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Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
Mary Lattimore & Jeff Zeigler
Mary Lattimore & Jeff Zeigler Music Inspired by Philippe Garrel’s Le Révélateur Thrill - 420 LP List $18.99 BOX LOT LP 25 *9037H-AECABg Vinyl is non-returnable GENRE : EXPERIMENTAL/SOUNDTRACK FILE UNDER: “L” Lattimore, Mary “Z” Zeigler, Jeff RELEASE DATE : July 22, 2016 Harpist Mary Lattimore and guitar/synthesizer player Jeff Zeigler NO EXPORT (JAPAN, S. AMERICA EXPORT OK) premiered their score for the 1968 French film Le Révélateur at the TRACK LISTING: 6. A Road renowned Ballroom Marfa’s annual silent film program in 2013. Although 1. The Glimmering Light 7. Hidden in a Cabinet created as an intentionally silent work, director Philippe Garrel endorsed 2. A Tunnel 8. Running Chased showing the film with every subsequent performance of the score. 3. A Forest 9. Stanislas 4. Laurent and Bernadette 10. The Revealer, Alone Lattimore and Zeigler’s score powerfully conveys isolation, despair and 5. Family Portrait 11. The Sparkling Sea awakening, amplifying sentiments portrayed in the film. Le révélateur, meaning the processor of images, in the film is the small boy who is given SALES POINTS voice through the rhythmic and inventive harp performance and through Lattimore and Zeigler present their score to French director emotive melodica lines, eerie synth and guitar. Together, the duo creates Philippe Garrel’s 1968 silent film Le Révélateur a soundscape that perfectly matches the film’s progression as it follows the boy’s journey from a family’s dysfunctional home life into a godless The duo of Mary Lattimore (harp) and Jeff Zeigler (guitar, post-apocalyptic landscape. Lattimore and Zeigler’s music becomes tense synthesizer, production) blend ancient classical traditions and rigid during scenes of desolation, switching only briefly to a soaring with modern improvisation and electronic performance major key during a moment of hope. -
Putting Their Faith Into Words
TUESDAY, OCTOBER 16, 2018 Businesses come to the rescue for Lynn Fire Dept. By Gayla Cawley The rescue boat has long From left, Charlie ITEM STAFF been on the wish list for the Patsios, John Walsh department, and was pur- of John’s Oil, and LYNN — The Lynn Fire chased at no cost to the city, AL Prime Energy Department acquired its thanks to the donations CEO Nasser Buisier rst rescue boat, which will of three local business- on the rescue boat allow crews to pull people men — AL Prime Energy the Lynn Fire De- out of the Lynn Harbor CEO Nasser Buisier; John partment recently without the potential life or Walsh, of John’s Oil; with acquired for water death delay of waiting for support and assistance response incidents assistance from a neighbor- from Swampscott developer in Lynn Harbor. ing community or the U.S. Coast Guard. BOAT, A3 PHOTO | SUSAN ARCHER Father, son making a run for veterans By Steve Krause ITEM STAFF LYNN — The family that runs together stays together. That’s how it is for the Dunnigans of Lynn. Father and son will be running the U.S. Marine Corps Marathon Oct. 28 in the Washington, D.C. area — a 26.3-mile run that will raise money to bene t the New England Center and Home for Veterans in Boston. Glenn Dunnigan, a Lynn Police of cer, is a veteran marathon runner who did the MCM in 2002. His son, Cullen, a 2015 graduate of St. John’s Prep and a political science major at Salem State, ran the race as a senior in high school. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
J. Mascis Gets a Bobblehead - Stereogum
J. Mascis Gets A Bobblehead - Stereogum http://stereogum.com/929611/j-mascis-gets-a-bobblehead/news/ Sign Up Sign In Search for: Follow: News Music Videos Photos Lists MySplice: The Year Mashed Up Stroked: A Tribute to The Strokes Is This It Enjoyed: A Tribute To Bjork's Post DRIVE XV: A Tribute To R.E.M.'s Automatic For The People OKX: A Tribute To Radiohead's OK Computer RAC Vol. 1 Stereogum Shut Up, Dude: The 5 Best Videos Did Kings Of Leon Stereogum Buzz 20 Songs Named Monthly Mix: This Week’s Best Of The Week Rip Off No Age? Chart: Week Of After The Bands January 2012 And Worst 1/15/12 That Played Them Comments J. Mascis Gets A Bobblehead 4 Comments Jan 20th '12 by corban @ 1:45pm Tweet 33 Share 53 StumbleUpon 1 of 5 1/23/2012 8:50 AM J. Mascis Gets A Bobblehead - Stereogum http://stereogum.com/929611/j-mascis-gets-a-bobblehead/news/ Nerd culture collides again for Aggronautix’s new bobblehead , facsimile of J. Mascis. There is some precedent for this. But they’re thinking big this time. J is accurately sculpted right down to the big ole glasses, rockin’ riff grip, and signature silver mane that features REAL DOLL HAIR — a first for Aggronautix! Barriers are being broken here, people. I would still rather have any of these , honestly (#16 is the best). Like 53 people like this. Tags: Dinosaur Jr , J Mascis Tweet 33 Share 53 You Might Also Like J Mascis – “I’ve Been Thinking” Watch Ted Leo Interview Michael Stipe, J Mascis, Liz Phair… J Mascis – “Is It Done” J Mascis – “Not Enough” Hear Tennis Perform New Songs At Sundance The 5 Best Videos Of The Week Comments (4) mr_axed | Posted on Jan 20th awesome 1. -
Hipster Black Metal?
Hipster Black Metal? Deafheaven’s Sunbather and the Evolution of an (Un) popular Genre Paola Ferrero A couple of months ago a guy walks into a bar in Brooklyn and strikes up a conversation with the bartenders about heavy metal. The guy happens to mention that Deafheaven, an up-and-coming American black metal (BM) band, is going to perform at Saint Vitus, the local metal concert venue, in a couple of weeks. The bartenders immediately become confrontational, denying Deafheaven the BM ‘label of authenticity’: the band, according to them, plays ‘hipster metal’ and their singer, George Clarke, clearly sports a hipster hairstyle. Good thing they probably did not know who they were talking to: the ‘guy’ in our story is, in fact, Jonah Bayer, a contributor to Noisey, the music magazine of Vice, considered to be one of the bastions of hipster online culture. The product of that conversation, a piece entitled ‘Why are black metal fans such elitist assholes?’ was almost certainly intended as a humorous nod to the ongoing debate, generated mainly by music webzines and their readers, over Deafheaven’s inclusion in the BM canon. The article features a promo picture of the band, two young, clean- shaven guys, wearing indistinct clothing, with short haircuts and mild, neutral facial expressions, their faces made to look like they were ironically wearing black and white make up, the typical ‘corpse-paint’ of traditional, early BM. It certainly did not help that Bayer also included a picture of Inquisition, a historical BM band from Colombia formed in the early 1990s, and ridiculed their corpse-paint and black cloaks attire with the following caption: ‘Here’s what you’re defending, black metal purists. -
Playlist in 1969, Yale University Admitted Its First Women Undergraduates, Thus Ending 268 Years As an All-Male College
YALE NEEDS WOMEN Playlist In 1969, Yale University admitted its first women undergraduates, thus ending 268 years as an all-male college. Yale Needs Women (Sourcebooks, 2019) tells their story. Here is the playlist to go with it: 22 songs released between 1969 and 1972, plus a two-song prelude from 1967. A quick scan will show that male performers outnumber women on this playlist, perhaps an odd choice given the Yale Needs Women title. It’s a reflection of the times, however. The music industry needed women too. You can find this playlist on Spotify. Search anne.g.perkins, or use this link: https://open.spotify.com/playlist/4aXLc1veNkKCMqCWd0biKE To find out more about Yale Needs Women and the first women undergraduates at Yale, go to yaleneedswomen.com. Many thanks to Rick High, Lily and Mac Perkins-High, and David and Ginger Kendall for their help in creating this playlist. Sources for the liner notes below are at the end. PRELUDE: 1967 1. Aretha Franklin, RESPECT. Aretha Franklin was the first woman ever inducted into the Rock and Roll Hall of Fame, and “Respect” was her first song to hit #1. She was twenty-five years old, six years into an abusive marriage that she would end in 1969, a black woman in a nation where that status meant double discrimination. “All I’m askin’ is for a little respect.” 2. Country Joe and The Fish, I-FEEL-LIKE-I’M-FIXIN’-TO-DIE RAG. Released in November 1967, the I-Feel-Like-I’m-Fixin’-To-Die Rag became one of the country’s most popular Vietnam War protest songs, particularly after its performance at Woodstock in August 1969. -
Dave Hartley on How to Balance Your Personal Project with the One That Pays the Bills
October 30, 2017 - Philadelphia’s Dave Hartley is best known for his supporting role as the bassist in The War on Drugs, the popular heartland rock band that just released its fourth album, A Deeper Understanding. Aside from the band’s founder, Adam Granduciel, Hartley is the only member to appear on every album. But in his spare time, Hartley makes symphonic pop as Nightlands, a group he concedes may sell more tickets and records if it sounded more like The War on Drugs. But for Hartley, who released his fourth Nightlands album, I Can Feel the Night Around Me, in May, compensation is the least important reason for pursuing his own project. As told to Grayson Haver Currin, 2256 words. Tags: Music, Inspiration, Beginnings, Process, First attempts, Multi-tasking, Success. Dave Hartley on how to balance your personal project with the one that pays the bills You released the first album from your own project, Nightlands, two years after the first album by The War on Drugs. Did playing bass with that band inspire you to try something on your own? The story of my involvement in The War on Drugs is the story of musical maturation. I met Adam Granduciel when I was 25 or so. We both worked a shit job together at this property management company. We’d moved to Philadelphia around the same time for the same reasons. A lot of people leave home, go to college, and want to go somewhere new. You don’t realize at the time that you’re setting your life on a path, when you think you’re just drifting. -
Illinois for the Report Says Illinois Survivors to Offer Support Tions Against Them
Questions? Call 1-800-Tribune Thursday, December 20, 2018 Breaking news at chicagotribune.com 500 accused priests unnamed State AG report finds extensive abuse, says church yet to ID many By Elvia Malagon licly identified only 185 olic dioceses that govern ades. and moral responsibility to Chicago Tribune clergy with credible allega- parishes across Illinois for The report says Illinois survivors to offer support tions against them. their lack of transparency dioceses “have lost sight of and services, and to take A scathing report from The determination is and flawed investigations. both a key tenet” of policies swift action to remove abu- Attorney General Lisa part of a preliminary report Although the report says laid out by the United States sive clergy,” the report Madigan finds the number made public Wednesday by that “Clergy sexual abuse of Conference of Catholic states. of Catholic priests accused Madigan’s office, which has minors in Illinois is signifi- Bishops as well as “the most In a prepared statement, of sexual abuse against chil- been investigating Catholic cantly more extensive than obvious human need as a Chicago Cardinal Blase Cu- dren in Illinois is much clergy sexual abuse of mi- the Illinois Dioceses previ- result of these abhorrent pich acknowledged that higher than previously ac- nors following revelations ously reported,” it does not acts of abuse: the healing victims of sexual abuse by CHICAGO TRIBUNE knowledged. during the summer of wide- estimate how many of the and reconciliation of sur- Catholic priests continue to Attorney General Lisa Madi- The report said accusa- spread abuse and cover-ups allegations against the 690 vivors.” live with the pain. -
There's No Shortcut to Longevity: a Study of the Different Levels of Hip
Running head: There’s No Shortcut to Longevity 1 This thesis has been approved by The Honors Tutorial College and the College of Business at Ohio University __________________________ Dr. Akil Houston Associate Professor, African American Studies Thesis Adviser ___________________________ Dr. Raymond Frost Director of Studies, Business Administration ___________________________ Cary Roberts Frith Interim Dean, Honors Tutorial College There’s No Shortcut to Longevity 2 THERE’S NO SHORTCUT TO LONGEVITY: A STUDY OF THE DIFFERENT LEVELS OF HIP-HOP SUCCESS AND THE MARKETING DECISIONS BEHIND THEM ____________________________________ A Thesis Presented to The Honors Tutorial College Ohio University _______________________________________ In Partial Fulfillment of the Requirements for Graduation from the Honors Tutorial College with the degree of Bachelor of Business Administration ______________________________________ by Jacob Wernick April 2019 There’s No Shortcut to Longevity 3 Table of Contents List of Tables and Figures……………………………………………………………………….4 Abstract…………………………………………………………………………………………...5 Introduction…………………………………………………………………………………..6-11 Parameters of Study……………………………………………………………..6 Limitations of Study…………………………………………………………...6-7 Preface…………………………………………………………………………7-11 Literary Review……………………………………………………………………………..12-32 Methodology………………………………………………………………………………....33-55 Jay-Z Case Study……………………………………………………………..34-41 Kendrick Lamar Case Study………………………………………………...41-44 Soulja Boy Case Study………………………………………………………..45-47 Rapsody Case Study………………………………………………………….47-48 -
The War on Drugs: Dream World
The War on Drugs: Dream World 4 The War on0 Drugs: Dream World By Michael Tedder Contributor on 03.10.14 in Features “One more round,” Adam Granduciel yells, hand in the air. He steps back into the batting cage and, just like the last few times, most of the balls he hits go straight up to the top of the net. I’m not entirely sure how one “wins” at a batting cage, but I’m fairly certain that’s not it. The cage in question, Philadelphia’s Everybody Hits, has been, at various times in its history, a silent-movie Lost In The Dream theater, a dirty-movie theater and a popular location for The War On Drugs wedding receptions. Looking at the wooden floors, I 2014 | Secretly Canadian / SC Distrib… doubt they’ve been cleaned since the silent-movie era. Buy Now There’s a distressed wall completely covered with baseball cards and two pinball machines in the back, though only the 1983 Sega Championship Pinball game has both flippers. A few neighborhood kids are running around, one of whom grabs my tape recorder mid-interview to ask me what it is. An iPod is pumping out a Pavement playlist, and a True Value sign hangs on the right wall. I’ve come to Everybody Hits to watch the War on Drugs hit a few balls, and to get some insight into the making of their third album Lost in the Dream, a monumental testament to the enduring power of American rock and roll, and the infinite possibilities for mutation contained therein. -
Descriptive Metadata in the Music Industry 1
DESCRIPTIVE METADATA IN THE MUSIC INDUSTRY 1 Descriptive Metadata In The Music Industry: Why It Is Broken And How To Fix It Tony Brooke December 2014 Author Note Tony Brooke is a media asset manager in San Francisco, California. He holds a Master’s degree in Library and Information Science (with a concentration in media asset management and audiovisual metadata) from San José State University, and has been an audio engineer in San Francisco since 1992. Correspondence regarding this should be made to Tony Brooke, Silent Way Media Asset Management, San Francisco, (415) 826-2888. http://www.silentway.com/research This is a corrected postprint of an article originally published in two parts, February- March 2014 in the Journal of Digital Media Management. Keywords: metadata, standards, music, descriptive, open, proprietary, database, identifier, credits, schema, persistent DESCRIPTIVE METADATA IN THE MUSIC INDUSTRY 2 Table Of Contents Abstract 3 Introduction 4 Descriptive Metadata: Now And Then 5 Terminology 8 Reasons for the Lack of Descriptive Metadata 17 The Silos 20 The DDEX Suite of Standards and CCD 30 Part Two 33 Why Hasn’t This Been Fixed Yet? 33 Toward A Globally Unique Abstracted Persistent Identifier (GUAPI) 40 Proposed Study: Quantifying Descriptive Metadata Value 49 Research Questions 49 Participants 50 Data Collection Instrument 50 Procedure 51 Conclusion And Recommendations 53 References 59 Appendix: Acronym Reference 67 Document Control Version history Version Date Version notes 1.0 June 19, 2013 Initial draft, circulated privately, APA citations. 1.1 July 14, 2013 Revised draft. 2.0 October 15, 2013 Significant rewrite, with different conclusion.