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Ricardian Register
Ricardian Register Richard III Society, Inc. Vol. 47 No. 1 March, 2016 King Richard III Printed with permission ~ Jamal Mustafa ~ Copyright © 2014 In this issue: 2016 General Membership Meeting (GMM)/Bylaw Revisions Why it Had to be the Tower of London Richard, Duke of Gloucester, as Admiral and Constable of England Can a Coin from 1483 Solve a Ricardian Mystery? Inside cover (not printed) Contents 2016 General Membership Meeting (GMM) 2 Message from American Branch Chairman 4 ByLaw Revisions 5 Why it Had to be the Tower of London 8 Richard, Duke of Gloucester, as Admiral and Constable of England 11 Can a Coin from 1483 Solve a Ricardian Mystery? 25 Ricardian Reviews 31 ex libris 48 Board, Staff, and Chapter Contacts 50 Membership Application/Renewal Dues 51 Advertise in the Ricardian Register 52 Submission guidelines 52 From the Editor 52 ❖ ❖ ❖ ©2016 Richard III Society, Inc., American Branch. No part may be reproduced or transmitted in any form or by any means mechanical, electrical or photocopying, recording or information storage retrieval—without written permission from the Society. Articles submitted by members remain the property of the author. The Ricardian Register is published two times per year. Subscriptions for the Register only are available at $25 annually. In the belief that many features of the traditional accounts of the character and career of Richard III are neither supported by sufficient evidence nor reasonably tenable, the Society aims to promote in every possible way research into the life and times of Richard III, and to secure a re-assessment of the material relating to the period, and of the role in English history of this monarch. -
Achila, Visigothic King, 34 Acisclus, Córdoban Martyr, 158 Adams
Index ; Achila, Visigothic king, 34 Almodóvar del Río, Spain, 123–24 Acisclus, Córdoban martyr, 158 Almonacid de la Cuba, Spain, 150. See Adams, Robert, 21 also Dams Aemilian, St., 160 Alonso de la Sierra, Juan, 97 Aerial photography, 40, 82 Amalaric, Visigothic king, 29–30, 132, Aetius, Roman general, 173–75 157 Africa, 4, 21–23; and amphorae, 116, Amber, 114 137, 187, 196; and ARS, 46, 56, 90, Ammianus Marcellinus, Roman histo- 99, 187; and Byzantine reconquest, rian, 166, 168 30; and ‹shing, 103; and olive oil, Amphorae, 43, 80, 199–200; exported 88, 188; and Roman army, 114, 127, from Spain, 44, 97–98, 113, 115–16, 166; and trade, 105, 141; and Van- 172; kilns, 61–62, 87–90, 184; from dals, 27–28, 97, 127, 174 North Africa, 129, 187. See also African Red Slip (ARS) pottery, 101, Kilns 147, 186–87, 191, 197; de‹nition, 41, Anderson, Perry, 5 43, 44, 46; and site survival, 90, Andujar, Spain, 38, 47, 63 92–95, 98–99; and trade, 105–6, 110, Annales, 8, 12, 39 114, 116, 129, 183 Annona: disruption by Vandals, 97, Agde, council of, 29, 36, 41 174; to Roman army, 44, 81, 114–17; Agglomeration, 40–42, 59, 92 to Rome, 23, 27, 44, 81, 113; under Agila, Visigothic king, 158–59. See Ostrogoths, 29, 133. See also Army also Athanagild Antioch, Syria, 126 Agrippa, Roman general, 118 Anti-Semitism, 12, 33. See also Jews Alans, 24, 26, 27, 34, 126, 175 Antonine Itinerary, 152 Alaric, Visigothic king, 2, 5, 26–27 Apuleius, Roman writer, 75–76, 122 Alaric II, Visigothic king, 29–30 Aqueducts, 119, 130, 134, 174–75 Alcalá del Río, Spain, 40, 44, 93, 123, Aquitaine, France, 2, 27, 45, 102 148 Arabs, 33–34, 132–33, 137. -
Music and Image Details from the Historical Association Film: An
Music and Image details from the Historical Association Film: An Introduction to Tudor Royal Authority Music: 1. Serenity by Paul Werner. Licensed through Jamendo: https://licensing.jamendo.com/en/track/1532773/serenity Images: 1. Framed print, "Plucking the Red and White Roses in the Old Temple Gardens" after the original 1910 fresco painting by Henry Albert Payne (British, 1868-1940) based upon a scene in Shakespeare's Henry VI, the original in the Palace of Westminster and a later similar painting by Payne in the Birmingham Museum and Art Gallery, this print marked "copyright 1912 in London & Washington by "The Fine Art Publishing Co., Ltd. London", sight: 20.25"h, 21"w, overall: 27"h, 27.5"w, 9.25lbs. Public Domain. 2. King Henry VI. Purchased by National Portrait Gallery in 1930. Copyright NPG. 3. King Edward V, by unknown artist. Copyright National Portrait Gallery. 4. Portrait of Richard III of England. Copyright National Portrait Gallery. 5. King Henry VII, by unknown artist. Copyright National Portrait Gallery. 6. Portrait of Henry VIII (1491-1547). Galleria Nazionale d'Arte Antica. Public Domain. 7. Portrait of Thomas Cromwell. The Frick Collection. Public Domain. 8. Portrait of King Edward VI of England (1537–1553). Public Domain. 9. Portrait of Mary I, Museo del Prado. Public Domain. 10. Portrait of Elizabeth I of England of the 'Badminton' type. The Queen is shown in a black dress with gold embroidery, holding a red rose. Public Domain. 11. The Pelican Portrait by Nicholas Hilliard. The pelican was thought to nourish its young with its own blood and served to depict Elizabeth as the "mother of the Church of England". -
A Graça Manifestada E a Pregação Na Castela Dos Séculos Xiv E Xv❧
3 A graça manifestada e a pregação na Castela dos séculos xiv e xv ❧ Leandro Alves Teodoro Universidade Estadual de Campinas/Universidade Estadual de São Paulo, Brasil https://doi.org/10.7440/histcrit81.2021.01 Recebimento: 11 de julho de 2020 / Aceitação: 2 de fevereiro de 2021 / Modificação: 21 de março de 2021 Como citar: Teodoro, Leandro Alves. “A graça manifestada e a pregação na Castela dos séculos xiv e xv”. Historia Crítica, n.° 81 (2021): 3-20, doi: https://doi.org/10.7440/histcrit81.2021.01 Resumo. Objetivo/Contexto: a produção eclesiástica em castelhano na passagem do século xiv ao xv, assim como em outras línguas vernáculas desse período, acentuava a necessidade de criar parâmetros de ensino para os clérigos e de melhor prepará-los para orientar os fiéis nas doutrinas da Sagrada Escritura. Como as obras de fundo teológico e pastoral eram até esse momento produzidas em sua maioria em latim, era imperativo escrever tratados que fossem inteligíveis aos clérigos mais simples. A partir da serialização de obras destinadas à iniciação de clérigos da Coroa de Castela em seus deveres, é analisada, neste estudo, a regulação da conduta dessas figuras, com ênfase nas estratégias adotadas para orientar os pregadores a reconhecer a ação da graça em suas palavras. A importância de focar nas prédicas reservadas aos clérigos deve-se à riqueza desse material para a edificação de costumes e valores considerados virtuosos para todo tipo de fiéis.Metodologia: com a finalidade de examinar o papel edificante da prédica de figuras letradas da Igreja, o primeiro passo consiste em serializar prescrições de recolhas de sermões e de obras de bispos em que são mais bem definidos os benefícios da palavra pregada. -
Estudios De Historia De España N° XX, 2018
ISSN 0328-0284 SUMARIO ESTUDIOS ELENA KALÍNINA Leyendas negras como un instrumento político y legal en la época de la Baja Edad Media y el principio de la Época Moderna. El ejemplo de DE HISTORIA Pedro el Cruel (1350-1369) y Felipe II (1556-1598) PAULA ERMILA RIVASPLATA VARILLAS Las doncellas de dote matrimoniales por lazos familiares afectivos en tres DE ESPAÑA hospitales sevillanos en el Antiguo Régimen REYES UTRERA GÓMEZ XX La huella de Cervantes en la Real Colección de Fotografía ALEJANDRA NOEMÍ FERREYRA Las letras como armas. La edición de libros a favor del franquismo en Buenos Aires durante la Guerra Civil Española (1936-1939) NELLY ONGAY La boda de la infanta Juana con el duque bretón Juan IV (1386). Las relaciones diplomáticas con Carlos II Evreux JOSÉ HINOJOSA MONTALVO Familias lombardas en la Valencia bajomedieval: Los Prato MATTHIAS GLOËL Felipe I de Portugal - ¿un extranjero? Acerca de la naturaleza de dinastías reales en la Edad Moderna MARTÍN F. RÍOS SALOMA Claudio Sánchez-Albornoz y los Cuadernos de Historia de España (1944-1970): espejo de una vida ESTUDIOS DE HISTORIA DE ESPAÑA XX (2018) DE ESPAÑA ESTUDIOS DE HISTORIA UNIVERSIDAD CATÓLICA ARGENTINA FACULTAD DE CIENCIAS SOCIALES INSTITUTO DE HISTORIA DE ESPAÑA Buenos Aires 2018 00 Preliminares_Maquetación 1 20/12/2018 12:45 a.m. Página 1 ESTUDIOS DE HISTORIA DE ESPAÑA XX 00 Preliminares_Maquetación 1 20/12/2018 12:45 a.m. Página 2 00 Preliminares_Maquetación 1 20/12/2018 12:45 a.m. Página 3 ESTUDIOS DE HISTORIA DE ESPAÑA XX UNIVERSIDAD CATÓLICA ARGENTINA FACULTAD DE CIENCIAS SOCIALES INSTITUTO DE HISTORIA DE ESPAÑA Buenos Aires 2018 00 Preliminares_Maquetación 1 20/12/2018 12:45 a.m. -
Copyrighted Material
33_056819 bindex.qxp 11/3/06 11:01 AM Page 363 Index fighting the Vikings, 52–54 • A • as law-giver, 57–58 Aberfan tragedy, 304–305 literary interests, 56–57 Act of Union (1707), 2, 251 reforms of, 54–55 Adelaide of Saxe-Meiningen, queen of reign of, 50, 51–52 William IV, 268, 361 Alfred, son of King Aethelred, king of Áed, king of Scotland, 159 England, 73, 74 Áed Findliath, ruler in Ireland, 159 Ambrosius Aurelianus (Roman leader), 40 Aedán mac Gabráin, overking of Dalriada, 153 Andrew, Prince, Duke of York (son of Aelfflaed, queen of Edward, king Elizabeth II) of Wessex, 59 birth of, 301 Aelfgifu of Northampton, queen of Cnut, 68 as naval officer, 33 Aethelbald, king of Mercia, 45 response to death of Princess Diana, 313 Aethelbert, king of Wessex, 49 separation from Sarah, Duchess of York, Aethelflaed, daughter of Alfred, king of 309 Wessex, 46 Anglo-Saxon Chronicle, 57, 58, 63 Aethelfrith, Saxon king, 43 Anglo-Saxons Aethelred, king of England, 51, 65–66 appointing an heir, 16 Aethelred, king of Mercia, 45, 46, 55 invasion of Britain, 39–41 Aethelred, king of Wessex, 50 kingdoms of, 37, 42 Aethelstan, king of Wessex, 51, 61–62 kings of, 41–42 Aethelwold, son of Aethelred, king of overview, 12 Wessex, 60 Anna, queen of Scotland, 204 Aethelwulf, king of Wessex, 49 Anne, Princess Royal, daughter of Africa, as part of British empire, 14 Elizabeth II, 301, 309 Agincourt, battle of, 136–138 Anne, queen of England Albert, Prince, son of George V, later lack of heir, 17 George VI, 283, 291 marriage to George of Denmark, 360–361 Albert of -
The Women of Richard III
The Women of Richard III The character of King Richard III of England is perhaps Shakespeare's most evil creation. A Machiavellian who delights in governing through fear and force, his evil is only offset by his ready and cutting wit. Yet Shakespeare does provide a contrast to Richard's villainy. The women of this play function as voices of protest and morality. They often see through his intrigues and predict dire consequences from his acts. Shakespeare uses the women to point out moral truths and emphasize general principles of the Elizabethan world view of moral and political order. Anne, Elizabeth, the Duchess and Margaret each contribute in furthering Shakespeare's moral themes in three ways: through their roles as victims which is expressed in their intense lamentations, in their cries for revenge through divine retribution, and in alluding to a higher moral order that transcends men's actions. In all these ways, the women of Richard III help illustrate how destruction comes about when order is violated, either through the weakness of a king or through the machinations of those who cause civil war by wanting to take the king's place. Such chaos devastates the individual, the family, and the nation, resulting in moral decay, treachery, anarchy, and profound suffering. The world that Shakespeare shows us in Richard III is a man's world. The women are presented as being on the sidelines to grieve, complain, or bury the dead. Richard views women as tools, as shown by his various asides to the audience when he announces his plots, where the marrying of Anne or Elizabeth are only moves in his elaborate games of intrigue and power. -
De Episcopis Hispaniarum: Agents of Continuity in the Long Fifth Century
Université de Montréal De episcopis Hispaniarum: agents of continuity in the long fifth century accompagné de la prosopogaphie des évêques ibériques de 400–500 apr. J.-C., tirée de Purificación Ubric Rabaneda, “La Iglesia y los estados barbaros en la Hispania del siglo V (409–507), traduite par Fabian D. Zuk Département d’Histoire Faculté des Arts et Sciences Thèse présentée à la Faculté des études supérieures en vue de l’obtention du grade Maître ès Arts (M.A.) en histoire août 2015 © Fabian D. Zuk, 2015. ii Université de Montréal Faculté des etudes supérieures Ce mémoire intitule: De episcopis Hispaniarum: agents of continuity in the long fifth century présenté par Fabian D. Zuk A été évalué par un jury composé des personnes suivantes : Philippe Genequand, president–rapporteur Christian R. Raschle, directeur de recherche Gordon Blennemann, membre du jury iii In loving memory в пам'ять про бабусю of Ruby Zuk iv TABLE OF CONTENTS Résumé / Summary p. v A Note on Terminology p. vi Acknowledgements p. vii List of Figures p. ix Frequent ABBreviations p. x CHAPTER I : Introduction p. 1 CHAPTER II : Historical Context p. 23 CHAPTER III : The Origins of the Bishops p. 36 CHAPTER IV : Bishops as Spiritual Leaders p. 51 CHAPTER V : Bishops in the Secular Realm p. 64 CHAPTER VI : Regional Variation p. 89 CHAPTER VII : Bishops in the Face of Invasion : Conflict and Contenders p. 119 CHAPTER VIII : Retention of Romanitas p. 147 Annexe I: Prosopography of the IBerian Bishops 400–500 A.D. p. 161 Annexe II: Hydatius : An Exceptional Bishop at the End of the Earth p. -
Week 1 What Do You Know?
The Mystery of History Volume III Week 1 What Do You Know? Pretest 1 Pretests are just what they sound like. They are a test of your previous knowledge to see what you might already know about this time period. Pretests are also designed to introduce new people and places as well as to stir your curiosity. I recommend that you check your answers but do not record a grade. Chances are you will miss a lot of questions, but that’s alright. If you knew all the answers, you wouldn’t need this course! Consider this pretest and those to follow as a sneak peak into what you will be learning. Who/What Am I? Choose the best answers from the Word Bank below. 1. I am a flower representing the House of York in England. What am I? 2. I am a flower representing the House of Lancaster in England. What am I? 3. I am the nickname for a royal English bodyguard. Who am I? 4. I am remembered as the father of Italy. Who am I? 5. We were a rich family of bankers in Florence, Italy. Who are we? 6. My name means Angelic Brother. I painted for the glory of God. Who am I? 7. I was the prince of Aragon and became the king of Spain. Who am I? 8. I was the princess of Castile and became the queen of Spain. Who am I? 9. I was a Dominican friar hired to oversee the Spanish Inquisition. Who am I? Word Bank Isabella white rose Cosimo de’ Medici Fra Angelico Ferdinand Beefeater red rose Tomás de Torquemada Medici family by Linda Lacour Hobar © 2007 Bright Ideas Press The Mystery of History Volume 3 1455–1485 The Wars of the Roses Lesson 1 ONLINE NOTE: Footnotes for Lessons 1–3 are listed at the end of the Lesson 3 Activities. -
Names Index 3I
Name Index An “f” following a page number indicates a figure on that page A Aaronsohn, Aaron, 196–97 Abbas, Mahmoud, 213f Abd al-Rahman al-Ghafiqi, 169 Abdel Kader Haidara, 296 Abdelkader El Djezairi, 257–58, 258f, 264–65 Abdi, Mazloum Kobani, 50 Abdul Aziz bin Baz, 316–17 Abdul Rahman, Kambir, 103, 103f Abdulaziz ibn Saud, 63f, 68f, 71f on Arab freedom, 66–68 betrayal of Sharif of Mecca by, 69–70 invasion of Hejaz, 71f, 71–72 as vassal king, 65–69, 67f, 70f, 73, 79–80, 210, 265, 344, 349 Wahhabism and, 62–64, 66–67 Abdullah ibn Saud, 58–59, 59f, 61 Abraham (patriarch), 350 Abrams, Elliot, 346 Abu al-Qasim al-Zahrawi, 8, 9f Abu al-Qasim bin Abbad, 340 Abu Bakr al-Razi, 8, 10f, 74, 310, 341 Abu Tayi, Auda, 37, 38f Abu Ubaidah ibn al-Jarrah, 117 Abu Yaqub Yusuf, 268f Abulcasis, 8, 9f Acocella, Joan, 122 Adams, Abigail, 19f Adams, John, 19, 19f, 269 Adityanath, Yogi, 330 Ahmad Shāh Durrānī, 335f Aimery, 163 Aisha, 342 Akbar, 328–29, 332 Akkad, Moustapha, 262–63, 263f Al Thunayan, Effat, 85f Alexander the Great, 109, 109f, 351 Alexander VI, 267 Al-Farghani, 268f Alfonso VI, 340 Alfraganus, 268f Al-Hasan ibn Ali, 33 Al-Haytham, 6, 7f, 16 Al-Husayn ibn Ali, 311–12 Ali (caliph), 31, 59, 116, 269, 310–13, 341 Al-Idrisi, 268f Al-Kamil, 182–84 al-Khalili, Jim, 5 Al-Khwarizmi, 5, 5f, 16 Allenby, Edmund, 38–40, 39f–40f, 48, 80, 127–28, 197 Al-Mansur, 4 Almond, Ian, 27 Al-Razi, 8, 10f Alys (Philip Augustus' sister), 174–75 Al-Zahrawi, 8, 9f Ambrose, 111 Anderson, Scott, 48 Applebaum, Anne, 133 Arafat, Yasser, 210 Arden, Elizabeth, 310 Aristotle, 14, 269 Armstrong, Karen, 178 Asbridge, Thomas, 145, 149–50, 153 Asquith, H.H., 41 al-Assad, Bashar, 51 al-Assad, Hafez, 50 Aurangzeb, 329, 332 Averroes, 14, 15f Avicenna, 8, 8f B Baccarat, 310 Baibars, 185–86, 186f Baker, James, 220 Baldwin IV, 162, 162f, 164, 166 Balfour, Arthur, 43, 43f–44f, 49, 83, 91, 128–29, 308, 344. -
Christianity in China
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. http://books.google.com /m^g-frf. WtLlOTHfcQUE U U Fasnlte ie ticologU IE I'EBLiSE HIRE LAUSANNE T H 6 5 7 0 i X ^ CHRISTIANITY CHINA, TARTARY, AND THIBET. VOL. I. London z Printed by Spottiswoode tc Co. New-street Square-. CHRISTIANITY CHINA, TARTAR!, and THIBET. BY M. L'ABBE HUC, FORMERLY MISSIONARY APOSTOLIC IN CHINA J AUTHOR OF "THE CHINESE EMPIRE," ETC. IN TWO VOLUMES. VOL. I. FROM THE APOSTLESHIP OF ST. THOMAS TO THE DISCOVERY OF THE CAPE OF GOOD HOPE. LONDON : LONGMAN, BKOWN, GEEEN, LONGMANS, & EOBERTS. 1857. CONTENTS OF THE FIRST VOLUME. CHAPTER I. The Doctrine of the Redemption of Men diffused over the whole "World The Preaching of the Jewish Nation Indian Poets. — Virgil. — The Sibyls. — Extract from the " Annals of China." — The World in Expectation of the Messiah. — Legend of the ; Apostleship of St. Thomas. — Proofs of the Preaching of St." Thomas in India. — Archaeological Proofs. — Medal of King Gon- daphorus. — Probability of the Apostleship of St. Thomasin China. — Freguent Relations between the East and the West at the Com mencement of the Christian Era. — Consequences of these Rela tions. — \l5t. Pantenus and other Missionaries in the East. — . Nestorian and Catholic Preachers in China - - Page 1 CHAP. II. ; Discovery of the famous Inscription of Si-gnan-Fou. — * Translation of this Inscription. — State of the Chinese Empire at the Epoch of the Erection of this Monument. -
The Portuguese Cortes During the Reign of Ferdinand I (1367–83): the Context of the Hundred Years War (1337–1453) Maria Helena Da Cruz Coelhoa a University of Coimbra
This article was downloaded by: [Maria Coelho] On: 05 July 2015, At: 23:05 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London, SW1P 1WG Parliaments, Estates and Representation Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rper20 The Portuguese Cortes during the reign of Ferdinand I (1367–83): the context of the Hundred Years War (1337–1453) Maria Helena da Cruz Coelhoa a University of Coimbra. Published online: 03 Jul 2015. Click for updates To cite this article: Maria Helena da Cruz Coelho (2015): The Portuguese Cortes during the reign of Ferdinand I (1367–83): the context of the Hundred Years War (1337–1453), Parliaments, Estates and Representation, DOI: 10.1080/02606755.2015.1047624 To link to this article: http://dx.doi.org/10.1080/02606755.2015.1047624 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content.