DOCSLIB.ORG

TUNESAT Lennon Ono PR 6-4-12

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

John Lennon and Yoko Ono’s Lenono Music & Ono Music Select TuneSat to Monitor Songs on Television and the Internet June 4, 2012 – Lenono Music and Ono Music, the publishing companies that control the solo material of John Lennon and Yoko Ono, are using TuneSat to monitor the use of their iconic songs on broadcast TV stations and websites around the world. TuneSat’s proprietary technology will fingerprint all of the works from these catalogs and track their use on hundreds of broadcast channels in 13 countries as well as streaming audio, video, podcasts, flash, and other multimedia files on millions of websites. They will then be able to view detections in real time via TuneSat’s secure web portal, providing them with full transparency and accountability of when and where their music is used in each instance. “John and I were both extremely detailed artists that put a lot of thought into not only how our music sounded but also how it was presented,” said Yoko Ono. “With the sheer number of broadcast TV stations and websites popping up around the world, it’s impossible to keep track of where and how our music is being used without the use of technology, which means it is often used in ways we don’t support. Now with TuneSat, I will be able to monitor the use of our tracks no matter where they’re played and make sure they are represented in the proper way.” “John Lennon and Yoko Ono are true legends. It’s a privilege to work with them at TuneSat,” said Scott Schreer, CEO and founder of TuneSat. Added Chris Woods, co-founder and TuneSat COO, “Up to this point, the rise of technology has meant that content owners have lost more and more control and knowledge of when and where their music is being played. TuneSat is excited to reverse that trend by using our technology to restore that control and knowledge to two of the biggest names in the music business.” Since launching in 2009, TuneSat has helped rights holders of all sizes recover millions of dollars in revenue that might otherwise have been lost due to outdated reporting procedures and copyright infringement. With headquarters in New York City and satellite offices in Europe, TuneSat is actively monitoring hundreds of TV channels and millions of websites around the world. TuneSat serves many of the world’s premier publishing companies, record labels, broadcast networks, production companies, film studios, advertising agencies, and production music libraries, along with many composers, artists, managers, music supervisors, and others who need to monitor and protect copyrights. The Zappa Family Trust currently uses the service to monitor the extensive catalog of legendary rock star Frank Zappa, and NBC Sports uses TuneSat to track music usage during the Olympics, including Beijing and the upcoming London games. John Lennon and Yoko Ono are two of music’s most iconic modern artists. Following his tenure with The Beatles, Lennon released a flurry of hit solo albums, including John Lennon/Plastic Ono Band, Imagine, and Double Fantasy, many of which were collaborations with Ono, his wife and musical partner. Together and separately, the pair produced songs including “Imagine,” “Give Peace a Chance,” and “Happy Xmas (War Is Over)” that carried a message of love and unity that continues to reverberate today. Since Lennon’s death in 1980, Ono has fought to ensure that the music they created would live on, working with record label EMI to remaster and rerelease all eight of Lennon’s solo albums in 2010 to celebrate his 70th birthday. The project also included the creation of a single-disc greatest hits collection, a 4-CD collection based on the key themes of Lennon’s music, and an 11-CD box set featuring all eight Lennon albums, a disc of previously unreleased home demos and outtakes, an EP of non-album singles and B-sides, and much more. About TuneSat LLC TuneSat employs its exclusive audio fingerprint technology to deftly detect music use on television broadcasts and the Internet. Led by tech-savvy composers and producers Scott Schreer and Chris Woods, TuneSat detects music in even the noisiest of broadcast environments, including under dialogue, sound effects, or voiceovers, and provides unrivaled, accurate reporting to its clients. With a TuneSat subscription, access to worldwide detection data is available 24/7/365 through a secure online portal. Detailed reports provide valuable information about when, where and how much music was used. TuneSat is actively monitoring hundreds of broadcast channels and millions of websites around the world. TuneSat LLC is based in New York City. For more information, please visit www.tunesat.com. ### TuneSat Media Contact: Laurie Jakobsen Jaybird Communications 646-484-6764 [email protected] .
Recommended publications
  • Happy Christmas (War Is Over!)

    Happy Christmas (War Is Over!)

    HAPPY CHRISTMAS (WAR IS OVER!) On March 20th 1969 John Lennon married Yoko Ono. Knowing their marriage would be a huge press event, John and Yoko decided to use the publicity to promote world peace. They spent their honeymoon in the presidential suite (Room 902) at the Amsterdam Hilton Hotel for a week between March 25 and 31, inviting the world's press into their hotel room every day between 9 a.m. and 9 p.m. It was their non-violent way of protesting against wars and promoting peace. Their second Bed-In took place in Montreal, Canada on May 26th 1969. During their seven-day stay, they sang the peace anthem "Give Peace a Chance", and recorded it in the hotel room on June 1st. On December 15th 1969 John and Yoko spread their messages of peace with billboards reading "WAR IS OVER! If You Want It - Happy Christmas From John and Yoko". These billboards went up in twelve major world cities : New York, Los Angeles, Toronto, Rome, Athens, Amsterdam, Berlin, Paris, London, Tokyo, Hong Kong and Helsinki. Although “Happy Xmas (War Is Over)” was apparently about the Vietnam War, it proved a universal message understood worldwide. VOCABULAIRE : 1. Retrouve dans le texte les mots signifiant : gigantesque : __________________ promouvoir : __________________ lune de miel : __________________ un hymne : __________________ enregistrer : __________________ répandre : ________________ panneau d’affichage : __________________ bien que : _______________ dans le monde entier : ________________ COMPREHENSION : 1. Quel événement fut à l’origine de la campagne ‘War is Over!’ ? _____________________________________________________________________________ 2. Cet événement fut largement couvert par la presse international.
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle

    John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle

    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
  • Kristine Stiles

    Kristine Stiles

    Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN­13: 978­0­226­77451­0 (cloth) ISBN­13: 978­0­226­77453­4 (paper) ISBN­13: 978­0­226­30440­3 (e­book) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress Cataloguing­in­Publication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 978­0­226­77451­0 (cloth : alkaline paper) — ISBN 978­0­226­77453­4 (paperback : alkaline paper) — ISBN 978­0­226­30440­3 (e­book) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.48­1992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an X­man, dot­man war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then re­draw it in a different posmon...
  • Infomail Nr. 730: JOHN LENNON Lps Und Cds: ORIGINAL MASTER RECORDING

    Infomail Nr. 730: JOHN LENNON Lps Und Cds: ORIGINAL MASTER RECORDING

    InfoMail Nr. 730: JOHN LENNON LPs und CDs: ORIGINAL MASTER RECORDING Donnerstag, 29. November 2007 (Datum dieser InfoMail) Hallo M.B.M., hallo BEATLES Fan, heute informieren wir Dich ueber JOHN LENNON-Alben, die als ORIGINAL MASTER RECORDING-LPs und CDs erschienen sind: ORIGINAL MASTER RECORDING LP LIVE PEACE IN TORONTO. MFSL 1-283 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD LIVE PEACE IN TORONTO. UDCD 763 Stereo, EMI. 34,90 Euro 13. SEPTEMBER 1969: VARSITY STADIUM, TORONTO, CANADA: THE PLASTIC ONO BAND: Blue Suede Shoes (live); Money (That's What I Want) (live); Dizzy Miss Lizzie (live); Yer Blues (live); Cold Turkey (live); Give Peace A Chance (live). / Don't Worry Kyoko (Mummy's Only Looking For Her Hand In The Snow) (live); John John (Let's Hope For Peace) (live). ORIGINAL MASTER RECORDING LP JOHN LENNON – PLASTIC ONO BAND. MFSL 1-280 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD JOHN LENNON – PLASTIC ONO BAND. UDCD 760 Stereo, EMI. 34,90 Euro Mother; Hold On (John); I Foud Out; Working Class Hero; Isolation (2:48). / Remember (4:29); Love (3:17); Well Well Well (5:52); Look At Me (2:49); God (4:04); My Mummy's Dead (0:48); Power To The People; Do The Oz. ORIGINAL MASTER RECORDING LP IMAGINE. MFSL 1-277 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD IMAGINE. UDCD 759 Stereo, EMI. 34,90 Euro Imagine; Crippled Inside; Jealous Guy; It’s So Hard; I Don’t Want To Be A Soldier. / Give Me Some Truth; Oh My Love; How Do You Sleep?; How ?; Oh Yoko.
  • Iiro Rantala

    Iiro Rantala

    iiro rantala my working class hero ACT 9597-2 German release date: August 28, 2015 A homage to John Lennon Rantala's consummate success in combining the clarity and the catchiness of Lennon's songs with the expressive John Lennon would have been seventy-five on October 9th possibilities of jazz may be connected with his musical 2015. On “My Working Class Hero,” the Finnish pianist Iiro background and his social circumstances. He grew up in a Rantala pays tribute to this master of modern song. working class family, with his father’s cycle repair business in Helsinki as a backdrop. His early contact with classical music Rantala has demonstrated a particular gift for making this came via being a member of the celebrated boys' choir “Cantores kind of homage once before. His 2011 album “Lost Heroes” Minores,” with which he also travelled to do performances abroad. recaptured the spirit of a different musical idol in each of its ten There followed a classical piano education, and studies at the songs, and received the annual prize of the Deutsche Manhattan School of Music. However, a pure jazz musician is Schallplattenkritik and an ECHO jazz award, whilst Germany's something that he has never been. He continues to play classical foremost broadsheet newspaper the FAZ proclaimed it as having music from Bach and Mozart through to Sibelius. For eighteen “intelligence, humour, loads of feeling, unpredictable ideas and years he toured worldwide with the madcap Trio Töykeät. He especially finely crafted piano playing.” presented a TV programme called “Iiro Irti” on which he gave In this new John Lennon tribute, Rantala turns to the concerts with pop musicians and heavy metal bands.
  • A Description of Theme of Hope in Selected Songs from John Lennon's Imagine Album a Paper by Emil Iswandi Hutasuhut Reg.No

    A Description of Theme of Hope in Selected Songs from John Lennon's Imagine Album a Paper by Emil Iswandi Hutasuhut Reg.No

    A DESCRIPTION OF THEME OF HOPE IN SELECTED SONGS FROM JOHN LENNON’S IMAGINE ALBUM A PAPER BY EMIL ISWANDI HUTASUHUT REG.NO : 162202026 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL SCIENCE UNIVERSITY OF SUMATERA UTARA MEDAN 2019 i Universitas Sumatera Utara ii Universitas Sumatera Utara iii Universitas Sumatera Utara AUTHOR’S DECLARATION I am EMIL ISWANDI HUTASUHUT, declare that I the sole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed : Date : i Universitas Sumatera Utara COPYRIGHT DECLARATION Name : EMIL ISWANDI HUTASHUT Title of Paper : A Description of Theme of Hope in Selected Songs from John Lennon’s Imagine Album Qualification : D-III / Ahli Madya Study Program : English I am willing that my paper should be available for reproduction at the discretion of the Librarian of the Diploma III English Faculty of Cultural Study University of Sumatera Utara the understanding that users are made aware of their obligation under law of the Republic of Indonesia. Signed : Date : ii Universitas Sumatera Utara ABSTRACT Music is a literary work that is sound and has meaning. Music is also a medium for expressing one's feelings which is expressed in the form of beautiful words and tones, creating a beautiful blend of human voice and musical instruments.
  • The Beatles and the Crisis of Self-Identity

    The Beatles and the Crisis of Self-Identity

    Sosland Journal 77 THE BEATLES AND THE CRISIS OF SELF-IDENTITY Jared Gutzmer “Ringo- a lovely performer. George- a mystical unre- alized talent. But John and Paul, Saints John and Paul, were, and made, and aureoled and beatifi ed and eternalized the concept that shall always be known, remembered and deeply loved as The Beatles” -Leonard Bernstein The Beatles are one of the most popular bands of all time. This is an undisputed fact no matter the location. They were so popular that in America, they had to stop touring due to the screaming fans which caused the band not to be able to hear themselves. Never before was there a group that was so incredibly popular in history. This popularity and other fac- tors led the members of the Beatles to change as individuals and as a group as they matured musically and mentally. Their identity shifted from a group identity to a self-identity. From the Beatles fi rst album, Please Please Me, to their last, Let It Be, the shift in their identity can be seen through their music and the appearances that led to individualism and eventually their downfall. 78 Sosland Journal The Music “It would not seem quite so likely that the accompany- ing fever known as Beatlemania will also be success- fully exported. On this side of the Atlantic it is dazed stuff.” -Jack Gould, New York Times television critic The Beatles music and lyrics changed drastically from their fi rst to last album due to adapting to a changing soci- ety, musical maturity, and their increased popularity.
  • Chapter 2-Hey Jude

    Chapter 2-Hey Jude

    Beatles collectorʼs Catalog Nice private collection for sale to help The Dutch Beatles museum survive the Corona Lock down Rare Dutch 1970 and 1981 John Lennon BAG ONE set Richard Avedon poster set Original 1969 Yellow Submarine in original box The Red and Blue Collection: a 91 (! ) videoclips DVD collection And much much more rarities, order now For collectors only Beatles collectorʼs catalog Dear Beatles fan, Welcome to this special catalog. It is unique because we have this private collection will only offer once. This is a collection that has been offered to the museum to raise money to guide the museum through the Corona problems. Additional donations are more than welcome. June 6, 2021, the museum would celebrate its 40th anniversary, help us achieve this unique anniversary. How does ordering work? I display items and will also indicate a number for each item, find out which item you would like to buy, send an email, we will check if it is still present and then reserve it for you. Transfer the amount via bank or Paypal and the item will be shipped after receipt of payment. Actually very simple. Of course it is true that who is the first to call or email ..... You place your order on our website [email protected] and you will receive confirmation from us. Again, this sale is not common for us, and we hope that this sale will help us get through the rough time. Do you want a quick response whether your item is still for sale? Then call 06-38305895.
  • Apple Label Discography

    Apple Label Discography

    Apple Label Discography 100-800 series (Capitol numbering series) Apple Records was formed by John Lennon, Paul McCartney, George Harrison and Ringo Starr in 1968. The Apple label was intended as a vehicle for the Beatles, their individual recordings and the talent they discovered. A great deal of what appeared on Apple was pretty self indulgent and experimental but they did discover a few good singers and groups. James Taylor recorded his first album on the label. Doris Troy recorded a good soul album and there are 2 albums by John Lewis and the Modern Jazz Quartet. The Beatlesque group Badfinger also issued several albums on the label, the best of which was “Straight Up”. Apple Records fell apart in management chaos in 1974 and 1975 and a bitter split between the Beatles over the management of the company. Once the lawyers got involved everybody was suing everybody else over the collapse. The parody of the Beatles rise and the disintegration of Apple is captured hilariously in the satire “All You Need Is Cash: the story of the Rutles”. The Apple label on side 1 is black with a picture of a green apple on it, black printing. The label on side 2 is a picture of ½ an apple. From November 1968 until early 1970 at the bottom of the label was “MFD. BY CAPITOL RECORDS, INC. A SUBSIDIARY OF CAPITOL INDUSTRIES INC. USA”. From Early 1970 to late 1974, at the bottom of the label is “MFD. BY APPLE RECORDS” From late 1974 through 1975, there was a notation under the “MFD.
  • (A) Data in the Life: Authorship Attribution of Lennon-Mccartney Songs

    (A) Data in the Life: Authorship Attribution of Lennon-Mccartney Songs

    (A) Data in the Life: Authorship Attribution of Lennon-McCartney Songs Mark E. Glickman∗ Department of Statistics Harvard University [email protected] Jason I. Brown Department of Mathematics and Statistics Dalhousie University [email protected] Ryan B. Song School of Engineering and Applied Sciences Harvard University [email protected] Abstract The songwriting duo of John Lennon and Paul McCartney, the two founding mem- bers of the Beatles, composed some of the most popular and memorable songs of the last century. Despite having authored songs under the joint credit agreement of arXiv:1906.05427v1 [cs.SD] 12 Jun 2019 Lennon-McCartney, it is well-documented that most of their songs or portions of songs were primarily written by exactly one of the two. Furthermore, the authorship of some Lennon-McCartney songs is in dispute, with the recollections of authorship based on previous interviews with Lennon and McCartney in conflict. For Lennon-McCartney songs of known and unknown authorship written and recorded over the period 1962-66, we extracted musical features from each song or song portion. These features consist of the occurrence of melodic notes, chords, melodic note pairs, chord change pairs, and four-note melody contours. We developed a prediction model based on variable ∗Address for correspondence: Department of Statistics, Harvard University, 1 Oxford Street, Cambridge, MA 02138, USA. E-mail address: [email protected]. Jason Brown is supported by NSERC grant RGPIN 170450-2013. The authors would like to thank Xiao-Li Meng, Michael Jordan, David C. Hoaglin, and the three anonymous referees for their helpful comments.
  • IMAGINE by John Lennon Illustrated by Jean Jullien

    IMAGINE by John Lennon Illustrated by Jean Jullien

    USING BOOKS TO EXPLORE HUMAN RIGHTS IMAGINE By John Lennon Illustrated by Jean Jullien Frances Lincoln Children’s Books in association with Amnesty International UK (Ages 4-11) ABOUT THIS BOOK Imagine is an iconic song by John Lennon calling for peace around the world. His lyrics are beautifully illustrated in this book from ALSO WITH THIS Amnesty. In her moving foreword, John’s wife Yoko Ono Lennon TEACHING PACK writes: ‘Today we need peace more than ever, so I think his words are still very important.’ National Poetry Day The illustrations, by French graphic artist Jean Jullien, tell the competition story of a pigeon as she sets out to spread a message of peace and Opens 15 August 2017 friendship around the world. The book offers ways for teachers to Closes 1 December 2017 open up discussions about peace, kindness, war and suffering. It also More details on page 6 addresses unity and hope and the importance of having the courage to make the world a better place. INCLUDED IN THIS RESOURCE • Discussion questions • Simple follow-up activities • Discussing fairness See and download a summary version of the Universal Declaration of Human Rights at www.amnesty.org.uk/udhr 1 IMAGINE by John Lennon DISCUSSION QUESTIONS ‘Imagine there’s no heaven’ • What might the man on the train be feeling? • What would you say to him? • Why are all the colours grey? • Have you seen the badge on the pigeon’s bag before? What does it mean? • What is the pigeon carrying in her beak? Where does it come from? • Write a list of the items the pigeon’s bag might contain — or draw them.
  • Featuring John & Yoko's Year of Peace

    Featuring John & Yoko's Year of Peace

    IMAGINE PEACE IMAGINEyoko ono PEACE yoko ono YokoOnoCatalog.indd 1 6/28/07 2:03:37 AM Cover Image Yoko Ono Imagine Peace, 2007. Billboard installation, Dimensions variable. © Yoko Ono 2007 Courtesy of Lenono Photo Archive YokoOnoCatalog.indd 2 6/28/07 2:03:38 AM YOKO ONO IMAGINE PEACE Featuring John & Yoko’s Year of Peace Kevin Concannon, Curator of the Exhibition John Noga, Assistant Curator and Production Manager Emily Davis Gallery / Mary Schiller Myers School of Art / The University of Akron 6 July – 7 September 2007 Department of Art and Art History / The University of Texas at San Antonio 26 September – 28 October 2007 Rod Bengston, Director, University Art Galleries Del Rey Loven, Director, Mary Schiller Myers School of Art James M. Lynn, Interim Dean, College of Fine and Applied Arts Published by The University of Akron, Akron, Ohio, 2007. Essays copyright the authors 2007. All artworks and photographs copyright Yoko Ono unless otherwise indicated. All photographs courtesy Lenono Photo Archive unless otherwise indicated. YokoOnoCatalog.indd 3 6/28/07 2:03:38 AM IMAGINE PEACE Kevin Concannon, Ph.D. A simple message, delivered on billboards, posters, postcards, badges, T-shirts and rubber stamps, Imagine Peace exists as a seed, activated individually and collectively in the minds and actions of those who encounter it. Like much of Yoko Ono’s artwork over the past forty years, Imagine Peace is a work that is dependent upon a collective realization on the part of YokoOnoCatalog.indd 12 6/28/07 2:03:39 AM her audience. As she declared in her 1972 single, Now Or Never, “A dream you dream alone is only a dream, but a dream we dream together is reality.” As is often the case with her work, this germinating idea is manifested in multiple variations.