Venice Regained
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The Lion's Republic Fight Against the Plague
Bulletin of the Transilvania University of Bra şov • Vol. 6 (51) - 2009 Series 6: Medical Sciences Supplement – Proceeding of The IV th Balkan Congress of History of Medicine THE LION’S REPUBLIC FIGHT AGAINST THE PLAGUE ORIGINATING FROM THE LEVANTE VENETO G. ZANCHIN 1 Abstract: Until its end the Serenissima constantly supported the contagionist hypothesis, playing for all the span of its history the role of pioneer and model for the measures adopted to prevent the diffusion of epidemics. The sanitary preoccupations of the Republic were particularly directed upon people and goods arriving from the territories of the Ottoman Empire from where periodic bouts of plague originated. The examination of the written and iconographic primary sources here considered puts in evidence relevant aspects of the Venetian fight against the plague Key words: Republic of Venice, plague, epidemics, lazaret, quarantine, osella. The experience made during the “tainted” pesthouse, to become later the epidemics of the XIV th century contributed “old” lazaret (Fig. 1 ), the first institution to to the affirmation of the contagionist be established for this purpose. hypothesis of which Venice remained In this last case, according to the vigorous supporter for the entire period of habitual formula, the location was decreed its history [5] as “ healthy (thanks to God) and free from This theory maintained that the cause of any doubt of contagious illness ”: a “fede di the plague, identified with the so called sanità” that is a specific written licence “miasma”, corrupting the air and decom- bearing this statement, was released in posing the bodies, could attach from an such a condition by the local sanitary individual to another, or even adhere itself officers. -
Saint Mark's Square As Contested Political Space
SAINT MARK’S SQUARE AS CONTESTED POLITICAL SPACE: PROTESTING CRUISE TOURISM IN VENICE [ReceiveD 21st October 2020; accepteD February 21st 2021 – DOI: 10.21463/shima.119] AlexanDer Araya López Ca’ Foscari University, Venice < [email protected]> ABSTRACT: Saint Mark’s Square is unquestionably the most famous tourist attraction in Venice, a piazza characterised by its complex history, unique aesthetics anD many allusions to power (given its proximity to the Doge’s Palace anD Saint Mark’s Basilica). This square is the largest open space in the city anD while it is routinely crowDeD with tourists from all over the worlD, political Demonstrations have been prohibiteD since 1997. This article explores Saint Mark’s Square as a contested political space by focusing on the many local struggles against cruise tourism in Venice anD its lagoon. InsteaD of constituting an ‘apolitical’ space, the preferreD uses given to the square by local authorities and tourism stakeholders are manifestly ‘political’, producing a space of leisure and consumption that benefits the economic logic behinD the ‘normal’ functioning of the piazza. Other alternative social anD political uses of the square are not only DiscourageD but banned, which brings into Discussion the Lefebvrian notion of the right to the city: who has access to the centre as a (political) privilegeD space? The article examines protest acts undertaken by the collective No Grandi Navi, particularly the political events that took place after the MSC Opera collision with another tourist vessel anD the Dock in June 2019. KEYWORDS: public sphere, protest, cruise tourism, policing, urban spaces. IntroDuction: Global mass tourism anD Venice as a ‘tourist’ city In June 2020, while the coronavirus panDemic forceD many cities anD tourist Destinations to impose harsh lockDowns, Dozens of cruise ships were stranDeD at Manila Bay in the Philippines (Fonbuena anD McCormick, 2020). -
ART HISTORY of VENICE HA-590I (Sec
Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001). -
Le Isole Minori Elisabetta Vulcano 2009
CITTA’ DI VENEZIA Assessorato Ambiente - Osservatorio Naturalistico della Laguna Centro Studi Riviera del Brenta In collaborazione con: Coop. Hyla – CAI – Uff. Educazione Ambientale – Istituzione Parco Laguna Corso didattico formativo LA LAGUNA DI VENEZIA: genesi, evoluzione, naturalità e salvaguardia - Anno 2008/2009 - LE ISOLE MINORI: UN PATRIMONIO DELLA STORIA ALLA DERIVA DEL PRESENTE Elisabetta Vulcano (Architetto) La struttura topografica della città nelle sue linee generali è già formata nella prima metà del XIII secolo. La pianta di Venezia disegnata da Paolino da Venezia (1270-1344), e inserita nel suo “Compendium” detto anche “Chronologia magna” (1346), restituisce la forma della città secondo un aspetto cronologico: come doveva presentarsi Venezia nel IX secolo (ma con alcuni particolari riferiti addirittura all'VIII secolo) e come doveva essere nel XII secolo, con aggiunte relative alla sua configurazione coeva all'autore. Dopo la morte di Fra' Paolino la pianta pergamenacea rimase nascosta a tutti per quattrocento anni. Solo nel 1730 Tomaso Temanza scoprì la pergamena e nel 1781 realizzò una incisone su rame nella quale riportò con una calligrafia più chiara il disegno e le scritte, incisione che diede alle stampe. La Pianta di Venezia di Paolino da Venezia (Biblioteca Marciana, Venezia) Il Chronicon marciano 1. Porto del Lido 2. San Pietro 3. Arsenale 4. Isola di San Giorgio 5. Piazza San Marco 6. Rialto 7. Murano 8. Cannaregio 9. Giudecca 10 . San Nicolò L’incisione di Benedetto Bordone del 1528 è la più antica pianta prospettica della laguna. In questa, sono pochi i toponimi della città, molti delle isole e dei lembi di terraferma. È la prima mappa che, oltre alla città, comprende anche la laguna. -
Venice to Florence
VENICE TO FLORENCE COASTLINES, COUNTRYSIDE, THE APENNINES AND TWO OF ITALY’S FAVOURITE CITIES VENICE TO FLORENCE - SELF GUIDED CYCLING HOLIDAY SUMMARY Cycle from the floating city of Venice along Italy’s east coast, passing Delta Del Po UNESCO World Heritage Site and across the Apennines to the enchanting statue lined streets of Florence. Travelling along farm tracks and quiet roads you will encounter a region of Italy rich in Etruscan history and ever changing landscapes. Departing from Mestre you will cross over the 4km Liberty Bridge into Venice before taking a ferry across to the 11km long sandbar, Lido. After cycling from the length of Lido and its neighbour, Pellestrina Island, you arrive into Chioggia where you will be rewarded with a choice of wonderful seafood restaurants. The following morning a visit to Chioggia’s bustling fish market is highly recommended before heading onwards along quiet country roads, with the River Adige flowing beside you, to the narrow streets and cosy cafes of the 3000 year old Etruscan city of Adria. Tour: Venice to Florence The path then follows the River Po, Italy’s longest river, to the “town of bridges” Comacchio. Code: CITSVF Built on 13 small islands, Comacchio’s ancient stone bridges are an architectural delight and Type: Self-Guided Cycling Holiday Price: See Website offer some fantastic photo opportunities. On leaving Comacchio the landscape takes a twist as Dates: Each Saturday between April - June you cycle along a dam through Delta Del Po National Park, home to 370 bird species. and August - October. Following two very short ferries you shortly arrive at your next destination and home to 8 Alternative arrangements can be made for 6 UNESCO World Heritage Sites, Ravenna. -
Project of Territorial Governance of Tourism in Venice
Project of territorial governance of tourism in Venice Project of territorial governance of tourism in Venice 2 Project of territorial governance of tourism in Venice Table of Contents FOREWORD.............................................................................................................................................................7 FIRST PART:...........................................................................................................................................................11 THE START OF A PARTICIPATORY ROUTE.................................................................................................................11 1. The functions of tourism and the regulatory framework...............................................................................13 2. Tourism in Venice..........................................................................................................................................15 3. The resident population................................................................................................................................22 4. The stages of the participatory route.............................................................................................................25 5. Principal mission statements of the projects presented and adopted by the Technical Working Group..........27 SECOND PART:.......................................................................................................................................................43 OPERATIONAL -
San Giorgio Terrace Suite - Italy, Venice
SAN GIORGIO TERRACE SUITE - ITALY, VENICE 4 GUESTS, 2 BEDROOMS SAN GIORGIO TERRACE SUMMARY SUITE City & lagoon views Italy, Venice Historic property Terrace 4 Guests Outdoor living & dining 2 Bedrooms Wi-Fi LOCATION Stunning two-bedroom suite with spacious terrace and unbeatable views Italy, Venice The San Giorgio Terrace Suite is an incredible suite within the Baglioni Hotel Luna in the heart of Venice, which dates GUESTS back to the 12th century. up to 4 Guests can reach the hotel by gondola or water taxi thanks to the small private jetty situated at its entrance. BEDROOMS The spacious private terrace with outdoor lounge is the 2 perfect place to spend a relaxing evening with a glass of wine or celebrate special occasions whilst admiring the RENTAL PERIOD spectacular views over the lagoon to San Giorgio Island. Nightly Designed by Milanese architects Rebosio and Spagnulo, it comprises a dining and living area, a kitchenette, and two luxurious bedrooms. Ideal for a romantic stay, the suite has PRICE been carefully decorated using handmade wood panelling and handmade Versailles parquet to ensure the utmost From 3,800 EUR comfort for guests. MORE The master bedroom boasts walk-through wardrobes leading to an expansive en-suite bathroom with a bathtub Price per night, available on and a separate double bathtub. The second bedroom is request. Minimum stays well-appointed and also has an en-suite bathroom with a apply. shower. Both bathrooms are elegantly decorated with Carrara and Grey stone marble. The furnishings and decorations are of the highest quality, featuring Venetian and French precious fabrics and Fortuny- style lamps amongst other beautiful detailing. -
Presentazione I Tesori Della Laguna Venezia 2015
Via Bastie, 112/D – 30034 Dogaletto di Mira (VE) - tel. 348 9491120 www.mavericknauticlub.com - email: [email protected] 16 – 17 maggio 2015 7° EDIZIONE “““I“III TESORI DELLA LAGUNA DI VENEZIAVENEZIA”””” Cari Soci e Amici, benvenuti alla VII° edizione dei Tesori della Laguna di Venezia. Anche quest’anno, andremo alla ricerca di angoli nascosti della nostra laguna, ovvero di qualche luogo che magari abbiamo già visitato con il nostro gommone, ma forse troppo in fretta e senza ben conoscerne la storia. Attraverseremo dunque tutta la laguna partendo da Sud (così potremo anche dar libero sfogo ai nostri cavalli, mare permettendo!), iniziando dalla Valle Millecampi, e per la precisione dal Casone Millecampi, caratteristico esempio di architettura lagunare dei secoli scorsi, inserito in un contesto ambientale molto suggestivo. E' l'unico lembo lagunare della Provincia di Padova, poco lontano da Chioggia, al di la dei grandi scavi di canalizzazione e deviazione dei fiumi Brenta e Bacchighione. Tutt'attorno la terraferma strappata alla laguna con le opere di bonifica iniziate già nel 1500 per volere del ricco possidente, nonché famoso mecenate, Alvise Cornaro. Qui ormeggeremo per una visita al luogo, recentemente ristrutturato. Pranzo al sacco, e nel pomeriggio, partenza per l’Isola della Certosa, situata nelle immediate vicinanze di Venezia, dove ormeggeremo e allestiremo le tende per la notte. L’isola, che fino a 10 anni fa giaceva in stato di abbandono, è stata recentemente interessata da un ampio processo di valorizzazione, nel rispetto dell’ambiente e del particolare contesto storico e ambientale della Laguna di Venezia. Infatti, dapprima è stata costruita una darsena, con circa 300 posti barca fino a 40 metri. -
Mattm 88-89-90; Prov Ve 3.6 Componente "Paesaggio"
MATTM 88‐89‐90; PROV VE 3.6 COMPONENTE "PAESAGGIO", "BENI ARCHITETTONICI E ARCHEOLOGICI" MATTM88: Elaborare uno studio della visualità (bacini, margini, itinerari, coni visuali) e della percezione visiva (verifica delle relazioni di le varie componenti del paesaggio e tra queste e l'opera), fornendo inoltre opportuni fotosimulazioni per la verifica dell'impatto visuale da e verso l'area dell'intervento, con particolare riferimento al centro storico, indicando i punti di scatto per ognuno di essi e considerando non solo il nuovo tracciato del canale con le relative velme ma anche le sagome, in scala, delle navi che l'attraverseranno nella fase di esercizio. Le fotosimulazioni dovranno, quindi, essere ad altezza osservatore, ante operam e post operam, in numero adeguato rispetto ai principali luoghi d'osservazione e di fruizione del territorio interessato. MATTM89: Chiarire le modalità che hanno portato alla definizione dell’area di influenza riportata nella figura 4.42, in considerazione soprattutto delle dimensioni esigue di detta figura, dalla quale risulta impossibile verificare quali siano, come afferma il Proponente, "i principali assi di comunicazione viaria e marittima, i centri abitati, gli spazi aperti costieri e lagunari che comportano elevata visibilità della zona interessata dagli interventi di progetto" utilizzati per l'inviluppo dell'area. MATTM90: Evitare rimandi alla Relazione Paesaggistica, come accade ad esempio in riferimento al rapporto fra l'opera e la componente paesaggistica (pag. 171 dello SIA), poiché tale Relazione è parte di un'altra procedura. 1 Le componenti del paesaggio che caratterizzano l’area interessata dal progetto sono riconducibili ai “caratteri” individuati nella Variante al Piano Territoriale Regionale di Coordinamento con valenza paesaggistica presentato nel 2013. -
Curriculum Laguna Membership La Venessiana
C U R R I C U L U M 2 0 2 0 / 2 1 Laguna in Cucina M E M B E R S H I P created by: L A V E N E S S I A N A - V E N E Z I A CURRICULUM 0 2 Virtual visits to Venice + Lagoon. Gourmet Classes Listen + watch Venetian stories (audio + video), come along on virtual visits around the hidden Venice, learn to cook our seasonal menus, and explore the Lagoon islands in the videos tours. New content drops weekly (every Tuesday). Here's the syllabus for the first 12 months + 3 very special bonuses! CASSIS AND CALENDULA: The Almanac; the story of Campo San Lorenzo and Marco Polo - Ferragosto menu + summer comfort food + visit AUGUST to Sacca Sessola, August recipe box. Herb of the month: the curry plant; How Venice dealt with pandemics CORIANDER AND UVA FRAGOLA: The Almanac; Disnar de la Regata storica (traditional menu), Mondays on the Lido, Harvesting uva fragola grapes + cake recipe, Autumn equinox in Venice, SEPTEMBER a virtual visit to Poveglia, September recipe box. Herb of the month: coriander SQUASH AND POMEGRANATE: The Almanac; San Firmino; Lepanto day in Venice; Wine harvest in the Lagoon; Spicy Venetian squash soup; recipes OCTOBER with pomegranates; October recipe box, Pan di pistacchio - the Doge's Pistacchio cake, Virtual visit to San Francesco del Deserto. CHESTNUTS AND LIQUORICE: The Almanac, All Saints Day in Venice + recipes, Virtual visit to the islands San Michele / San NOVEMBER Cristoforo, San Martino in Venice, comfort food for fall, Recipe box, The true story of Festa della Salute - Thanksgiving in Venice + recipes PERSIMMON AND BERGAMOT: The Almanc, the Venetian Christmas cake - la pinza; Foraging for DECEMBER winter herbs in the Lagoon; Winter solstice menu; Christmas flavors from Venice; New Years Eve; Recipe box, le nuvoete - fluffy Christmas cookies CURRICULUM 0 2 Virtual visits to Venice + Lagoon. -
Palladio, a Model for the Architecture of Classical Europe
Architectural Styles Palladio, a model for the architecture of classical Europe Jean POTEL ABSTRACT Beginning in the sixteenth century, European architecture—in the same manner as painting, sculpture, and more broadly all forms of artistic expression—fell into tune with an Italian art that had already been renewing itself for nearly a century on ancient models. While the Rome of Julius II (pontiff from 1503 to 1513) and his successors drew the attention of the majority of nations, such as the Holy Roman Empire and Spain, others such as England, the United Provinces, and more discreetly France were enthusiastic about the work of the Vicentine Andrea Palladio (1508-1580). While the productions of this contemporary of the painter Veronese were mostly limited to the secondary artistic centers of the continental territories of the Republic of Venice (modern-day Veneto), they were behind an architectural movement unique to the Old World, one that took its creator’s name and thereby attesting to the incredible success of his manner: Palladianism. Jacob van Campen (1595-1657), home of count Jean-Maurice de Nassau-Siegen, known as Mauritshuis, The Hague (the Netherlands), 1633-1644. Source : Wikimedia Commons. The Origins of Palladianism Born in Padua and long active in Vicenza, two cities dominated by Venice, Pietro della Gondola (1508-1580) had an exceptional career. A mason by formation, he befriended the humanists Giorgio Trissino (1478-1550), who renamed him Palladio, and Daniele Barbaro (1514-70), whom he assisted in the latter’s commented translation of Vitruvius’s treatise on Latin architecture (1556), two encounters that were behind the extraordinary esthetic and conceptual revolution of his art. -
Veneziaterreing.Pdf
ACCESS SCORZÉ NOALE MARCO POLO AIRPORT - Tessera SALZANO S. MARIA DECUMANO QUARTO PORTEGRANDI DI SALA D'ALTINO SPINEA MIRANO MMEESSTTRREE Aeroporto Marco Polo SANTA LUCIA RAILWa AY STATION - Venice MARGHERA ezia TORCELLO Padova-Ven BURANO autostrada S.GIULIANO DOLO MIRA MURANO MALCONTENTA STRÀ i ORIAGO WATER-BUS STATION FIESSO TREPORTI CAVALLINO D'ARTICO FUSINA VTP. - M. 103 for Venice PUNTA SABBIONI RIVIERA DEL BRENTA VENEZIA LIDO WATER-BUS STATION MALAMOCCO VTP - San Basilio ALBERONI z S. PIETRO IN VOLTA WATER-BUS STATION Riva 7 Martiri - Venice PORTOSECCO PELLESTRINA P PIAZZALE ROMA CAe R PARK - Venice P TRONCHETTO CAR PARK - Venice P INDUSTRIAL AREA Cn AR PARK - Marghera P RAILWAY-STATION CAR PARK - Mestre e P FUSINA CAR PARK - Mestre + P SAN GIULIANO CAR PARK - Mestre V P PUNTA SABBIONI CAR PARK - Cavallino The changing face of Venice The architect Frank O. Gehry has been • The Fusina terminal has been designed entrusted with developing what has been by A. Cecchetto.This terminal will be of SAVE, the company that has been run- • defined as a project for the new airport strategic importance as the port of entry ning Venice airport since 1987 is exten- marina. It comprises a series of facilities from the mainland to the lagoon and ding facilities to easily cope with the con- that are vital for the future development historical Venice. stant increase in traffic at Venice airport. of the airport, such as a hotel and an The new airport is able to process 6 mil- The new water-bus station has been desi- administration centre with meeting and • lion passengers a year.