DOCSLIB.ORG

THURSDAY, APRIL 18, 2013 in Support of the Performing Arts

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
THURSDAY, APRIL 18, 2013 in Support of the Performing Arts THURSDAY, APRIL 18, 2013 In support of the performing arts Roger Honeywell as Narraboth and Helen Field as Salome in the Canadian Opera Company production of Salome, 2002. Photo: Michael Cooper TD Securities proudly supports the Canadian Opera Company’s endeavor to make the art of opera more accessible to all. message from the general director Welcome to the 14th Annual Fine Wine Auction On behalf of the Canadian Opera Company’s Board of Directors, staff, volunteers, and artists, it gives me great pleasure to welcome you to the COC’s 14th Annual Fine Wine Auction. Since its inception, the Fine Wine Auction has raised almost one million dollars in support of the Canadian Opera Company’s vision of delivering live opera of the highest quality and artistic excellence. With your donations and presence at this event, you help us maintain our position as a creative leader and innovator in the world of opera. We have had a tremendous year so far at the Canadian Opera Company. The 2012/2013 season has garnered critical acclaim and popular support, and the company continues to enjoy sold-out or near-capacity attendance. Ticket sales, however, only account for 31% of our operating budget. The rest of the funding required to produce great opera must come in large part from the generosity of individuals. Events like the Fine Wine Auction are vital to these fundraising efforts. The success of tonight’s event would not be possible without the incredible dedication of our outstanding volunteers. In particular, I would like to recognize the leadership of Michael Gibbens, our Chair of the Fine Wine Auction Committee, who has done an exceptional job of elevating the profile of this annual event. Yours sincerely, Alexander Neef General Director, Canadian Opera Company 1 Canadian Opera COmpany Fine Wine auction 2013 message from the chair, fine Wine auction I would like to welcome you to the 2013 Fine Wine Auction. With a 14-year tradition, the Fine Wine Auction continues to be one of the COC’s most successful fundraising events. I would like to thank our many generous wine and non-wine donors. Your gifts are the cornerstone of building a successful event. To our sponsors: TD Securities, Bloomberg, Thompson Reuters, Blake, Cassels & Graydon, Trius, Scheffler’s Delicatessen and Cheese, Rhéo Thompson Candies, and Stephen Ranger Fine Art Valuation & Consultancy; thanks for your continued support of the auction and for contributing to the success of the Canadian Opera Company. My thanks also go to our dedicated Fine Wine Auction committee members – Patrick Cronin, Harry Culham, Philip Deck, Brian Facey, John Macfarlane, Scot Martin, Stephen Ranger, Roisin Tiwari, Peter Tolnai and Andrew Vernon. Each of you has played a vital role in ensuring a very successful and entertaining evening. The funds raised from this event allow the company to plan with confidence and provide world-class opera, while working to build outreach programs in the community. Thank you to all attendees of tonight’s auction and good luck with your bidding! Sincerely, Michael Gibbens, Chair, Fine Wine Auction 2 Fine Wine auction 2013 Canadian Opera COmpany CANADIAN OPERA COMPANY THURSDAY, APRIL 18, 2013 Win A private box for nine people for one Toronto Raptors game at the Air Canada Centre during the 2013/2014 season, and up to $1,500 to spend towards your food and beverage. Cheer on the team from the best seats in the house! donated by: highland farms inc. & michael gibbens Draw will take place at the Fine Wine Auction on Thursday, April 18 VAluE: $5,000 Tickets: $40 each or three for $100 raffle Chances of winning are dependent on the number of tickets sold, and the maximum number of tickets issued is 500. 3 Canadian Opera COmpany Fine Wine auction 2013 The COC’s Fine Wine Auction would not be possible without the outstanding support of our contributors: Presenting Sponsors: Supporting Sponsor: Host: Wine Sponsor: Catering: Media sponsors: Cheese sponsor: Chocolate Sponsor: Auctioneer: We encourage you to show your support of these fine organizations with your patronage. COC CHARITABlE REGISTRATION NuMBER: 118834829RR0001 4 Fine Wine auction 2013 Canadian Opera COmpany fine Wine auction evening Program 6 p.m. Registration, Silent Auction Wine, Cheese, Chocolate & Hors d’œuvres served 7 p.m. Performance by COC Ensemble Studio members live Auction 10 minutes Close of Silent Auction after the live Performance by COC Ensemble Studio members Auction ends Raffle Draw on main stage Please allow at least 15 minutes from the end of the live auction to prepare for cash out. All silent and live auction lots are available only for pick up at the COC administrative offices untilFriday, May 17, 2013. Please arrange to pick up your wines by calling Christine Tizzard at 416-306-2309. Our administrative offices are located at 227 Front St. E., Second Floor, Toronto. 5 Canadian Opera COmpany Fine Wine auction 2013 fair market Value methodology Wine appraisals are based on the guidelines of Revenue Canada, which are as follows: A. The Canadian retail price is deemed the Fair Market Value for wine generally available and sold in Canada. The term “generally available” denotes that the customer may buy as little or as much as is required, with no limits or restrictions. B. If the wine is not generally available for sale in Canada, then said wine may be sourced from reputable retailers worldwide, providing that the wine is in inventory and available for sale. If the wine is not available for sale on the retail market, then values from current commercial auctions worldwide may be used. The sourced price must then be converted into Canadian currency, adding the relevant duties, taxes, transportation and lCBO markup. This then becomes the Fair Market Value. As of January 1, 1999, Revenue Canada removed the onus of liability for appraisals from the Charitable Organization, and placed it squarely on the Appraiser. Therefore, as the Appraiser, kDl Food and Beverage Consultants Inc. is responsible for the appraisals in this evening’s catalogue and is available to Revenue Canada for any inquiries regarding them. Appraiser: ken lewis, kDl Food and Beverage Consultants Inc. 6 Fine Wine auction 2013 Canadian Opera COmpany silent auction Terms and CondiTions of sale Each item has a minimum bid listed, and minimum bid increments. Any bids made in increments lower than the minimum stated will not be valid. When the final announcement is made to close the auction, the last complete entry on the bid sheet will be considered the winning bid. The Canadian Opera Company has endeavoured to catalogue and describe the items and services correctly. However, all items are sold as is, where is. The COC makes no express or implied representations or warranties whatsoever (including estimate of value) with respect to any item sold. Purchasers are bound by restrictions specified by the donor. All lots must be paid for by the end of the event on April 18, 2013. Acceptable forms of payment: cash, cheque (with supporting ID), VISA, MasterCard and AMEX. shipping arrangemenTs upon receipt of payment in full, the following shipping arrangements can be made: • For a fee, lots can be shipped to the purchaser’s home or business address. or • The purchaser can arrange to pick up the lots at the COC administrative offices (227 Front St. E., Toronto, second floor) by contacting Christine Tizzard at 416-306-2309 or [email protected]. lots must be picked up before Friday, May 17, 2013. 7 Canadian Opera COmpany Fine Wine auction 2013 Lot No. Items Value Min. Bid Wine 101 1971 Alexis Lichine Vosne-romanée (1) $690 $275 1978 Domaine de Chassignol Chenas (1) 1985 Domaine leroy Bourgogne (1) 1987 Michel Couvreur Sauvignon de Saint Bris (1) Burgundy, France – 4 Bottles (750 ml) 102 2003 Domaine de la Vougeraie les Marconnets (1) $710 $285 2006 Vignerons de Buxy les Chariots (1) 2007 Chanson Père et Fils Clos des Fèves (3) Burgundy, France – 5 Bottles (750 ml) 103 2005 Louis Latour Château Corton-Grancey $430 $175 A rich, sumptuous red, with a velvety texture and cherry compote and spice notes. It has a sweetness at its center, but lively acidity and firm tannins too. Good lingering finish. Approachable now, but will get better. Best from 2012 through 2028. Wine Spectator 92/100 Burgundy, France – 2 Bottles (750 ml) 104 2006 Marquis d’Angerville Volnay Taillepieds $420 $170 A beauty from start to finish. Black cherry and black currant notes are accented by spice and mineral, with a hint of licorice. The tannins are firm and mesh with the overall structure and texture. Drink now through 2021. Wine Spectator 92/100 Burgundy, France – 2 Bottles (750 ml) 105 1987 Bouchard Aîné & Fils Beaujolais Supérieur (4) $540 $215 1990 Picard Père et Fils Moulin-à-Vent Beaujolais (4) Burgundy, France – 8 Bottles (750 ml) 106 1990 Domaine Jacques Germain Beaune Vignes-Franches (1) $580 $235 1993 Louis d’Armont Bourgogne Hautes-Côtes-de-Nuits (1) 1994 Paul Sapin Mâcon Blanc Village (1) 1994 Paul Sapin Mâcon Supérieur (1) 2002 Domaine Darriot Perrin Beaune Belissand (2) Burgundy, France – 6 Bottles (750 ml) 107 2002 Louis Jadot Meursault-Charmes (1) $575 $235 Stylish, well-made Meursault, delivering a beautifully soothing midpalate, packed with ripe fruit, mineral and vanilla spices and a silky texture. Wine Spectator 92/100 2002 Louis Jadot Meursault Perrières (1) Plenty of oak, yet plenty of substance underneath in this rich, round white showing coconut, vanilla, and citrus flavours. Drink now through 2015. Wine Spectator 91/100 Burgundy, France – 2 Magnums (1500 ml) 108 1977 Grand Marnier Grande Cuvée lalique Decanter $3,000 $1,200 Limited Edition # 1382 Cognac, France – 1 Bottle (750 ml) 109 1965 Sempé Vintage Armagnac $400 $160 Armagnac, France – 1 Bottle (750 ml) 8 SILENT AUCTION Fine Wine auction 2013 Canadian Opera COmpany Lot No.
Load more

Recommended publications
  • Harvey Milk Page 1 of 3 Opera Assn
    San Francisco Orpheum 1996-1997 Harvey Milk Page 1 of 3 Opera Assn. Theatre Production made possible by a generous grant from Madeleine Haas Russell. Harvey Milk (in English) Opera in three acts by Stewart Wallace Libretto by Michael Korie Commissioned by S. F. Opera, Houston Grand Opera, and New York City Opera The commission for "Harvey Milk" has been funded in substantial part by a generous gift from Drs. Dennis and Susan Carlyle and has been supported by major grants from the Lila Wallace-Reader's Digest Opera for a New America, a project of OPERA America; the Caddell & Conwell Foundation for the Arts; as well as the National Endowment for the Arts. Conductor CAST Donald Runnicles Harvey Milk Robert Orth Production Messenger James Maddalena Christopher Alden Mama Elizabeth Bishop Set designer Young Harvey Adam Jacobs Paul Steinberg Dan White Raymond Very Costume Designer Man at the opera James Maddalena Gabriel Berry Gidon Saks Lighting Designer Bradley Williams Heather Carson Randall Wong Sound Designer William Pickersgill Roger Gans Richard Walker Chorus Director Man in a tranch coat/Cop Raymond Very Ian Robertson Central Park cop David Okerlund Choreographer Joe Randall Wong Ross Perry Jack Michael Chioldi Realized by Craig Bradley Williams Victoria Morgan Beard Juliana Gondek Musical Preparation Mintz James Maddalena Peter Grunberg Horst Brauer Gidon Saks Bryndon Hassman Adelle Eslinger Scott Smith Bradley Williams Kathleen Kelly Concentration camp inmate Randall Wong Ernest Fredric Knell James Maddalena Synthesizer Programmer
    [Show full text]
  • Stravinsky Oedipus
    London Symphony Orchestra LSO Live LSO Live captures exceptional performances from the finest musicians using the latest high-density recording technology. The result? Sensational sound quality and definitive interpretations combined with the energy and emotion that you can only experience live in the concert hall. LSO Live lets everyone, everywhere, feel the excitement in the world’s greatest music. For more information visit lso.co.uk LSO Live témoigne de concerts d’exception, donnés par les musiciens les plus remarquables et restitués grâce aux techniques les plus modernes de Stravinsky l’enregistrement haute-définition. La qualité sonore impressionnante entourant ces interprétations d’anthologie se double de l’énergie et de l’émotion que seuls les concerts en direct peuvent offrit. LSO Live permet à chacun, en toute Oedipus Rex circonstance, de vivre cette passion intense au travers des plus grandes oeuvres du répertoire. Pour plus d’informations, rendez vous sur le site lso.co.uk Apollon musagète LSO Live fängt unter Einsatz der neuesten High-Density Aufnahmetechnik außerordentliche Darbietungen der besten Musiker ein. Das Ergebnis? Sir John Eliot Gardiner Sensationelle Klangqualität und maßgebliche Interpretationen, gepaart mit der Energie und Gefühlstiefe, die man nur live im Konzertsaal erleben kann. LSO Live lässt jedermann an der aufregendsten, herrlichsten Musik dieser Welt teilhaben. Wenn Sie mehr erfahren möchten, schauen Sie bei uns Jennifer Johnston herein: lso.co.uk Stuart Skelton Gidon Saks Fanny Ardant LSO0751 Monteverdi Choir London Symphony Orchestra Igor Stravinsky (1882–1971) Igor Stravinsky (1882–1971) The music is linked by a Speaker, who pretends to explain Oedipus Rex: an opera-oratorio in two acts the plot in the language of the audience, though in fact Oedipus Rex (1927, rev 1948) (1927, rev 1948) Cocteau’s text obscures nearly as much as it clarifies.
    [Show full text]
  • Butterfly Aff Ok 40X60
    Béla Bartók (1881-1945) DIRECTION MUSICALE DANIEL KAWKA Le Mandarin merveilleux PANTOMIME EN UN ACTE SUR UN ARGUMENT DE MENYHERT LENGYEL. CRÉÉ À COLOGNE LE 27 NOVEMBRE 1926. PRODUCTION DU BALLET DE L'OPÉRA NATIONAL DU RHIN, CRÉÉE LE 16 JANVIER 2004 À STRASBOURG. O- Le Château de Barbe-Bleue E- OPÉRA EN UN ACTE. LIVRET DE BÉLA BALÂZS. CRÉÉ À L'OPÉRA DE BUDAPEST, LE 24 MAI 1918. NOUVELLE PRODUCTION D'ANGERS NANTES OPÉRA. [OPÉRA EN HONGROIS AVEC SURTITRES EN FRANÇAIS] ANGERS LE QUAI vendredi 21, dimanche 23 septembre 2007 NANTES CITÉ DES CONGRÈS dimanche 30 septembre, mardi 2 octobre 2007 en semaine à 20h, le dimanche à 14h30 n 20 SAISON 2007 | 2008 la distribution Le Mandarin merveilleux PRODUCTION DU BALLET DE L'OPÉRA NATIONAL DU RHIN, CRÉÉE LE 16 JANVIER 2004 À STRASBOURG. DIRECTION MUSICALE Daniel Kawka CHORÉGRAPHIE Lucinda Childs BALLET REMONTÉ PAR Claude Agrafeil DISPOSITIF SCÉNIQUE ET COSTUMES Rudy Sabounghi LUMIÈRE Christophe Forey ASSISTANT DÉCOR Bruno de Lavenère ASSISTANTE COSTUMES Coralie Sanvoisin AVEC LE MANDARIN Boyd Lau MIMI Stéphanie Madec er O" 1 CLIENT Jean-Philippe Rivière * -E- L'ÉTUDIANT Grégoire Daujean 3 VOYOUS Jonathan Freches Pasquale Nocera Ramy Tadrous Zaky * LES DOUBLES DE MIMI Émilie Krieger Christelle Molard Céline Nunige Myrina Branthomme Erika Bouvard * prise de rôle BALLET DE L OPÉRA NATIONAL DU RHIN DIRECTION Bertrand d'At CHŒUR D'ANGERS NANTES OPÉRA DIRECTION Xavier Ribes ORCHESTRE NATIONAL DES PAYS DE LA LOIRE PREMIER VIOLON Gérard Klam Les décors et les costumes du Mandarin merveilleux ont été réalisés par les ateliers de l'Opéra National du Rhin.
    [Show full text]
  • Spoleto Festival Usa Program History 2016 – 1977
    SPOLETO FESTIVAL USA PROGRAM HISTORY 2016 – 1977 Spoleto Festival USA Program History Page 2 2016 Opera Porgy and Bess; created by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin; conductor, Stefan Asbury; director, David Herskovits; visual designer, Jonathan Green; lighting designer, Lenore Doxsee; wig and makeup designer, Ruth Mitchell; set designer, Carolyn Mraz; costume designer, Annie Simon; fight director, Brad Lemons; Cast: Alyson Cambridge, Lisa Daltirus, Eric Greene, Courtney Johnson, Lester Lynch, Sidney Outlaw, Victor Ryan Robertson, Indra Thomas; Spoleto Festival USA Orchestra, Johnson C. Smith University Concert Choir; Charleston Gaillard Center *La Double Coquette; music by Antoine Dauvergne with additions by Gérard Pesson; libretto by Charles-Simon Favart with additions by Pierre Alferi; director, Fanny de Chaillé; costume designer, Annette Messager; costume realization, Sonia de Sousa; lighting designer, Gilles Gentner; lighting realization, Cyrille Siffer; technical stage coordination, Francois Couderd; Cast: Robert Getchell, Isabelle Poulenard, Mailys de Villoutreys; Dock Street Theatre *The Little Match Girl; music and libretto by Helmut Lachenmann; conductor, John Kennedy; co-directors, Mark Down and Phelim McDermott; costume designer, Kate Fry; lighting designer, James F. Ingalls; set designer, Matt Saunders; puppet co-designers, Fiona Clift, Mark Down, Ruth Patton; Cast: Heather Buck, Yuko Kakuta, Adam Klein; Soloists: Chen Bo, Stephen Drury, Renate Rohlfing, Memminger Auditorium Dance Bill T. Jones/Arnie
    [Show full text]
  • Chan 9625 Book Cover.Qxd 18/10/07 11:34 Am Page 1
    Chan 9625 book cover.qxd 18/10/07 11:34 am Page 1 Chan 9625(2) CHANDOS CHAN 9625 BOOK.qxd 18/10/07 11:39 am Page 2 Vaughan Williams Hulton Deutsch The Pilgrim’s Progress The Royal Opera Chorus Terry Edwards chorus director The Orchestra of the Royal Opera House Vasko Vassilev concert master Richard Hickox Mark Packwood musical preparation Vaughan Williams and Lady Wilson at a rehearsal for The Pilgrim’s Progress 2 3 CHAN 9625 BOOK.qxd 18/10/07 11:39 am Page 4 Ralph Vaughan Williams (1872–1958) Judas Iscariot......................................................................................................................John Kerr Simon Magus......................................................................................................Christopher Keyte The Pilgrim’s Progress Worldly Glory ..............................................................................................................Neil Gillespie Morality in a prologue, four acts and an epilogue Madam Wanton........................................................................................................Rebecca Evans Libretto by Ralph Vaughan Williams after John Bunyan’s allegory with interpolations Madam Bubble ..........................................................................................Pamela Helen Stephen from the Bible and verse by Ursula Vaughan Williams Pontius Pilate ..........................................................................................................Donaldson Bell Usher ........................................................................................................................Francis
    [Show full text]
  • De Maria Callasà Dalida
    Exposition de costumes Du 5 juin au 31 décembre 2010 de Maria Callas à Dalida... Cahier Bibliographique Conception : Atalante-Paris /photo : Maria Callas en essayage chez Biki, Milan, 1958. Olycom/Abacapress.com Biki, Milan, chez : Maria Callas en essayage /photo : Atalante-Paris Conception Moulins Allier Auvergne www.cncs.fr / 04 70 20 76 20 Exposition du 5 juin au 31 décembre 2010 3 Biographies de divas Anderson, June (1952 - ) Par son physique, son agilité vocale et son répertoire, cette lauréate (prix de chant et de musicologie) de l’université de Yale a d’emblée évoqué Joan Sutherland. La Reine de la Nuit dans La Flûte enchantée de Mozart et les autres rôles qu’elle a interprété sur scène (rôles-titres dans Semiramis de Rossini, dans Lucia di Lammermoor de Donizetti ainsi que Marie dans La Fille du régiment de Donizetti, Violetta dans La Traviata Diva. Mot italien qui signifie déesse. Les Italiens l’em- de Verdi et Isabelle dans Robert le Diable de Meyerbeer à l’Opéra de ployaient naguère, dans leur exagération artistique habi- Paris en 1985), mais aussi sur disque (Catherine dans La Jolie Fille de tuelle, pour désigner une cantatrice hors ligne, une char- Perth de Bizet) ont mis en valeur ses dons de prima donna, capable de meuse, une enchanteresse. prendre des risques vocaux, même périlleux pour sa voix. La diva constituait une sorte d’idole pour un théâtre ; on ne pensait qu’à elle, on ne voyait qu’elle, on n’entendait In Dictionnaire de la Musique. – Larousse, 2005 qu’elle, elle était l’objet de manifestations aussi enthousiastes Berganza, Teresa (1935 - ) que ridicules, on l’applaudissait avec fureur, et l’admiration Rossini et Mozart unis dans un même qu’elle excitait prenait toute l’apparence d’un culte irréfléchi.
    [Show full text]
  • Sir Colin Davis Discography
    1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1.
    [Show full text]
  • Olivier Messiaen: 100 Años
    REVISTA DE MÚSICA Año XXIV - Nº 236 - Diciembre 2008 - 6,50 € Año XXIV - Nº 236 Diciembre 2008 DOSIER Olivier Messiaen: 100 años ENCUENTROS Charles Mackerras ACTUALIDAD Richard Egarr REFERENCIAS Idilio de Sigfrido de Wagner 1001 discos scherzo-CESC.indd 1 18/11/08 17:49:38 AÑO XXIV - Nº 236 - Diciembre 2008 - 7 € 2 OPINIÓN Religión y cantos de pájaros Enrique Igoa 114 CON NOMBRE Las lecciones de PROPIO independencia 6 Richard Egarr (entrevista con Pierre Boulez) Pablo J. Vayón Bruno Serrou 120 Pour Messiaen 8 AGENDA Santiago Martín Bermúdez 124 Pájaros en el cielo hispano 16 ACTUALIDAD German Gan Quesada 130 NACIONAL Un arco iris teológico Harry Halbreich 136 44 ACTUALIDAD Una guía de escucha INTERNACIONAL Francisco Ramos 142 58 ENTREVISTA ENCUENTROS José Ramón Encinar Charles Mackerras Juan Antonio Llorente 146 José Luis Pérez de Arteaga 64 Discos del mes EDUCACIÓN Pedro Sarmiento 152 65 SCHERZO DISCOS JAZZ Sumario Pablo Sanz 154 113 DOSIER Olivier Messiaen LA GUÍA 156 CONTRAPUNTO Norman Lebrecht 160 Colaboran en este número: Javier Alfaya, Julio Andrade Malde, Íñigo Arbiza, Emili Blasco, Alfredo Brotons Muñoz, José Antonio Cantón, Patrick Dillon, Pierre Élie Mamou, José Luis Fernández, Fernando Fraga, Germán Gan Quesada, Manuel García Franco, José Antonio García y García, Georgina García-Mauriño, Juan García-Rico, José Guerrero Martín, Harry Halbreich, Fernando Herrero, Bernd Hoppe, Enrique Igoa, Paul Korenhof, Antonio Lasierra, Norman Lebrecht, Fiona Maddocks, Bernardo Mariano, Santiago Martín Bermúdez, Leticia Martín Ruiz, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Aurelio Martínez Seco, Blas Matamoro, Juan Carlos Moreno, Antonio Muñoz MolinaMiguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Josep Pascual, Enrique Pérez Adrián, José Luis Pérez de Arteaga, Javier Pérez Senz, Paolo Petazzi, Francisco Ramos, Arturo Reverter, Pablo L.
    [Show full text]
  • Copyright by Michael Eugene Mckelvey 2004 the Treatise Committee for Michael Eugene Mckelvey Certifies That This Is the Approved Version of the Following Treatise
    Copyright by Michael Eugene McKelvey 2004 The Treatise Committee for Michael Eugene McKelvey Certifies that this is the approved version of the following treatise: MAKING AMERICAN OPERA IN THE 1990’s: The Co-Commissioning and Co-Producing of Houston Grand Opera From the 1990-1991 through 2000-2001 Seasons Committee: Michael Tusa, Co-Supervisor Rose Taylor, Co-Supervisor Dan Welcher Leonard Johnson Suzanne Pence David Nancarrow MAKING AMERICAN OPERA IN THE 1990’s: The Co-Commissioning and Co-Producing of Houston Grand Opera From the 1990-1991 through 2000-2001 Seasons by Michael Eugene McKelvey, B.M., M.M. Treatise Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts The University of Texas at Austin May 2004 Dedication This document is dedicated to my mother Shirley, my wife Ann, and all of my family, friends and students, who have given me the love and encouragement to continue on my path for all these years. Acknowledgements I would like to acknowledge the following individuals for the invaluable personal and archival information they have contributed to this study: Carlisle Floyd, Stewart Wallace, Michael Korie, Christopher Alden, Bruce Beresford, Garnett Bruce, Patrick Summers, Duane Schuler, Paul Steinberg, and Noele Stollmack; David Gockley, Ann Owens, Greg Weber, Rodi Franco, Susan Bell, Laura Bodenheimer and Brian Mitchell of Houston Grand Opera; Dr. Clifford “Kip” Cranna and Bob Cable of San Francisco Opera; Ian Campbell of San Diego Opera; Joe McClain, Susan Threadgill and Vince Herod of Austin Lyric Opera; Chad Calvert of Opera Carolina; Dale Johnson of Minnesota Opera; Robert Lyall of New Orleans Opera Association; Evan Luskin of the Lyric Opera of Kansas City; and Susan Woelzl of New York City Opera.
    [Show full text]
  • Pagliacciruggero Leoncavallo on Heute Auf Morgen - on Heute Auf Morgen V Chönberg S FONDAZIONE TEATRO LA FENICE DI VENEZIA
    CopertaToPrint_dtt:v 10-12-2008 10:35 Pagina 1 9 La Fenice prima dell’Opera 2008 9 2008 agliacci Fondazione Stagione 2008 P Teatro La Fenice di Venezia Lirica e Balletto vonheute Arnold Schönberg eoncavallo L aufmorgen Dall’oggi al domani PagliacciRuggero Leoncavallo on heute auf morgen - on heute auf morgen V chönberg S FONDAZIONE TEATRO LA FENICE DI VENEZIA Von heute auf morgen (Dall’oggi al domani) opera in un atto op. 32 libretto di Max Blonda musica di Arnold Schönberg Pagliacci dramma in due atti libretto e musica di Ruggero Leoncavallo Teatro La Fenice venerdì 12 dicembre 2008 ore 19.00 turni A1-A2 domenica 14 dicembre 2008 ore 15.30 turni B1-B2 martedì 16 dicembre 2008 ore 19.00 turni D1-D2 giovedì 18 dicembre 2008 ore 19.00 turni E1-E2 sabato 20 dicembre 2008 ore 15.30 turni C1-C2 La Fenice prima dell’Opera 2008 9 Oscar Kokoschka (1886-1980), Arnold Schönberg (1924). Olio su tela. Londra, Marlborough Fine Art. La Fenice prima dell’Opera 2008 9 Sommario 5 La locandina 7 La realtà allo specchio di Michele Girardi 13 Anna Maria Morazzoni Un gioco pericoloso 23 Virgilio Bernardoni Cantante, uomo, istrione: declinazioni del personaggio in Pagliacci di Leoncavallo 35 Von heute auf morgen: libretto e guida all’opera a cura di Federico Fornoni 79 Von heute auf morgen in breve a cura di Maria Giovanna Miggiani 81 Argomento – Argument – Synopsis – Handlung 85 Pagliacci: libretto e guida all’opera a cura di Federico Fornoni 121 Pagliacci in breve a cura di Maria Giovanna Miggiani 123 Argomento – Argument – Synopsis – Handlung 127 Federico Fornoni Bibliografia 135 Online: «Realtà, realtà, signori! realtà» a cura di Roberto Campanella 143 Dall’archivio storico del Teatro La Fenice Operazione dittico a cura di Franco Rossi Ruggero Leoncavallo (1907).
    [Show full text]
  • 21 November 2008 Page 1 of 38
    Radio 3 Listings for 15 – 21 November 2008 Page 1 of 38 SATURDAY 15 NOVEMBER 2008 Marta Boberska (soprano), Kai Wessel (alto), Krzystof Szmyt (tenor), Dirk Snellings (bass), Il Tempo Baroque Ensemble, SAT 01:00 Through the Night (b00fd322) Agata Sapiecha (director) 01:01AM Schumann, Robert (1810-1856) 04:52AM Overture – from the incidental music to Manfred (Op.115) Handel, Georg Frideric (1685-1759) Meine Seele hört im Sehen (HWV.207) – No.6 from Deutsche 01:14AM Arien Rimsky-Korsakov, Nikolai (1844-1908) Hélène Plouffe (violin), Louise Pellerin (oboe), Dom André Capriccio Espagnol (Op.34) Laberge (organ) 01:31AM 05:00AM Shostakovich, Dmitry (1906-1975) Pezel, Johann Christoph (1639-1694) Violin Concerto No.1 in A minor Sonatina No.69 for 2 Trumpets and organ Sonatina for 2 Trumpets and organ in B major Oleg Kogan (violin), Sofia Philharmonic Orchestra, Vassil Ivan Hadliyski & Roman Hajiyski (trumpets), Velin Iliev (organ) Kazandjiev (conductor) 05:06AM 02:08AM Sibelius, Jean (1865-1957) Janácek, Leos (1854-1928) Sonatina No.3 for piano (Op.6) in B flat minor Po zarostlem chodnicku (On an overgrown path) – book 1 Eero Heinonen (piano) György Sándor (piano) 05:13AM 02:35AM Papandopulo, Boris (1906-1991) Vanhal, Johann Baptist (1739-1813) Rapsodia concertante Symphony in A minor Monica Leskhovar (cello), Ivana Schwartz (piano) Capella Coloniensis, Hans-Martin Linde (conductor) 05:27AM 02:54AM Lortzing, Albert (1801-1851) Beethoven, Ludwig van (1770-1827) Heiterkeit und Fröhlichkeit – from Der Wildschütz Act 3 Symphony No.9 (Op.125) in D
    [Show full text]
  • ROBYN CATHCART: M.A. CANDIDATE in MUSICOLOGY the UNIVERSITY of VICTORIA, VICTORIA BC -The Singing School of Manuel Garcia
    ROBYNCATHCART: M.A. CANDIDATEIN MUSICOLOGY THEUNIVERSITY OF VICTORIA, VICTORIA BC -The Singing School of Manuel Garcia IZ- Supervisor: Dr. Gordana Lazarevich December 12,2003 University of Victoria PO Box 1700 STN CSC Victoria, BC V8W 2Y2 Canada Supervisor: Dr. Gordana Lazarevich A~STRACT Manuel Garcia 11 (1805-1906) is perhaps the greatest teacher of voice in history, and his approach, stated in A Complete Treatise on the Art of Singing, Parts One (1841) and Two (1847), became one of the principal methods of vocal instruction during his time. By tracing Garcia 11's methodology, based on the Italian Schools of Singing and be1 canto opera, it will become clear that his type of voice building holds many of the keys needed to unlock the voices of singers today. Analysis of Garcia II's vocal treatises, combined with first hand research conducted with faculty throughout three prominent Canadian university voice programs, will further substantiate the claim that Garcia 11 is a pivotal figure within the landscape of vocal pedagogy, also putting to rest several misconceptions (i.e. vocal onset and the coup de la glotte, and vocal registers) concerning his teachings. Respected internationally for his contributions to the worlds of classical voice and opera, performance practice, voice science, and pedagogy during his lifetime, Garcia II's theories on vocal production remain intact in current vocal pedagogy, despite shifts in the paradigms of musical, cultural, social and vocal aesthetics. List of Figures ............................................................................ 11 ... List of Appendices ...................................................................... 111 Acknowledgements ..................................................................... iv Preface ......................................................................................... v Chapter 1: Planting the Seeds of the Garcia 11 School ................. 1 (a) The Italian Schools ......................................
    [Show full text]