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Catalogo Cronologico 1966-2002

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Catalogo Cronologico 1966-2002 Interventi realizzati e in corso nota al catalogo Quasi tutti gli interventi di restauro finanziati dai comitati sono stati progettati e diretti dalle soprintendenze veneziane. Dove possibile il funzionario responsabile è stato nominato. 1 Soprintendenza alle gallerie (fino al 1975), Soprintendenza ai beni artisti e storici (1975–2000), Soprintendenza per il patrimonio artistico, storico e demoetnoantropologico (2000–2002); 2 Soprintendenza ai monumenti (fino al 1975), Soprintendenza per i beni ambientali ed architettonici (1975–1998), Soprintendenza di Venezia per i beni architettonici e per il paesaggio (1998–2002); 3 Soprintendenza per i beni architettonici, per il paesaggio e per il patrimonio storico, artistico e demoetnoantropologico di Venezia e laguna (dal 2002). 1966–1967 1967 sagrestia, Giovanni Battista Pittoni, San basilica di San Marco chiesa di Santa Maria di Nazareth Cassiano e Santa Cecilia anonimo frescante della fine del XII (Scalzi) direzione lavori: F. Valcanover1 secolo, La Vergine orante, due affreschi dell’abside, D. e G. Valeriani, restauratore: G.B. Tiozzo arcangeli e santi La Trinità in Gloria e le Virtù cardinali finanziamento: Association France- affreschi staccati e ricollocati pulitura e integrazione in loco Italie direzione lavori: F. Valcanover1 direzione lavori: F. Valcanover1 restauratore: G.B. Tiozzo restauratore: G.B. Tiozzo 1967 finanziamento: Fondazione Ercole finanziamento: Committee to Rescue chiesa di San Moisè Varzi Italian Art Antonio Molinari, Madonna e Santi; Jacopo Palma il Giovane, Ultima 1966–1968 1967 Cena; Sante Piatti, Martirio di Santo case in calle Lanza, Dorsoduro 152-158 chiesa di San Nicolò dei Mendicoli Stefano; Antonio Arrigoni (attr.), Otto restauro statico-conservativo di tetto, affreschi dell’abside, Alvise dal Friso, episodi della vita di Sant’Antonio; solai, strutture murarie, scale e servizi Annunciazione ed Eterno in Gloria Jacopo Tintoretto e bottega, La lavanda direzione lavori: studio di architettura direzione lavori: F. Valcanover1 dei piedi; Maffeo da Verona (scuola Bellavitis Valle restauratore: G.B. Tiozzo di), Nascita di Maria restauratore: ditta Romeo Polato e C. sas finanziamento: Committee to Rescue direzione lavori: F. Valcanover1 finanziamento: Italia Nostra con Stato Italian Art restauratori: F. e S. Volpin italiano e Consiglio d’Europa finanziamento: Committee to Rescue 1967 Italian Art 1967 chiesa di San Zaccaria Ca’ d’Oro dipinti parietali 1967–1968 anonimo veneto del XV secolo, soffitto Jacopo Palma il Giovane, San Zaccaria chiesa di San Moisè ligneo inciso e dorato dell’edicola e l’angelo; Antonio Vassilacchi detto sistemazione tetto e consolidamento contenente il San Sebastiano di l’Aliense, Presentazione della Vergine facciata Andrea Mantegna al tempio; Bernardo Strozzi (seguace direzione lavori: Soprintendenza ai direzione lavori: M. Muraro1 di), Comunione degli Apostoli; monumenti restauratore: M. Leuthenmayr Francesco Rosa, San Pietro in finanziamento: Committee to Rescue finanziamento: Association France-Italie preghiera con il gallo; Angelo Italian Art con Stato italiano (Ministero Trevisani, Visitazione della Vergine e della pubblica istruzione) 1967 Santa Maria Elisabetta; Sante Piatti, Ca’ d’Oro Conversione di San Paolo; 1968 anonimo veneto del XVI-XVII secolo, Giambattista Bissone, San Leonino, chiesa di San Francesco della Vigna soffitto ligneo intagliato policromo e San Bellino, San Pietro, San Fidenzio, Giovanni Bellini e bottega, Madonna dorato della IV sala San Prosdocimo, San Massimino, San con Bambino e committente con Santi direzione lavori: M. Muraro1 Crescenzio; Alberto Calvetti (?), direzione lavori: F. Valcanover1 restauratore: M. Leuthenmayr Presentazione di Cristo al tempio; restauratore: A. Lazzarin finanziamento: Association France- Niccolò Bambini, Adorazione dei finanziamento: International Fund for Italie Magi; Antonio Balestra, Adorazione Monuments, Venice Committee dei pastori; Scuola veneta del XVIII 1967 secolo, Santo cavaliere, Santa martire; 1968 chiesa di Santa Maria di Nazareth Scuola veneta degli inizi del XVIII chiesa di San Moisè (Scalzi) secolo, Madonna del Rosario tele di Gaspare Diziani, San Pietro e volta affrescata della II cappella a direzione lavori: F. Valcanover1 San Girolamo; Scuola veneta del XVII destra, Giambattista Tiepolo, Gloria di restauratori: S. e F. Volpin secolo, Madonna del Rosario Santa Teresa finanziamento: Committee to Rescue direzione lavori: F. Valcanover1 stacco e riapplicazione Italian Art restauratore: A. Lazzarin direzione lavori: F. Valcanover1 finanziamento: International Fund for restauratore: O. Nonfarmale 1967 Monuments, Venice Committee finanziamento: Association France- chiesa di San Cassiano Italie affreschi della cappella vicina alla 80 1968 Damiano e San Cosma chiesa di San Moisè direzione lavori: F. Valcanover1 affreschi di Girolamo Brusaferro, restauratori: F. e S. Volpin Sant’Ambrogio; Sant’Agostino; San finanziamento: Association France- Girolamo e San Gregorio; G.B. Italie Crosato, L’Eterno in Gloria; Gaspare Diziani (attr.), L’orazione nell’orto; 1968 L’andata al Calvario; Miracolo di San chiesa di San Sebastiano Pietro; San Pietro in carcere; Gian Paolo Veronese, affreschi del coro Antonio Fumiani (attr.), Miracolo di direzione lavori: F. Valcanover1 Sant’Antonio; La morte di San restauratore: L. Tintori Giuseppe; San Sebastiano curato dalle finanziamento: Committee to Rescue pie donne; Gesù e la Samaritana; Italian Art Jacopo Guarana, La Vergine in gloria con Sant’Antonio; A. Molinari, San 1968 Giovanni Evangelista; San Luca; San basilica di San Marco Marco; San Matteo; Scuola veneta del museo Marciano Restauro di una lapide, calle XIX secolo, Gloria d’Angeli; Antonio Ercole del Fiore (attr.), Pala feriale con del Magazen, Cannaregio, 1997-98 Zanchi (attr.), San Pietro; San Paolo; il Redentore e gli Apostoli Sant’Andrea; San Giacomo Maggiore; direzione lavori: F. Valcanover1 San Bartolomeo; San Simeone; San restauratore: A. Lazzarin Giacomo Minore; San Taddeo; San finanziamento: Association France- Filippo; San Tommaso; San Giovanni; Italie San Matteo direzione lavori: F. Valcanover1 1968 restauratore: G.B. Tiozzo Ca’ d’Oro finanziamento: Committee to Rescue laboratorio di restauro per piccole Italian Art opere d’arte (palazzo Giusti) finanziamento per acquisto 1968 attrezzature: Italian Art and Archives chiesa di San Zaccaria Fund Andrea Celesti, Papa Benedetto III visita il monastero di San Zaccaria; Il doge, 1968–1969 l’imperatore e il papa ricevono il corpo Ca’ d’Oro del santo; Antonio Zanchi, Il trasporto Matteo Raverti e Giovanni Bon, fregi processionale dei corpi santi; Antonio marmorei della facciata Fumiani, L’imperatore Federico III finanziamento: International Fund for Scorcio della sala dei Pulcinella affrescati accompagnato dal doge visita il Monuments, Venice Committee da Giandomenico Tiepolo per la Villa di monastero; Daniel Heintz, Il doge Zianigo e conservati a Ca’ Rezzonico dal assiste alla consacrazione della chiesa; 1968–1969 1936. Sul soffitto: L’altalena dei Pulcinella, Antonio Zonca, Visita annuale del doge chiesa di Santa Maria di Nazareth particolare, 1793; a destra: La partenza di alla chiesa nel giorno di Pasqua (Scalzi) Pulcinella, 1797; a sinistra: Pulcinella e i direzione lavori: F. Valcanover1 volta affrescata della III cappella a saltimbanchi, 1797 restauratori: F. e S. Volpin destra, Pietro Liberi, L’Eterna in Gloria; finanziamento: Committee to Rescue volta affrescata della III cappella a Italian Art e Stato italiano sinistra, Giambattista Tiepolo, Cristo nell’orto e Angeli 1968 stacco e riapplicazione su pannelli chiesa di San Salvador direzione lavori: F. Valcanover1 Girolamo da Treviso, Jacopo Palma il restauratore: O. Nonfarmale Giovane, Pala con tre santi finanziamento: Committee to Rescue direzione lavori: F. Valcanover1 Italian Art restauratore: A. Lazzarin finanziamento: International Fund for 1968–1969 Monuments, Venice Committee chiesa di San Martino Tullio Lombardo, Quattro angeli 1968 reggimensa chiesa di Sant’Antonino direzione lavori: F. Valcanover1 cappella di San Saba restauratore: O. Nonfarmale Jacopo Palma il Giovane, Gloria di San finanziamento: Committee to Rescue Saba; Due santi martiri; Padre Eterno Italian Art in Gloria; Santa Maria di Cleofe e Sant’Ilarione; Episodio della vita di San 1968–1969 Saba; Sant’Antonio e San Spiridione; basilica dei Santi Giovanni e Paolo Esequie di San Saba; Morte di San Giovan Battista Piazzetta, Gloria di Saba; San Saba visita gli ammalati; San Domenico P. Campsa, ancona, basilica di Santa Maria Miracolo degli abiti del fornaio; San costruzione nuovo telaio, Assunta, Torcello, 2001-2002 81 indipendente dall’orditura lignea del tetto, consolidamento e pulitura direzione lavori: F. Valcanover1 restauratore: G. Pedrocco finanziamento: Committee to Rescue Italian Art 1968–1969 chiesa di Santa Maria del Giglio (Santa Maria Zobenigo) restauro di tutti i dipinti (cinquanta) che decorano l’interno della chiesa L. Bassano, C. Loth, J. Palma il Giovane, Salviati, D. Tintoretto, J. Tintoretto, A. Zanchi e altri direzione lavori: S. Staccioli1 restauratori: S. e F. Volpin finanziamento: Stifterverband für die Deutsche Wissenschaft e Dresdner Bank 1968–1969 Scuola di San Fantin (ora Ateneo Veneto) sala al piano terra: tele di L. Corona (cinque), Jacopo Palma il Giovane (quattordici dipinti del soffitto), A. Fiancata di una galea, Museo Storico Navale, 1999 Zanchi (due); sala di lettura: Jacopo Tintoretto e bottega direzione lavori: F. Valcanover1
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    area Marciana Direzione Affari Istituzionali Accessible Venice Pon Bar te dei et er a i alle Balbi r S M C an Zer c . Guer er uliania C.d Palazzo S. Zulian CAMPO D Soranzo . d C. d SAN GIOVANNI C. Spadar . Spec NOVO 5 . A ngelo C.te chier ia San Moisè Zogia . Chiesa i co ar C. d San M Palazzo Museo Correr ga Patriarch’s Trevisan Calle Lar CAMPO SAN Archaeological Museum Palace FILIPPO E GIACOMO F ond Torre Torre dell’Orologio Sott. C.te dell’Orologio 6 Pignoi . Orseolo San Marco S. Apollonia Church of San Zulian F 4 r chie oli ezz ec Basilica car V asse St Mark’s Basilica . Bar er C.d tana tie San Marco . R en ia zi a C.Br iscina or PIAZZA Basilica Gallery . P rocur C. d Palazzo Ducale C.d C.S. Z P SAN MARCO Ponte dei Piscinae diria o Sospiri Campanile di San Marco Frezz . Capr 7 Palazzo C. d ognolo Museo Correr 3 Prisons C. B Campanile Ducale Palazzo ina 8 Ponte dei Sospiri ontar Dandolo C.te C wc Biblioteca Marciana Archaeological ve 9 Museum atie Nuo ocur Sansovinian 2 Pr Gallery Bevilacqua La Masa WHARF S. Zaccaria Marciana area S. Moisè Gallery Danieli C. d Giardini ex Reali Venezia Mestre . R C. Barozzi idott San Marco 4136 Via Cardinal Massaia 45 o 30124 Venezia 30174 Mestre S. Marco T 041 2748144 T 041 9655440 Palazzo S. Marco Giardinetti F 041 9655432 Giustinian Vallaresso 1 [email protected] | www.veneziacittapertutti.it SAN MARCO BASIN in collaboration with: map made by: accessible area wc toilette facilitated bridge Material distributed free Updated in April 2016 Accessible Venice area Marciana phone beforehand to make arrangements.
  • Collaboration and Originality in Early Modern Art

    Collaboration and Originality in Early Modern Art

    Lindenwood University Digital Commons@Lindenwood University Faculty Research Papers Research, Scholarship, and Resources 8-2020 L’abbiam Fatta Tutti Noi: Collaboration and Originality in Early Modern Art James Hutson Lindenwood University Follow this and additional works at: https://digitalcommons.lindenwood.edu/faculty-research-papers Part of the Art and Design Commons Recommended Citation Hutson, James, "L’abbiam Fatta Tutti Noi: Collaboration and Originality in Early Modern Art" (2020). Faculty Research Papers. 4. https://digitalcommons.lindenwood.edu/faculty-research-papers/4 This Article is brought to you for free and open access by the Research, Scholarship, and Resources at Digital Commons@Lindenwood University. It has been accepted for inclusion in Faculty Research Papers by an authorized administrator of Digital Commons@Lindenwood University. For more information, please contact [email protected]. Art and Design Review, 2020, 8, *-* https://www.scirp.org/journal/adr ISSN Online: 2332-2004 ISSN Print: 2332-1997 L’abbiam Fatta Tutti Noi: Collaboration and Originality in Early Modern Art James Hutson Art History Department, Lindenwood University, St. Charles, MO, USA Email: [email protected] How to cite this paper: Author 1, Author Abstract 2, & Author 3 (2020). Paper Title. Art and Design Review, 8, **-**. This article seeks a reevaluation of the collaborative efforts and critical valua- https://doi.org/10.4236/***.2020.***** tion of the Carracci in the frescoes of the Palazzo Magnani. While the signi- ficance of the cycle for the development of the nascent baroque style is de- Received: **** **, *** Accepted: **** **, *** monstrable, criticism has focused on attributional issues and the works re- Published: **** **, *** main understudied. Since their original biographers struggled over identify- ing which Carracci was responsible for which scene in the frieze, efforts have Copyright © 2020 by author(s) and been made to carefully dissect the contributions of each.