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ATINER's Conference Paper Series ARC2017-2294
ATINER CONFERENCE PAPER SERIES No: LNG2014-1176 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series ARC2017-2294 Changing Urban Pattern of Eminönü: Reproduction of Urban Space via Current Images and Function Tuba Sari Research Assistant Istanbul Technical University Turkey 1 ATINER CONFERENCE PAPER SERIES No: ARC2017-2294 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. This paper has been peer reviewed by at least two academic members of ATINER. Dr. Gregory T. Papanikos President Athens Institute for Education and Research This paper should be cited as follows: Sari, T. (2017). "Changing Urban Pattern of Eminönü: Reproduction of Urban Space via Current Images and Function", Athens: ATINER'S Conference Paper Series, No: ARC2017-2294. Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. Reproduction is allowed for non-commercial purposes if the source is fully acknowledged. ISSN: 2241-2891 06/11/2017 ATINER CONFERENCE PAPER SERIES No: ARC2017-2294 Changing Urban Pattern of Eminönü: Reproduction of Urban Space via Current Images and Function Tuba Sari Abstract Considering the mixture of civilizations as one of the central locations of Istanbul, the Eminonü district has many different urban patterns related to its historical background. -
Dendrochronologically Dated Ottoman Monuments
Dendrochronologically Dated Ottoman Monuments Peter Ian Kuniholm 4 Dendrochronologically Dated Ottoman Monuments Peter Ian Kuniholm INTRODUCTION Dendrochronology or tree-ring dating has been carried out by the author in former Ottoman lands since 1973. The method is, at its sim- plest, to compare the alternately small and large annual growth-rings from trees from a given climate region-in this case as far west as Bosnia and as far east as Erzurum-and to match them so that a unique year-by-year growth profile may be developed. By means of this a precise date determination, accurate even to the year in which the wood was cut, is possible. See Kuniholm (1995) for a fuller discussion of the method; and then see Kuniholm and Striker (1983; 1987) and Kuniholm (1996) for earlier date-lists of Ottoman, post-Byzantine, and Byzantine buildings, including brief notices of dates for a dozen more dated Ottoman buildings, principally in Greece, and additional notices of sampled but not yet dated buildings which are not repeated here. What follows is a compilation, in reverse chronological order, of over fifty dated buildings or sites (more if one counts their constituent parts) from the nineteenth century back to the twelfth (Figure 4.1). Some are major monuments (imperial mosques, sarays, sifayes) clearly deserving of more comprehensive treatment than can be pro- vided here; others (tiirbes, mescits, obscure medreses, and private houses) are little-known, perhaps even unheard of except to special- ists; but all help to form part of the tree-ring sequence which begins with the rings of trees still standing in Turkish forests and extends in an unbroken chain to A.D.360 for oak, A.D.743 for pine, and A.D.1037 for juniper. -
Adana Ulu Camii
Adana Ulu Camii A.Osman UYSAL SBi ünümüzde artık iyice gelişerek o|gunlaş- deleşme eğilimi ve mermer kaplamaların kullanıl- maya başlayan Anadolu Türk Mimarisi ması(2) . v.b. gibi yeniliklerin; "daha çok, Ana anştvmahrında; Türklerin doğudan getirdikleri dolu'nun batı bölgelerinde hüküm sürmüş olan mimarf' bbiklmler, Anadolu'ya geklikten sonra Saruhan (1300-1410), Aydm (1300-1403), Men Bizans, Ermeni, güneydeki islâm sanat çevrele teşe (1300-1425), Germiyan (1300-1428) ve Os- rinden aMikları biçim ve süsleme öğelerinin neler manoğullaıı'nın kurmuş oldukları cami ve med oidukhn aşağı-yukan tamamen bilinmekte ve reselerde gerçekleşmiş görürüz."(3) çevre kültürlerden gelen bu unsuriarın, Anadolu'ya ulaşırken geçtiği yollar; tarihi bilinen somut ör Adana ve çevresinde 1353'den 1608'e kadar hüküm süren ve çoğunlukla Memluklere tâbi ola neklerle ortaya konulmaya çalışılmaktadır. Bu rak yaşayan Ramazanoğulları ile, Maraş-Elbistan arada, eMeki verilerin yeterszliği nedeniyle tam civarında, 1339'da Memlûklerin onayıyla beylik açricianamayan; fakat, ister mimari' biçimlenişte, kuran Dulgadıroğullan'nm (1339-1521 )(•») mi- ister ddcorasyonda olsun hissedilen etkileşimle mârîlerinde ise; Selçuklu Sanatı'ndan ziyâde, Su rin; somut ömdcIer verilmeden ve sağlam mesnet- riye ve Mısır etkilerinin ağır bastığı bilinen bir lere dayandrıbnadan etki kaynağı olan bölgenin gerçektir. Yalnız, hiç bir zaman gözden ırak tu sadece ismi verilerek geçiştirikiiğine de şahit olu tulmaması gereken önemli bir nokta var ki; o da, yoruz. Türk Sanatı Tarihi araştırmalarmda zaman bu etkilerin biçimsel olmaktan çok, dekoratif ka zaman karşıtaştiğımız bu tür yuvarlak ifadeler, rakterli oluşlarıdır. SzelEkle; henüz herşeyiyle incelenmemiş olan "Beyfikler Devri Sanatı" söz konusu edildiğinde Fakat "Suriye ve Mısır patentli" unsurların karşınıza çıkmaktadr. Anadolu'ya ilk girişler, 14 yy. -
38. ICANAS (Uluslararası Asya Ve Kuzey Afrika Çalışmaları Kongresi) (International38
ATATÜRK KÜLTÜR, DİL VE TARİH YÜKSEK KURUMU ATATÜRK SUPREMEATATÜRK KÜLTÜR,COUNCIL DİL FOR VE CULTURE, TARİH YÜKSEK LANGUAGE KURUMU AND HISTORY ВЫСШЕЕATATÜRK ОБЩЕСТВО SUPREME ПО ТУРЕЦКОЙ COUNCIL КУЛЬТУРЕ,FOR CULTURE, ЯЗЫКУ LANGUAGE И ИСТОРИИ AND имени HISTORY АТАТЮРКА ВЫСШЕЕ ОБЩЕСТВО ПО ТУРЕЦКОЙ КУЛЬТУРЕ, ЯЗЫКУ И ИСТОРИИ имени АТАТЮРКА 38. ICANAS (Uluslararası Asya ve Kuzey Afrika Çalışmaları Kongresi) (International38. Congress ICANAS of Asian and North African Studies) (Международный(Uluslararası конгрессAsya ve Kuzey по изучению Afrika ÇalışmalarıАзии и Северной Kongresi) Африки) (International10-15.09.2007 Congress of ANKARA Asian and / NorthTÜRKİYE African Studies) (Международный конгресс по изучению Азии и Северной Африки) BİLDİRİLER/10-15.09.2007 PAPERS ANKARA/TÜRKİYE / СБОРНИК СТАТЕЙ DİLBİLDİRİLER/ BİLİMİ, DİL PAPERS/СБОРНИК BİLGİSİ VE DİL EĞİTİMİ СТАТЕЙ LINGUISTICS, GRAMMAR AND LANGUAGE TEACHING ЯЗЫКОЗНАНИЕ, ГРАММАТИКА И ОБУЧЕНИЕ ЯЗЫКУ TARİH VE MEDENİYETLER TARİHİ HISTORY AND HISTORY OF CIVILIZATIONS ОБЩАЯ ИСТОРИЯI. CİLT И / VOLUME ИСТОРИЯ I / TOM ЦИВИЛИЗАЦИЙ I III. CİLT/VOLUME III/TOM III ANKARA-2011 ANKARA-2012 II ATATÜRK KÜLTÜR, DİL VE TARİH YÜKSEK KURUMU YAYINLARI: 14/3 5846 Sayılı Kanuna göre bu eserin bütün yayın, tercüme ve iktibas hakları Atatürk Kültür, Dil ve Tarih Yüksek Kurumuna aittir. Bildiri ve panel metinleri içinde geçen görüş, bilgi ve görsel malzemelerden bildiri sahipleri ve panel konuşmacıları sorumludur. All Rights Reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form, by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the Publisher, except in the case of brief quotations, in critical articles or reviews. Papers reflect the viewpoints of individual writers and panelists. -
Arcadius 8; (Column
index INDEX 319 Arcadius 8; (column of) 184 Balat 213–14 Archaeological Museum 93ff Baldwin, Count of Flanders 15 Argonauts, myth of 259, 263, 276 Balıklı Kilisesi 197–98 Major references, in cases where many are listed, are given in bold. Numbers in italics Armenian, Armenians 25, 189, 192, Balkapanı Han 132 are picture references. 193, 241–42, 258, 278; (Cemetery) Baltalimanı 258 268; (Patriarchate) 192 Balyan family of architects 34, 161, 193; Arnavutköy 255 (burial place of) 268 A Alexander, emperor 67 Arsenal (see Tersane) Balyan, Karabet 34, 247 Abdülaziz, sultan 23, 72, 215, 251; Alexander the Great 7; (sculptures of) 96 Ashkenazi Synagogue 228 Balyan, Kirkor 34, 234 (burial place of) 117 Alexander Sarcophagus 94, 95 Astronomer, office of 42 Balyan, Nikoğos 34, 246, 247, 249, Abdülhamit I, sultan 23, 118; (burial Alexius I, emperor 13, 282 At Meydanı (see Hippodrome) 252, 255, 274, 275 place of) 43 Alexius II, emperor 14 Atatürk 24, 42, 146, 237, 248; Balyan, Sarkis 34, 83, 247, 258, 272, Abdülhamit II, sultan 23, 251, 252, Alexius III, emperor 14 (Cultural Centre) 242; (Museum) 243; 267 278; (burial place of) 117 Alexius IV, emperor 15 (statue of) 103 Bank, Ottoman 227 Abdülmecit I, sultan 71, 93, 161, 164, Alexius V, emperor 15 Atik Ali Pasha 171; (mosque of) 119 Barbarossa, pirate and admiral 152, 247; (burial place of) 162 Ali Pasha of Çorlu, külliye of 119–20 Atik Mustafa Paşa Camii 216 250, 250; (burial place of) 250; Abdülmecit II, last caliph 24 Ali Sufi, calligrapher 157, 158 Atik Sinan, architect 130, 155, 212; (ensign -
Isabey Camii
Elektronik Sosyal Bilimler Dergisi® www.esosder.org Electronic Journal of Social Sciences® ISSN:1304-0278 Temmuz/July(2020) - Cilt/Volume:19 - Sayı/Issue:75 (1461-1474) ESKİGEDİZ (KÜTAHYA) İSABEY CAMİİ ESKİGEDİZ (KÜTAHYA) İSABEY MOSQUE Türkan ACAR1 Öz İsabey Camii, Kütahya/Eskigediz beldesinde, İsmetpaşa Mahallesi’ndedir. Kentsel Sit sınırları içerisinde yer alan İsabey Camii (Bodur Camii), Bursa Kültür ve Tabiat Varlıklarını Koruma Bölge Kurulu tarafından 02.07.1992 tarih ve 1945 sayılı karar ile korunması gerekli kültür varlığı olarak tescil edilmiştir. Yapının restorasyonu, 2008 yılında Vakıflar Genel Müdürlüğü tarafından yapılmıştır. İsabey Camii, fevkani bir camidir. Yapı, alt katındaki odalar, ahşap tavanlı bir harim, son cemaat yeri ve minareden meydana gelmektedir. Yapının dış beden duvarları sıvalı ve boyalıdır. Harim ve son cemaat yeri alaturka kiremit kaplı kırma bir çatı ile örtülüdür. İnşa kitabesi olmayan cami, 16. yüzyıla tarihlenmektedir. İsabey Camii’nde harim, Ege ve Karadeniz bölgesinde sıklıkla uygulanan ahşap tavanlı, bağdadi kubbelidir. Bezeme repertuarı olarak oldukça sade bir düzenlemeye sahip olan yapı kırsal mimarinin tipik örneklerinden biridir. Çalışmada, yerinde incelenen İsabey Camii’nin plan ve mekan kurgusu, Sanat Tarihi metodolojisiyle tanıtılmış ve Anadolu’da Türk döneminde inşa edilmiş camiler içerisindeki yerleri tartışılmıştır. Anahtar Kelimeler: Kütahya, Eskigediz, İsabey Camii, Cami, Kubbe. Abstract Isabey Mosque is located in İsmetpasa District of Kütahya/Eskigediz. The İsabey Mosque (Bodur Mosque), which is located within the boundaries of the Urban Site, has been registered by the Bursa Regional Council for the Conservation of Cultural and Natural Property as a cultural asset to be protected by the decision no. 1945 dated 02.07.1992. The restoration of the building was carried out in 2008 by the General Directorate of Foundations. -
Women and Power: Female Patrons of Architecture in 16Th and 17Th Century Istanbul1
Women and Power: Female Patrons of Architecture in 16th and 17th Century Istanbul1 Firuzan Melike Sümertas ̧ Anadolu University, Eskisehir, ̧ TÜRKlYE ̇ The aim of this paper is to discuss and illustrate the visibility of Ottoman imperial women in relation to their spatial presence and contribution to the architecture and cityscape of sixteenth and seventeenth century Istanbul. The central premise of the study is that the Ottoman imperial women assumed and exercised power and influence by various means but became publicly visible and acknowledged more through architectural patronage. The focus is on Istanbul and a group of buildings and complexes built under the sponsorship of court women who resided in the Harem section of Topkapı Palace. The case studies built in Istanbul in the sixteenth and seventeenth centuries are examined in terms of their location in the city, the layout of the complexes, the placement and plan of the individual buildings, their orientation, mass characteristics and structural properties. It is discussed whether female patronage had any recognizable consequences on the Ottoman Classical Architecture, and whether female patrons had any impact on the building process, selection of the site and architecture. These complexes, in addition, are discussed as physical manifestation and representation of imperial female power. Accordingly it is argued that, they functioned not only as urban regeneration projects but also as a means to enhance and make imperial female identity visible in a monumental scale to large masses in different parts of the capital. Introduction Historical study, since the last quarter of the 20th The study first summarizes outlines the role of women century has concentrated on recognizing, defining, in the Ottoman society. -
Turkish-Islamic Art in Pre-Ottoman Anatolia
The Ottomans | Turkish-Islamic Art in Pre-Ottoman Anatolia ‘Following the Battle of Manzikert, Anatolia saw a new political, religious and social formation.’ Following the Battle of Manzikert in 463 / 1071, Anatolia saw the rise of a new political, religious and social formation next to the centuries-old Byzantine Empire. This was the Turks, who had started their journey from the Steppes of Asia, founded the Great Seljuq Empire in Iran, and then settled in Anatolia. Name: Star tiles Dynasty: During the reign of Sultan Alaaddin ('Ala al-Din) Keykubad I (r. hegira 616–35 / AD 1220–37) Anatolian Seljuq Details: Karatay Madrasa Tile Museum Konya, Turkey Justification: The double-headed eagle bears a cartouche inscription representing Sultan Alaaddin Keykubad, symbolising his power. Name: Great Mosque (Ulu Cami) Dynasty: Hegira first half of the 5th century / AD 11th century Anatolian Seljuq / Artuqid Details: Diyarbak#r, Turkey Justification: One of the oldest mosques in Anatolia built by Turks, it mirrors the layout of the Umayyad Mosque in Damascus. Name: Coin (dirham) Dynasty: Hegira 646–7 / AD 1248–9 Anatolian Seljuq Details: The British Museum London, England, United Kingdom Justification: Important documentation for the legitimacy of the sultanate of the Seljuq sultans. Name: Alaaddin Mosque Dynasty: Construction began during the reign of Sultan Mesud [Mas'ud] I (hegira 510 / AD 1116) and was completed during the reign of Sultan Alaaddin Keykubad ['Ala al- Din Kay Qubadh] I (hegira 635 / AD 1237) Anatolian Seljuq Details: Konya, Turkey Justification: This royal mosque in Konya, the capital of the Anatolian Seljuqs, employs numerous re-used columns.. -
The Pertevniyal Valide Sultan Mosque.Pdf
Paper prepared for the Third Euroacademia Forum of Critical Studies Asking Big Questions Again Florence, 6–7 February 2015 This paper is a draft Please do not cite 1 The Pertevniyal Valide Sultan Camii: “An Auspicious Building On An Auspicious Site” Bahar Yolac Pollock, Phd candidate Koc University, Istanbul Abstract The Pertevniyal Valide Sultan Mosque was inaugurated in 1871 by the mother of Sultan Abdülaziz (r. 1861-1876). It was the last example of the long Ottoman tradition of royal mosque complexes, but neither twentieth-century urban developers nor historians of Ottoman art have had much regard for this monument, likely because the decoration and tectonic structure of the mosque reflect a vast span of Ottoman, Moorish, Gothic and Renaissance styles. The amalgamation of these styles was often condemned in the old paradigm of Ottoman architectural history as a garish hodgepodge lacking the grandeur of classical Ottoman architecture. This paper will examine why and how such preferences emerged and establish what Michael Baxandall has called the “period eye.” Furthermore, I will investigate a point that Ottoman art historians who have explained the choice of style have omitted: nowhere do they mention the importance of the site for the valide sultan and the imperial family. My paper will thus contextualize the complex within the larger nineteenth-century urban fabric and the socio-political circumstances to elucidate better its function and significance. Overall I argue that the rich hybridity of the building together with the choice of its location was intended to testify to the powerful dynastic presence during particularly tumultuous years of the empire, while also projecting the aspirations of a strong female figure of the Ottoman dynasty. -
Courtyards and Ottoman Mosques in the 15Th and 16Th Centuries: Symbolism, Mimesis and Demise
ITU A|Z • Vol 12 No 2 • July 2015 • 35-48 Courtyards and Ottoman mosques in the 15th and 16th centuries: Symbolism, mimesis and demise Satoshi KAWAMOTO [email protected] • JSPS research fellow at Tokyo University of Foreign Studies, Tokyo, Japan Received: January 2015 Final Acceptance: April 2015 Abstract Te frst aim of this paper is to describe the emergence of courtyards in Otto- man sultanic mosques in the ffeenth century and discuss the background of this pivotal transition. Te reception of courtyards in Ottoman mosques dates back to A.H. 841(1437), Üç Şerefeli Cami in Edirne. Te fact that Eyüp Sultan Camii in Istanbul was the second sultanic mosque with a courtyard indicates the royal sym- bolism of courtyard at a mosque, since the one in Eyüp functioned as the stage of sword girding (kılıç kuşanma) ceremonial of newly enthroned sultans. Secondly, in order to afrm that only sultans could construct mosques with courtyards, a few exceptional non-sultanic mosques with courtyards are exam- ined. Tese pseudo-courtyards, were merely extensions which was a clever solu- tion for non-sultanic benefactors. Finally, it is analysed how Sinan prepared a formula for courtyards in mosques for his non-sultanic patrons in the sixteenth century. He adopted an existing “mosque and madrasa” style for these patrons, but carefully alluded to the dif- ference between the mosque section and the madrasa. However, it was also Si- nan who abandoned this meticulous design and started building mosques with courtyards for non-sultanic patrons in a sultanic manner in 1580s. Te demise of courtyards as a symbol of the omnipotent sultan coincided with the political upheaval of the dynasty. -
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I Ntroduction
Cambridge University Press 978-0-521-77257-0 - Byzantine Monuments of Istanbul John Freely and Ahmet S. Cakmak Excerpt More information _ I NTRODUCTION his is the story of the Byzantine monuments of Istanbul, the city known to Tthe Greeks as Constantinople, the ancient Byzantium. Constantinople was, for more than a thousand years, capital of the Byzantine Empire, which in its earlier period, from the fourth to the sixth century,was synonomous with the Roman Empire. During those centuries, the religion of the empire changed from pagan to Christian and its language from Latin to Greek, giving rise to the cul- ture that in later times was called Byzantine, from the ancient name of its capital. As the great churchman Gennadius was to say in the mid-fifteenth century,when the empire had come to an end,“Though I am a Hellene by speech yet I would never say that I was a Hellene, for I do not believe as Hellenes believe. I should like to take my name from my faith, and if anyone asks me what I am, I answer, ‘A Christian.’Though my father dwelt in Thessaly, I do not call myself a Thes- salian, but a Byzantine, for I am of Byzantium.”1 The surviving Byzantine monuments of Istanbul include more than a score of churches, most notably Hagia Sophia. Other extant monuments include the great land walls of the city and fragments of its sea walls; the remains of two or three palaces; a fortified port; three commemorative columns and the base of a fourth; two huge subterranean cisterns and several smaller ones; three enormous reservoirs; an aqueduct; a number of fragmentary ruins; and part of the Hippo- drome, the city’s oldest monument and the only one that can surely be assigned to ancient Byzantium.