Reinhardsen+ (Ensemble), Brian Russell* (Octavio), Andrew Wassenich (Ensemble), Jaysen Wright (Swedish Captain/Ensemble), Jacob Yeh (Ensemble), Hunter Zane (Singing Boy)

Shakespeare Theatre Company Movement Consultant: Diane Coburn Bruning Vocal Music Coach: Jenny Lord Directorial Assistant: Robert Lutfy Production Assistant: Christopher Kee Anaya-Gorman

Special Thanks: Vulcan’s Forge/Lewis Shaw; Fiocchi Swords/Tom Fiocchi; 202.737.7770 GySgt Michael J. Poe and Sgt Jeffrey Smith. THERE WILL BE ONE 15-MINUTE INTERMISSION.

425 7th Street | Washington D.C. 20004 The Shakespeare Theatre Company operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States, and employs members 2 blocks from the National Mall of the Stage Directors and Choreographers Society and United Scenic Artists. The Company is also a constituent of Theatre Communications Group (TCG), the national organization for not-for-profit professional theatre, and is a member of the Performing Arts Alliance, the D.C. Chamber of Commerce, Association of Performing Arts Presenters & the Verizon Center (APAP), American Alliance for Theatre and Education and DC Arts and Humanities Education Collaborative. www.carminesnyc.com Copyright laws prohibit the use of cameras and recording equipment in the theatre. *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers. +Acting Fellow of the Shakespeare Theatre Company.

17 Nick Dillenburg* Seafarer; Kennedy Center: Passion, Golden Child; Lartius/Volscian Lord/Max Hartford Stage, Guthrie Theater, Cleveland Playhouse, STC: Proteus in The Two Gentlemen Portland Stage, Intiman Theatre, The Shakespeare Cast Biographies of Verona, Vicomte de Nanjac Theatre of New Jersey, Williamstown Theatre Festival, in An Ideal Husband. NEW YORK: Contemporary American Theatre Festival, The Acting + Ohio Theatre: Hater; Walkerspace Company. FILM: The Pink Panther, Pink Panther Two, John Bambery Colin Carmody Diary of a Country Priest. Ensemble Singing Boy Theater: Henry V. REGIONAL: STC: 2012-2013 Acting Fellow; COMMUNITY THEATRE: The Alliance Bermuda Festival of the Performing Arts: The Tempest; Berkshire Theatre Festival: Birthday Chris Hietikko* A Midsummer Night’s Dream. Theatre: A Christmas Carol, Willy Ensemble/Bailey TRAINING: Boston Conservatory. Wonka, Mulan; Hunters Woods Boy; Pioneer Theatre: Hamlet; Portland Stage: Third; NEW YORK: Off-Broadway: The School: Flat Stanley, Bugsy Malone, Commonwealth Shakespeare Company: All’s Well Actors Company Theatre: The Schoolhouse Rock. TELEVISION: That Ends Well; Guthrie Theater: Resurrection Blues, Runner Stumbles; Rattlestick House of Cards (Netflix),Evil Twins Pride and Prejudice; Capital Repertory Theatre; Playwrights Theater: A Trip to the (Investigation Discovery). TRAINING: Fairfax Choral New Repertory Theatre: Long Day’s Journey into Beach; Theatre Row Theatre: All Men Society, Rachel Carson Middle School, Hunters Woods Night; Utah Shakespeare Festival; Connecticut Jeffrey Baumgartner* are Whores. REGIONAL: Repertory Ensemble/Tiefenbach/ Elementary School. Repertory Theatre: Restoration Comedy (East Coast Theatre of St. Louis: Sunday in the Park with Astrologer premiere). TELEVISION: Law & Order. TRAINING: George, Humble Boy, Betrayal, Arcadia; Cincinnati REGIONAL: Goodman Theatre, University of Connecticut: MFA. Andrew Criss Playhouse: As You Like It; Portland Center Stage: Steppenwolf Theatre Company, Goetz Opus; Denver Theatre Center: Glengarry Glen Ross; Court Theatre, Chicago Shakespeare REGIONAL: ReGroup Theatre: Avery Glymph* Humana Festival/ATL: Wonderful World; The Old Theater, Marriott Theatre in Thunder Rock; REGIONAL: Zachary Ensemble/Swedish Captain Globe: Bedroom Farce; Great Lakes Theatre Festival: Lincolnshire, The Denver Center Scott Theatre: Tartuffe, Mirandolina; NEW YORK: Broadway: The Tempest; Who’s Afraid of Virginia Woolf?; McCarter Theatre Theatre Company, Milwaukee Shakespeare, Capitol City Playhouse: Street Off-Broadway: Roundabout Theatre Center: The Misanthrope, A Christmas Carol; Pioneer Renaissance TheaterWorks; roles include John Theatre, Dark Rapture; Vortex Company: McReele; NY Shakespeare Theatre Company: Romeo and Juliet. INTERNATIONAL: Proctor in The Crucible, Tom in The Glass Menagerie, Theater: Hamlet, Julius Caesar. Festival: Antony and Cleopatra (dir. English Theatre of Frankfurt: A Streetcar Named Jacques in As You Like It, Petruchio in The Taming TRAINING: The University of Texas: BA in Drama. Vanessa Redgrave), Troilus and Desire. FILM: The Art of Losing (dir. Bruno Barreto), of the Shrew, Caliban in The Tempest, Trigorin in Cressida; The Drama Dept.: Hope Interference, Popcorn Man. TELEVISION: Law & Order: The Seagull, Lopakhin in The Cherry Orchard, title Is the Thing with Feathers; Lincoln Center Directors Diane D’Aquila* SVU, Crossing Jordan, Jimmy Kimmel Live, Strong roles in Billy Bishop Goes to War, Hamlet, Macbeth, Volumnia/Countess Lab: ’Maid. REGIONAL: Cleveland Play House/The Old Medicine, General Hospital, All My Children. Vincent, William Shakespeare in Shakespeare’s Roses, REGIONAL: Chicago Shakespeare Globe: The Whipping Man (West Coast premiere); TheatreWorks Hartford: Race; PlayMakers Repertory Barrymore’s Ghost, Man of La Mancha. OTHER: Festival: Elizabeth in Elizabeth Rex Reginald Andre Jackson* Borealis Theatre: Founder; Fox Valley Shakespeare (Jefferson Award for Best Actress); Company/Syracuse Stage: Angels in America; Actors Theatre of Louisville: The Tempest, Spunk; Crossroads Aufidius/Roman Senator/ Festival: Founder, member for 15 seasons; Cap-à-pie Stratford Shakespeare Festival: Macdonald/Ensemble Productions, Producing Director; fine artist oil painter; productions include Elizabeth Theatre Company: Lost Creek Township (Regional REGIONAL: Seattle Repertory JB ArtWorks Studio Gallery, Founder. TRAINING: Rex (debut production), Antony Tony Season); Cape Fear Regional Theatre: Fences. Theatre: Inspecting Carol, Ma University of Wyoming: BFA in Theater and Dance; the and Cleopatra, The Swanne, King John, Oedipus FILM: Against the Current, Last Ball, He Got Game Rainey’s Black Bottom, The Cider National Theater Conservatory: MFA in Acting. Rex, Richard III, King Lear; National Arts Centre: St. (dir. Spike Lee), 13 Conversations About One Thing, House Rules Pt. II; Artists Repertory Carmen of the Main, Macbeth; Soulpepper Theatre I’m with Lucy. TELEVISION: A Gifted Man, Ugly Theatre: Race; Intiman Theatre: All Company: Jitters, Leaving Home, Of the Fields, Lately; Betty, Oz, Law & Order, Law & Order: CI, The Electric Lise Bruneau* My Sons, Abe Lincoln in Illinois, The Dying Gaul; Lake Roman Senator/Valeria Goodman Theatre: Six Characters in Search of an Company, The X-Files. AWARDS: San Diego Critics Tahoe Shakespeare Festival: Othello, Twelfth Night; A STC: Mrs. Marchmont in An Ideal Author; Luminato: La Belle et la Bête; Buddies in Circle “Craig Noel” Award Nominee, NAACP Theatre Contemporary Theatre: Fathers and Sons, A Christmas Husband, Chorus in Ion, Hermione Bad Times Theatre: The Maids; American Repertory Award Nominee for The Whipping Man. INSTRUCTOR: Carol; Seattle Children’s Theatre: Night of the Living in The Winter’s Tale, Emilia Theater: productions include Hot and Throbbing (debut UNCSA: Summer Acting Intensive. TRAINING: The Dead, Holes; Seattle Shakespeare Company: A in Othello. REGIONAL: The production), Dido, Queen of Carthage, The Changeling, North Carolina School of the Arts. Midsummer Night’s Dream, Pericles, King Lear, Hamlet, Denver Center: Heartbreak Alcestis (dir. Robert Wilson). INTERNATIONAL: Alcestis, Much Ado About Nothing; Book-It Repertory Theatre: House; Cleveland Play House: King Stag. FILM: Take This Waltz (dir. Sarah Polley), Philip Goodwin* The Beautiful Things That Heaven Bears, Cry, the The Game’s Afoot; Arena Stage: Legacy of Light; Good Neighbours (Park Ex Pictures), Mary Silliman’s Brutus/Questenberg/Gordon Beloved Country, I Know Why the Caged Bird Sings, Round House Theatre: My Name is Asher Lev, War (PBS). TELEVISION: Minister of Culture in Slings STC: Affiliated Artist, Malvolio in In a Shallow Grave. PLAYWRIGHT: Adaptations of The Book Club Play; Theater J: The Odd Couple, and Arrows (two seasons); 24hr Rental (Super Twelfth Night, Mayor Stockmann Christopher Paul Curtis’ Bud, Not Buddy, The Watsons Mikveh (Helen Hayes nomination); Alabama Channel). AWARDS: Gemini Award for Best Actress, in An Enemy of the People, Timon Go to Birmingham. AWARDS: American Alliance for Shakespeare Festival: Margaret of Anjou in Wars ACTRA Award for Elizabeth Rex (TV movie). in Timon of Athens (Helen Hayes Theatre and Education Distinguished Play Award in the of the Roses; Centerstage: The Murder of Isaac, Awards); King John, Volpone, The category of Adaptation. Mary Stuart, Mrs. Warren’s Profession, Blithe Philip Dickerson Tempest, among others. NEW YORK: Broadway: The Diary of Anne Frank, Tartuffe, The Spirit; American Conservatory Theatre: Les Ensemble/Lead Drummer/ + School for Scandal; Off-Broadway: The Public Theatre: Jacqui Jarrold Liaisons Dangereuses, Angels in America; Seattle Percussion Coach Ensemble Repertory Theatre: Pygmalion; Oregon Shakespeare REGIONAL: Round House Theatre: Cymbeline, Pericles, Macbeth, the Fool in King Lear STC: 2012–2013 Acting Fellow; A Festival: Love’s Labour’s Lost; Berkeley Repertory Bengal Tiger at the Baghdad Zoo; (with Kevin Kline); Theatre for a New Audience: Midsummer Night’s Dream. NEW Theatre: Triumph of Love, Pentecost. OTHER: Washington Stage Guild: Pygmalion, The Broken Heart, Troilus and Cressida, Henry YORK: The Seeing Place Theater: Taffety Punk Theatre Company: member/director: The Apple Cart; Source Theatre: VI in Henry VI (Drama Desk Award nomination); Sherry in Independence (reading); all-girl productions of Julius Caesar, Measure for The Uses of Enchantment; Capital Signature Theatre: Grace; MCC Theater: Drowning; Columbia MFA Collaboration: Measure, Romeo & Juliet and upcoming Titus Fringe Festival: Insurgent Sonata. INSTRUCTOR: Alfred New York Theatre Workshop: The Trestle at Pope Lick Ensemble in Spoon River Anthologies. Andronicus; Nebraska Shakespeare Festival: director: University, Howard Community College. TRAINING: Creek; Classic Stage Company: Double Falsehood, OTHER: Maizie in AATE’s Developmental Premiere of The Hamlet; MetroStage: director: Savage in Limbo. Alfred University: BA in Acting; The Catholic University Richard III; Atlantic Theatre Company: Celebration. Edge of Peace at Northwestern University. TRAINING: TRAINING: Royal Academy of Dramatic Art. of America: MFA in Acting. REGIONAL: Studio Theatre: Kenneth Tynan in Tynan, The Puppetmaster of Lodz, The Lisbon Traviata, The Northwestern University: BA in Theatre, European History.

18 19 Aaryn Kopp* Glen Pannell* Brian Russell* Jjana Valentiner Virgilia/Thekla Ensemble/Lundquist/Devereux Ensemble/Harvaty Ensemble STC: 2011–2012 Acting Fellow; All’s STC: Lennox in Macbeth, Decius NEW YORK: Broadway: The REGIONAL: Everyman Theatre: All Well That Ends Well (2012 Free For Brutus in Julius Caesar, Maecenas in Farnsworth Invention, The Caine My Sons; Folger Theatre: As You All), The Merry Wives of Windsor, Antony and Cleopatra. NEW YORK: Mutiny Court-Martial; Off-Broadway: Like It; Round House Theatre: understudy in Strange Interlude, The Off-Broadway: John Houseman Perfect Crime, Heating And Cooling, Pride & Prejudice, One Flew Over Two Gentlemen of Verona, Much Theater: Never the Sinner; Keen The Water Engine, Merton of the the Cuckoo’s Nest; The Studio Ado About Nothing. REGIONAL: The Company: Pullman Car Hiawatha; Movies. NATIONAL TOURS: Laughter Theatre; Theater J. TRAINING: The Wilma Theater: The Pillowman; The Old Globe: The York Theatre: The Golden Apple. REGIONAL: Indiana on the 23rd Floor, The Graduate, On Golden Pond. Shakespeare Theatre Company’s Academy for Classical Women; North Coast Repertory Theatre: A Christmas Repertory Theatre/Portland Stage: Copenhagen; The REGIONAL: Actors Theatre of Louisville: Sirens Acting at The George Washington University: MFA in Carol, Little Women; Kingsmen Shakespeare Old Globe: Twelfth Night, The Merry Wives of Windsor, (Humana Festival-world premiere); Arden Theatre Acting; Brigham Young University: BFA in Acting. Company: The Winter’s Tale. TRAINING: West Virginia Trojan Women, Henry V; Signature Theatre/Rep Company: The Seafarer, Rabbit Hole; Syracuse Stage: University: BFA in Acting. Stage: Never the Sinner; Goodspeed Opera House: Chesapeake, Lost In Yonkers. FILM: Paper Man, Derrick Lee Weeden* A Connecticut Yankee; North Shore Music Theatre: Handsome Harry. TELEVISION: House of Cards, Rescue Sicinius/Kolibas Michael Leicht Cabaret. INTERNATIONAL: European tour: Cabaret. Me, 30 Rock, Mercy, Law & Order. TRAINING: The STC: Northumberland in Richard Ensemble DIRECTOR: Princeton Triangle Club: A Turnpike Runs Shakespeare Theatre Company’s Academy for Classical II, Exeter in Henry V. REGIONAL: NEW YORK: Off-Broadway: Through It, Stark Raven Mad, Store Trek, Family Acting at The George Washington University: MFA. Oregon Shakespeare Festival: Mary Martin Theater: Boy’s Life. Feudalism, Doomsdays of Our Lives, Tree’s Company. Company member for 25 years, title REGIONAL: Spotlighters Theatre: TRAINING: The Old Globe/University of San Diego: Michael Santo* roles in Pericles, Othello, Coriolanus, Hamlet, A Streetcar Named Desire, MFA in Acting; Princeton University: BA in English. Roman Senator/Volscian Lord/ Death and the King’s Horseman, Gaslight, Picnic, Doubt, Twelfth Czerny The Philanderer, Prospero in The Tempest, Brutus Night, The Lion in Winter; Vagabond Steve Pickering* STC: Oswald in King Lear, in Julius Caesar, Duke Vincentio in Measure for Players: A Doll’s House, Speed-the-Plow; Fells Point Cominius/Volscian Lord/ Worcester/Silence in Henry IV, Measure, Caesar in Gem of the Ocean, Vershinin in Corner Theatre: Three Days of Rain; Everyman Wallenstein Parts 1 and 2, Leonato in Much The Three Sisters, Roy Wilkins in All The Way, among Theatre: You Can’t Take It With You. STC: Kent in King Lear (dir. Robert Ado About Nothing. REGIONAL: others; Chicago Shakespeare Theater: Othello in Falls). NEW YORK: Broadway: American Conservatory Theatre: Othello; Berkeley Repertory Theatre: The Oresteia, Joe Mallon+ Death of a Salesman (including The Invention of Love; Magic Theatre: The God of The Continental Divide; Milwaukee Repertory Theatre: Ensemble Goodman, National Tour, West Hell; Theatre on the Square: Gross Indecency; Denver Joe Turner’s Come and Gone; Alabama Shakespeare STC: 2012–2013 Acting Fellow; End London runs); Off-Broadway: Center Theatre Company: Love’s Labour’s Lost, Taking Festival: Miss Evers’ Boys; Great Lakes Theatre Festival: A Midsummer Night’s Dream. New York Shakespeare Festival: Titus Andronicus. Leave; Arizona Theatre Company: Talley’s Folly, Macbeth; Shakespeare Festival of Dallas; Portland REGIONAL: Kimmel Center: The REGIONAL: Goodman Theatre: 36 productions, Picasso at the Lapin Agile; Alliance Theatre: …,” said Center Stage. NATIONAL/INTERNATIONAL TOURS: Fantasticks; Montgomery Theater: including The Seagull, Romance, Long Day’s Journey Said; Seattle Repertory Theatre: Make and Break, La Jolla Playhouse/Birmingham Repertory Theatre/ Picnic, The Last Night of Ballyhoo; into Night; Chicago Shakespeare Theater: Othello, Bedroom Farce; Intiman Theatre: Blithe Spirit, The Barbican Centre (London): Continental Divide: Theatre Horizon: Working; Devon Caesar, Richard II; Next Theatre Company: title Play’s the Thing; San Jose Repertory Theatre: Hay Mothers Against, Daughters of the Revolution. Theater: Little Shop of Horrors; New Candlelight roles in Coriolanus, Macbeth; A Red Orchid Theatre: Fever, Extremities; The Empty Space: The Mystery of Theatre: Joseph and the Amazing Technicolor Fatboy; Seanachai Theatre: St. Nicholas, A Moon for Irma Vep; Milwaukee Repertory Theatre: Holmes and Jaysen Wright Dreamcoat. TRAINING: Tisch School of the Arts: BFA. the Misbegotten; Milwaukee Repertory Theater: nine Watson; A Contemporary Theatre: Glengarry Glen Ensemble productions including Moby Dick, Born Yesterday, Ross. AWARDS: Drama-Logue Awards for title role in REGIONAL: Indiana Festival Theatre: Patrick Page* Armadale; City Theatre: Blackbird. TELEVISION: Law & Cyrano de Bergerac, Eddy in Conversations with My You Can’t Take It with You; Brown Coriolanus Order: SVU, Boss. AWARDS: Chicago Magazine Actor Father. INSTRUCTOR: PCPA: Instructor of Acting; San County Playhouse: The Nerd; STC: Affiliated Artist; Iago of the Year; Jeff Citations: Costume Design (Bailiwick Jose State University: Instructor of Acting. TRAINING: Dakshina: Contemporary Voices; in Othello (Helen Hayes Award), Repertory Theater: Animal Farm), Best Adaptation San Jose State University: BA in Drama; Wayne State Indiana University: The Pillowman, Macbeth in Macbeth, Claudius (Organic Theater: In The Flesh), After Dark Award University: MFA in Acting. Hair, Angels in America, Rabbit in Hamlet (2008 Free For All). for Adaptation (Next Theatre: Burning Chrome); LA Hole, Take Me Out, As You Like It. TRAINING: Indiana NEW YORK: Broadway: Cyrano Weekly Award for Direction (Odyssey Theatre: Among Robert Sicular* University: MFA in Acting; Grinnell College: BA in Theatre. de Bergerac, Osborn/Green The Thugs). OTHER: Goodman Theatre Creative Menenius/Octavio Goblin in Spider-Man: Turn Off the Dark (Drama Partner; Next Theatre Company: former Artistic STC: Touchstone in As You Like Hunter Zane Desk, Outer Critics Circle nominations, Richard Seff Director; Shanghai Low Theatricals: Project Manager; It, Stephano in The Tempest, Feste Young Martius Award), King Henry in A Man For All Seasons (Outer Pine Box Theater: Member. in Twelfth Night. REGIONAL: Denver REGIONAL: Dramatic Impact: The Critics Circle nomination), Grinch in How the Grinch Center Theatre Company, Actors Lost Christmas, The Christmas Stole Christmas, Scar in The Lion King, Julius Caesar, Max Reinhardsen+ Theatre of Louisville, American Window, Family, Monsters, Creeds, A Christmas Carol, Lumiere in Beauty and the Ensemble Conservatory Theater (ACT), Berkeley The Gospel According to Scrooge, Beast; Off-Broadway: Richard II, The Duchess of Malfi, STC: 2012–2013 Acting Fellow; Repertory Theatre, San Jose Repertory Theatre, Founding Fathers; Homeschool Rex; Carnegie Hall: The Sound of Music. REGIONAL: A Midsummer Night’s Dream. South Coast Repertory, Seattle Repertory Theatre, Cooperative: World Celebration, 25 years including Associate Artist of The Old Globe; REGIONAL: Williamstown Theatre The Repertory Theatre of St. Louis, Marin Theatre Broadway Revue, The First Leon, The Best Christmas roles including Cyrano, Malvolio, Richard III, Hamlet, Festival: The Comedy of Errors, Company, California Shakespeare Festival, Colorado Present Ever. FILM: Extraordinary. TRAINING: Linda Henry V, Autolycus, Antony, Brutus, Benedick, Romance, Dead Fish, Two Slatterns Shakespeare Festival, San Francisco Shakespeare Townsend Mgmt Inc.: Voice-over Workshop, Acting for Mercutio. FILM: The Substance of Fire, Affluenza, and a King. FILM: CBGB. OTHER: Festival, Lake Tahoe Shakespeare Festival, Shakespeare Kids; Angela’s Music Studio: voice lessons. Sing Along, Mystery of Matter. TELEVISION: The Workshop: The Aeneid (dir. Kay Matschullat, music by in Santa Fe, Oregon Shakespeare Festival (company Good Wife, Law & Order: SVU, One Life To Live, All Duncan Sheik). TRAINING: Savannah College of Art member for eight years). FILM: Never Die Twice, Love My Children. AWARDS: Helen Hayes Award, Joseph and Design: BFA in Performing Arts. & Taxes, Dil Pardesi Ho Gayaa. TELEVISION: General Jefferson Award, Drama-Logue Award, Princess Grace Hospital, The Young and the Restless. TRAINING: Award, Utah Governor’s Medal for the Arts. University of California, Berkeley; London Academy of Music and Dramatic Art.

20 21 Direction and Design Biographies Expand. Explore. Engage. Robert Pinsky Tempest (dir. Julie Taymor), Arthur, Julie and Julia, Translator/Adapter (Wallenstein) Sex and the City, Before the Devil Knows You’re Dead, Poet Laureate of the United States for an The Accidental Husband, Nanny Diaries. TELEVISION: CREATIVE CONVERSATIONS unprecedented three terms (1997–2000). TELEVISION: Smash, Boardwalk Empire, PanAm, The Good Wife, Law a poetry reading attended by Lisa on The Simpsons; & Order: CI. TRAINING: Yale School of Drama: MFA. The Hero/Traitor Repertory moderated a metaphor contest between Stephen Colbert and Sean Penn on The Colbert Report. Murell Horton AWARDS: include the Korean Manhae Prize, the Italian Costume Designer Page and Stage FREE Premio Capri, the Harold Washington Award from the STC: The Government Inspector (Helen Hayes (formerly Windows) city of Chicago. OTHER: most recent book publication nomination), The Heir Apparent, The Liar (Helen Hayes nomination), The Alchemist, Edward II, Hamlet Wallenstein: Sunday, April 7, 5–6 p.m. is Selected Poems; recently released PoemJazz, a poetry-and-music CD with Grammy-winning pianist (2007), Titus Andronicus, Lorenzaccio (Helen Hayes : Sunday. April 14, 5–6 p.m. Coriolanus Laurence Hobgood; created the Favorite Poem Project nomination), Richard III (2003), Hamlet (2002), The Forum in Sidney Harman Hall with videos at www.favoritepoem.org and the Summer The Silent Woman, Hedda Gabler (Helen Hayes Hear insights on creating the production from the artistic team and local scholars during this Poetry Institute for K–12 Educators, with Boston nomination), Camino Real (Helen Hayes nomination). lively event. University’s School of Education. AWARDS: 2007 Irene Sharaff Young Master Award for costume design. NEW YORK: Jeffrey Finn Productions, David Muse The Acting Company, The Juilliard School, Pearl Bookends FREE Director (Coriolanus) Theatre Company. REGIONAL: Guthrie Theater, Oregon Wallenstein: Wednesday, April 24, pre-show 5:30 p.m. and post-show STC: Associate Artistic Director, 2005–2010; Affiliated Shakespeare Festival, Denver Center Theatre, Cleveland Playhouse, Philadelphia Theatre Company, Berkshire Coriolanus: Wednesday, May 1, pre-show 5:30 p.m. and post-show Artist; Director: Henry V, The Taming of the Shrew (Free For All), Romeo and Juliet, Julius Caesar, On the Theatre Festival, Shakespeare Theatre of New Jersey, Sidney Harman Hall Eve of Friday Morning, Pericles (Free For All); Assistant Madison Repertory Theatre, Indiana Repertory Theatre. Explore the production with this immersive discussion event. Pre- and post show discussions give Director: Othello, Lady Windermere’s Fan, The Tempest, OPERA: New York City Opera, Houston Grand Opera. complete access into the world of the play. Pericles, Macbeth; Director: ReDiscovery Series, numerous readings; Master Acting Class instructor. Mark McCullough REGIONAL: The Studio Theatre: Artistic Director since Lighting Designer AsidesLIVE: Coriolanus/Wallenstein 2010; Director: An Iliad, Dirt, Bachelorette,The Habit STC: Design for Living, Julius Caesar, Anthony and Sunday, April 28, 10 a.m–1 p.m. of Art, Venus In Fur, Circle Mirror Transformation, Cleopatra, Edward II, Tamburlaine, Titus Andronicus; The Forum in Sidney Harman Hall Reasons to be Pretty, Blackbird, Frozen, The Intelligent Richard III, Hamlet, Henry V, Richard II. NEW YORK: Broadway: The American Plan, Accent on Youth, AsidesLIVE symposiums look deeply into the text and production, encouraging audiences to Design of Jenny Chow; Arena Stage: Frankie and Johnny in the Claire de Lune; Theatre Alliance: The After Miss Julie, Jesus Christ Superstar (Broadway; examine the onstage work from a well-informed perspective. Featuring poet and adapter Bluest Eye; Hudson Valley Shakespeare Festival: Antony National and UK Tour); Off-Broadway: The Language Robert Pinsky. and Cleopatra. INSTRUCTOR: Shakespeare Theatre Archive, Old Money, Mouth to Mouth, How I Learned Company’s Academy for Classical Acting; Georgetown to Drive, The Long Christmas Ride Home; This is Our FREE University; Yale University. OTHER: New play Youth, Lobby Hero. REGIONAL: Court Theatre; La Jolla Classics in Context development at numerous theatres including New York Playhouse; Mark Taper Forum; Long Wharf Theatre; Wallenstein: Saturday, May 4, 5–6 p.m. Theatre Workshop, Arena Stage, Geva Theatre, Kennedy Hartford Stage; The Huntington Theatre; Centerstage; Coriolanus: Saturday, May 25, 5–6 p.m. Center, Ford’s Theatre. AWARDS: DC Mayor’s Arts Award The Old Globe; Oregon Shakespeare; Guthrie Theater, The Forum in Sidney Harman Hall for Outstanding Emerging Artist, National Theatre Steppenwolf Theatre Company. INTERNATIONAL: London, West End: Whistle Down the Wind; Royal Respond to the onstage production in a roundtable format with savvy theatre panelists. Conference Emerging Artist Award. TRAINING: Yale University: BA; Yale School of Drama: MFA in Directing. Shakespeare Company; Gate Theatre, Dublin. OPERA: Metropolitan Opera; The Bolshoi; La Scala; New York Post-Performance Cast Discussion FREE Michael Kahn City Opera; Washington National Opera; Glimmerglass; Lyric Opera of Chicago; San Francisco Opera; Teatro Coriolanus: Wednesday, May 15, post-show Director (Wallenstein) See For STC (page 38). Real Madrid; Royal Opera House Covent Garden; Opéra Wallenstein: Wednesday. May 29, post-show National du Rhin; Opera North; Dallas Opera; Opéra Sidney Harman Hall Blythe R.D. Quinlan de Montréal; Seattle Opera; National Centre for the Extend your theatre experience. Talk with the acting company after viewing the production. Set Designer Performing Arts (NCPA) in Beijing. TRAINING: North STC: Associate Designer to Ming Cho Lee for Carolina School of the Arts; Yale School of Drama: MFA. Lorenzaccio. NEW YORK: Off-Broadway: Signature FREE Twitter Night Theatre Company: Iphigenia 2.0 (dir. Tina Landau); Coriolanus: Wednesday, May 23 Juilliard School of Drama: The Wars; New York Wallenstein: Wednesday. May 30 Summer Play Festival: Swansong. REGIONAL: The Sidney Harman Hall Studio Theatre: Venus in Fur; Hartford Stage: Antony and Cleopatra (dir. Tina Landau); Seattle Repertory Using the hashtag #STCnight participants join the online conversation from the theatre lobby Theatre: The Cure at Troy (dir. Tina Landau); Portland or from home. Performance tickets available for purchase. Stage Company: Lobby Hero; San Jose Repertory Theatre: Making Tracks; Yale Repertory Theatre: For more information about these events, visit ShakespeareTheatre.org/Education. King Lear. FILM: I Don’t Know How She Does It, The

22 23 Mark Bennett Daniel Neville-Rehbehn Jenny Lord Joseph Smelser* Composer/Sound Designer (Coriolanus) Resident Casting Director Assistant Director (Coriolanus) Production Stage Manager (Wallenstein) NEW YORK: Broadway: The Coast of Utopia (Drama See For STC (page 39). Vocal Music Coach (Wallenstein) Stage Manager (Coriolanus) Desk Award), Vanya and Sonia and Masha and Spike, See For STC (page 39). STC: A Midsummer Night’s Dream, The Government Dead Accounts, Driving Miss Daisy, A Steady Rain, Who’s Rick Sordelet Inspector, The Merry Wives of Windsor, Strange Afraid of Virginia Woolf?, The Goat, Henry IV, Lily Tomlin Fight Director Gus Heagerty Interlude, Much Ado About Nothing, The Heir Apparent, and The Search…, Golda’s Balcony, A View From the STC: The Servant of Two Masters, Julius Caesar, Assistant Director (Wallenstein) All’s Well That Ends Well. REGIONAL: Arena Stage: Let Bridge; Off-Broadway: BAM/Old Vic: Composer for all Cymbeline, Twelfth Night, Richard II, Henry V, Antony and STC: Director: Macbeth (Fellows Project), Egmont Me Down Easy; Seattle Repertory Theatre: An Ideal productions of The Bridge Project; The Public Theater: Cleopatra, Julius Caesar, Tamburlaine, Edward II, The (ReDiscovery Reading); Assistant Director: The Husband, A Doll’s House, Play On!, As You Like It, A Why Torture is Wrong…, Dogeaters, The Seagull, eight Taming of the Shrew, Titus Andronicus, Henry IV, Part 1 Government Inspector, The Merry Wives of Windsor, Midsummer Night’s Dream, Peter Brook’s The Tragedy Shakespeare productions; Lincoln Center Theatre: and Part 2, Hamlet (Free For All), Henry VI, Parts 1, 2 and The Two Gentlemen of Verona, The Boys From of Hamlet, Golden Child, Don Juan, Purgatorio, The Chaucer In Rome, The New Century, Saturn Returns; New 3, Peer Gynt, As You Like It, Othello. NEW YORK: Broadway: Syracuse, The Heir Apparent (Directorial Assistant), Search for Signs of Intelligent Life in the Universe York Theatre Workshop: An Illiad (Obie Award), Valhalla, 56 Broadway including The Lion King and Orphans, Julius Caesar. NEW YORK: Off-Broadway: Playwrights (with Lily Tomlin); American Conservatory Theatre: The My Children! My Africa!, Mad Forest. REGIONAL: Ford’s National Tours of Beauty and the Beast, Flashdance, Les Horizons and New York Theatre Workshop: The Rivals, The Circle, The Government Inspector, Edward Theatre: A Christmas Carol; Arena Stage: Rainmaker; Misérables. INTERNATIONAL: 52 First Class productions Shaggs: Philosophy of the World (John Langs). Albee’s At Home at the Zoo, Vigil; Berkeley Repertory The Globe Theater: Pygmalion; La Jolla Playhouse: A worldwide: The Lion King, Beauty and the Beast, Ben Hur REGIONAL: The Studio Theatre: The Walworth Farce Theatre: Journey to the West, An Almost Holy Picture, Midsummer Night’s Dream (Craig Noel Award), Most Live. OPERA: The Metropolitan Opera, The Royal Opera (dir. Matt Torney), The New Electric Ballroom (dir. Matt Having Our Say; Regional Tour: Let Me Down Easy, Wanted; Huntington Theatre Company: Dead End, Rose House, La Scala in Milan: Cyrano de Bergerac (starring Torney); Folger Theatre: The Comedy of Errors (dir. Twilight: Los Angeles, 1992 (both with Anna Deavere Tattoo. TELEVISION: The American Experience: Lindbergh. Placido Domingo); The Metropolitan Opera: Don Carlo Aaron Posner); Kennedy Center Theatre for Young Smith). TRAINING: Oberlin College: BA. AWARDS: 1998 Obie Award Sustained Excellence in (dir. Nicholas Hytner); San Francisco Opera: Heart of the Audiences: Snow White, Rose Red (and Fred) (dir. Sound Design, Ovation Award, two Garland Awards, Soldier (dir. Francesca Zambello). FILM: The Game Plan Matthew Gardiner); Seattle Shakespeare Company: Hannah R. O’Neil* two Lucille Lortel Award nominations, 14 Drama Desk (starring Dwayne “The Rock” Johnson), Dan in Real Life Hamlet (dir. John Langs); The Theatre @ Boston Court Assistant Stage Manager nominations. OTHER: Feature articles in The New York (starring Steve Carell and Juliet Binoche). TELEVISION: & Circle X Theatre Co.: The Good Book of Pedantry and STC: Assistant Stage Manager: Hughie, A Midsummer Times, The Daily News, American Theater Magazine. Stunt Coordinator for Guiding Light (12 years) and One Wonder (world premiere, dir. John Langs). OTHER: Night’s Dream, All’s Well That Ends Well (Free For All); INSTRUCTOR: New York University: Adjunct Faculty. Life to Live. AWARDS: Edith Oliver Award for Sustained John F. Kennedy Center for the Performing Arts: William Production Assistant: The Merry Wives of Windsor, TRAINING: Vassar College: BFA in Composition/ Excellence from the Lucille Lortel Foundation. OTHER: R. Kenan Directing Fellow (2010–2011). TRAINING: Strange Interlude, Much Ado About Nothing, Julius Orchestration; The New England Conservatory. Board member for the Shakespeare Theatre of New Jersey. University of North Carolina School of the Arts: BFA in Caesar (Free For All), The Merchant of Venice, An Ideal INSTRUCTOR: Yale School of Drama. Directing (Gerald Freedman). Husband, Candide, All’s Well That Ends Well; Stage Fitz Patton Management Intern: Mrs. Warren’s Profession, Richard Composer/Sound Designer (Wallenstein) Diane Coburn Bruning Robert Lutfy II, Henry V, The Alchemist. REGIONAL: Huntington STC: A Midsummer Night’s Dream, Strange Interlude. Movement Consultant (Wallenstein) Directorial Assistant Theatre Company: Pirates!; Ogunquit Playhouse: NEW YORK/REGIONAL: Designed and scored more than REGIONAL: Woolly Mammoth Theatre Company: Mr. REGIONAL: credits include Arena Stage: Pullman The Producers, Fiddler on the Roof, The King and I, 240 productions in 20 cities across the U.S. including Burns, Civilization; The Studio Theatre: Bloody, Bloody Porter Blues (dir. Lisa Peterson); Folger Theatre: The La Cage Aux Folles, The Full Monty, Menopause the five on Broadway. AWARDS: 2010 Lucille Lortel and Andrew Jackson; Solas Nua: Improbable Frequencies Conference of the Birds (dir. Aaron Posner); O’Neill Musical. TRAINING: Emerson College: BFA in Stage Drama Desk Awards for When the Rain Stops Falling at (Helen Hayes nomination). BALLET: Atlanta Ballet, Theatre Center: House of Gold (dir. Sarah Benson); Management and Production. Lincoln Center’s Mitzi E. Newhouse Theater; nominated Pacific Northwest Ballet, Pennsylvania Ballet, Boston Director: Open Dream Ensemble: Big Shoes; Burning in 2011 for The Other Place (dir. Joe Mantello). Ballet, Milwaukee Ballet, Joffrey II, Nashville Ballet, Coal Theatre: Two Buildings One Heart; Threshold Elizabeth Clewley* OTHER: He is the founder of Chance Magazine, a new Aspen Ballet, Ballet Chicago, Indianapolis Ballet Repertory: The Lieutenant of Inishmore; Collaborative Assistant Stage Manager (Wallenstein) theater design magazine coming out this fall in both Theatre, Juilliard Dance Ensemble, Ballet Memphis, Arts: Time Stands Still; 3M Productions: Sunset Limited. STC: The Government Inspector, The Servant of Two print and on the iPad. UPCOMING: The Other Place, Chautauqua Ballet. OPERA: Washington National OTHER: John F. Kennedy Center for the Performing Masters, The Two Gentlemen of Verona, Much Ado on Broadway, at MTC’s Samuel Friedman Theater. Opera: Lucia di Lammermoor, Nabucco, Don Giovanni, Arts: William R. Kenan Directing Fellow (2012–2013). About Nothing, Julius Caesar (Free For All), Old Times, INSTRUCTOR: Barnard College of Columbia University. Manon Lescaut; Pittsburgh Opera: Aida; Glimmerglass TRAINING: University of North Carolina School of the Cymbeline, Twelfth Night (Free For All), The Liar (ASM), TRAINING: Vassar College, Bard College, Yale University. Festival: Beatrice and Benedict. INTERNATIONAL: Arts: Directing (Gerald Freedman). Richard II, The Alchemist, The Taming of the Shrew Ballett Magdeburg, Germany; Daghdha Dance, (Free For All), King Lear, Ion, Twelfth Night, Romeo Binder Casting Ireland; International Ballet Festival, Colombia. Bret Torbeck* and Juliet, 2008 Harman Center for the Arts Annual Jay Binder, CSA/Jack Bowdan, CSA FILM: Sundance Film Institute: Prufrock. AWARDS: Production Stage Manager (Coriolanus) Gala (Production Assistant), Julius Caesar, Antony and New York Casting Guggenheim Fellowship, National Endowment for STC: 2012 Harman Center for the Arts Gala, Velocity DC Cleopatra, Argonautika, The Taming of the Shrew, On With Mark Brandon, CSA, and Jason Styres. STC: the Arts Fellowship, Sundance Fellowship, New York Festival. NEW YORK: Off-Broadway: Vineyard: Miracle the Eve of Friday Morning (SM Intern). REGIONAL: Hughie, A Midsummer Night’s Dream, The Government Foundation for the Arts Fellowships, Yale School of Brothers. REGIONAL: The Old Globe: Richard III, As Theater of the American South: Driving Miss Daisy Inspector, Two Gentlemen of Verona, The Boys From Drama post-graduate fellowship, McKnight National You Like It, Inherit the Wind, The Tempest, Much (Stage Manager); Cape Fear Regional Theatre: Syracuse, As You Like It. NEW YORK: Broadway: more Fellow, Americans for the Arts International Artist Ado About Nothing, Amadeus, Sisters Rosensweig, Thoroughly Modern Millie, Rodgers and Hammerstein’s than 70 Broadway shows, including Nice Work If You Exchange Award, Heathcote Foundation Award. OTHER: The Women, Take Me Out; eight seasons at Seattle Cinderella, Tuesdays with Morrie (Stage Manager). Can Get It, Born Yesterday, The Lion King, The Miracle Founder/Artistic Director of Chamber Dance Project, Repertory Theatre; four seasons at the 5th Avenue INTERNATIONAL: International Festival of Arts and Ideas Worker, Finian’s Rainbow, Brighton Beach Memoirs, A New York, guest artist at more than 25 universities and Theatre, Centerstage, Long Wharf Theatre, Pittsburgh (Stage Manager); International VSA Festival (Stage Chorus Line, Gypsy, The 39 Steps, Irving Berlin’s White conservatories. UPCOMING: Pendulum (dance film), Public Theater, many others. UPCOMING: 2013 Old Manager). TRAINING: East Carolina University: BFA in Christmas, Is He Dead?, Inherit the Wind, Journey’s Chamber Dance Project. TRAINING: Yale School of Globe Shakespeare Festival: The Merchant of Venice, Stage Management. End, Butley, Virginia Woolf, Sweet Charity, Wonderful Drama; NYU: Choreography; Butler University: Dance. A Midsummer Night’s Dream, Rosencrantz and Town, Movin’ Out, 42nd Street, The Music Man, The Guildenstern are Dead. INSTRUCTOR: University of Iceman Cometh, The Sound of Music, Beauty and the Ellen O’Brien Washington School of Drama. TRAINING: Carnegie Beast, The Last Night of Ballyhoo, Chicago, The King Voice and Text Coach Mellon: BFA in Production/Directing. and I, Damn Yankees, Lost in Yonkers, Jerome Robbins’ See For STC (page 39). Broadway, The Goodbye Girl; every City Center Encores! production since its inception in 1994. FILM: Drew Lichtenberg Hairspray, Dreamgirls, Chicago, Nine. AWARDS: Nine- Literary Associate time Artios Award winner. See For STC (page 39).

24 25 About STC Support

STC is the recipient of the 2012 Regional Theatre Academy for Classical Acting, a one-year master’s We gratefully acknowledge the following donors that currently support the work of the 2012–2013 Season. Tony Award® as well as 78 Helen Hayes Awards and program at The George Washington University. This list is current as of February 4, 2013. 322 nominations. Beyond the classroom, educational opportunities like Creative Conversations are available to all in $100,000 and above Anonymous The Robert P. and Arlene R. Kogod Presenting Classic Theatre the community. Mr. and Mrs. Robert Falb T Family Foundation HRH Foundation Robert H. Smith Family Foundation The mission of the Shakespeare Theatre Company Supporting the Community Michael R. Klein and Joan I. Fabry T BA Suzanne and Glenn Youngkin T is to present classic theatre of scope and size in an imaginative, skillful and accessible American style STC has helped to revitalize both the Penn Quarter that honors the playwrights’ language and intentions and Capitol Hill neighborhoods and to drive an $50,000 to $99,999 Anita M. Antenucci T John and Meg Hauge T while viewing their work through a 21st-century lens. artistic renaissance in Washington, D.C. Each season Stephen E. Allis T Jeffrey M. Kaplan T programs such as Free For All and Happenings at the The Beech Street Foundation T Abbe David Lowell and Promoting Artistic Excellence Harman present free performances to residents and Afsaneh Beschloss T Molly A. Meegan T BA visitors alike, allowing new audiences to engage with The Morris & Gwendolyn Cafritz Jacqueline B. Mars STC’s productions blend classical traditions and the performing arts. Foundation National Capital Arts & Cultural modern originality. Hallmarks include exquisite sets, Dr. Paul and Mrs. Rose Carter T Affairs Program/U.S. Commission of elegant costumes, leading classical actors and, above Playing a Part D.C. Commission on the Arts & Fine Arts all, an uncompromising dedication to quality. Humanities National Endowment for the Arts STC is profoundly grateful for the support of Dr. Mark Epstein and Amoretta Hoeber T Robert and Martha Osborne T Fostering Artists and Audiences those who are passionately committed to Steven and Deborah Epstein Alan and Marsha Paller classical theatre. This support has allowed STC The Philip L. Graham Fund Suzy Platt STC is a leader in arts education, with a myriad of to reach out and expand boundaries, to inform The Harman Family Foundation The Shubert Foundation user-friendly pathways that teach, stimulate and and inspire the community and to challenge its encourage learners of all ages. Meaningful school audiences to think critically and creatively. Learn programs are available for middle and high school more at ShakespeareTheatre.org/Support or call $25,000 to $49,999 Anonymous Lara Pels Productions students and educators, and adult classes are 202.547.1122, option 7. The Margaret Abell Powell Fund Stephen and Lisa Ryan T BA held throughout the year. Michael Kahn leads the Anne and Ronald Abramson Vicki and Roger Sant 1616 Nick and Marla Allard T BA Share Fund of the Community Paul M. Angell Family Foundation Foundation for the National Mr. and Mrs. Landon Butler T Capital Region Community Foundation for the Clarice Smith National Capital Region Fredda Sparks and Kent Montavon Turner Erkiletian Family Foundation George P. Stamas T & Goss James A. Feldman and Natalie Wexler Bill Walton Nina Zolt and Miles Gilburne T Tom and Cathie Woteki News from the ACA Margot Kelly

Eleanor Holdridge and Robert Richmond to Clurman Theatre, The Imaginary Invalid and Mary $15,000 to $24,999 Nina Laserson Dunn and Eric C. Rose BA MARPAT Foundation, Inc. Direct ACA’s Summer Repertory Season Stuart at Pearl Theatre Company. Regionally, Eleanor Anonymous (4) Arthur and Shirley Fergenson ACA Kathleen Matthews has directed at Shakespeare & Company, Milwaukee Esthy and Jim Adler Trygve and Norman Freed Eleanor Merrill T For 12 summers now, the participants of the Shakespeare, Alabama Shakespeare, Roundhouse Altria Group Hogan Lovells US LLP Hazel C. Moore Academy for Classical Acting (ACA) have capped off Theatre, Folger Theatre, Everyman Theatre, Theater J The Theodore H. Barth Foundation Mr. and Mrs. Stephen A. Hopkins T Ann K. Morales their training with a fully supported repertory season. and Taffety Punk. She holds an MFA from Yale School Brown-Forman Corporation Mike and Gina House T BA Mortgage Insurance Companies The season always consists of one play written by of Drama. Clark Construction Group, LLC Humana Inc. of America William Shakespeare and one play from the Jacobean The Creative Coalition Jerry and Isabel Jasinowski T Melissa Moss T era (1603-1625). With the announcement of our two Robert Richmond will helm our Shakespeare Culture Ireland Kelley Drye & Warren LLP PNC Bank Corp. plays forthcoming, we are happy to announce our production. The Hastings, England, native and The Dallas Morse Coors Foundation Helen Kenney National Law Journal & Legal Times BA selected directors. Royal Scottish Academy of Music and Drama alum for the Performing Arts Kirkland & Ellis Toni A. Ritzenberg Deloitte LLP The Jacob and Charlotte Pauline A. Schneider T BA resides in Columbia, South Carolina, where he is the Eleanor Holdridge will be directing our play from the The Max and Victoria Dreyfus Lehrman Foundation May and Stanley Smith University of South Carolina’s Head of Undergraduate Foundation M Powered Strategies Charitable Trust Jacobean era. Eleanor is the current Head of Directing Performance. Prior to his current position, Robert at Catholic University of America. This season she spent 14 years as the Associate Artistic Director of has directed: Body Awareness at Theater J, Zorro the Aquila Theatre Company in New York. While he $10,000 to $14,999 Fluor Enterprises, Inc Parsons Corporation at Constellation Stage (which she also co-wrote), was there, he directed productions that toured across Anonymous (2) French-American Cultural Foundation Qualcomm Incorporated God of Carnage at Everyman Theatre and Hedda the U.S., Off-Broadway and in Europe. One of his Aetna Foundation Helen Clay Frick Foundation Steve and Diane Rudis Gabbler at Catholic University. Her Off-Broadway most recent projects, Henry V at Folger Theatre, was The BGR Foundation, Inc. Gould Property Group Samuel Freeman Charitable Trust productions that include Steve & Idi at Rattlestick named the best selling show in Folger history. He has Peter A. Bieger David and Jean Grier Judi Seiden AMB Playwrights Theatre, Cycling Past The Matterhorn at also directed Othello and Henry VIII at Folger Theatre. Chlopak, Leonard, Schechter H&R Block The Honorable Robert E. Sharkey and and Associates Catherine Held Dr. Phoebe Sharkey AMB DirecTV Jackson Lewis LLP Doug and Gabriela Smith Douglas Development Corporation Norman D. Jemal T UBS Warburg Private Banking E. and B. Family Trust Scott Kaufmann T Venable LLP EagleBank The Honorable Eugene Ludwig and Patricia and David Vos Foundation Miguel and Patricia Estrada Dr. Carol Ludwig Walker & Dunlop LLC Finmeccanica North America Kristine Morris Andrea and Stephen Weiswasser BA Fleishman-Hillard Nissan North America, Inc. Lynn and Jonathan Yarowsky

26 27 $5,000 to $9,999 Victor Shargai and Craig Pascal John Lanzillotta Anonymous (4) Software and Information Industry Association Richard Levi and Susan Perry Aflac SICPA LEVICK BA Shawn J. Chen and Alexis K. Albion Dr. Stanton Sloane Samuel M. Levy Family Foundation Mark Tushnet and Elizabeth Alexander Sovereign Strategy Limited Dr. Mark T. Lewellyn Alston & Bird LLP Terra Nova Title and Settlement Services, LLC James M Loots, Esq. and Mark G. Anderson Consultants, Inc. Time Warner, Inc. Barbara Dougherty Loots, Esq. BA Peter and Joan Andrews TPG Capital Nick and Alyssa Lovegrove Drama is served Drs. Hilda and William O. Bank Mr. and Mrs. Jay Velasquez Noreen Lynch Kyle and Alan Bell Verizon Foundation Patricia Magno (and we've saved you a seat) Barbara Bennett Vulcan Materials Company Foundation Mr. and Mrs. Gregory May Sheila and Kenneth Berman BA The Washington Post Company Mary McCue AMB Debra and Leon Black Marvin F. Weissberg Dorothy and Bill McSweeny 1616 In memory of Evan Hale Bliss Wells Fargo Philanthropy Mehlman Vogel Castagnetti Ambassador Julia Chang Bloch and Westfield Rajesh and Radhika Murari Stuart Bloch Carolyn L. Wheeler BA Patricia Sherman and Terry Murphy The Bozzuto Group Gerry Widdicombe Ralph and Gwen Nash Brookfield Office Properties Alan and Irene Wurtzel National Association of Realtors Mary and Armeane Choksi Chris and Carol Yoder Madeline Nelson iptio The Honorable Joan Churchill and ZGF Architects LLP Louisa and Bill Newlin cr ns BA s Mr. Anthony Churchill Judy and Leo Zickler Lawrence and Melanie Nussdorf b The Clearing House Jim and Karen Nussle u Marcel LaFollette and Jeffrey Stine ACA $2,500 to $4,999 James Oldham and Elizabeth Conahan BA S Compass Point Research & Trading LLC Anonymous (6) Theodore B. Olson and Lady Booth Olson BA Computer and Communications Industry In honor of Jim Adler Mr. and Mrs. David Osnos 4 Association Robert N. Alfandre Theda Parrish 1 D.C. Friends of Ireland Mr. and Mrs. Robert J. Almassy Peck Madigan Jones 0 Beverly and Richard Dietz Sunny and Bill Alsup Philip Bradford Nelson and Anne Parten 2 DRS Technologies Mr. Decker Anstrom and Ms. Sherron Hiemstra Mr and Mrs Carl F. Pfeiffer ACA Craig Dunkerley and Patricia Haigh Celia and Keith Arnaud Sydney M. Polakoff and Carolyn Goldman - Emily, Susannah and Michael Eig Association of Performing Arts Presenters Lutz Alexander Prager Ernst & Young LLP Julie, Tina, June and Vince Auletta Molly and Joe Reynolds BA 3

1616 ExxonMobil Linna Barnes and Chris Mixter Mrs. Stanley J. Sarnoff 1 Ambassador and Mrs. Richard Fairbanks BB&T Steven and Beverly Schacht

The Financial Services Roundtable Cathleen Blanton Richard Scott 0 Forest City Washington Mr. and Mrs. Jere Broh-Kahn ACA SCOTUSblog BA 2 Gensler & Associates Claudyne Y. Brown BA Linda and Stanley Sher AMB BA Tim and Susan Gibson Mr. and Mrs. I.T. Burden, III Richard Simpson Scott and Lauren Gilbert BA C2 Group, LLC David Smith and Ilene Weinreich Marilyn and Michael Glosserman Desiree Campbell Alan Asay and Mary Sturtevant Janet W. Solinger and Jacob K. Goldhaber Robert Crawford Carlson Professor Philip Tirpak Sue and Leslie Goldman Dawn and James Causey Thomas and Molly Ware w Alice and John Goodman Rita A. Cavanagh and Gerald A. Kafka In memory of Dorothy B. Watkiss The Greczmiel family Chadbourne & Parke, LLP BA o William Stein and Victoria Griffiths BA Audrey Chang and Michael Vernick $1,500 to $2,499 n Robert and Mary Haft Joan Choppin Anonymous (5) Kevin T. Hennessy AMB BA Richard H. Cleva Mr. Derek Thomas and Mr. Ernesto Abrego le The Hill Newspaper Linda and John Cogdill Ernest and Dianne Abruzzo a Hines Interests Limited Partnership Mary Cole AMB Miriam and Robert Adelstein on s Lynne and Joseph Horning Jeff and Jacky Copeland Gisela and Thomas Ahern The Mark & Carol Hyman Fund Marshall B. Coyne Foundation Douglas and Jane Alspach The International Union of Bricklayers and Kenneth W. Crow Galen and Carolyn Barbour Allied Craftworkers DAI Robert B. Barnett and Rita Braver BA Maxine Isaacs Ralph Voltmer and Tracy Davis BA John and Patricia Barth Jackson Lewis LLP Louis Delair, Jr. Danielle L.C. Beach BA Doug James and Kay Mollick The Charles Delmar Foundation Elaine and Richard Binder J.M. Zell Partners, LTD. The Dimick Foundation Mr. and Mrs. John H. Birdsall Entrées Elaine Economides Joost Fynnette Eaton and James E. Miller Martha Blaxall and Joe Dickey Candace and Hadrian Katz Helaine G. Elderkin Kim Bollen Daniel F. Katz BA Rob and Anne Faris British Council Measure For Measure Kovler Fund of the Community Foundation Leo Fisher and Sue Duncan The family of Marion and Charles Bryce 1616 AMB of the National Capital Region Barry and Marie Fleishman Cambria Solutions Kraft Foods Global Mr. Randall Bevins and Ms. Monica A. Gaw Jodi and Alan Capps A Funny Thing Happened on the Mr. and Mrs. Eric Luse Burton Gerber Cheryl and Matthew Chalifoux In memory of Marilyn J. Lynch Mr. and Mrs. Kenneth W. Gideon Matthew and Sharon Coffey Way to the Forum Heidi Maloni Angelique Glass and Joe Lamantia 1616 ACA AMB Ryna and Melvin Cohen Family Foundation The George Preston Marshall Foundation Golden & Cohen, LLC Mr. and Mrs. Anthony C. Collins MCCI Group Holdings, LLC Richard A and M. Theresa Gollhofer Douglas W. Crandall The Importance of Being Earnest MedStar National Rehabilitation Network Mr. John Graves Julia and Francis Creighton Hilary B. Miller and Dr. Katherine N. Bent Ms. Barbara Harman and Mr. William Cain T Jeffrey P. Cunard BA The Morningstar Foundation Jean and Stephen Hersh William C. and Sandra C. Davis Henry IV, Parts 1 and 2* Rita Mullin Catherine MacNeil Hollinger and Alan and Deanna Decherney Oracle America Corporation Mark Hollinger Tom and Krista Di Iaconi BA James and Wanda Pedas Charlotte Hollister and Donald Clagett David and Kenna Dorsen BA Private Lives Theodore and Lea Pedas Homes, Lowry, Horn and Johnson, LTD Dr. Damien and Elizabeth Doyle Robert and Susan Pence Larry and Georganne John Claudia H. Dulmage, Esq. BA The Prince Charitable Trusts John Edward Johnson Becky and Alan Dye Property Capital LLC Jones Lang LaSalle Elizabeth and Randolph Elliott Public Strategies Washington K&L Gates Ms. Catherine B. Elwell Willam Pugh and Lisa Orange Carolyn J Kaplan Garrett Epps BA Qorvis Communications LLC Mr. Jerry Knoll Raymond S. Eresman and Diana E. 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30 31 MASTER ACTING “ CLASSES Fill the Theatre Skills are Life Skills. cup, and let it come” Spring Session begins in April. Summer Session begins in June. Henry IV, Part 2, act 5, scene 3

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Two-week sessions for ages 9–18 Register today! 202.547.5688 or ShakespeareTheatre.org/Camp-Shakespeare Cecile and James Srodes Sharon L. Bernier Wayne T. Decesar Donna Hart Lee Leonhardy Merrillee Pallansch Dr. William and Vivienne R. Stark Barbara Berrie Charles and Connie Delaplane Ms. Fran Hart Stephen H. Leppla and Ulrike Lichti Thomas and Yates Palmer Andy Steinem Bethesda MRI and Virginia MRI Mary des Jardins Peter D. and Florence R. Hart J. Griffin and Linda P. Lesher Susan Papp-Lippman Edward Steinhouse Claire and Tom Bettag Marjorie Deutsch, Ph.D and Frank and Lisa Hatheway Herman D. Levy Joseph A. Pardo Robert and Virginia Stern Thomas Beyer John Broadbent, JD Larry Hawk Elizabeth Lewis and Thomas Saunders In memory of Michael Patten Susanne and Carlton Stoiber Paul H. Bickart Col. and Mrs. Deverill Buzz Hefti Carol A. Lewis Rebecca Patton Dorothy and Donald Stone Mary Kay Blake Caroline M. Devine Charles W. 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34 35 Miller and Virginia Taylor Additional Members of Old Town Shoe & Luggage Repair Cynthia Terrell the Society of 1616 PAUL Bakery & Cafe John A. Terry Helen Alexander and Roland Weiss Red Velvet Cupcakery Carol Thayer Sheryl Baldwin Rosa Mexicana Alice W. Thomas Lorraine E. Chickering Social Reform Kitchen & Bar/ If Shakespeare Jill and Scott Thompson Anne Coventry Private Caucus Rooms Elizabeth Trangsrud Peter and Linda Parke Gallagher* Tangysweet Silvia B. Trumbower Ms. Claudia J. Greer Teaism Mr. and Mrs. Jonathan Tuck Michael Kahn T ThinkFoodGroup had a camera... WILL ON THE HILL Stewart Umphrey Arthur Katz and Sima Osdoby U Street Cleaners May 6, 2013 Drs. Stephen and Susan Ungar Lt. Col. and Mrs. William K. Konze Urban Essentials He may have traveled Eli and Zahava Velder Estate of Gwenneth Lavin* Washington Metropolitan Area Transit James M. Verdier Mrs. R. Robert Linowes Authority Europe to illustrate Mindi and Philip Walker Shirley Loo The Washington Post Company his plays. In this Martha Wallach Marian Mlay West Wing Writers Tickets on Linda Walsh Judith E. Moore spirit, STC presents In memory of Marjorie Hecht Watson Susana and Roberto Morassi* Matching Gifts an exhibition of Mr. Peter Q. Weeks - ElderCaring Mr. and Mrs. Richard J. Park Bank of America Sale Now!

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36 Alan Paul Century, Shakespearean Illuminations, Shakespeare Associate Director Survey, Shakespeare Quarterly, Shakespeare and the STC: Director: numerous galas, readings and special Arts; The Voice and Speech Review: Associate Editor for For STC events, The Boys From Syracuse, Twelfth Night (Free Heightened Text, Verse and Scansion. TRAINING: Yale For All); Assistant Director: 13 shows. THEATRE University: MA, MPhil, PhD (English); Central School DIRECTING: Signature Theatre: I Am My Own Wife; of Speech and Drama/The Open University (London): Advanced and Post-Graduate Diplomas in Voice Studies. for Miami Opera; Julius Caesar for San Francisco Catholic University: Man of La Mancha; Apex Theatre Michael Kahn TEACHING: Academy for Classical Acting; University of Artistic Director Spring Opera. INTERNATIONAL: Love’s Labor’s Lost at Company: Richard II; Northwestern University: Six Degrees of Separation; readings for The Studio California, Santa Cruz; Guilford College; Kirkland College. STC: The Government Inspector, the Royal Shakespeare Company’s Complete Works Theatre, Arena Stage, Woolly Mammoth Theatre Strange Interlude, The Heir Apparent, Festival; The Oedipus Plays at the Athens Festival; Company, The National Academy of Sciences, The Daniel Neville-Rehbehn Old Times, All's Well That Ends Well, Five by Tenn for The Acting Company’s tour of Eastern Europe; Show Boat for the National Cultural Phillips Collection, The Goethe Institut, Georgetown Resident Casting Director The Liar, Richard II, The Alchemist, STC: Hughie, A Midsummer Night’s Dream, The Center Opera House in Cairo; The White Devil for the University. OPERA DIRECTING: Urban Arias: Blind Design for Living, The Way of the Government Inspector, All’s Well That Ends Well (Free Adelaide Festival. BOARD MEMBERSHIPS: Theatre Dates, Before Breakfast, The Filthy Habit, Photo- World, Antony and Cleopatra (2008), For All), The Merry Wives of Windsor, The Servant of Communications Group; New York State Council on Op; The In Series: Dido and Aeneas, El Amor Tamburlaine, Hamlet (2007), Richard III (2007), Two Masters, Strange Interlude, The Two Gentlemen of the Arts; D.C. Commission on the Arts and Humanities; Brujo; Strathmore: Butterfly/Saigon, Blind Dates. The Beaux’ Stratagem, Love’s Labor’s Lost, Othello, Verona, Much Ado About Nothing, The Heir Apparent, National Endowment for the Arts; Opera America’s UPCOMING: The Studio Theatre: The Rocky Horror Lorenzaccio, Macbeth (2004), Cyrano, Five by Tenn (at The Merchant of Venice, Old Times, An Ideal Husband, 80s and Beyond. AWARDS: Honorary Commander Show (co-directing with Keith Alan Baker). the Kennedy Center), The Silent Woman, The Winter’s Cymbeline, Candide. REGIONAL: The Studio Theatre: of the British Empire; Theater Hall of Fame; seven Tale (2002), The Duchess of Malfi, The Oedipus Plays, Assistant Production Management and Casting for Helen Hayes Awards for Outstanding Director; 2011 Deborah Vandergrift Hedda Gabler, Don Carlos, Timon of Athens, Camino several productions including American Buffalo, Real, Coriolanus, King Lear (1999), The Merchant of CAGLCC Excellence in Business Award; 2010 WAPAVA Director of Production REGIONAL: Sixth season at STC, Production Manager at Reasons to be Pretty, In the Red and Brown Water, Venice, King John, A Woman of No Importance, Sweet Richard Bauer Award; 2007 Mayor’s Arts Award Hartford Stage for six seasons; Stage Manager for more Adding Machine: A Musical, Grey Gardens, Rock ‘n’ Roll, Bird of Youth, Peer Gynt, Mourning Becomes Electra, Special Recognition for Shakespeare in Washington; than 30 shows at Hartford Stage working with directors Blackbird, Shining City, The History Boys, Jerry Springer: Henry VI, Volpone, Henry V, Henry IV, The Doctor’s 2007 Stephen and Christine Schwarzman Award for including Mark Lamos, Michael Wilson, Michael The Opera; Centerstage: Production Management Dilemma, Richard II, Much Ado about Nothing (also Excellence in Theatre; 2007 Sir John Gielgud Award Langham, JoAnne Akalaitis, Richard Foreman and Anne Intern, 2006–2007 Season. TRAINING: Towson at McCarter Theatre Center), Mother Courage and for Excellence in the Dramatic Arts; 2005 Person of Bogart; Stage Manager for La Jolla Playhouse, Georgia University: BS in Theatre Design. Her Children, Hamlet, Measure for Measure, King the Year from the National Theatre Conference; 2004 Shakespeare Festival, New Jersey Shakespeare Festival, Lear (1991), Richard III (1990), The Merry Wives of Shakespeare Society Medal; 2002 William Shakespeare Phoenix Theatre and other theatres. INTERNATIONAL: Jenny Lord Windsor, Twelfth Night, As You Like It, Antony and Award for Classical Theatre; 2002 Distinguished Washingtonian Award from The University Club; 2002 Pearls for Pigs international tour (dir. Richard Resident Assistant Director Cleopatra (1988), Macbeth (1988), All’s Well That Ends STC: Assistant Director: 13 productions from 2010–2013; GLAAD Capitol Award; 1997 Mayor’s Arts Award for Foreman), International Production Associates. OTHER: Well, The Winter’s Tale (1987), Romeo and Juliet. NEW as Director: All’s Well That Ends Well (Free For All), Excellence in an Artistic Discipline; 1996 Opera Music Project Manager: Arts Festival Atlanta, International YORK: Broadway: Show Boat (Tony nomination), Cat Dream a Little Dream (2011 Fellows Project); several Theater International’s Bravo Award; 1990 First Annual Festival of Arts and Ideas; Stage Manager for 1996 on a Hot Tin Roof, Whodunnit, Night of the Tribades, ReDiscovery readings. NEW YORK: NYMF: Going Down Shakespeare’s Globe Award; 1989 Washingtonian Olympic Games, Glimmerglass Opera, New York City Death of Bessie Smith, Here’s Where I Belong, Othello, Swingin’, Don Imbroglio; Manhattan Opera Theatre: Magazine Washingtonian of the Year; 1989 Opera. TRAINING: Oberlin College: BA in English and Henry V; Off-Broadway: Manhattan Theatre Club: Five The Filthy Habit. REGIONAL: Dallas Theater Center: A Washington Post Award for Distinguished Community Theatre; UC San Diego: MFA in Stage Management. By Tenn, Sleep Deprivation Chamber; Funnyhouse of Christmas Carol; New Century Theatre: Bee-luther- Service; 1988 John Houseman Award. HONORARY a Negro, The Rimers of Eldritch, Three by Thornton hatchee; 42nd Street Moon: By Jupiter; several operas DOCTORATES: University of South Carolina; Kean Drew Lichtenberg Wilder, A Month in the Country, Hedda Gabler, The including favorites Così fan tutte and Eugene Onegin. Señorita from Tacna, Ten by Tennessee; New York College; The Juilliard School; The American University. Literary Associate STC: Hughie, A Midsummer Night’s Dream, The As choreographer: California Shakespeare Theater, San Shakespeare Festival: Measure for Measure (Saturday Government Inspector, All’s Well That Ends Well (Free Francisco Shakespeare Festival, 42nd Street Moon, Review Award). Artistic Director: The Acting Company, Chris Jennings For All), The Merry Wives of Windsor, The Servant of etc. EDUCATIONAL: NYU/Stella Adler Conservatory: 1978–1988. TEACHING: Richard Rodgers Director of Managing Director Two Masters, Strange Interlude, The Two Gentlemen of The Cherry Orchard, Angels in America: Perestroika; Juilliard Drama Division July 1992–May 2006, faculty STC: Joined the Company in Verona, Much Ado About Nothing, The Heir Apparent. San Francisco State University: Street Scene. OTHER: member 1967–; Shakespeare Theatre Company 2004. ADMINISTRATION: General REGIONAL: Centerstage: Caroline, or Change, Cyrano; Assistant to directors at Geva Theatre Center, Encores!, Academy for Classical Acting at the George Washington Manager: Trinity Repertory Company Centerstage/Lookingglass Theatre Company: Around Mint Theatre Company, California Shakespeare Theater, University. Previously: New York University; Circle in (1999–2004), Theatre for a New the World in 80 Days; Yale Repertory Theatre: Lulu Music-Theatre Group. TRAINING: Yale University: BA. the Square Theatre School; Princeton University; British Audience (1997–1999); Associate (adapted by Mark Lamos and Drew Lichtenberg); American Drama Academy; founder of Chautauqua Managing Director: Yale Repertory Williamstown Theatre Festival: The Front Page, The Theatre Conservatory. REGIONAL: Arena Stage: A Touch Theatre; Assistant to the Executive Producer: Manhattan Physicists, The Corn is Green; New York Shakespeare of the Poet; Signature Theatre: Otabenga; Guthrie Theater Club; Founder/Producing Director: Texas Young Festival: Macbeth (associate dramaturg; dir. Moisés Theater: The Duchess of Malfi; American Repertory Playwrights Festival; Manager: Dougherty Arts Center. Kaufman). OTHER: Yale School of Drama: American Theatre: ‘Tis Pity She’s a Whore; American Shakespeare MEMBERSHIPS: Currently serves on the Board of the premiere of Tarell McCraney’s In the Red and Brown Theatre: Artistic Director for 10 years, more than 20 Theatre Communications Group, DC Downtown BID, Water. TRAINING: Yale School of Drama. productions; McCarter Theatre Center: Artistic Director THE ARC, DC Arts Collaborative, the Penn Quarter for five seasons, includingBeyond the Horizon, filmed Neighborhood Association, Theatre Washington, and is for PBS; Chautauqua Theatre: Artistic Director, including a member of the League of Resident Theatres (served Ellen O’Brien The Glass Menagerie with Tom Hulce; Goodman on AEA and SSDC Negotiating Committees); has served Head of Voice and Text STC: More than 50 productions during 11 seasons. Theatre: Old Times (MacArthur Award), The Tooth of as a panelist for the NEA, DC Commission on the Arts, ACADEMY FOR CLASSICAL ACTING: 22 productions of Crime (Jefferson nomination); Ford’s Theatre: Eleanor. Mid Atlantic Arts Foundation and Humanities, and Shakespeare and Jacobean plays. REGIONAL: Ford’s OPERA: Romeo and Juliette for Dallas Opera; Vanessa Pew Theatre Initiative. AWARDS: Arts Administration Theatre, Arena Stage, Charlotte Repertory Company, for the New York City Opera (2007); Lysistrata or The Fellowship: National Endowment for the Arts. TRAINING: Aurora/Magic Theaters, People’s Light and Theatre Nude Goddess for Houston Grand Opera and New University of Miami: BFA in Theatre/Music; Yale School of Company, Shakespeare Santa Cruz, North Carolina York City Opera; Vanessa for Washington Opera and Drama: MFA in Theatre Management. Shakespeare Festival. PUBLICATIONS: Articles in The Dallas Opera; Show Boat for Houston Grand Opera; Voice and Speech Review, Shakespeare in the Twentieth Carmen for Houston and Washington Operas; Carousel

38 39 A New “Witty and full of  Kennedy Center  Production clever contrivance”  —The New York Times (1924)

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As proud supporters of the Shakespeare Theatre Company,

Gordon Biersch gladly honors  

ShakeSpeare’S FOLGER THEATRE 2012/13 SeaSon twelfth night A new adaptation by Richard Nelson Based on THE CLASSIC PLAY BY FERENC MOLNÁR april 30–june 9, 2013 Directed by Gregory Mosher “If music be the food TogeTher on sTage They make magic, buT behind closed doors The drama is all Too real! For TheaTer’s FavoriTe newlywed acTing Team, where does The acTing end and True emoTion begin? of love, play on.” MAY 25–JUN. 23, 2013 | EISENHOWER THEATER

Tickets on sale now! The Kennedy Center Theater Season is sponsored by Altria Group. (202) 467-4600 kennedy-center.org Tickets also available at the Box Office.    Groups (202) 416-8400 | TTY (202) 416-8524 www.folger.edu/theatre

201 E. Capitol Street, SE • Washington, DC 20003 202.544.7077

FOLTWL2739_STCad_3.indd 1 2/22/13 11:59 AM PRODUCTION Scene Shop Foreman Greg Schmidt Director of Production Deborah Vandergrift Scene Shop Administrator Margaret Tratta Associate Production Manager Tim Kaufmann Carpenters Carrie Cox, Kevin Oleksy, Matt Wolfe STC Staff Bookings Production Manager Genevieve Cooper Charge Scenic Artist Sally Glass Production Administrator Tim Bailey Scenic Artist Jose Ortiz Overhire Scenic Painters Jamie Kumpf, Sam Shelton, Artistic Director Michael Kahn Manager of Foundation and Resident Production Stage Manager Joseph Smelser Jessica Wade Managing Director Chris Jennings Government Relations Meghann Babo Assistant Stage Managers Elizabeth Clewley, Hannah R. O’Neil Production Assistants Christopher Kee Anaya-Gorman, Prop Shop Director Chester Hardison Executive Assistant to the Development Intern Alison Goldberg Maria Tejada Associate Props Director Eric Reynolds Artistic Director and Managing Director Ray Bracken MARKETING AND COMMUNICATIONS Stage Management Interns Staci Battista, Jessica Skelton Lead Props Artisan Chris Young Props Artisan Eric Dixon ARTISTIC Director of Marketing Costume Shop Director Wendy Stark Prey Costume Shop Floor Manager Randi Fowler Kudner Props Painter/Sculptor Eric Hammesfahr Associate Director Alan Paul and Communications Darby Lunceford Resident Design Assistant Lynda Myers Hand Props Artisan Jaime Bagley Resident Assistant Director Jenny Lord Marketing Director Martin Drobac Drapers Denise Aitchison, Randall Exton, Soft Goods Artisan Rebecca Williams Head of Voice and Text Ellen O’Brien Associate Marketing Director Austin Auclair Marketing Manager Becca Gurganious Sally Kessler, Tonja Petersen Props Intern Hillarie Shockley Resident Casting Director Daniel Neville-Rehbehn Audience Services Manager Joy Johnson First Hands Jennifer Biehl, Tessa Lew, Master Electrician Sean R. McCarthy New York Casting Binder Casting: Jay Binder, CSA; Ticket Managers Danielle Cox, Tim Helmer Sandra Thomas, Sara Trebing Assistant Master Electrician Lauren A. Hill Jack Bowdan, CSA; Mark Brandon, CSA; Sales Associates Zindzi Ali, Benjamin Chase, Stitchers C. Layton Kuchinski, Michele Ordway, Harman Electrician Erin Teachman Jason Styres Evelyn Chester, Holly Cobb, Hannah Folger, Eric Frederic, Jennifer Rankin, Donna Sachs, Lansburgh Electrician Jacob Moriarty-Stone Literary Associate Drew Lichtenberg Heather Hart, Michel Higgs, Christopher Hunt, KC Johnson, Alaina Venditti, Pamela Wilcox Electrician Micah Manning Artistic Fellow Jacob Janssen Jessica Kaplan, Jennifer Ketcham, Emmy Landskroener, Crafts Artisan Joshua Kelley Electrics Intern Jeremy Owens Assistant Director Gus Heagerty Andre McBride, Katherine McCann, Izetta Mobley, Kristin Nam, KC/ACTF Costume Design Intern Caitlin Rain Assistant to the Lighting Designer Sonya Dowhaluk Affiliated Artists Keith Baxter, Avery Brooks, Pat Nixon, Christopher Pearson, Monica Powell, Carmelitta Riley, Costume Interns Jenny O’Donnell, Edwin Schiff Audio/Video Supervisor Jason Tratta Helen Carey, Veanne Cox, Aubrey Deeker, Marie Riley, Charles W. Rohlfs, Crystal Stewart, Wardrobe Supervisors Jeanette Lee Porter, Monica Speaker Resident Sound Engineer Jessica Murphy Julia Thompson, Michael Wharton, Genevieve Williams Colleen Delany, Franchelle Stewart Dorn, Wig Master Dori Beau Seigneur Live Mix Engineer Brian Burchett Call Center Director Monte Hostetler Cameron Folmar, Adam Green, Edward Gero, Overhire Design Assistant Erin Nugent Lansburgh Board Operator Andrew Smith Teleservices Associates Thomas Brennan, Kelly Carson, Philip Goodwin, Jane Greenwood, Michael Hayden, Overhire Crafts Artisan Kathleen Stack Audio/Video Engineer Geoff Moore Tana Hicken, Simon Higlett, Christopher Innvar, Nicholas Feeney, Rockwell Flint, Eric Garvanne, Overhire Stitchers Claire Cantwell, Sandy Smoker-Dureas Stage Operations Supervisor Louie Baxter Stacy Keach, Floyd King, Andrew Long, Ethan McSweeny, Cheryl Kempler, Jill McAfee, Sohna Millar, Joanna Morgan, Overhire Wardrobe Alina Gerall Assistant Stage Operations Supervisor Mic Murphy Jennifer Moeller, David Muse, James Noone, Patrick Page, Burton Napper, Colin O’Bryan, Cynthia Perdue, Jasmine Simon, Technical Director Mark Prey Stage Carpenters Nick Custer, Katherine Lucibella Robert Perdziola, Nancy Robinette, David Sabin, George Sitter, Amy Sloane, Kirk Sobell, Nancy Tyson Assistant Technical Directors Michael Bagley, Run Crew Laura Downes, Catherine Russell Miriam Silverman, Derek Smith, Walt Spangler, Tom Story, Theatre Services Manager Dora Hoyt House Manager Amanda Loerch Kelly Dunnavant Rebecca Bayla Taichman, Ted van Griethuysen, Adam Wernick Assistant House Managers Melissa Adler, Quintin Cary, Julia Curry, Kurt Elfmann, ADMINISTRATION Addie Gayoso, Kirsten Gregory, Jocelyn Henjum, Director of Administration James Roemer Aaron Lewis, Stephanie McLean, Carissa Milliken, Associate Director of Administration Anne S. Kohn Laura H. Moore, Ronee Penoi, Ali Peterson, Human Resources Manager Lindsey Morris Bach Polakowski, Marie Riley, Kelly Rubin, Human Resources Coordinator Danielle Mohlman Justin Silverman, Caitlin Staebell Accounting Manager Mary Margaret Finneran Retail Manager Christopher Levy Audience Services Accounting Assistant Marco Dimuzio Assistant Retail Manager Sue Fraser Company Manager Jeanne Hosler Harman Reception Meaghan McFadden Lansburgh Theatre Accessibility Company Management Intern Shelly Cohen Associate Communications Director Diane Metzger 450 7th Street NW Our theatres are accessible to persons with disabilities. Receptionist Ursula David Publicist Lindsay Tolar Please request special seating at time of ticket purchase Marketing and Communications Interns Kate Colwell, Sidney Harman Hall Director of Operations Timothy Fowler and arrive 30 minutes before curtain for priority seating. Alison Ehrenreich 610 F Street NW Operations/IT Assistant Melissa Adler Sign-interpreted performances Web and Media Programmer Brien Patterson Ticket sales and subscriber exchanges: Theatre Building Engineer Dave F. Henderson Senior Graphic Designer Chris Low Coriolanus: Tuesday, May 28, at 7:30 p.m. Theatre Monitors Milton Garcia, Jeff Whitlow Tickets: 202.547.1122 Wallenstein: Tuesday, May 21, at 7:30 p.m. Junior Graphic Designer Elayna Speight Toll-free: 877.487.8849 Maintenance Technician Al Sanders Graphic Design Intern Chris Booth Group sales: 202.547.1122, option 6 Audio-described performances Custodian Trent Holland Photographers Kevin Allen, Margot Schulman, TTY: 202.638.3863 Coriolanus: Saturday, May 25, at 2:00 p.m. Harman Porters Dennis Fuller, Roderick Proctor, Scott Suchman Box office fax: 202.608.6350 Wallenstein: Saturday, May 18, at 2:00 p.m. Jorge Ramirez Bookings: 202.547.3230 ext. 2206 Lansburgh Porters Mirna Guzman, Agustin Hernandez EDUCATION PROGRAMS An audio-enhancement system is available for all Director of The Academy for Box Office phone hours (both theatres): performances. Both headset receivers and neck loops (to use Information Technology Brian McCloskey Classical Acting Director Gary Logan Monday–Friday: 10 a.m.–6 p.m. with hearing aids outfitted with a “T” switch) are available at Systems Administrator David Harvey ACA Program Coordinator Sloane A. L. Spencer Saturday–Sunday: noon–6 p.m. the coat check on a first-come basis. Director of Education Samantha K. Wyer (Box Office window open until curtain time) Database Administrator Brian Grundstrom Program notes in Braille and large print are available at the Audience Enrichment Manager Hannah J. Hessel IT Help Desk Deanna Gonzalez Lansburgh Box Office only open weekdays and on coat check. Community Engagement Manager Marcy Spiro performance weekends. DEVELOPMENT School Programs Manager Vanessa Hope Support for the Shakespeare Theatre Company’s Chief Development Officer Ed Zakreski Training Programs Manager Dat Ngo Concessions and Gift Shops: Accessibility Program provided by Training Programs Coordinator Sara Jameson Associate Director of Development Amy Gardner Food and beverages are available one hour before each Education Coordinator Laura Henry Buda performance. Pre-order before curtain for immediate pick-up Individual Campaigns Manager Emily Lynn Education Intern Kevin Collins at intermission. Lansburgh Theatre and Sidney Harman Hall gift Individual Campaigns Coordinator Norah Quinn Resident Teaching Artist Jim Gagne shops are open before curtain, at intermission and for a short Special Events Manager Eric C. Bailey Affiliated Teaching Artists Carolyn Agan, Wyckham Avery, time after each performance. The video and/or audio recording of this performance by any Development Operations Manager Meridith Young Dan Crane, George Grant, Paul Hope, Rachel Hynes, means whatsoever are strictly prohibited. As a courtesy, turn off Development Operations Coordinator Kristina Williams Naomi Jacobson, Mark Jaster, Jessica Jung, Matthew Kacergis, Connect with us: pagers, telephones, watch alarms and all other electronic devices Director of Corporate Giving Noreen Major Casey Kaleba, Floyd King, Jessica Lefkow, Andrew Long, Facebook.com/ShakespeareinDC during the performance. Corporate Giving Manager Ali Peterson Sabrina Mandell, Nafeesa Monroe, George Page, Twitter.com/ShakespeareinDC Audience members may be reached during a performance by Major Gifts Manager Tony Wagener Matthew Pauli, Victoria Reinsel, Lorraine Ressegger, YouTube.com/ShakespeareTheatreCo Flickr.com/ShakespeareTheatreCompany calling house management at 202.547.3230 ext. 2517. Specify Membership Coordinator Katie Burns-Yocum Melissa Richardson, Nancy Robinette, Amie Root, Oran Sandel, Brent Stansell, Craig Wallace, Eva Wilhelm seat location. Latecomers will be seated at management’s discretion. 42 43 SHAKESPEARE THEATRE COMPANY ACADEMY FOR CLASSICAL ACTING AT THE GEORGE WASHINGTON UNIVERSITY The future of classical theatre is here.

The Academy for Classical Acting (ACA) at The George Washington University is the only full-time MFA program in the country focused exclusively on classical acting. The Emerging Classical Artists Fund provides much-needed scholarship funds for MFA candidates at the ACA. Your support is crucial to our goal of providing financial aid to 100% of our students. You are invited to name a scholarship through the Emerging Classical Artists Fund. “My year at the ACA Donors of $5,000 or more to the ACA at The was one of the best George Washington University may name a years of my life. scholarship to fund one of our talented actors I would not have and connect with a recipient. been able to attend the ACA without scholarship support.” Gene Gillette, ACA Class of 2007

To make a gift or for more information, please contact Tony Wagener of the Shakespeare Theatre Company at 202.547.3230 ext. 2312, or Kimberly Portis of The George Washington University at 202.994.9909. You can also donate online at ShakespeareTheatre.org/Support 44 or gwu.edu/give. Photo of Gene Gillette and Nick Dillenburg in STC’s The Two Gentlemen of Verona by Scott Suchman.