John Winston Lennon Part 01 of 02

Total Page:16

File Type:pdf, Size:1020Kb

John Winston Lennon Part 01 of 02 I"IBI!I5IZl92l¢ I3lJI2IBl92lJ CD!" IIll92!I5E31FlICil921P1IC3!i &#39; FREEDOM OF lIPORll?IONIPR!VACY ICTS lZL!ASB E3lJI3CT!B&#39;I&#39;:__l;1-lUHE_LEHNQHZZ ,,__ _ , _____U________ I B3 cm Raczavzb F;1o:.1 2 FEES 19722 _ _ _ , !~ r 92 ,? 94;-_ !_l_A0O&#39;uR=E.R QO- iii!Q _ 1&#39; 360e 92_i- H - @ ._~ --&#39;/ 3 FEB1272 f U SHBJE<IT=Allamuchy J N; [NL!Tribe t- i! 1. Reference is made to your teletype 003, dated ! 24 January 1972, Subject: Protest Activity and Civil Disturbances, reporting that former Beatles singer t John LENNON had contributed a large sum of money to the "AllamuchyTribe", headedby RennieDAVIS.c9 2. It is requested that you furnish this office with any additional pertinent information concerning 9292LENNON&#39;s indicationsthat relationship DAVIS withhas the received"Allamuchyother Tribe" funds forand anyQ V his activities fromforeign sources. _._9 E Q92. PleaseL&#39;ar..mi1 siaki-5TQ I &#39;//lv/PW °i drd0.14 res?-;&#39; M 92 &#39;34/=4». PWam A/LL/4A4;&d1 J fig?/*Y"5&#39; J 2111» /$721:. 1&#39;?! 4,,/,,..f ,1/rq/yaw-om, .:5j%*£--if 5 " 2 - ~ i 92 .6 @ -4/47 151;;_ X _.________ I A F: l g L.. O;av? - . N____,n» L f X icg.. B zggggM,-e12 ___ -- 53- / L<&#39;.92PD E _ . - X 53 cw-3 /7" &#39; f 1/ r . 1 ~_-__ ____,, _"_. I L § . P. % - 5 I $ I ._ ;- . II -_, , 1&#39;&#39; "r_ I &#39;i___..____. f .7 &#39;:d___. _ R IMF ¢°°1Ij3. All. EENTMNED L: 1 I . am PM N112,/2-19-12/ u. ASH .4. - .. -.. H]._ "1 I ° °?PI* "ATE;/J aw92F/1§@&#39;/ * ;::;_: Lpor-1INTELLIGENCE no 4,_y|,1° _1A &#39;&#39;- i -"*&#39;d1&#39;-- 92-1!YORK w mom WASHINGTON FIELD If I / - ELECTION YEARS RATEGY INFORMATION CENTER EYSICJ,IS -u S 1 I » I_DASB_NEU LEFT,CALR , NEW YORK FILE106-175228, UFOFILE 1 I00-55561. P. ; 92.9292 _JOHNWINSTO LENNON, §H DASH NEWLEFT, OO1NEWYORK, &#39; 92- WFO FILE 105-55429. RUG. -0-- , . I". Y4/4- 4/Z75/3&#39;4 E Y RE N EL To BUREUA;FIRST CAPTION,FEBRUARY TWO,LAST: 1;» 92929292 Jr SPECIALCLERK _0 RHINED FEBRUARY"ran b7C&#39;&#39; . ,__ .--._;_- - INSTANT CENTRALFROM IMMIGRATIONA n NATUR_ALIZA&#39;l&#39;ION sznvxcz INS!/ " -_-92 _ 1&#39; Q . ATb FILE REGARDINGJOHN WINSTON ENNON_ YAND WIFE OX0ONO I, I 3 _-. - 92zrmon AREcu henna: cnmazn ourto INS, uzw YORKcnv. _92. END 929292>?:}3Q9292&#39;,>92L JE1111013 g92A,."|;14=sl&#39;:;-s&#39;|_I-. .&#39;/ U&#39;§lF!, G . I §92,-W.»RS-Q55!&,_¬%@ &#39;°° "7!- 92 X» 92-:> &#39;_ /0%p."FF- &#39;4£9£ki%f::l .!r L Rzc:car:E_ Hui? - ~ . 102 FEB 161972 I. q%M 54F B231972 -57&#39; ----*-Z -e._-2 &#39; - 1 --1 ___% L - -,_J._._...-._,I_ ____,..i__.. __. .._-&#39; -__i_.__. ._., _ I &#39; . Q ... " 3 Nu maa1o.a,n1ss, ax&#39;&&#39;r no mesa! Lu;&#39; In &#39; &#39; H? 1 - Ir. R. H. Hornet . LEE/PFr?%::!/&#39;33£&#39;R&#39;FP!F9!;P;<5+<..&#39;5L¬;f?%P/G%"5_8&#39;k_ 7 . 11 -- Hr.llr.R. R. L.__Pence ShackeliordL. U56 : 9. cmae- _ M som Q41 A8mBsnm&#39;nzcrs1onsr1mnrvlry FYPFPAB1&#39;uzIr&#39;r O0w4I1&#39;£E£ "5 7.- . 1972 - R£v1_EH A-~; _,u_u_:z=Juu, - 2 - 2I9 [email protected] V I | - , &#39; Q Referenceis? gadeto your lenoran captionedum ,/4 I I&#39;92" : A11anucIry"Iribe HL!," datedFe ruary 3, 1973, l , o r re nee - O 5 For your in o t , organization formerly knog ; as Aliamuchy Tribe, led by Rennie avis, convicted Chicago E Seven Conspiracytrial defendant 0 Ins recently renamed Ellt _ Z . ""-I - :._| mr=. a 92 | A confidential source, whohas furnishedre1ia§lie57I_ &#39;-_:_ informationin the past, has advised that John Lennon, tonne:-3&#39; - &#39; Q memberof TheBeatles singinggroup, hascontributed $7§,Q&#39;O_0 ; &#39;.92 to assist in the formation of EYSIC, formed to direct movement _ ; _*y92 activities during the coming election year to culminate with &#39; _ _ i demonstrations at the Republican National Convention during 5 - areAugust, in constant1972. This contactsource advised vithLonno,.Q§¬! that other lenders §!9@+! of EYSiC ; on February 2, 1972, a representative oi Immigration . and naturalization Service, Ken York, advised that Lennon, E born October 9, 1940, in England, arrived in New York City on . -~ 5 August_;&#39; Z 1 we ll,4 1968, L33 iiiioiiwith B-2 visitor&#39;sinnSTEATEGY visa. He left8/*3/W the it " &#39; &#39; United States and subsequently reentered holding H-1 temporary .___,iu_]£;1sRlP4ze~visa which expires1I!9w-no». at the end oi February, 1972. f-- Lennon bee._ _ ; T appliedi dgr tor a B-2 visa indicating. §P_&#39;his intention{g£zF§§Z;7"- to become a }__!e1a%-/.- _ United .. {gru "fereStates citizen.I 86 E/=4»;._-c:411-;[.J,-J,D1 &#39;~Q3] 1;,_ I &#39; = &#39; -I . I i 5 J-I /FY n":.1Q}.=E-I If?*3-&#39; . .-7 On February 2, 1912, a second confidential eourc§, thatwho haeLennon turnished reliablehie and rite, Yokointonation inOnoLennon, the past,currently-t areadvised _- h c___ IIYSIC vacationing planning in the Virgin meetings willlalanda bepostponed tor health reasonstheir until and rat;-<1 at -.£ &#39; = ~ to New York City, ppaeibiy duringtbe second weekin r¢nru__y.- 0* £-._-- 1972.g, I. ___ 7 __ w At this tine, this Bureau has no additiona1&#39;pertinent _ . E- Ilctivitiesintorpation oiconcerning EYSICor otherRennie foreignDavis. sources .. oi funds for the - ;2 92L* _§r&#39;i&#39;gina1 and copyto CIA ,,157r@Econ;.5é&#39;§5. K 1% John Lennon 45 ,.,._""514 ,§,/Z 92 t ~ WWI&#39; PU m 2 *&#39;. ---=- &#39; &#39; snn G.no&#39;1.i:&#39;PAc&#39;E =~- N0 92 ElectionIntornation Year Center Strategy EYSIC! t _ Egf§1; r 14=§Q1? 3 ~ 3 l &#39;i n.P9..¢.&#39;.&#39;7nf95¢.JTJ.71&#39;a/yypqd4w;¢4i?L&#39;_~/ issemnationwglassitiedi Abroad"since "Secret-F information ?6r-eiznrbijsienination/¥Io;;.;,;5.?qino being furnishedin CACTUS channel and CIA has requested that a11 such information A! v KP | turnishede so51assi!ied daily summary in IA has toletyperequested details captionedot"Protest information Activitbégqwe and Civil Disturbances," dated 1/24/72, reporting that John Lennon contributed large sum of nong to captioned organization. CIA also requested any details that other toreign sources have _ contributedreferred . funds °-*1?to mm tom istioned organizatiose%ond 1s>"irst sourcesource .b.92°1. B 2 _ .- 5! &#39;=P it ti .&#39; M-Z-1 ;¢ii I J Qpxr -2- |_-.:f.,!&#39;--?-l92, __-_&#39;_.___ 5 &#39;1,5190 $5/7" cusésréa MAA. J H§AS r/ L.rr?r&#39;92-VJ-I: 3acRi-I11! cnnmsomu ID I.-EGAT LONELY&#39;A -&#39;_" 1 - iir. "#91141".R.L.Snaoiio1foi"-ii 1,--- Hr. R.L.Pence 2-11-72 mull nmwroa FBI 92~--- _ _ --. .- _ -__!_ --*~_.¢¢?._,,,._..,....92 A m.nc&#39;r1on mm STRATEGY ;-A ..".."&#39;_.*_&#39; - &#39;,i.;&#39;;;;; mm. -- - non cmwgé --.*. *~-I-.13! srsxo!,IS / - mm _ =___!,@/fiwgifjl --£71? FOR IHFORIIATION CAPTIONED ORGANIZATION &#39;LED BY REHNIE DAVIS, - 092 KEY ACTIVIST AND COHYICTED CHICAGO SEVEN CONSPIRACY TRIAL DEFENDANT, HAS FORIIERLY NAKED AI.-LAHUCHY TRIBE AND HAS BEEN FORHED TO DIRECT iiOV_ETliFN*I" AOTIWTIFS IJYTRIFG OWING EIECTION YEAR TO CULHINATE &#39;III&#39;H .» DEMONSTRATIONS AT UBLICAN NATIONAL DlWEN&#39;IION,£UGUS&#39;INEXT. E Eormcns ADVISE ao rommn ._ or ms ammo: om;-nzo -one , ms oowrazmrrnn sxmrrr-rzvn mousmn nomms T0 ,Ass1s&#39;r IN FORMATION orrrfxisrc. souncns ADVISE mrsxc moms IN oons-um" CONTACT rum LE1NN mm: !EJlNON,ocmnnn mm, ronrv, mowm, cunnmrnr IN U.B. HOLD G H DASH ONE THPORARY VISA IHICH EXPIRES END FEBRUARY, SEVENTY-TWO. I.»ENHON!IAS APPLIED B DASH TWO VISA INDICATING nwmmon ax-zcoun v.s. oz-rxzzm. _ A WITH AIRTEL DOVER. REQUEST PERHISSION FROH SOU&#39;RCES@,! - Fore ign Liaison Desk route through for review! - = 109= I Ykhr Lennon! Classifi 3,57?"~§r-Ie-$@/ 5B25? 69¢ ?szn/Mf6F?/6nan: mom TWO Bevin omi573" " &#39;£ir92&#39;u"l:-I-5&#39; 05°F WI - 7&#39;3/4 - "92 &#39;! "J ll 1 I1 cuss. & m. B / . Mm» """ 7 do- 92 &#39;5?&#39;Rac.oRo::o nmsos-1-cm II. 1 83- 6i&#39;.13151Q&#39;/Z pgri: or HEY!" > 4 / U :&#39;- T - __.- 5.> FE@;1819&#39;k &#39;92&#39;<7&#39;¬§!&#39; yd I 1 A/ 92_A<.:~ /.- ti" _J I CABLEG A , .. 5% - .. Hg . %nA1- %Ea sic!I 10 nlssnmwrx rlronanxoa OBTAIIED mo u.s, mrrs nmnrlimrr AND u.s. nlnucmnroa um uwunrzmrzon smvxcn nus!. A I r / IOTE2 EYSIC, apparently dedicated to creating disrutiona during Republican National Convention, obviously bei heavily influenced by John Lennon, British ci t in i nasnuc as ., -anticipated pertinent information concerning him will be disseainated to State and IH.&#39;§_&#39;j&#39;g.; =:} -4 1 R I II fg &#39;_~" &#39; :-.&#39;,_I- _ - 9 -- . ~92.;&#39;r-- - &#39; u 4 -" 4&#39;. &#39;! ~- &#39; -Li 92 V.--"" __ &#39; U _ _. 2-1 5-72 -i To: Slums, How York i.m&#39;! 1.:&#39;{§:-.&#39;-fr."=?&#39; - 1 __ 35;- Shack;-1.1 11:» to @711-.".&#39;1&#39;-e: mfr _ Eciii ff.
Recommended publications
  • AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
    AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr.
    [Show full text]
  • Course Outline and Syllabus the Fab Four and the Stones: How America Surrendered to the Advance Guard of the British Invasion
    Course Outline and Syllabus The Fab Four and the Stones: How America surrendered to the advance guard of the British Invasion. This six-week course takes a closer look at the music that inspired these bands, their roots-based influences, and their output of inspired work that was created in the 1960’s. Topics include: The early days, 1960-62: London, Liverpool and Hamburg: Importing rhythm and blues and rockabilly from the States…real rock and roll bands—what a concept! Watch out, world! The heady days of 1963: Don’t look now, but these guys just might be more than great cover bands…and they are becoming very popular…Beatlemania takes off. We can write songs; 1964: the rock and roll band as a creative force. John and Paul, their yin and yang-like personal and musical differences fueling their creative tension, discover that two heads are better than one. The Stones, meanwhile, keep cranking out covers, and plot their conquest of America, one riff at a time. The middle periods, 1965-66: For the boys from Liverpool, waves of brilliant albums that will last forever—every cut a memorable, sing-along winner. While for the Londoners, an artistic breakthrough with their first all--original record. Mick and Keith’s tempestuous relationship pushes away band founder Brian Jones; the Stones are established as a force in the music world. Prisoners of their own success, 1967-68: How their popularity drove them to great heights—and lowered them to awful depths. It’s a long way from three chords and a cloud of dust.
    [Show full text]
  • John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
    THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Kristine Stiles
    Concerning Consequences STUDIES IN ART, DESTRUCTION, AND TRAUMA Kristine Stiles The University of Chicago Press Chicago and London KRISTINE STILES is the France Family Professor of Art, Art Flistory, and Visual Studies at Duke University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2016 by Kristine Stiles All rights reserved. Published 2016. Printed in the United States of America 24 23 22 21 20 19 18 17 16 15 12345 ISBN­13: 978­0­226­77451­0 (cloth) ISBN­13: 978­0­226­77453­4 (paper) ISBN­13: 978­0­226­30440­3 (e­book) DOI: 10.7208/chicago/9780226304403.001.0001 Library of Congress Cataloguing­in­Publication Data Stiles, Kristine, author. Concerning consequences : studies in art, destruction, and trauma / Kristine Stiles, pages cm Includes bibliographical references and index. ISBN 978­0­226­77451­0 (cloth : alkaline paper) — ISBN 978­0­226­77453­4 (paperback : alkaline paper) — ISBN 978­0­226­30440­3 (e­book) 1. Art, Modern — 20th century. 2. Psychic trauma in art. 3. Violence in art. I. Title. N6490.S767 2016 709.04'075 —dc23 2015025618 © This paper meets the requirements of ANSI/NISO z39.48­1992 (Permanence of Paper). In conversation with Susan Swenson, Kim Jones explained that the drawing on the cover of this book depicts directional forces in "an X­man, dot­man war game." The rectangles represent tanks and fortresses, and the lines are for tank movement, combat, and containment: "They're symbols. They're erased to show movement. 111 draw a tank, or I'll draw an X, and erase it, then re­draw it in a different posmon...
    [Show full text]
  • The Rolling Stones
    112 Chapter7 George Harrison wrote and recorded albums of his Tho membersof the Rolling Stones,Mick Jagger(born own and alsobecame very involvedin movie production in 1943) and Keith Richard (born in 1943),had attended for Handmade Films, wherehe often worked with mem- the sameprimary school.(Keiths name had beenmistak- bers of the British comedy troupe Monry Python. Ringo enly spelled"Richards" enough times that he eventually Starr pursuedhis own careeras a singerand actor and oc- adopted the final "s" himself.) Although they lost contact casionallyplayed drums on recordingsmade by the other with eachother for ten years,they had both becomeblues ex-Beatles.Harrison and Starrplayed together on several fans after hearing Muddy \Taters perform in England in of Harrison'salbums, including the successfulCloud Nine 1958. \XAen they ran into eachother againin 1960 they (1987). Harrison died of cancerin 2001. In 1989, fungo began to work together,joining various blues groups in pur togetherwhat he calledhis All-Starr Band for a tour. London. ln 1962,they formed the Rolling Stones,naming The band included Nils Lofgren, Billy Preston, Joe their group after the "rolling stone" that representeda tough Walsh, Dr. John, Jim Keltner,Rick Danko, Levon Helm, and independentman in bluessongs like "Rollin' Stone" and ClarenceClemons. Of thosemembers, only Lofgren and "Mannish Boy" (both recordedby MuddyWaters). and'Walshwere in the 1992 "All Starrs,"accompanied by The original Rolling Stones included singer/harpist Dave Edmunds,Todd Rundgren,and others. Mick Jagger,guirarist Keith fuchards, guitarist Brian McCartney, Harrison, and Starr-at the time, the three Jones(1942-1969), pianisr Ian Stewart,and other musi- living Beatles-finally dropped their various feuds and re- cianswho playedwith them off and on during their first grouped to record two new Beatlesongs, "Free as a Bird" year.
    [Show full text]
  • “N” ROLL and SPORTS AUCTION FEATURING LADY GAGA, CHER, BONO, JOHN LENNON, PAUL Mccartney, MUHAMMAD ALI and MANY MORE…
    JULIEN’S AUCTIONS ANNOUNCES HISTORICAL ROCK “N” ROLL AND SPORTS AUCTION FEATURING LADY GAGA, CHER, BONO, JOHN LENNON, PAUL McCARTNEY, MUHAMMAD ALI AND MANY MORE… Beverly Hills, CA - Monday, November 7th, 2011 - Julien‟s Auctions, the world‟s premiere entertainment and celebrity auction house will once again make history when the doors open for a star studded auction that includes items from the worlds of Rock „n Roll, Sports, the Royal family and political memorabilia on Thursday, December 1, 2011 through Sunday, December 4, 2011 at the Julien‟s Auctions gallery in Beverly Hills. Julien‟s will highlight the rock „n roll portion of the auction event with a very rare offering of items from the Fame Monster herself, Lady Gaga. The award winning multi-platinum music icon‟s unmatched style can be seen on stage, in print, on billboards and at Julien‟s gallery. Her famous structured dress worn for the cover of Madame Figaro magazine in 2001 will be offered for auction. The now famous costume designed by and is estimated to sell for $10,000 - $20,000. Additionally the prop gun used in Lady Gaga‟s music video for “Born This Way,” will also be offered with an estimate of $6,000-$8,000. When you hear the words rock royalty, any collector knows it must mean The Beatles, The Rolling Stones or U2 amongst others. Included are stage worn outfits from the Beatles that have been on display at the Rock „n Roll Hall of Fame and Museum. These include John Lennon‟s stage worn collarless suit by D.A.
    [Show full text]
  • Infomail Nr. 730: JOHN LENNON Lps Und Cds: ORIGINAL MASTER RECORDING
    InfoMail Nr. 730: JOHN LENNON LPs und CDs: ORIGINAL MASTER RECORDING Donnerstag, 29. November 2007 (Datum dieser InfoMail) Hallo M.B.M., hallo BEATLES Fan, heute informieren wir Dich ueber JOHN LENNON-Alben, die als ORIGINAL MASTER RECORDING-LPs und CDs erschienen sind: ORIGINAL MASTER RECORDING LP LIVE PEACE IN TORONTO. MFSL 1-283 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD LIVE PEACE IN TORONTO. UDCD 763 Stereo, EMI. 34,90 Euro 13. SEPTEMBER 1969: VARSITY STADIUM, TORONTO, CANADA: THE PLASTIC ONO BAND: Blue Suede Shoes (live); Money (That's What I Want) (live); Dizzy Miss Lizzie (live); Yer Blues (live); Cold Turkey (live); Give Peace A Chance (live). / Don't Worry Kyoko (Mummy's Only Looking For Her Hand In The Snow) (live); John John (Let's Hope For Peace) (live). ORIGINAL MASTER RECORDING LP JOHN LENNON – PLASTIC ONO BAND. MFSL 1-280 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD JOHN LENNON – PLASTIC ONO BAND. UDCD 760 Stereo, EMI. 34,90 Euro Mother; Hold On (John); I Foud Out; Working Class Hero; Isolation (2:48). / Remember (4:29); Love (3:17); Well Well Well (5:52); Look At Me (2:49); God (4:04); My Mummy's Dead (0:48); Power To The People; Do The Oz. ORIGINAL MASTER RECORDING LP IMAGINE. MFSL 1-277 Stereo, EMI. 37,90 Euro ORIGINAL MASTER RECORDING CD IMAGINE. UDCD 759 Stereo, EMI. 34,90 Euro Imagine; Crippled Inside; Jealous Guy; It’s So Hard; I Don’t Want To Be A Soldier. / Give Me Some Truth; Oh My Love; How Do You Sleep?; How ?; Oh Yoko.
    [Show full text]
  • Popular Selection List, 2017 Edition
    Popular Selection List, 2017 Edition PAGE SECTION DESCRIPTION 4 Level 1 Beauty and the Beast From Beauty and the Beast Music by Alan Menken; lyrics by Howard Ashman Contemporary Disney Solos HAL, p. 2 N.B. Appears in the first edition of Contemporary Disney Solos only, is not included in the second edition. 18 Level 7 Imagine Music and lyrics by John Lennon John Lennon Piano Solos HAL, p. 18 Should Read: sheet music, Piano/Vocal/Guitar HAL 20 Level 8 Chasing Pavements Music and lyrics by Adele Adkins and Francis “Eg” White Adele for Piano Solo HAL, p. 3 N.B. Candidates using Adele for Piano Solo, 2nd edition (2012), please see p. 8 21 Level 8 Make You Feel My Love Music and lyrics by Bob Dylan Adele for Piano Solo HAL, p. 12 N.B. Candidates using Adele for Piano Solo, 2nd edition (2012), please see p. 21 October 4, 2018 21 Level 8 Someone Like You Music and lyrics by Adele Adkins and Dan Wilson Adele for Piano Solo HAL, p. 30 N.B. Candidates using Adele for Piano Solo, 2nd edition (2012), please see p. 34 21 Level 8 Somewhere From West Side Story Music by Leonard Bernstein; lyrics by Stephen Sondheim West Side Story, Vocal Selections B&H, p. 64 Should Read: West Side Story, Vocal Selections B&H, p. 6 24 Level 9 One and Only Music and lyrics by Adele Adkins, Dan Wilson, and Greg Wells Adele for Solo Piano HAL, p. 15 N.B. Candidates using Adele for Piano Solo, 2nd edition (2012), please see p.
    [Show full text]
  • A Description of Theme of Hope in Selected Songs from John Lennon's Imagine Album a Paper by Emil Iswandi Hutasuhut Reg.No
    A DESCRIPTION OF THEME OF HOPE IN SELECTED SONGS FROM JOHN LENNON’S IMAGINE ALBUM A PAPER BY EMIL ISWANDI HUTASUHUT REG.NO : 162202026 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL SCIENCE UNIVERSITY OF SUMATERA UTARA MEDAN 2019 i Universitas Sumatera Utara ii Universitas Sumatera Utara iii Universitas Sumatera Utara AUTHOR’S DECLARATION I am EMIL ISWANDI HUTASUHUT, declare that I the sole author of this paper. Except where the reference is made in the text of this paper, this paper contains no material published elsewhere or extracted in whole or in part from a paper by which I have qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of this paper. This paper has not been submitted for the award of another degree in any tertiary education. Signed : Date : i Universitas Sumatera Utara COPYRIGHT DECLARATION Name : EMIL ISWANDI HUTASHUT Title of Paper : A Description of Theme of Hope in Selected Songs from John Lennon’s Imagine Album Qualification : D-III / Ahli Madya Study Program : English I am willing that my paper should be available for reproduction at the discretion of the Librarian of the Diploma III English Faculty of Cultural Study University of Sumatera Utara the understanding that users are made aware of their obligation under law of the Republic of Indonesia. Signed : Date : ii Universitas Sumatera Utara ABSTRACT Music is a literary work that is sound and has meaning. Music is also a medium for expressing one's feelings which is expressed in the form of beautiful words and tones, creating a beautiful blend of human voice and musical instruments.
    [Show full text]
  • Complete the Articles About John Lennon and Adele Using the Verbs from the Tables
    Complete the articles about John Lennon and Adele using the verbs from the tables. Decide if the verbs should be written in either the Past Simple or Present Perfect tenses: 1. John Lennon (1940 ~ 1980) receive have become inspire release join last cause record move release depict teach start break up leave die win change release John Lennon was born in 1940 in Liverpool, England. Lennon’s mother, Julia, (a) taught John how to play instruments such as the piano, guitar, and banjo when he was a child. Elvis Presley’s popularity in the USA during the late 50s (b) John to form a rock band called the “Quarry Men” when he was 16 years old. Paul McCartney and George Harrison later (c) . The band (d) their name to the “Beatles” in 1960. The band (e) success in Britain for two years, but things changed in 1964, when the Beatles (f) the first British band in history to have commercial success in the United States. The Beatles (g) several albums, hit songs and even films for ten years (1960 to 1970). In 1970, the band (h) . Lennon’s relationship with his wife, Japanese artist Yoko Ono, (i) tensions within the group. In ten years, the Beatles (j) twelve albums and twenty-two singles. They (k) seven Grammy awards. After the band stopped playing, Lennon immediately (l) a solo career. In 1971, he (m) h is most famous album, “Imagine”. Also in 1971, Lennon and Ono (n) to the US where John became one of the country’s most outspoken opponents of the country’s participation in the Vietnam War.
    [Show full text]
  • The Beatles and the Crisis of Self-Identity
    Sosland Journal 77 THE BEATLES AND THE CRISIS OF SELF-IDENTITY Jared Gutzmer “Ringo- a lovely performer. George- a mystical unre- alized talent. But John and Paul, Saints John and Paul, were, and made, and aureoled and beatifi ed and eternalized the concept that shall always be known, remembered and deeply loved as The Beatles” -Leonard Bernstein The Beatles are one of the most popular bands of all time. This is an undisputed fact no matter the location. They were so popular that in America, they had to stop touring due to the screaming fans which caused the band not to be able to hear themselves. Never before was there a group that was so incredibly popular in history. This popularity and other fac- tors led the members of the Beatles to change as individuals and as a group as they matured musically and mentally. Their identity shifted from a group identity to a self-identity. From the Beatles fi rst album, Please Please Me, to their last, Let It Be, the shift in their identity can be seen through their music and the appearances that led to individualism and eventually their downfall. 78 Sosland Journal The Music “It would not seem quite so likely that the accompany- ing fever known as Beatlemania will also be success- fully exported. On this side of the Atlantic it is dazed stuff.” -Jack Gould, New York Times television critic The Beatles music and lyrics changed drastically from their fi rst to last album due to adapting to a changing soci- ety, musical maturity, and their increased popularity.
    [Show full text]