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Harvey Milk Page 1 of 3 Opera Assn
San Francisco Orpheum 1996-1997 Harvey Milk Page 1 of 3 Opera Assn. Theatre Production made possible by a generous grant from Madeleine Haas Russell. Harvey Milk (in English) Opera in three acts by Stewart Wallace Libretto by Michael Korie Commissioned by S. F. Opera, Houston Grand Opera, and New York City Opera The commission for "Harvey Milk" has been funded in substantial part by a generous gift from Drs. Dennis and Susan Carlyle and has been supported by major grants from the Lila Wallace-Reader's Digest Opera for a New America, a project of OPERA America; the Caddell & Conwell Foundation for the Arts; as well as the National Endowment for the Arts. Conductor CAST Donald Runnicles Harvey Milk Robert Orth Production Messenger James Maddalena Christopher Alden Mama Elizabeth Bishop Set designer Young Harvey Adam Jacobs Paul Steinberg Dan White Raymond Very Costume Designer Man at the opera James Maddalena Gabriel Berry Gidon Saks Lighting Designer Bradley Williams Heather Carson Randall Wong Sound Designer William Pickersgill Roger Gans Richard Walker Chorus Director Man in a tranch coat/Cop Raymond Very Ian Robertson Central Park cop David Okerlund Choreographer Joe Randall Wong Ross Perry Jack Michael Chioldi Realized by Craig Bradley Williams Victoria Morgan Beard Juliana Gondek Musical Preparation Mintz James Maddalena Peter Grunberg Horst Brauer Gidon Saks Bryndon Hassman Adelle Eslinger Scott Smith Bradley Williams Kathleen Kelly Concentration camp inmate Randall Wong Ernest Fredric Knell James Maddalena Synthesizer Programmer -
Stravinsky Oedipus
London Symphony Orchestra LSO Live LSO Live captures exceptional performances from the finest musicians using the latest high-density recording technology. The result? Sensational sound quality and definitive interpretations combined with the energy and emotion that you can only experience live in the concert hall. LSO Live lets everyone, everywhere, feel the excitement in the world’s greatest music. For more information visit lso.co.uk LSO Live témoigne de concerts d’exception, donnés par les musiciens les plus remarquables et restitués grâce aux techniques les plus modernes de Stravinsky l’enregistrement haute-définition. La qualité sonore impressionnante entourant ces interprétations d’anthologie se double de l’énergie et de l’émotion que seuls les concerts en direct peuvent offrit. LSO Live permet à chacun, en toute Oedipus Rex circonstance, de vivre cette passion intense au travers des plus grandes oeuvres du répertoire. Pour plus d’informations, rendez vous sur le site lso.co.uk Apollon musagète LSO Live fängt unter Einsatz der neuesten High-Density Aufnahmetechnik außerordentliche Darbietungen der besten Musiker ein. Das Ergebnis? Sir John Eliot Gardiner Sensationelle Klangqualität und maßgebliche Interpretationen, gepaart mit der Energie und Gefühlstiefe, die man nur live im Konzertsaal erleben kann. LSO Live lässt jedermann an der aufregendsten, herrlichsten Musik dieser Welt teilhaben. Wenn Sie mehr erfahren möchten, schauen Sie bei uns Jennifer Johnston herein: lso.co.uk Stuart Skelton Gidon Saks Fanny Ardant LSO0751 Monteverdi Choir London Symphony Orchestra Igor Stravinsky (1882–1971) Igor Stravinsky (1882–1971) The music is linked by a Speaker, who pretends to explain Oedipus Rex: an opera-oratorio in two acts the plot in the language of the audience, though in fact Oedipus Rex (1927, rev 1948) (1927, rev 1948) Cocteau’s text obscures nearly as much as it clarifies. -
Earshot Jazz Festival in November, P 4
A Mirror and Focus for the Jazz Community Nov 2005 Vol. 21, No. 11 EARSHOT JAZZSeattle, Washington Earshot Jazz Festival in November, P 4 Conversation with Randy Halberstadt, P 21 Ballard Jazz Festival Preview, P 23 Gary McFarland Revived on Film, P 25 PHOTO BY DANIEL SHEEHAN EARSHOT JAZZ A Mirror and Focus for the Jazz Community ROCKRGRL Music Conference Executive Director: John Gilbreath Earshot Jazz Editor: Todd Matthews Th e ROCKRGRL Music Conference Highlights of the 2005 conference Editor-at-Large: Peter Monaghan 2005, a weekend symposium of women include keynote addresses by Patti Smith Contributing Writers: Todd Matthews, working in all aspects of the music indus- and Johnette Napolitano; and a Shop Peter Monaghan, Lloyd Peterson try, will take place November 10-12 at Talk Q&A between Bonnie Raitt and Photography: Robin Laanenen, Daniel the Madison Renaissance Hotel in Seat- Ann Wilson. Th e conference will also Sheehan, Valerie Trucchia tle. Th ree thousand people from around showcase almost 250 female-led perfor- Layout: Karen Caropepe Distribution Coordinator: Jack Gold the world attended the fi rst ROCKRGRL mances in various venues throughout Mailing: Lola Pedrini Music Conference including the legend- downtown Seattle at night, and a variety Program Manager: Karen Caropepe ary Ronnie Spector and Courtney Love. of workshops and sessions. Registra- Icons Ann and Nancy Wilson of Heart tion and information at: www.rockrgrl. Calendar Information: mail to 3429 were honored with the fi rst Woman of com/conference, or email info@rockrgrl. Fremont Place #309, Seattle WA Valor lifetime achievement Award. com. 98103; fax to (206) 547-6286; or email [email protected] Board of Directors: Fred Gilbert EARSHOT JAZZ presents.. -
Phonographic Bulletin
iasa Intern<Jtional Association of Sound Archives Association Internationale d'Archives Sonores Internation~le Vereinigung derSchallarchive phonographic bulletin no.35/March 1983 PHONOGRAPHIC BULLETIN Journal of the International Association of Sound Archives IASA Organe de 1 'Association Internationa1e d'Archives Sonores IASA Zeitschrift der Internationa1en Vereinigung der Schallarchlve IASA Editor: Ann Brieg1eb. Ethnomusico1ogy Archives. Mlisic Department. U.C.L.A .• ·Los Angeles, California 90024, USA. Editorial board: Technical Editor, Dr.Dietrich SchUl1er. Phonogrammarchiv der Osterreichischen Akademie der Wissenschaften, Wien, Austria; Review and Recent Publication Editor, Joe1 Gardner, 1011 Forge Ave., Baton Rouge. LA 70808" USA; News and Notes Editor, Peter Burgis, Sound Recording Collection, National Library of Australia, Canberra, A.T.C., Australia 2618. ------~-------------------------------~--------------------------------------------~----------- The PHONOGRAPHIC BULLETIN is published three times a year and is sent to all members of IASA. Applications for membership in IASA should be senfto the Membership Secretary (see 1i.st of officers below). The annual dues are at the moment 25.-Deutsche Mark for individual members and 60.-Deutsche Mark for institutional members. Back copies of the PHONOGRAPHIC BULLETIN from 1971 are available at lS.-Deutsche Mark for each year's issue, .inc1uding postage. Subscriptions to the current year's issues of the PHONOGRAPHIC BULLETIN . are also available to non-members at a cost of about 25.-Deutsche Mark. '. ' . Le Journal de 1 'Association internationale d'archives sonores,' le PHONOGRAPHIC BUtLETIN;est pub1ie trois fois 1 'an et distribue a tous les members. Veui1lez envoyer vos demandesd ' adhesion au secretaire dont vous trouverez 1 'adresse ci-dessous. Les cotisations annuel1es sont en ce moment de 25.-Deutsche Mark pour 1es membres individue1s et 60.-Deutsche Mark Dour 1es membres institutionnels. -
THURSDAY, APRIL 18, 2013 in Support of the Performing Arts
THURSDAY, APRIL 18, 2013 In support of the performing arts Roger Honeywell as Narraboth and Helen Field as Salome in the Canadian Opera Company production of Salome, 2002. Photo: Michael Cooper TD Securities proudly supports the Canadian Opera Company’s endeavor to make the art of opera more accessible to all. message from the general director Welcome to the 14th Annual Fine Wine Auction On behalf of the Canadian Opera Company’s Board of Directors, staff, volunteers, and artists, it gives me great pleasure to welcome you to the COC’s 14th Annual Fine Wine Auction. Since its inception, the Fine Wine Auction has raised almost one million dollars in support of the Canadian Opera Company’s vision of delivering live opera of the highest quality and artistic excellence. With your donations and presence at this event, you help us maintain our position as a creative leader and innovator in the world of opera. We have had a tremendous year so far at the Canadian Opera Company. The 2012/2013 season has garnered critical acclaim and popular support, and the company continues to enjoy sold-out or near-capacity attendance. Ticket sales, however, only account for 31% of our operating budget. The rest of the funding required to produce great opera must come in large part from the generosity of individuals. Events like the Fine Wine Auction are vital to these fundraising efforts. The success of tonight’s event would not be possible without the incredible dedication of our outstanding volunteers. In particular, I would like to recognize the leadership of Michael Gibbens, our Chair of the Fine Wine Auction Committee, who has done an exceptional job of elevating the profile of this annual event. -
Butterfly Aff Ok 40X60
Béla Bartók (1881-1945) DIRECTION MUSICALE DANIEL KAWKA Le Mandarin merveilleux PANTOMIME EN UN ACTE SUR UN ARGUMENT DE MENYHERT LENGYEL. CRÉÉ À COLOGNE LE 27 NOVEMBRE 1926. PRODUCTION DU BALLET DE L'OPÉRA NATIONAL DU RHIN, CRÉÉE LE 16 JANVIER 2004 À STRASBOURG. O- Le Château de Barbe-Bleue E- OPÉRA EN UN ACTE. LIVRET DE BÉLA BALÂZS. CRÉÉ À L'OPÉRA DE BUDAPEST, LE 24 MAI 1918. NOUVELLE PRODUCTION D'ANGERS NANTES OPÉRA. [OPÉRA EN HONGROIS AVEC SURTITRES EN FRANÇAIS] ANGERS LE QUAI vendredi 21, dimanche 23 septembre 2007 NANTES CITÉ DES CONGRÈS dimanche 30 septembre, mardi 2 octobre 2007 en semaine à 20h, le dimanche à 14h30 n 20 SAISON 2007 | 2008 la distribution Le Mandarin merveilleux PRODUCTION DU BALLET DE L'OPÉRA NATIONAL DU RHIN, CRÉÉE LE 16 JANVIER 2004 À STRASBOURG. DIRECTION MUSICALE Daniel Kawka CHORÉGRAPHIE Lucinda Childs BALLET REMONTÉ PAR Claude Agrafeil DISPOSITIF SCÉNIQUE ET COSTUMES Rudy Sabounghi LUMIÈRE Christophe Forey ASSISTANT DÉCOR Bruno de Lavenère ASSISTANTE COSTUMES Coralie Sanvoisin AVEC LE MANDARIN Boyd Lau MIMI Stéphanie Madec er O" 1 CLIENT Jean-Philippe Rivière * -E- L'ÉTUDIANT Grégoire Daujean 3 VOYOUS Jonathan Freches Pasquale Nocera Ramy Tadrous Zaky * LES DOUBLES DE MIMI Émilie Krieger Christelle Molard Céline Nunige Myrina Branthomme Erika Bouvard * prise de rôle BALLET DE L OPÉRA NATIONAL DU RHIN DIRECTION Bertrand d'At CHŒUR D'ANGERS NANTES OPÉRA DIRECTION Xavier Ribes ORCHESTRE NATIONAL DES PAYS DE LA LOIRE PREMIER VIOLON Gérard Klam Les décors et les costumes du Mandarin merveilleux ont été réalisés par les ateliers de l'Opéra National du Rhin. -
Spoleto Festival Usa Program History 2016 – 1977
SPOLETO FESTIVAL USA PROGRAM HISTORY 2016 – 1977 Spoleto Festival USA Program History Page 2 2016 Opera Porgy and Bess; created by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin; conductor, Stefan Asbury; director, David Herskovits; visual designer, Jonathan Green; lighting designer, Lenore Doxsee; wig and makeup designer, Ruth Mitchell; set designer, Carolyn Mraz; costume designer, Annie Simon; fight director, Brad Lemons; Cast: Alyson Cambridge, Lisa Daltirus, Eric Greene, Courtney Johnson, Lester Lynch, Sidney Outlaw, Victor Ryan Robertson, Indra Thomas; Spoleto Festival USA Orchestra, Johnson C. Smith University Concert Choir; Charleston Gaillard Center *La Double Coquette; music by Antoine Dauvergne with additions by Gérard Pesson; libretto by Charles-Simon Favart with additions by Pierre Alferi; director, Fanny de Chaillé; costume designer, Annette Messager; costume realization, Sonia de Sousa; lighting designer, Gilles Gentner; lighting realization, Cyrille Siffer; technical stage coordination, Francois Couderd; Cast: Robert Getchell, Isabelle Poulenard, Mailys de Villoutreys; Dock Street Theatre *The Little Match Girl; music and libretto by Helmut Lachenmann; conductor, John Kennedy; co-directors, Mark Down and Phelim McDermott; costume designer, Kate Fry; lighting designer, James F. Ingalls; set designer, Matt Saunders; puppet co-designers, Fiona Clift, Mark Down, Ruth Patton; Cast: Heather Buck, Yuko Kakuta, Adam Klein; Soloists: Chen Bo, Stephen Drury, Renate Rohlfing, Memminger Auditorium Dance Bill T. Jones/Arnie -
Catalogue 1926
This (1926) edition of the 'Vocalion' Record Catalogue in its new and simplified form will it is hoped, enable the Public to select to the best advantage from the wide and representative range of records enumerated therein. The present edition contains all Records issued up to and including November, 1925. The five distinct Sections into which the Catalogue is divided enable the customer to find any required record at a glance. Key to Indices. (a) Alphabetical List Artists: of - gives the page numbers on which will be found the works recorded by individual Artists. Alphabetical List of Titles :- shows all titles other than Dance numbers, the latter appearing separately at the end of the Catalogue, on tinted paper. In giving this general list of titles, the reverse side of each Record is shown in italics, excepting where various works appear under Subject Headings, in which case the reverse side will be found under the name of the piece itself. (continued overleaf (c) Artists and their Records :- This Section is sub-divided into five parts :- 1. Operatic, Oratorio, Songs and Ballads 2. Instrumental 3. Band 4. Orchestral 5. Miscellaneous Each part being arranged alphabetically under the names of the Artists and in the order of Solos, Duets, Trios, Quartettes, etc. (d) Composers' List :- To enable the customer to select from the works of well known composers, a simple list has been inserted, giving the page number on which such works will be found. (e) Dance Section:- The very great demand for Dance Music has prompted us to arrange this Section distinct from the main part of the Catalogue, and in alphabetical headings Fox-trots, order of titles under the respective of Highland Reels, Lancers, One-steps, Tangos and Waltzes, the reverse side being shown in italics. -
Chan 9625 Book Cover.Qxd 18/10/07 11:34 Am Page 1
Chan 9625 book cover.qxd 18/10/07 11:34 am Page 1 Chan 9625(2) CHANDOS CHAN 9625 BOOK.qxd 18/10/07 11:39 am Page 2 Vaughan Williams Hulton Deutsch The Pilgrim’s Progress The Royal Opera Chorus Terry Edwards chorus director The Orchestra of the Royal Opera House Vasko Vassilev concert master Richard Hickox Mark Packwood musical preparation Vaughan Williams and Lady Wilson at a rehearsal for The Pilgrim’s Progress 2 3 CHAN 9625 BOOK.qxd 18/10/07 11:39 am Page 4 Ralph Vaughan Williams (1872–1958) Judas Iscariot......................................................................................................................John Kerr Simon Magus......................................................................................................Christopher Keyte The Pilgrim’s Progress Worldly Glory ..............................................................................................................Neil Gillespie Morality in a prologue, four acts and an epilogue Madam Wanton........................................................................................................Rebecca Evans Libretto by Ralph Vaughan Williams after John Bunyan’s allegory with interpolations Madam Bubble ..........................................................................................Pamela Helen Stephen from the Bible and verse by Ursula Vaughan Williams Pontius Pilate ..........................................................................................................Donaldson Bell Usher ........................................................................................................................Francis -
Iasa-Phonographic-Bulletin-4.Pdf
EDITORIAL Thanks to the co-operation of four of our members this issue of the Phonographic Bulletin brings together articles about various sound archives from various countries: Germany, France, Australia and The Netherlands. It is therefore typical of IASA, being an association which tries "to strengthen the bonds of co-operation between archives which preserve documents of recorded sound". There is also a supplement on the list of members (who already paid their dues!) as published in the preceding Bulletin. R.L. Schuursma secretary -2- SOME INFORMATION ON SOUND ARCHIVES IN AUSTRALIA Peter Burgis, Consultant on Sound Recordings, National Library of Australia. The earliest known surviving sound recordings preserved in Australia are a set of three wax cylinder phonograph recordings made by Mrs. Fanny Cochrane Smith (1 8 33- 1905), claimed to be one of the last full-blooded Tasmanian Aboriginals, who was recorded in Hobart by the Royal Society of Tasmania on August 5th, 1899 ~ These recordings are held by the Tasmanian Museum who have dubbed them on to a 7" extended play microgroove recording, together with later 1903 cylindrical recordings by Mrs. Smith. In March and April 1901 the famous anthropologist (Sir) Charles Baldwin Spencer made phonograph recordings of Aborigin~l singing at camps at Stevenson i s Creek (South Australia) and Charlotte Waters (Northern Territory). Of 36 cylinders made by Spencer on these trips only 15 survive, many being destroyed in the return camel tripG Spencer ventured to the Northern Territory again in October and November 1912 and 26 recor dings survive, preserved in the National Museum of Victoria. -
De Maria Callasà Dalida
Exposition de costumes Du 5 juin au 31 décembre 2010 de Maria Callas à Dalida... Cahier Bibliographique Conception : Atalante-Paris /photo : Maria Callas en essayage chez Biki, Milan, 1958. Olycom/Abacapress.com Biki, Milan, chez : Maria Callas en essayage /photo : Atalante-Paris Conception Moulins Allier Auvergne www.cncs.fr / 04 70 20 76 20 Exposition du 5 juin au 31 décembre 2010 3 Biographies de divas Anderson, June (1952 - ) Par son physique, son agilité vocale et son répertoire, cette lauréate (prix de chant et de musicologie) de l’université de Yale a d’emblée évoqué Joan Sutherland. La Reine de la Nuit dans La Flûte enchantée de Mozart et les autres rôles qu’elle a interprété sur scène (rôles-titres dans Semiramis de Rossini, dans Lucia di Lammermoor de Donizetti ainsi que Marie dans La Fille du régiment de Donizetti, Violetta dans La Traviata Diva. Mot italien qui signifie déesse. Les Italiens l’em- de Verdi et Isabelle dans Robert le Diable de Meyerbeer à l’Opéra de ployaient naguère, dans leur exagération artistique habi- Paris en 1985), mais aussi sur disque (Catherine dans La Jolie Fille de tuelle, pour désigner une cantatrice hors ligne, une char- Perth de Bizet) ont mis en valeur ses dons de prima donna, capable de meuse, une enchanteresse. prendre des risques vocaux, même périlleux pour sa voix. La diva constituait une sorte d’idole pour un théâtre ; on ne pensait qu’à elle, on ne voyait qu’elle, on n’entendait In Dictionnaire de la Musique. – Larousse, 2005 qu’elle, elle était l’objet de manifestations aussi enthousiastes Berganza, Teresa (1935 - ) que ridicules, on l’applaudissait avec fureur, et l’admiration Rossini et Mozart unis dans un même qu’elle excitait prenait toute l’apparence d’un culte irréfléchi. -
Baloji Le Nouveau Négropolitain
1 LE MAGAZINE DE L’ACTUALITÉ MUSICALE EN FÉDÉRATION WALLONIE-BRUXELLES N° 15 - NOVEMBRE / DÉCEMBRE 2015 Baloji LE NOUVEAU NÉGROPOLITAIN JOHN STARGASM | ANTOINE PIERRE | PATTON | STEPHANE GINSBURGH | FEMMES SUR SCÈNES MUSICALES | LE VECTEUR | LORENZO GATTO LARSEN • NOVEMBRE, DÉCEMBRE - 2015 2 Je 12 & ven 13 pièges qui peuvent novembre compromettre la commercialisation d’un disque 2015 en autoproduction. LES CONTRATS DE Horaire : 9h30 à 17h30 L’INDUSTRIE MUSICALE : Prix : 45 € NE SIGNEZ PAS N’IMPORTE QUOI ! Jean-Christophe Lardinois Ven 4 relève le défi de vous décembre permettre d’identifier les pièges que recèlent les 2015 principaux contrats. MASTER CLASS : LE MANAGEMENT ET Musiscope est un service du Conseil de la Musique Horaire : 9h30 à 17h30 LES RELATIONS Prix : 60 € dont les missions sont de conseiller et apporter CONTRACTUELLES de l’information aux acteurs du secteur des musiques Cette master class propose en Fédération Wallonie-Bruxelles. Musiscope propose Ven 27 d’éclaircir les différentes des formations axées sur la pratique et les enjeux novembre missions du manager des métiers de la musique, qui s’adressent à toute et d’analyser en profondeur 2015 les droits et devoirs personne exerçant ou ayant l’intention d’exercer une MASTER CLASS : ÉVITEZ de chacune des parties activité professionnelle liée au domaine musical. LES PIÈGES DE (artiste-interprète et L’AUTOPRODUCTION manager). Cette journée vous permettra Horaire : 9h30 à 17h30 de découvrir les principaux Prix : 45 € INFOS & INSCRIPTIONS Maison des Musiques : 39 rue Lebeau - B-1000 Bruxelles +32 (0)2 550 13 20 / [email protected] www.conseildelamusique.be NOVEMBRE, DÉCEMBRE - 2015 • LARSEN 3 CONSEIL DE LA MUSIQUE Quai au Bois de Construc- Édito tion, 10 - 1000 Bruxelles www.conseildelamusique.be La place d’une femme est dans la cuisine et Contact par mail : [email protected] pas dans un orchestre symphonique, déclarait Contactez la rédaction : le célèbre chef allemand Herbert van Karajan.