JULIA ATKIN Height: 5’8” | Hair: Dark Brown | Eyes: Dark Brown

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JULIA ATKIN Height: 5’8” | Hair: Dark Brown | Eyes: Dark Brown www.juliaatkin.com FILM/TV Bug Bites (short) Lead Independent Daniel DelPurgatorio neXt Co-star 20th Century Fox Tim Hunter Chicago Med Co-star NBC Charles Carroll THEATRE Hershel and the Hanukkah Goblins³ Fanny Strawdog Theatre Co. Spencer Ryan Diedrick The Neighbor³ Neighbor Small Hours/Prop Thtr Brynne Frauenhoffer Over Easy²/³ Taylor SheNYC Arts Festival Margaret Baughman Mad Girls² Eileen Rhinofest/Prop Thtr Jen Sloan Mad Girls¹ Eileen Chicago Dramatists Evalena Friedman SITP: Romeo and Juliet Benvolio (u/s) Chicago Shakespeare Theater Marti Lyons The Merry Wives of Windsor Anne Page The Arc Theatre Mark Boergers Puddin ‘N Pete¹ Ariel Court Theatre Ernest Perry, Jr. Trouble in Mind¹ Judy Sears Court Theatre Sydney Chatman The Electronic N——r¹ Sue Court Theatre Cedric Mays Twelfth Night Viola TTS/DePaul University Stuart Carden Middletown Mrs. Swanson Conservatory Theatre Ensemble Gus Heagerty ¹ Staged Reading ² New Work ³ Virtual Production COMMERCIAL Hallmark Principal Hallmark Cards Dac McCabe KUDO Principal Flightless Bird Creative Kevin Conway Walmart Principal The Ruckus Billy Federighi, Brett Snider Dyson Principal The Mill Ben Hansford DePaul University Principal Quriosity Productions Christopher Tovo EDUCATION Shakespeare & Company – Rhythm and Structure with Tina Packer, Gwendolyn Schwinke, Rory Hammond A Red Orchid Theatre – What They Want/Who You Are with Lance Baker Chicago Shakespeare Theater – Folio I & II with Larry Yando The Theatre School at DePaul University (TTS) – BFA Acting 2017. Aerial Dance Chicago - 3-day Summer Intensive in Silks American Conservatory Theater (A.C.T.) - Alexander Technique with Kari Prindl National High School Institute (“Cherubs” Program at Northwestern University) – Acting Program Conservatory Theatre Ensemble (CTE) – Mill Valley, California SKILLS Guitar & ukulele (beginner), improv (Noah Gregoropoulos of Second City), Yoga, Pilates, SAFD-certified Actor Combatant (Certified: rapier & dagger, small sword, knife; Recommended: unarmed, broadsword, quarterstaff), puppetry, literacy and conversational Spanish, proficient at learning dialects (IPA training), good mover, US passport and IL driver’s license..

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SPRING AWAKENING Directed by Damon Kiely
Contact: Andrea Tichy Manager of Public Relations and Special Events (773) 325-7819, [email protected] FOR IMMEDIATE RELEASE September 12, 2012 The Theatre School Showcase: Contemporary Plays and Classics Presents: SPRING AWAKENING directed by Damon Kiely The Theatre School at DePaul University’s Showcase Series of Contemporary Plays and Classics presents Spring Awakening, book & lyrics by Steven Sater, music by Duncan Sheik, based on the play by Wedekind, with musical direction by Mark Elliot, and directed by Damon Kiely. This rock musical premieres on Friday, September 28, and runs through Sunday, October 7, 2012, at DePaul’s historic Merle Reskin Theatre. Performances are Wednesdays through Saturdays at 7:30 PM and Sundays at 2 PM. Previews are on September 26 and 27, at 7:30 PM. 1890s Germany. Winner of eight Tony Awards, this rock musical adaptation proves that Wedekind’s coming-of-age tragedy still has the power to shock. Spring Awakening pits the radiance of youth against the apathy of adulthood with a powerful score by Duncan Sheik. Due to adult situations and content, parental supervision is recommended for ages 17 and younger. Tickets are $15. Subscriptions and group rates (6 or more people) are available at (312)-922-0999. Seniors (over 60), DePaul employees and alumni, and college students receive a discount (with ID). Previews are FREE for any college student (with ID). Tickets are available by calling the Box Office at (312) 922-1999. DePaul’s historic Merle Reskin Theatre is located at 60 E. Balbo Drive at Michigan, Chicago. There are several parking lots near the theatre, and the theatre is also accessible via numerous CTA bus and train routes.
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2014 Jeff Awards Set for Tonight in Chicago; Goodman & Drury Lane
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2019 Cityarts Grantees �
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Four Riveting Stars | the Theater Loop - News from Americ
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By Noah Haidle Directed by Anne Kauffman
OCTOBER 2013 SMOKEFALL BY NOAH HAIDLE DIRECTED BY ANNE KAUFFMAN ® 1 Imagining Smokefall: A Conversation with Noah Haidle By Tanya Palmer Noah Haidle’s latest play, Smokefall, examines life’s big questions through the prism of an ordinary Midwestern family. Inspired in equal parts by Thornton Wilder’s simple evocative humanity, Samuel Beckett’s bleak poetry and Haidle’s own wild theatrical imagination, it begins on an average morning as the family is getting ready for their day, and then telescopes in—and out—to look at both the minutia of daily life and the broader implications of choices made for the individual, the family and the community. Funny and painful, the play was first developed as part of the Goodman’s New Stages festival, and was subsequently featured in the prestigious Pacific Playwrights Festival at South Coast Repertory in Costa Mesa, California, where it was produced this spring in a co-production with Goodman Theatre helmed by award-winning New York–based director Anne Kauffman. In a recent conversation with Tanya Palmer, the Goodman’s director of new play development, Haidle—whose work was last seen at the Goodman in 2006’s Vigils—spoke about the genesis of the play and where it fits into the trajectory of his own Noah Haidle burgeoning career as a playwright and screenwriter. Tanya Palmer: Can you talk a little bit about the origin and evolution of Smokefall? Noah Haidle: The director of Smokefall, Anne Kauffman, says the big question of this play is: is life worth living? Smokefall is an incredibly personal play and while I don’t feel comfortable having people understand the exact life circumstances, my circumstances, that inspired me to write a play about the meaning of existence, I can talk about it as a piece of writing.
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Chicago Celebrates Theater Excellence with Announcement of the 52Nd Annual Equity Jeff Awards
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The Season Ticket, October 1993
Columbia College Chicago Digital Commons @ Columbia College Chicago Season Ticket Publications 10-1-1993 The eS ason Ticket, October 1993 Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/seasonticket Part of the Theatre and Performance Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "The eS ason Ticket, October 1993" (1993). Season Ticket. 12. https://digitalcommons.colum.edu/seasonticket/12 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Season Ticket by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. The Season Ticket Columbia Theater/Music Center Member Newsletter VOLUME X, NUMBER 1 OC'l'OBDl 1993 • MEMBER CALENDAR AT A GLANCE Please call (312)663- 9465 for reservations to Main Season productions and to confirm performance times for workshop productions. All workshop productions and directing projects are free. RICHARD II Previews October 20 at 7:30 (New Studio) October 21 at 2:00 Opening October 22 at 7:00 Performance October 23,28,29,30 at 7:30 October 24, 31 at 3 : 00 October 26 at 4:00 October 27 at 2:00 RHINOCEROS Previews November 10 at 7:30 (Getz) November 11 at 2:00 November 12 at 7:30 November 13 at 7:30 Opening November 14 at 7:00 Performance November 17 at 2:00 November 18 at 4:00 November 19 at 8:00 November 20 at 8:00 November 21 at 3:00 WORKSHOPS Mann Ist Mann Previews November 13 at 4:00 November 14 at 4:00 Opening November 15 at 4:00 Performance November 16 at 4:00 November 17 at 6:00 November 18 at 7:00 curtains Rising on the Kain generally very self-aware, stage "they don't think very much about who they are or question Eugene Ionesco's Rhinoceros themselves very much.
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By Dominique Morisseau YESTERDAY's Stories. TODAY's
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