DOCSLIB.ORG

Catalogo Cronologico 1966-2002

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catalogo Cronologico 1966-2002 Catalogo Cronologico 1966-2002 Interventi realizzati e in corso nota al catalogo Quasi tutti gli interventi di restauro finanziati dai comitati sono stati progettati e diretti dalle soprintendenze veneziane. Dove possibile il funzionario responsabile è stato nominato. 1 Soprintendenza alle gallerie (fino al 1975), Soprintendenza ai beni artisti e storici (1975–2000), Soprintendenza per il patrimonio artistico, storico e demoetnoantropologico (2000–2002); 2 Soprintendenza ai monumenti (fino al 1975), Soprintendenza per i beni ambientali ed architettonici (1975–1998), Soprintendenza di Venezia per i beni architettonici e per il paesaggio (1998–2002); 3 Soprintendenza per i beni architettonici, per il paesaggio e per il patrimonio storico, artistico e demoetnoantropologico di Venezia e laguna (dal 2002). 1966–1967 1967 sagrestia, Giovanni Battista Pittoni, San basilica di San Marco chiesa di Santa Maria di Nazareth Cassiano e Santa Cecilia anonimo frescante della fine del XII (Scalzi) direzione lavori: F. Valcanover1 secolo, La Vergine orante, due affreschi dell’abside, D. e G. Valeriani, restauratore: G.B. Tiozzo arcangeli e santi La Trinità in Gloria e le Virtù cardinali finanziamento: Association France- affreschi staccati e ricollocati pulitura e integrazione in loco Italie direzione lavori: F. Valcanover1 direzione lavori: F. Valcanover1 restauratore: G.B. Tiozzo restauratore: G.B. Tiozzo 1967 finanziamento: Fondazione Ercole finanziamento: Committee to Rescue chiesa di San Moisè Varzi Italian Art Antonio Molinari, Madonna e Santi; Jacopo Palma il Giovane, Ultima 1966–1968 1967 Cena; Sante Piatti, Martirio di Santo case in calle Lanza, Dorsoduro 152-158 chiesa di San Nicolò dei Mendicoli Stefano; Antonio Arrigoni (attr.), Otto restauro statico-conservativo di tetto, affreschi dell’abside, Alvise dal Friso, episodi della vita di Sant’Antonio; solai, strutture murarie, scale e servizi Annunciazione ed Eterno in Gloria Jacopo Tintoretto e bottega, La lavanda direzione lavori: studio di architettura direzione lavori: F. Valcanover1 dei piedi; Maffeo da Verona (scuola Bellavitis Valle restauratore: G.B. Tiozzo di), Nascita di Maria restauratore: ditta Romeo Polato e C. sas finanziamento: Committee to Rescue direzione lavori: F. Valcanover1 finanziamento: Italia Nostra con Stato Italian Art restauratori: F. e S. Volpin italiano e Consiglio d’Europa finanziamento: Committee to Rescue 1967 Italian Art 1967 chiesa di San Zaccaria Ca’ d’Oro dipinti parietali 1967–1968 anonimo veneto del XV secolo, soffitto Jacopo Palma il Giovane, San Zaccaria chiesa di San Moisè ligneo inciso e dorato dell’edicola e l’angelo; Antonio Vassilacchi detto sistemazione tetto e consolidamento contenente il San Sebastiano di l’Aliense, Presentazione della Vergine facciata Andrea Mantegna al tempio; Bernardo Strozzi (seguace direzione lavori: Soprintendenza ai direzione lavori: M. Muraro1 di), Comunione degli Apostoli; monumenti restauratore: M. Leuthenmayr Francesco Rosa, San Pietro in finanziamento: Committee to Rescue finanziamento: Association France-Italie preghiera con il gallo; Angelo Italian Art con Stato italiano (Ministero Trevisani, Visitazione della Vergine e della pubblica istruzione) 1967 Santa Maria Elisabetta; Sante Piatti, Ca’ d’Oro Conversione di San Paolo; 1968 anonimo veneto del XVI-XVII secolo, Giambattista Bissone, San Leonino, chiesa di San Francesco della Vigna soffitto ligneo intagliato policromo e San Bellino, San Pietro, San Fidenzio, Giovanni Bellini e bottega, Madonna dorato della IV sala San Prosdocimo, San Massimino, San con Bambino e committente con Santi direzione lavori: M. Muraro1 Crescenzio; Alberto Calvetti (?), direzione lavori: F. Valcanover1 restauratore: M. Leuthenmayr Presentazione di Cristo al tempio; restauratore: A. Lazzarin finanziamento: Association France- Niccolò Bambini, Adorazione dei finanziamento: International Fund for Italie Magi; Antonio Balestra, Adorazione Monuments, Venice Committee dei pastori; Scuola veneta del XVIII 1967 secolo, Santo cavaliere, Santa martire; 1968 chiesa di Santa Maria di Nazareth Scuola veneta degli inizi del XVIII chiesa di San Moisè (Scalzi) secolo, Madonna del Rosario tele di Gaspare Diziani, San Pietro e volta affrescata della II cappella a direzione lavori: F. Valcanover1 San Girolamo; Scuola veneta del XVII destra, Giambattista Tiepolo, Gloria di restauratori: S. e F. Volpin secolo, Madonna del Rosario Santa Teresa finanziamento: Committee to Rescue direzione lavori: F. Valcanover1 stacco e riapplicazione Italian Art restauratore: A. Lazzarin direzione lavori: F. Valcanover1 finanziamento: International Fund for restauratore: O. Nonfarmale 1967 Monuments, Venice Committee finanziamento: Association France- chiesa di San Cassiano Italie affreschi della cappella vicina alla 80 1968 Damiano e San Cosma chiesa di San Moisè direzione lavori: F. Valcanover1 affreschi di Girolamo Brusaferro, restauratori: F. e S. Volpin Sant’Ambrogio; Sant’Agostino; San finanziamento: Association France- Girolamo e San Gregorio; G.B. Italie Crosato, L’Eterno in Gloria; Gaspare Diziani (attr.), L’orazione nell’orto; 1968 L’andata al Calvario; Miracolo di San chiesa di San Sebastiano Pietro; San Pietro in carcere; Gian Paolo Veronese, affreschi del coro Antonio Fumiani (attr.), Miracolo di direzione lavori: F. Valcanover1 Sant’Antonio; La morte di San restauratore: L. Tintori Giuseppe; San Sebastiano curato dalle finanziamento: Committee to Rescue pie donne; Gesù e la Samaritana; Italian Art Jacopo Guarana, La Vergine in gloria con Sant’Antonio; A. Molinari, San 1968 Giovanni Evangelista; San Luca; San basilica di San Marco Marco; San Matteo; Scuola veneta del museo Marciano Restauro di una lapide, calle XIX secolo, Gloria d’Angeli; Antonio Ercole del Fiore (attr.), Pala feriale con del Magazen, Cannaregio, 1997-98 Zanchi (attr.), San Pietro; San Paolo; il Redentore e gli Apostoli Sant’Andrea; San Giacomo Maggiore; direzione lavori: F. Valcanover1 San Bartolomeo; San Simeone; San restauratore: A. Lazzarin Giacomo Minore; San Taddeo; San finanziamento: Association France- Filippo; San Tommaso; San Giovanni; Italie San Matteo direzione lavori: F. Valcanover1 1968 restauratore: G.B. Tiozzo Ca’ d’Oro finanziamento: Committee to Rescue laboratorio di restauro per piccole Italian Art opere d’arte (palazzo Giusti) finanziamento per acquisto 1968 attrezzature: Italian Art and Archives chiesa di San Zaccaria Fund Andrea Celesti, Papa Benedetto III visita il monastero di San Zaccaria; Il doge, 1968–1969 l’imperatore e il papa ricevono il corpo Ca’ d’Oro del santo; Antonio Zanchi, Il trasporto Matteo Raverti e Giovanni Bon, fregi processionale dei corpi santi; Antonio marmorei della facciata Fumiani, L’imperatore Federico III finanziamento: International Fund for Scorcio della sala dei Pulcinella affrescati accompagnato dal doge visita il Monuments, Venice Committee da Giandomenico Tiepolo per la Villa di monastero; Daniel Heintz, Il doge Zianigo e conservati a Ca’ Rezzonico dal assiste alla consacrazione della chiesa; 1968–1969 1936. Sul soffitto: L’altalena dei Pulcinella, Antonio Zonca, Visita annuale del doge chiesa di Santa Maria di Nazareth particolare, 1793; a destra: La partenza di alla chiesa nel giorno di Pasqua (Scalzi) Pulcinella, 1797; a sinistra: Pulcinella e i direzione lavori: F. Valcanover1 volta affrescata della III cappella a saltimbanchi, 1797 restauratori: F. e S. Volpin destra, Pietro Liberi, L’Eterna in Gloria; finanziamento: Committee to Rescue volta affrescata della III cappella a Italian Art e Stato italiano sinistra, Giambattista Tiepolo, Cristo nell’orto e Angeli 1968 stacco e riapplicazione su pannelli chiesa di San Salvador direzione lavori: F. Valcanover1 Girolamo da Treviso, Jacopo Palma il restauratore: O. Nonfarmale Giovane, Pala con tre santi finanziamento: Committee to Rescue direzione lavori: F. Valcanover1 Italian Art restauratore: A. Lazzarin finanziamento: International Fund for 1968–1969 Monuments, Venice Committee chiesa di San Martino Tullio Lombardo, Quattro angeli 1968 reggimensa chiesa di Sant’Antonino direzione lavori: F. Valcanover1 cappella di San Saba restauratore: O. Nonfarmale Jacopo Palma il Giovane, Gloria di San finanziamento: Committee to Rescue Saba; Due santi martiri; Padre Eterno Italian Art in Gloria; Santa Maria di Cleofe e Sant’Ilarione; Episodio della vita di San 1968–1969 Saba; Sant’Antonio e San Spiridione; basilica dei Santi Giovanni e Paolo Esequie di San Saba; Morte di San Giovan Battista Piazzetta, Gloria di Saba; San Saba visita gli ammalati; San Domenico P. Campsa, ancona, basilica di Santa Maria Miracolo degli abiti del fornaio; San costruzione nuovo telaio, Assunta, Torcello, 2001-2002 81 indipendente dall’orditura lignea del tetto, consolidamento e pulitura direzione lavori: F. Valcanover1 restauratore: G. Pedrocco finanziamento: Committee to Rescue Italian Art 1968–1969 chiesa di Santa Maria del Giglio (Santa Maria Zobenigo) restauro di tutti i dipinti (cinquanta) che decorano l’interno della chiesa L. Bassano, C. Loth, J. Palma il Giovane, Salviati, D. Tintoretto, J. Tintoretto, A. Zanchi e altri direzione lavori: S. Staccioli1 restauratori: S. e F. Volpin finanziamento: Stifterverband für die Deutsche Wissenschaft e Dresdner Bank 1968–1969 Scuola di San Fantin (ora Ateneo Veneto) sala al piano terra: tele di L. Corona (cinque), Jacopo Palma il Giovane (quattordici dipinti del soffitto), A. Fiancata di una galea, Museo Storico Navale, 1999 Zanchi (due); sala di lettura: Jacopo Tintoretto e bottega direzione lavori: F. Valcanover1
Load more

Recommended publications
  • View the Comitati Privati Internazionali Di Venezia Works from 1966 to 2016
    ELENCO DEI LAVORI DEI COMITATI PRIVATI INTERNAZIONALI DI VENEZIA DAL 1966 al 2016 Anonimo frescante del XII secolo, La vergine orante, due 1966 1967 Basilica di San Marco affresco Fondazione Ercole Varzi arcangeli e santi Case in Calle Lanza Italia Nostra con Stato italiano e 1966 1968 Restauro architettura (Dorsoduro 152-158) Consiglio d Europa Chiesa di San Nicolò dei Alvise dal Friso, affreschi dell'abside: Annunciazione ed 1967 1968 affresco Committee to Rescue Italian Art Mendicoli Eterno in Gloria Chiesa di Santa Maria di Domenico e Giuseppe Valeriani, affreschi dell'abside: La 1967 1968 affresco Committee to Rescue Italian Art Nazareth (Scalzi) Trinità in Gloria e le Virtù cardinali Chiesa di Santa Maria di Giambattista Tiepolo, volta affrescata della II cappella a 1967 1968 affresco Association France-Italie Nazareth (Scalzi) destra: Gloria di Santa Teresa Giovanni Battista Pittoni, affreschi della cappella vicina 1967 1968 Chiesa di San Cassiano affresco Association France-Italie alla sacrestia, restia: San Cassiano e Santa Cecilia 1967 1968 Ca' d'Oro anonimo veneto del XV secolo, soffitto edicola architettura Association France-Italie 1967 1968 Ca' d'Oro anonimo veneto del XVI-XVII secolo soffitto IV sala architettura Association France-Italie Antonio Molinari; Jacopo Palma il Giovane; Sante Piatti; 1967 1968 Chiesa di San Moisè Antonio Arrigoni; Jacopo Tintoretto; Maffeo da Verona dipinto Committee to Rescue Italian Art (scuola di)quadri Jacopo Palma il Giovane; Antonio Vassilacchi detto l'Aliense; Bernardo Strozzi (seguace
    [Show full text]
  • The Splendours of Venice View Paintings from the Eighteenth Century the Splendours of Venice View Paintings from the Eighteenth Century
    The Splendours of Venice View Paintings from the Eighteenth Century The Splendours of Venice View Paintings from the Eighteenth Century The Splendours of Venice View Paintings from the Eighteenth Century Valentina Rossi and Amanda Hilliam DE LUCA EDITORI D’ARTE The Splendours of Venice View Paintings from the Eighteenth Century Lampronti Gallery 1-24 December 2014 9.30 - 6 pm Exhibition curated by Acknowledgements Amanda Hilliam Marcella di Martino, Emanuela Tarizzo, Barbara De Nipoti, the staff of Valentina Rossi Itaca Transport, the staff of Simon Jones Superfreight. Catalogue edited by Amanda Hilliam Valentina Rossi Photography Mauro Coen Matthew Hollow LAMPRONTI GALLERY 44 Duke Street, St James’s London SW1Y 6DD Via di San Giacomo 22 00187 Roma [email protected] [email protected] p. 2: Francesco Guardi, The lagoon with the Forte di S. Andrea, cat. 20, www.cesarelampronti.com detail his exhibition and catalogue commemorates the one-hundred-year anniversary of Lampronti Gallery, founded in 1914 by my Grandfather and now one of the foremost galleries specialising in Italian Old TMaster paintings in the United Kingdom. We have, over the years, developed considerable knowledge and expertise in the field of vedute, or view paintings, and it therefore seemed fitting that this centenary ex- hibition be dedicated to our best examples of this great tradition, many of which derive from important pri- vate collections and are published here for the first time. More precisely, the exhibition brings together a fine selection of views of Venice, a city whose romantic canals and quality of light were never represented with greater sensitivity or technical brilliance than during the eigh- teenth century.
    [Show full text]
  • Mattia & Marianovella Romano
    Mattia & MariaNovella Romano A Selection of Master Drawings A Selection of Master Drawings Mattia & Maria Novella Romano A Selection of Drawings are sold mounted but not framed. Master Drawings © Copyright Mattia & Maria Novelaa Romano, 2015 Designed by Mattia & Maria Novella Romano and Saverio Fontini 2015 Mattia & Maria Novella Romano 36, Borgo Ognissanti 50123 Florence – Italy Telephone +39 055 239 60 06 Email: [email protected] www.antiksimoneromanoefigli.com Mattia & Maria Novella Romano A Selection of Master Drawings 2015 F R FRATELLI ROMANO 36, Borgo Ognissanti Florence - Italy Acknowledgements Index of Artists We would like to thank Luisa Berretti, Carlo Falciani, Catherine Gouguel, Martin Hirschoeck, Ellida Minelli, Cristiana Romalli, Annalisa Scarpa and Julien Stock for their help in the preparation of this catalogue. Index of Artists 15 1 3 BARGHEER EDUARD BERTANI GIOVAN BAttISTA BRIZIO FRANCESCO (?) 5 9 7 8 CANTARINI SIMONE CONCA SEBASTIANO DE FERRARI GREGORIO DE MAttEIS PAOLO 12 10 14 6 FISCHEttI FEDELE FONTEBASSO FRANCESCO GEMITO VINCENZO GIORDANO LUCA 2 11 13 4 MARCHEttI MARCO MENESCARDI GIUSTINO SABATELLI LUIGI TASSI AGOSTINO 1. GIOVAN BAttISTA BERTANI Mantua c. 1516 – 1576 Bacchus and Erigone Pen, ink and watercoloured ink on watermarked laid paper squared in chalk 208 x 163 mm. (8 ¼ x 6 ⅜ in.) PROVENANCE Private collection. Giovan Battista Bertani was the successor to Giulio At the centre of the composition a man with long hair Romano in the prestigious work site of the Ducal Palace seems to be holding a woman close to him. She is seen in Mantua.1 His name is first mentioned in documents of from behind, with vines clinging to her; to the sides of 1531 as ‘pictor’, under the direction of the master, during the central group, there are two pairs of little erotes who the construction works of the “Palazzina della Paleologa”, play among themselves, passing bunches of grapes to each which no longer exists, in the Ducal Palace.2 According other.
    [Show full text]
  • ART HISTORY of VENICE HA-590I (Sec
    Gentile Bellini, Procession in Saint Mark’s Square, oil on canvas, 1496. Gallerie dell’Accademia, Venice ART HISTORY OF VENICE HA-590I (sec. 01– undergraduate; sec. 02– graduate) 3 credits, Summer 2016 Pratt in Venice––Pratt Institute INSTRUCTOR Joseph Kopta, [email protected] (preferred); [email protected] Direct phone in Italy: (+39) 339 16 11 818 Office hours: on-site in Venice immediately before or after class, or by appointment COURSE DESCRIPTION On-site study of mosaics, painting, architecture, and sculpture of Venice is the primary purpose of this course. Classes held on site alternate with lectures and discussions that place material in its art historical context. Students explore Byzantine, Gothic, Renaissance, Baroque examples at many locations that show in one place the rich visual materials of all these periods, as well as materials and works acquired through conquest or collection. Students will carry out visually- and historically-based assignments in Venice. Upon return, undergraduates complete a paper based on site study, and graduate students submit a paper researched in Venice. The Marciana and Querini Stampalia libraries are available to all students, and those doing graduate work also have access to the Cini Foundation Library. Class meetings (refer to calendar) include lectures at the Università Internazionale dell’ Arte (UIA) and on-site visits to churches, architectural landmarks, and museums of Venice. TEXTS • Deborah Howard, Architectural History of Venice, reprint (New Haven and London: Yale University Press, 2003). [Recommended for purchase prior to departure as this book is generally unavailable in Venice; several copies are available in the Pratt in Venice Library at UIA] • David Chambers and Brian Pullan, with Jennifer Fletcher, eds., Venice: A Documentary History, 1450– 1630 (Toronto: University of Toronto Press, 2001).
    [Show full text]
  • Artist Melissa Mcgill Launches Large-Scale Public Art Project On
    Artist Melissa McGill Launches Large-Scale Public Art Project on Venice’s Lagoon and Canals Choreographing Fleet of Historic Sailboats in Series of Regattas from May through November Created with the Associazione Vela al Terzo Venezia and Magazzino Italian Art Foundation, Red Regatta Celebrates Local Maritime History and Calls Attention to the Fragile Balance Between City of Venice and the Sea Project Commences with Artist Talk and Community Open House (May 8) and Preview Regatta (May 11), with Additional Performances Coinciding with Annual Regata Storica and Regata di Burano Venice, Italy – May 6, 2019 – From May through November, artist Melissa McGill is choreographing a series of large-scale regattas across Venice’s lagoon and canals in a major public art project that celebrates the city’s maritime history and calls attention to the forces of climate change and mass tourism that threaten its future. Unfolding in multiple parts, Red Regatta fills Venice’s waterways with 52 traditional vela al terzo sailboats, hoisted with hand-painted red sails. Bringing together over 250 local partners, Red Regatta is co-organized by Magazzino Italian Art Foundation, presented in collaboration with Associazione Vela al Terzo Venezia, and curated by Chiara Spangaro and project manager Marcella Ferrari. Red Regatta commences on May 8 with an artist talk and community open house at Ocean Space and a preview regatta on May 11 on the northern lagoon at Fondamente Nove. Additional regattas will sail at various points throughout the duration of Venice’s Biennale until November, including during the annual Regata Storica in the Bacino di San Marco and the Regata di Burano in September.
    [Show full text]
  • Celinda, a Tragedy
    Celinda, A Tragedy VALERIA MIANI • Edited with an introduction by VALERIA FINUCCI Translated by JULIA KISACKY Annotated by VALERIA FINUCCI & JULIA KISACKY Iter Inc. Centre for Reformation and Renaissance Studies Toronto 2010 Iter: Gateway to the Middle Ages and Renaissance Tel: 416/978–7074 Fax: 416/978–1668 Email: [email protected] Web: www.itergateway.org CRRS Publications, Centre for Reformation and Renaissance Studies Victoria University in the University of Toronto Toronto, Ontario M5S 1K7 Canada Tel: 416/585–4465 Fax: 416/585–4430 Email: [email protected] Web: www.crrs.ca © 2010 Iter Inc. & the Centre for Reformation and Renaissance Studies All Rights Reserved Printed in Canada Iter and the Centre for Reformation and Renaissance Studies gratefully acknowledge the generous sup- port of the Gladys Krieble Delmas Foundation toward the publication of this book. Iter and the Centre for Reformation and Renaissance Studies gratefully acknowledge the generous sup- port of James E. Rabil, in memory of Scottie W. Rabil, toward the publication of this book. Library and Archives Canada Cataloguing in Publication Miani, Valeria Celinda : a tragedy / Valeria Miani ; edited and with an introduction by Valeria Finucci ; tranlated by Julia Kisacky ; annotated by Valeria Finucci & Julia Kisacky. (The other voice in early modern Europe : the Toronto series ; 8) Translation of the Italian play by the same title. Co-published by: Centre for Reformation and Renaissance Studies. Includes bibliographical references and index. Issued also in electronic format. Text in Italian with English translation on facing pages. ISBN 978–07727–2075–7 I. Finucci, Valeria II. Kisacky, Julia, 1965– III.
    [Show full text]
  • Catalogo Della Biblioteca Specializzata Annessa All’Archivio Di S
    BIBLIOTECA SPECIALIZZATA ANNESSA ALL’ARCHIVIO STORICO DELL’ABBAZIA DI S. PIETRO DI PERUGIA CATALOGO PER AUTORE INDICE DALLA “A” ALLA “D” …………………………………… p. 3 DALLA “E” ALLA “H” …………………………………… p. 107 DALLA “I” ALLA “N” ……………………………………. p. 138 DALLA “O” ALLA “R”……………………………………. p. 187 DALLA “S” ALLA “Z”…………………………………….. p. 221 COLLEZIONI/ RIVISTE E OPERE SENZA AUTORE…… p. 261 2 CATALOGO DELLA BIBLIOTECA SPECIALIZZATA ANNESSA ALL’ARCHIVIO DI S. PIETRO DI PERUGIA DALLA “A” ALLA “D” AA. VV., Abbazia di Sant’Antimo. Una pietra che canta: guida storico-artistica illustrata, con presentazione della Comunità dei Canonici Regolari di Sant’Antimo, Siena, Edizioni Cantagalli, 1993, pp. 111 con ill., cm 24. ASPi, Benedettina 131 AA. VV., Alfabetismo e cultura scritta nella storia della società italiana, Atti del Seminario Perugia, 29-30 marzo 1977, Perugia, Università degli Studi, 1978, pp. 422, cm 25. ASPi, Letteratura 11 AA. VV., Alfabetismo e cultura scritta nella storia della società italiana, Seminario permanente: notizie marzo 1980, Perugia, Università degli Studi, 1980, pp. 48, cm 21. ASPi, Letteratura 11/1 AA. VV., Alfabetismo e cultura scritta nella storia della società italiana, Seminario permanente: notizie dicembre 1980, Perugia, Università degli Studi, 1980, pp. 44, cm 21. ASPi, Letteratura 11/2 AA. VV., Almanacco italiano 1965, Firenze, Bemporad Marzocco, 1965, pp. XL, 440 con ill., cm 19. ASPi, Opere generali 8 3 AA. VV., Annali della Biblioteca Statale e Libreria Civica di Cremona: studi e bibliografie 7, vol. 55 (2003), Cremona, Biblioteca Statale di Cremona, 2005, pp. 167 con ill., cm 24. ASPi, Bibliografia 65 AA. VV., Archivio Perugino-Pievese. Visite Perugine, Supplemento a Raccordo dell’Archidiocesi di Perugia - Città della Pieve, Anno IV, n.
    [Show full text]
  • San Giorgio Terrace Suite - Italy, Venice
    SAN GIORGIO TERRACE SUITE - ITALY, VENICE 4 GUESTS, 2 BEDROOMS SAN GIORGIO TERRACE SUMMARY SUITE City & lagoon views Italy, Venice Historic property Terrace 4 Guests Outdoor living & dining 2 Bedrooms Wi-Fi LOCATION Stunning two-bedroom suite with spacious terrace and unbeatable views Italy, Venice The San Giorgio Terrace Suite is an incredible suite within the Baglioni Hotel Luna in the heart of Venice, which dates GUESTS back to the 12th century. up to 4 Guests can reach the hotel by gondola or water taxi thanks to the small private jetty situated at its entrance. BEDROOMS The spacious private terrace with outdoor lounge is the 2 perfect place to spend a relaxing evening with a glass of wine or celebrate special occasions whilst admiring the RENTAL PERIOD spectacular views over the lagoon to San Giorgio Island. Nightly Designed by Milanese architects Rebosio and Spagnulo, it comprises a dining and living area, a kitchenette, and two luxurious bedrooms. Ideal for a romantic stay, the suite has PRICE been carefully decorated using handmade wood panelling and handmade Versailles parquet to ensure the utmost From 3,800 EUR comfort for guests. MORE The master bedroom boasts walk-through wardrobes leading to an expansive en-suite bathroom with a bathtub Price per night, available on and a separate double bathtub. The second bedroom is request. Minimum stays well-appointed and also has an en-suite bathroom with a apply. shower. Both bathrooms are elegantly decorated with Carrara and Grey stone marble. The furnishings and decorations are of the highest quality, featuring Venetian and French precious fabrics and Fortuny- style lamps amongst other beautiful detailing.
    [Show full text]
  • VENICE Grant Allen's Historical Guides
    GR KS ^.At ENICE W VENICE Grant Allen's Historical Guides // is proposed to issue the Guides of this Series in the following order :— Paris, Florence, Cities of Belgium, Venice, Munich, Cities of North Italy (Milan, Verona, Padua, Bologna, Ravenna), Dresden (with Nuremberg, etc.), Rome (Pagan and Christian), Cities of Northern France (Rouen, Amiens, Blois, Tours, Orleans). The following arc now ready:— PARIS. FLORENCE. CITIES OF BELGIUM. VENICE. Fcap. 8vo, price 3s. 6d. each net. Bound in Green Cloth with rounded corners to slip into the pocket. THE TIMES.—" Good work in the way of showing students the right manner of approaching the history of a great city. These useful little volumes." THE SCOTSMAN "Those who travel for the sake of culture will be well catered for in Mr. Grant Allen's new series of historical guides. There are few more satisfactory books for a student who wishes to dig out the Paris of the past from the im- mense superincumbent mass of coffee-houses, kiosks, fashionable hotels, and other temples of civilisation, beneath which it is now submerged. Florence is more easily dug up, as you have only to go into the picture galleries, or into the churches or museums, whither Mr. Allen's^ guide accordingly conducts you, and tells you what to look at if you want to understand the art treasures of the city. The books, in a word, explain rather than describe. Such books are wanted nowadays. The more sober- minded among tourists will be grateful to him for the skill with which the new series promises to minister to their needs." GRANT RICHARDS 9 Henrietta St.
    [Show full text]
  • Venetian Art, 1600–1797 Massimo Favilla, Ruggero Rugolo, And
    VENETIAN ART, 1600–1797 Massimo Favilla, Ruggero Rugolo, and Dulcia Meijers* Part One: The 17th Century On 21 August 1609, Galileo Galilei gave a demonstration of his recently perfected telescope to Doge Leonardo Donà and the senators of the Vene- tian Republic from a room atop the bell-tower of St. Mark’s. By means of this extraordinary instrument, places and things once invisible to the naked eye suddenly came within view: in this case, even the domes of the basilica of Santa Giustina in Padua.1 Venice thus witnessed the beginning of a new vision of the world, which in the realm of painting helped bring about the infinite and vertiginous perspectives displayed on the baroque walls and ceilings of all of Europe. Three years earlier, in 1606, the Roman curia had excommunicated the Republic of San Marco for the state’s stalwart defense of its own jurisdic- tion (the Interdict crisis). In the face of unacceptable interference from Rome, the Dominante reacted with obstinate opposition and held its ground throughout the trying episode. The passing of the century brought still other critical moments: the devastating plague of 1630, followed by the disastrous war of Candia (1645–69), in which Venice finally lost the homonymous island (Crete in Italian) to the Ottoman Empire, the high point in 1687 of Venice’s long-awaited first victories over the Ottomans led by the future Doge Francesco Morosini “il Peloponnesiaco,” and the appro- priately solemn consecration of the monumental Basilica della Salute in 1631 (in the wake of the plague) designed by Baldassare Longhena.
    [Show full text]
  • Santi Giovanni E Paolo Scuola Grande Di San Marco
    area Marciana Direzione Affari Istituzionali Accessible Venice Pon Bar te dei et er a i alle Balbi r S M C an Zer c . Guer er uliania C.d Palazzo S. Zulian CAMPO D Soranzo . d C. d SAN GIOVANNI C. Spadar . Spec NOVO 5 . A ngelo C.te chier ia San Moisè Zogia . Chiesa i co ar C. d San M Palazzo Museo Correr ga Patriarch’s Trevisan Calle Lar CAMPO SAN Archaeological Museum Palace FILIPPO E GIACOMO F ond Torre Torre dell’Orologio Sott. C.te dell’Orologio 6 Pignoi . Orseolo San Marco S. Apollonia Church of San Zulian F 4 r chie oli ezz ec Basilica car V asse St Mark’s Basilica . Bar er C.d tana tie San Marco . R en ia zi a C.Br iscina or PIAZZA Basilica Gallery . P rocur C. d Palazzo Ducale C.d C.S. Z P SAN MARCO Ponte dei Piscinae diria o Sospiri Campanile di San Marco Frezz . Capr 7 Palazzo C. d ognolo Museo Correr 3 Prisons C. B Campanile Ducale Palazzo ina 8 Ponte dei Sospiri ontar Dandolo C.te C wc Biblioteca Marciana Archaeological ve 9 Museum atie Nuo ocur Sansovinian 2 Pr Gallery Bevilacqua La Masa WHARF S. Zaccaria Marciana area S. Moisè Gallery Danieli C. d Giardini ex Reali Venezia Mestre . R C. Barozzi idott San Marco 4136 Via Cardinal Massaia 45 o 30124 Venezia 30174 Mestre S. Marco T 041 2748144 T 041 9655440 Palazzo S. Marco Giardinetti F 041 9655432 Giustinian Vallaresso 1 [email protected] | www.veneziacittapertutti.it SAN MARCO BASIN in collaboration with: map made by: accessible area wc toilette facilitated bridge Material distributed free Updated in April 2016 Accessible Venice area Marciana phone beforehand to make arrangements.
    [Show full text]
  • Collaboration and Originality in Early Modern Art
    Lindenwood University Digital Commons@Lindenwood University Faculty Research Papers Research, Scholarship, and Resources 8-2020 L’abbiam Fatta Tutti Noi: Collaboration and Originality in Early Modern Art James Hutson Lindenwood University Follow this and additional works at: https://digitalcommons.lindenwood.edu/faculty-research-papers Part of the Art and Design Commons Recommended Citation Hutson, James, "L’abbiam Fatta Tutti Noi: Collaboration and Originality in Early Modern Art" (2020). Faculty Research Papers. 4. https://digitalcommons.lindenwood.edu/faculty-research-papers/4 This Article is brought to you for free and open access by the Research, Scholarship, and Resources at Digital Commons@Lindenwood University. It has been accepted for inclusion in Faculty Research Papers by an authorized administrator of Digital Commons@Lindenwood University. For more information, please contact [email protected]. Art and Design Review, 2020, 8, *-* https://www.scirp.org/journal/adr ISSN Online: 2332-2004 ISSN Print: 2332-1997 L’abbiam Fatta Tutti Noi: Collaboration and Originality in Early Modern Art James Hutson Art History Department, Lindenwood University, St. Charles, MO, USA Email: [email protected] How to cite this paper: Author 1, Author Abstract 2, & Author 3 (2020). Paper Title. Art and Design Review, 8, **-**. This article seeks a reevaluation of the collaborative efforts and critical valua- https://doi.org/10.4236/***.2020.***** tion of the Carracci in the frescoes of the Palazzo Magnani. While the signi- ficance of the cycle for the development of the nascent baroque style is de- Received: **** **, *** Accepted: **** **, *** monstrable, criticism has focused on attributional issues and the works re- Published: **** **, *** main understudied. Since their original biographers struggled over identify- ing which Carracci was responsible for which scene in the frieze, efforts have Copyright © 2020 by author(s) and been made to carefully dissect the contributions of each.
    [Show full text]