The Works of Robert Louis Stevenson Edinburgh Edition
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Annual Report and Accounts 2004/2005
THE BFI PRESENTSANNUAL REPORT AND ACCOUNTS 2004/2005 WWW.BFI.ORG.UK The bfi annual report 2004-2005 2 The British Film Institute at a glance 4 Director’s foreword 9 The bfi’s cultural commitment 13 Governors’ report 13 – 20 Reaching out (13) What you saw (13) Big screen, little screen (14) bfi online (14) Working with our partners (15) Where you saw it (16) Big, bigger, biggest (16) Accessibility (18) Festivals (19) Looking forward: Aims for 2005–2006 Reaching out 22 – 25 Looking after the past to enrich the future (24) Consciousness raising (25) Looking forward: Aims for 2005–2006 Film and TV heritage 26 – 27 Archive Spectacular The Mitchell & Kenyon Collection 28 – 31 Lifelong learning (30) Best practice (30) bfi National Library (30) Sight & Sound (31) bfi Publishing (31) Looking forward: Aims for 2005–2006 Lifelong learning 32 – 35 About the bfi (33) Summary of legal objectives (33) Partnerships and collaborations 36 – 42 How the bfi is governed (37) Governors (37/38) Methods of appointment (39) Organisational structure (40) Statement of Governors’ responsibilities (41) bfi Executive (42) Risk management statement 43 – 54 Financial review (44) Statement of financial activities (45) Consolidated and charity balance sheets (46) Consolidated cash flow statement (47) Reference details (52) Independent auditors’ report 55 – 74 Appendices The bfi annual report 2004-2005 The bfi annual report 2004-2005 The British Film Institute at a glance What we do How we did: The British Film .4 million Up 46% People saw a film distributed Visits to -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
Press to Go There to Cover It
PUBLICITY MATERIALS Tasmanian Devil: The Fast and Furious Life of Errol Flynn CONTACT PRODUCTION COMPANY 7/32 George Street East Melbourne 3002 Victoria AUSTRALIA Tel/Fax: 0417 107 516 Email: [email protected] EXECUTIVE PRODUCER / PRODUCER Sharyn Prentice PRODUCER Robert deYoung DIRECTOR Simon Nasht EDITOR Karen Steininger Tasmanian Devil: The Fast and Furious Life of Errol Flynn BILLING / TWO LINE SYNOPSIS Tasmanian Devil: The Fast and Furious Life of Errol Flynn Errol Flynn remains one of the most fascinating characters ever to work in Hollywood. Remembered as much for his scandals as his acting, there was another side to Errol: writer, war reporter and even devoted family man. THREE PARAGRAPH SYNOPSIS Tasmanian Devil: The Fast and Furious Life of Errol Flynn Fifty years after his death, people are still fascinated by Errol Flynn. The romantic star of dozens of Hollywood movies, Flynn’s real life was in fact far more adventurous than any of his films. In a life dedicated to the pursuit of pleasure, Flynn became notorious for his love affairs, scandals and rebellious nature. But there was another, much less well known side to his character. He was a fine writer, both of novels and journalism, wrote well reviewed novels and reported from wars and revolutions. Among his scoops was the first interview with the newly victorious Fidel Castro who Flynn tracked down in his mountain hideaway in Cuba. In Tasmanian Devil we discover the unknown Flynn, from his troubled childhood in Tasmania to his death, just fifty years later, in the arms of his teenage lover. We hear from his surviving children, friends and colleagues and discover an amazing life of almost unbelievable events. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Love, Loss and Landscape Published by Aberdeen University Press
JOURNAL OF IRISH AND SCOTTISH STUDIES Volume 10, Issue 2 Love, Loss and Landscape Published by Aberdeen University Press in association with The Research Institute of Irish and Scottish Studies ISSN 1753-2396 Contents ‘James Lindsay – a late nineteenth-century Edinburgh art collector’ Per Kværne 1 James Joyce’s Labyrinths of Love and Desire in Exiles Saman Zoleikhaei 19 ‘The Quest through the Real’ Amir Barazande 49 ‘“It does not mak siccar you ken aboot weemin”: The Fight to be Heard in the Poetry of Joan Ure’ Richie McCaffery 56 ‘“An unbewildered poet”: The Ontological ‘Sense of Place’ in Seamus Heaney’s Prose’ Joanna Jarząb-Napierała 70 ‘On the move between shore and shore’: Scotland and Ireland’s history-makers, artists and the ‘Future State’ Craig Richardson 93 ‘“Out from Underneath Control” – A Conversation with David Greig’ Paula Sledzinska 114 List of Contributors 127 Editorial It was Joan Ure that captured something of the weight of the work examined here in writing, ‘This is a story that only seems sad at the end / but it is not sad because it is not a story but a /parable.’ Richie McCaffery quotes this passage in his excavation of Ure’s poetic enterprise, showing how she deployed verse to shape a space for her political and aesthetic ambitions as a writer. In this issue of the Journal of Irish and Scottish Studies we bring together a set of occasional papers that refl ect on the creative arts from the late nineteenth century to the contemporary scene. They have taken some time to gather together and I am grateful to the authors for their patience and kind responses to editorial queries. -
A Guide to the RLS Collection at the Writers' Museum, Edinburgh
A Guide to the RLS Collection at the Writers’ Museum, Edinburgh Writers’ Museum Catalogue Listing Accession No Description Battledores LSH 1/1-2/91 Bats threaded on one side, vellum or stretched parchment Book LSH58/91 Rag-book, The Child’s Own Alphabet, painted by RLS Book LSH59/91 Facsimile of RLS's baby book. Original in Beinecke Library, Yale Wallace and His Time, inscribed and gifted to RLS for winning “First Book LSH 60/91 English Prize” Bracelet of plaited hair worn by Margaret Stevenson, said to be Mrs Bracelet LSH 61/91 Stevenson's hair Kaleidoscope LSH 62/91 Belonging to RLS Watch and Key LSH 63/91 Belonging to Alison Cunningham Photograph LSH 64/91 RLS wearing hat, cape, frock Framed Pencil Drawing; Lock of Hair LSH 65 / 91 Drawing of RLS age 4, with lock of hair Hymn Book LSH 66/91 Belonging to Alison Cunningham Skelt's Sheets LSH 67/1-/91 For juvenile drama, the kind RLS would have used New Testament LSH 68/91 Inscribed to RLS as child from his mother Scissors LSH 69/91 Found in the garden of Swanston cottage Silk sash in black, white and red tartan (Macpherson chief tartan). Sash LSH 70/91 RLS wore this as a child Miniature Portraits LSH 71/91 John Balfour and his wife and Mary Cecilia Balfour Complete Works of Charles-Louis, Baron de Montesquieu, with Books LSH 72/1-2/91 RLS's signature on the inside, dated 1871 Book LSH 73/91 Bible of Spain, RLS's card in the inside cover Pamphlet LSH 74/91 Pentland Rising by RLS Red leather, golden lettering on spine: Pentland Rising, Intermittent Slip Cover LSH 74a/91 Light, Thermal -
50Th Reunion
Class of 1959 50TH REUNION BENNINGTON COLLEGE Class of 1959 Marcia Margulies Abramson* Helen Coonley Colcord Carol Grossman Gollob* Harriet Turteltaub Abroms Rita Zimmerman Collier Janet McCreery Gregg Hillary de Mandeville Adams Justine (Merle) Riskind Janice Probasco Griffiths* (Judith Snyder) Coopersmith Janet Hallenborg* Valerie Reichman Aspinwall* Irene Kerman Cornman* Mary Lynn Hanley Jessica Falikman Attiyeh Ellen Count Linda Wittcoff Hanrahan Rona King Bank Ann Elliott Criswell Barbara Hanson Elisabeth Posselt Barker Diane Deckard Joan Cross Hawkins Patricia Beatty Jane Vanderploeg Deckoff Judith Silverman Herschman Joan Waltrich Blake* Linda Monheit Denholtz Elaine Tabor Herdtfelder Deirdre Cooney Bonifaz Abby DuBow-Casden Pamela Hill Alison Wilson Bow Vijaya Gulhati Duggal Arlene Kronenberg Hoffman Rebecca Stout Bradbury Elizabeth Partridge Durant Jill Hoffman Rosalie Posner Brinton Ellen Hirsch Ephron* E. Joan Allan Horrocks Nancy Schoenbrun Burkey Margaret Fairlie-Kennedy Mary Earhart Horton Heather Roden Cabrera Helaine Feinstein Fortgang* Jane Leoncavallo Hough Carol Berry Cameron Barbara Kyle Foster Wilda Darby Hulse* June Allan Carter Sally Foster Marina Mirkin Jacobs Barrie Rabinowitz Cassileth Amy Sweedler Friedlander Roberta Forrest Jacobson Ann Turner Chapin Joan Trooboff Geetter Julie Hirsh Jadow France Berveiller Choa Mary Jane Allison Gilbert Paula Cassetta Jennings Ann Avery Clarke Phyllis Saretsky Gitlin Carolyn Wyte Jordan Katharine Durant Cobey Helen Trubek Glenn Sandra Siegel Kaplan Margot Bowes Cody* James -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Boston Symphony Orchestra Concert Programs, Summer, 1983, Tanglewood
. ^ 5^^ mar9 E^ ^"l^Hifi imSSii^*^^ ' •H-.-..-. 1 '1 i 1^ «^^«i»^^^m^ ^ "^^^^^. Llii:^^^ %^?W. ^ltm-''^4 j;4W»HH|K,tf.''if :**.. .^l^^- ^-?«^g?^5?,^^^^ _ '^ ** '.' *^*'^V^ - 1 jV^^ii 5 '|>5|. * .««8W!g^4sMi^^ -\.J1L Majestic pine lined drives, rambling elegant mfenor h^^, meandering lawns and gardens, velvet green mountain *4%ta! canoeing ponds and Laurel Lake. Two -hundred acres of the and present tastefully mingled. Afulfillment of every vacation delight . executive conference fancy . and elegant home dream. A choice for a day ... a month . a year. Savor the cuisine, entertainment in the lounges, horseback, sleigh, and carriage rides, health spa, tennis, swimming, fishing, skiing, golf The great estate tradition is at your fingertips, and we await you graciously with information on how to be part of the Foxhollow experience. Foxhollow . an tver growing select family. Offerings in: Vacation Homes, Time- Shared Villas, Conference Center. Route 7, Lenox, Massachusetts 01240 413-637-2000 Seiji Ozawa, Music Director Sir Colin Davis, Principal Guest Conductor Joseph Silverstein, Assistant Conductor One Hundred and Second Season, 1982-83 Trustees of the Boston Symphony Orchestra, Inc. Abram T. Collier, Chairman Nelson J. Darling, Jr., President Leo L. Beranek, Vice-President George H. Kidder, Vice-President Mrs. Harris Fahnestock, Vice-President Sidney Stoneman, Vice-President Roderick M. MacDougall, Treasurer John Ex Rodgers, Assistant Treasurer Vernon R. Alden Mrs. John H. Fitzpatrick William J. Poorvu J. P. Barger Mrs. John L. Grandin Irving W. Rabb Mrs. John M. Bradley David G. Mugar Mrs. George R. Rowland Mrs. Norman L. Cahners Albert L. Nickerson Mrs. George Lee Sargent George H.A. -
100Inriga 20190516 210X230.Pdf
INDEX Introduction to Riga 4 Symbols of Riga 6 Architecture 16 Interesting Neighbourhoods 30 Nature 41 Art and Culture Institutions 52 Restaurants, Bars and Cafes 64 Fashion and Design 78 Active Lifestyle 87 Untraditional Viewpoints 94 Legendary Rigans 102 INTRODUCTION TO RIGA Do you know what’s the one Historically, Riga has always been Today, Riga is a cradle for question about Riga visitors to a crossroads, a melting pot of innovative start-ups, and it prides the city most often ask? No, it’s various nations and cultures. But itself in an excellent music and not about the current economic the unique patina in this city of contemporary art scene, the Song situation or what time of year is more than 600,000 inhabitants Festival (which culminates in an best to visit Riga. In fact, it’s more has in large part also been formed open-air concert with 18,000 of an observation than a question: by the proximity of water – the choir singers) and a dynamic ”It feels like Riga is bubbling Daugava River and the Gulf of gastronomy milieu, in which local over with life and has become Riga. chefs compete in their search for something like the creative ”the flavour of Latvia” and thus epicentre of the Baltics. There’s The city has always lived in close bring an appreciative smile to the so much going on, especially in cooperation with nature, which face of many a gourmet traveller. culture. Why exactly Riga, and is still an important part of its why right now?” residents’ daily lives – the many Riga has a glamorous city centre public parks, forests, squares, as well as a hipster republic. -
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998, -
David Scruton Phd Thesis
D788709 91A0550?A . 80;2@10=3# 930;7;5 0;2 A316;7>B3 !C<8% 7" 2EXMH @GTWVRQ 0 ALIUMU @WFPMVVIH JRT VLI 2IKTII RJ =L2 EV VLI BQMXITUMV[ RJ @V% 0QHTIYU (--( 4WOO PIVEHEVE JRT VLMU MVIP MU EXEMOEFOI MQ ?IUIETGL/@V0QHTIYU.4WOOAIZV EV. LVVS.&&TIUIETGL$TISRUMVRT[%UV$EQHTIYU%EG%WN& =OIEUI WUI VLMU MHIQVMJMIT VR GMVI RT OMQN VR VLMU MVIP. LVVS.&&LHO%LEQHOI%QIV&('')*&)-,+ ALMU MVIP MU STRVIGVIH F[ RTMKMQEO GRS[TMKLV WILLIAM McTAGGART: Landscape Meaning and Technique by David Scruton Submitted for the degree of PhD. University of St.Andrews September 1990 I ABSTRACT This thesis alms to provide an interpretation of McTaggart's work within a discussion of critical discourse in British art, referring In particular to the relative values of content and technique, in the second half of the nineteenth century. The first section contains an overview of the critical approaches to McTaggart's work from early career to the present day, centred upon how the notion of "impressionist" has been applied to McTaggart. This Is followed by an examination of some of the broad determinants of McTaggart's career, such as patronage and his relationship with Academic establishment. Section II deals with content In landscape art, looking first at the status of landscape In British art. It examines how content was dealt with in Scottish landscape painting prior to McTaggart, and how McTaggart's choice of painting locations addressed traditions of Scottish landscape. The notion of the "poetic" landscape Is advanced as an appropriate Interpretation of McTaggart's approach. Within this, specific Influences upon McTaggart, such as that of J.E.