DOCSLIB.ORG

JEAN MILLS [email protected]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
JEAN MILLS Millsj7@Gmail.Com JEAN MILLS [email protected]; [email protected] EDUCATION 9/2007 Ph.D. in English, The Graduate Center of The City University of New York. Specializing in Virginia Woolf, Modernism, 20th century women writers, feminist theory, visual pedagogies. Dissertation: Goddesses and Ghosts: Virginia Woolf and Jane Ellen Harrison. (Director: Jane Marcus, Distinguished Professor of English; Committee Members: Wayne Koestenbaum, Distinguished Professor of English; Blanche Wiesen Cook, Distinguished Professor of History 12/2007 Women’s Studies Certificate, The Graduate Center of The City University of New York. 5/2006 M.Phil. in English, The Graduate Center of The City University of New York. 1979-1983 B.A. in English, magna cum laude, Mary Lyon Scholar, Mount Holyoke College, South Hadley, Massachusetts. WORKS IN PROGRESS: [Under Contract-Ohio State University Press] Virginia Woolf, Jane Ellen Harrison, and the Spirit of Modernist Classicism. Completed manuscript. Cross-reads the work of Cambridge Classicist, Jane Ellen Harrison, with the work of Virginia Woolf to argue for a distinct feminist expansion of modernism, which I characterize as “transpersonal” in nature, a relationship of shared objectives, politics, and ideals. Publication forthcoming for Ohio State University Press’s Classical Memories/Modernist Identities Series editors at Ohio State University Press. “Girls’ School Novels as Modernist Feminist Tradition” which argues that three novels, Antonia White’s Frost in May; Kate O’Brien’s The Land of Spices; and Rosemary Manning’s The Chinese Garden comprise a modernist, feminist tradition as an alternative to the universal coming-of-age boy school stories, such as James Joyce’s Dubliners, commonly taught, respected, and learned in undergraduate classrooms today. Article currently under submission for The Symonds Prize in Gender and Sexuality Studies (December 2012). 1924: A Year in the Life of Virginia Woolf. I am currently working on a non-fiction book project for a general audience. This is a micro-history of a single year, which reads 1924 as a fulcrum year for Woolf, whose creativity was decisively fuelled and furthered by her own contemporary times. Formal proposal has been completed and is currently under review with a literary agent. Intensive work will begin Spring 2013. 1 | Page The White Narcissus: Virginia Woolf and Sigmund Freud in an Age of Insanity. This project, currently in the research stage, uses Virginia Woolf’s 28 January 1939 meeting with Sigmund Freud as a springboard for discussing Woolf, Freud, and their views and theories about each other and about the rise of political fascism in the late 1930’s. Seeking grant support by Summer 2013. “Of the Nymph and the Noun: Jane Harrison, Janet Case, and Virginia Woolf’s Greek Education,” which explores the pedagogical connections between Harrison, Case, and Woolf and their respective and related re-reading of the Greeks. Currently under review at The Philological Review (since January 2012). Three Waste Lands (with Jane Marcus). New feminist interpretations and annotations of T.S. Eliot’s The Waste Land, Hope Mirrlees’ Paris, and Nancy Cunard’s Parallax. I recently received a third PSC Grant for completing this project. We have a draft of our introduction. Annotations are nearly completed. I used the grant to research the newly created Hope Mirrlees Archive at Newnham College, Cambridge University, in Summer 2011. Final drafts to be completed by Summer 2013. PUBLICATIONS: [Paperback Edition, Fall 2012] “The Writer, the Prince and the Scholar: Virginia Woolf, D.S. Mirsky, and Jane Harrison’s Russian Translation of The Life of the Archpriest Avvakum, by Himself—A Revaluation of the Radical Politics of the Hogarth Press” in Leonard and Virginia Woolf: The Hogarth Press and the Networks of Modernism. Edited by Helen Southworth. Edinburgh, Scotland: Edinburgh University Press: 233-272. “The Writer, the Prince and the Scholar: Virginia Woolf, D.S. Mirsky, and Jane Harrison’s Russian Translation of The Life of the Archpriest Avvakum, by Himself—A Revaluation of the Radical Politics of the Hogarth Press” in Leonard and Virginia Woolf: The Hogarth Press and the Networks of Modernism. Edited by Helen Southworth. Edinburgh, Scotland: Edinburgh University Press, 2010. 233-272. “Your iPod, Your Art Museum.” Academe (May/June 2009). 23-25. “Three Guineas: The Movie?—Reading Virginia Woolf’s Pacifist Manifesto as Photographic Theory.” The Virginia Woolf Miscellany. 74: (Fall/Winter 2008). 19-21. “Gertrude on the Block: Writing, Love, and Fame in Stanzas in Meditation.” Philological Quarterly. 83.2 (Fall 2006): 197-210. (Received The Florence Howe Award for Outstanding Feminist Scholarship); Rptd. in Diversifying the Discourse: The Florence Howe Award for Outstanding Feminist Scholarship. Eds. Suzuki, Mihoko and Roseanna Lewis Dufault. New York: Modern Language Association of America Press, (forthcoming). 2 | Page “Violence into Speech: Lessons from the Homefront in Virginia Woolf’s Three Guineas.” HOW 2: A Journal of Modernist Scholarship in “Alerts: New Scholarly Finds.” 2.3 (Spring 2005). 1-14. “Gertrude Stein, The Great, Great Grand M/F of Rap: ‘Four Saints in Three Acts’ and the Rap/Hip-Hop/Spoken Word Aesthetic.” Americana: Journal of American Popular Culture from 1900- present. 2.1 (Spring 2003). “‘The Unbounded Whole’: Harrisonian Ritual Structures in Virginia Woolf’s Night and Day.” The Virginia Woolf Miscellany. (Summer 2006): 6-7. “Women Creating Change: Dignity, Financial Literacy, & Food, Glorious Food!: The Legacy of Kathy Goldman.” Affilia: The Journal of Women and Social Work. 19.3 (Fall 2004): 317-321. “Gertrude Stein took WWII Like a Man.” Harvard’s Gay & Lesbian Review Worldwide. X.2 (March-April 2003): 16-18. “On Ruth Gruber’s Virginia Woolf: The Will to Create as a Woman (Carroll & Graf, 2005)” The Virginia Woolf Miscellany. (Summer 2006): 14-15. (Book review). “The Gay and Lesbian Parent Olympics.” InsideOut (March-April 2004). “Lesbian Parenting.” The Scene (Spring 2002). “Why Are We So Mean to Poor People.” The Scene. (Spring 2002). “Enjoying the Apocalypse.” The Fifth Street Review (Fall 2002) (short story). Moments with Jackie: A photographic tribute to Jacqueline Kennedy Onassis. New York: Metro Books, 1999. Cabot, Laurie with Jean Mills. The Witch in Every Woman: Reawakening the Magical Nature of the Feminine to Heal, Protect, Create, and Empower. New York: Dell, 1997. Cabot, Laurie with Jean Mills. Celebrate the Earth: A Year of Holidays in the Pagan Tradition. New York: Dell, 1994. Babyworks: Every Parent’s Sourcebook for Essential Baby Paraphernalia. New York: Viking Press, 1985 [out of print]. 3 | Page AWARDS and GRANT ACTIVITY NEH Grant ($5,000) Modernist “tour guide” for podcast script “Make it New: Modernist Visions” for a tour of MoMA for “Making Objects Speak” project, Elisabeth Gitter, Primary Investigator. Spring 2008. PSC Grant, CUNY (Awarded $2800) for research on Three Waste Lands: New Feminist Interpretations of T.S. Eliot’s The Waste Land, Hope Mirrlees’ Paris, and Nancy Cunard’s Parallax, with special emphasis on the Hope Mirrlees Archive, Newnham College Cambridge University. Received Spring 2010. PSC Grant, CUNY (Awarded $2800) for final phase of research on Goddesses and Ghosts: Virginia Woolf and Jane Ellen Harrison. Received Spring 2009. PSC Grant, CUNY (Received $3500) for 2nd phase of research on Goddesses and Ghosts. Received Spring 2008. “Literature and Law,” NEH funded Seminars for Faculty Development, F’08-S’09. The Robert Adams Day Prize for the Best Dissertation Involving Interdisciplinary Work. The Graduate Center, The City University of New York, May 2008. The Carolyn G. Heilbrun Dissertation Prize. Honorable Mention. Outstanding Feminist Dissertation in the Humanities. The Center for the Study of Women and Society. The Graduate Center of the City University of New York. June 2008. The Florence Howe Award for Outstanding Feminist Scholarship, The Women’s Caucus of the MLA, December 2006. Nina Fortin Memorial Dissertation Proposal Award, $300, Women’s Studies Department, The Graduate Center, The City University of New York, July 2006. Mario Capelloni Dissertation Fellowship, $20,000, The Graduate Center, The City University of New York, May 2006. Dissertation Research Award, $1500 in English Ph.D. Program, The Graduate Center, The City University of New York, January 2006. PUBLIC LECTURES: Invited Speaker. “Goddesses and Ghosts: Virginia Woolf and Jane Ellen Harrison in Conversation.” Part of a 3-Evening Lecture Series “Celebrating Virginia Woolf” at the Research Division of The New York Public Library, Schwartzman Auditorium, October 19, 2010. Invited Speaker. “Bloomsbury Family Values: Circles of Trust in the Life and Work of Virginia Woolf” at The Center for Modern Psychoanalytic Studies. March 6, 2009 4 | Page CONFERENCE PAPERS: “Endless War/Perpetual Peace: Virginia Woolf’s Three Guineas and the Formation of Peace Studies as a Discipline.” To Think Peace into Existence: Virginia Woolf’s Global Pacifisms. Panelist and Chair. The 22nd Annual International Conference on Virginia Woolf: Interdisciplinary Woolf. University of Saskatchewan, Canada. June 7-10th, 2012. Saskatoon, Saskatchewan, Canada. “War and Reconciliation: Three Papers on Three Guineas.” Chair. The 22nd Annual International Conference on Virginia Woolf: Interdisciplinary Woolf. University of Saskatchewan, Canada. June 7-10th, 2012. Saskatoon, Saskatchewan, Canada. “ ‘A Dash of the Bolshevik’”: Jane Harrison at the Pontigny Decades and the Russian
Load more

Recommended publications
  • Virginia Woolf, Jane Ellen Harrison, a N D T H E Spirit of Modernist Classicism
    CLASSICAL MEMORIES/MODERN IDENTITIES Paul Allen Miller and Richard H. Armstrong, Series Editors Virginia Woolf, Jane Ellen Harrison, AND THE Spirit of Modernist Classicism R Jean Mills THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright © 2014 by The Ohio State University. All rights reserved. Library of Congress Control Number 2014931257 Cover design by Mary Ann Smith Type set in Adobe Sabon Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 For Martha Lou Haag, Potnia Theron and Tenth Muse CONTENTS List of Illustrations ix Key to Titles x Acknowledgments xii INTRODUCTION Virginia Woolf, Jane Ellen Harrison, and the Spirit of Modernist Classicism: A Transpersonal Modernism 1 CHAPTER 1 Of the Nymph and the Noun: Jane Harrison, Janet Case, and Virginia Woolf’s Greek Education—From Mentorship to Transpersonal Desire 38 CHAPTER 2 The Making and Re-Making of a God(dess): Re-writing Modernism’s War Story—Feminist Ritual Structures as Transpersonal Plots 62 CHAPTER 3 Reading Transpersonally I—“Next Comes the Wife’s Room . ”: A Room of One’s Own and “Scientiae Sacra Fames” 115 CHAPTER 4 Reading Transpersonally II—Women Building Peace: Three Guineas and “Epilogue on the War: Peace with Patriotism” 134 viii CONTENTS CHAPTER 5 To Russia with Love: Literature, Language, and a Shared Ideology of the Political Left 153 AFTERWORD Modernism’s Transpersonal and: Re-connecting Women’s Lives/Women’s Work and the Politics of Recovering a Reputation 168 Bibliography 177 Index 186 LIST OF ILLUSTRATIONS FIGURE 1 Jane Harrison as a young Classics student, ca.
    [Show full text]
  • Marilyn S-.Indd
    BEARS IN BLOOMSBURY: JANE ELLEN HARRISON AND RUSSIA 117 Afternoon 118 MARILYN SCHWINN-SMITH BEARS IN BLOOMSBURY: JANE ELLEN HARRISON AND RUSSIA 119 BEARS IN BLOOMSBURY: JANE ELLEN HARRISON AND RUSSIA Marilyn Schwinn-Smith – Five Colleges [I]t is no longer within the power of the English mind - the gift may be enjoyed perhaps in Russia - to see fur grow upon smooth ears and cloven hoofs where there are ten separate toes. Virginia Woolf October 1924, the first English translation of The Life of the Archpriest Avvakum, a 17th century Russian text, was published to good reviews as the 41st imprint of The Hogarth Press.1 Avvakum joined an already impressive list of Russian titles at Hogarth, the press founded and managed by Leonard and Virginia Woolf.2 November 1926, the young publishing firm - The Nonesuch Press - issued its 35th publication, The Book of the Bear.3 Nonesuch shared neither Hogarth’s interest in Russian texts nor new authors.4 The Book of the Bear is the only translation from the Russian and one of only three children’s books among Nonesuch’s first hundred titles. Avvakum and The Book of the Bear were anomalous ventures for both these private Presses, differing though their practices and objectives were. This essay charts the course of their translator - classical archeologist turned historical anthropologist - Jane Ellen Harrison (1850-1928), and her role in facilitating a connection between the worlds of privileged Bloomsbury and impoverished Russian refugees.5 The story of how these charming, diminutive books came into the world offers a glimpse into the stark divergence between the social reality of Britain - sometimes viewed as relatively unchanged after the horrors of the Great War 6 - and that of the Russian intellectuals living in what they still believed to be a temporary exile after the cataclysmic events of revolution and civil war.
    [Show full text]
  • Virginia Woolf, Hd, Germaine Dulac, and Walter Benjamin
    LYRIC NARRATIVE IN LATE MODERNISM: VIRGINIA WOOLF, H.D., GERMAINE DULAC, AND WALTER BENJAMIN DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Cheryl Lynn Hindrichs, M.A. * * * * * The Ohio State University 2006 Dissertation Committee: Professor Sebastian Knowles, Adviser Approved by Professor Brian McHale ______________________________ Professor James Phelan Adviser Graduate Program in English ABSTRACT This dissertation redefines lyric narrative—forms of narration that fuse the associative resonance of lyric with the linear progression of narrative—as both an aesthetic mode and a strategy for responding ethically to the political challenges of the period of late modernism. Underscoring the vital role of lyric narrative as a late- modernist technique, I focus on its use during the period 1925-1945 by British writer Virginia Woolf, American expatriate poet H.D., French filmmaker Germaine Dulac, and German critic Walter Benjamin. Locating themselves as outsiders free to move across generic and national boundaries, each insisted on the importance of a dialectical vision: that is, holding in a productive tension the timeless vision of the lyric mode and the dynamic energy of narrative progression. Further, I argue that a transdisciplinary, feminist impulse informed this experimentation, leading these authors to incorporate innovations in fiction, music, cinema, and psychoanalysis. Consequently, I combine a narratological and historicist approach to reveal parallel evolutions of lyric narrative across disciplines—fiction, criticism, and film. Through an interpretive lens that uses rhetorical theory to attend to the ethical dimensions of their aesthetics, I show how Woolf’s, H.D.’s, Dulac’s, and Benjamin’s lyric narratives create unique relationships with their audiences.
    [Show full text]
  • Three Reflections on Hope Mirrlees' Paris
    Time Present The Newsletter of the T. S. Eliot Society number 74 / 75 summer / fall 2011 contents ESSAYS Essays on Mirrlees’ Paris Three Reflections on Hope Mirrlees’ Paris Nancy Gish 1 John Connor 2 We take the occasion of the Eliot Society’s first meeting in Paris as an opportunity Cyrena Pondrom 4 to (re)consider the 1919 poem by Eliot’s friend Hope Mirrlees. The first scholarly The Paris Conference 6 edition of the poem appeared in Bonnie Kime Scott’s Gender in Modernism: New Geographies (Urbana: U of Illinois P, 2007), ed. by Julia Briggs. And then, in April of Abstracts from the 2011, Pegana Press published a deluxe, hand-crafted edition of the poem limited to 50 Paris Meeting 8 copies. Readers can easily find the former edition; the latter can be purchased directly from the publisher at a reduced price of $295 plus shipping; check or money order. See Eliot News 10 abebooks.com for some views of this edition. To purchase, contact Mike Tortorello at [email protected]. Reviews 12 T. S. Eliot Bibliography Modifying Modernism: Hope Mirrlees and 2010 17 “The Really New Work of Art” Public Sightings 24 Nancy Gish University of Southern Maine Society Notes 24 Linda Lee Wyman 24 hen The Waste Land was published in 1922, it received many reviews, both good and Board Actions 25 Wbad. But whether praising or critiquing, reviewers agreed that it was a major shift Presidential Thanks 25 in poetic form, and, emphatically, new. A key example is Gilbert Seldes’s account of the poem as seeming at first remarkably disconnected and confused, with scraps, fragments, Other Conferences 26 juxtapositions, pastiche—but nonetheless revealed as having a hidden form.
    [Show full text]
  • Modernist Women Writers and Spirituality a Piercing Darkness
    Modernist Women Writers and Spirituality A Piercing Darkness Edited by elizabeth anderson, andrew radford, and heather walton Modernist Women Writers and Spirituality Andrew Radford • Heather Walton • Elizabeth Anderson Editors Modernist Women Writers and Spirituality A Piercing Darkness Editors Andrew Radford Heather Walton University of Glasgow University of Glasgow Glasgow, UK Glasgow, UK Elizabeth Anderson University of Stirling Stirling, UK ISBN 978-1-137-53035-6 ISBN 978-1-137-53036-3 (eBook) DOI 10.1057/978-1-137-53036-3 Library of Congress Control Number: 2016956652 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication.
    [Show full text]
  • Hope Mirrlees – Life and Poetry
    University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 2009 The poet and the ghosts are walking the streets: Hope Mirrlees – life and poetry Melissa Boyde University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Boyde, Melissa, The poet and the ghosts are walking the streets: Hope Mirrlees – life and poetry 2009. https://ro.uow.edu.au/artspapers/220 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The poet and the ghosts are walking the streets: Hope Mirrlees – life and poetry Hope Mirrlees (1887-1978), a British writer, was until recently perhaps best known for her fantasy novel Lud-in-the-Mist (1926) which attracted a cult following after its republication in the 1970s. She achieved a measure of celebrity as a result, attested to by the photograph of her, taken with her dog, published in a 1973 Travel and Leisure magazine with the caption: ‘A frequent guest over two decades, poet and novelist Hope Mirrlees and her pug, Fred, are very much at home in the foyer of the Basil’, a Knightsbridge hotel. i Mirrlees also wrote two other novels, a biography, several translations and a book of poetry. Early in her career she wrote what has only recently been hailed as ‘modernism's lost masterpiece’ ii a long, experimental poem Paris (1919), one of the first works published by Virginia and Leonard Woolf’s Hogarth Press.
    [Show full text]
  • Woolf in the Real World
    Woolf in the Real World Selected Papers from the Thirteenth International Conference on Virginia Woolf Woolf in the Real World Selected Papers from the Thirteenth International Conference on Virginia Woolf Smith College, Northampton, Massachusetts 5–8 June 2003 Edited by Karen V. Kukil A full-text digital version of this book is available on the Internet, at the Center for Vir- ginia Woolf Studies, California State University, Bakersfield. Go to http://www.csub.edu/ woolf_center and click the Publications link. Works produced at Clemson University by the Center for Electronic and Digital Publishing, including The South Carolina Review and its themed series “Virginia Woolf International,” may be found at our Web site: http://www. clemson.edu/caah/cedp. Contact the director at 864-656-5399 for information. Copyright 2005 by Clemson University ISBN 0-9771263-2-3 Published by Clemson University Digital Press at the Center for Electronic and Digital Publishing, Clemson University, Clemson, South Carolina. Produced at CEDP using Adobe Photoshop Elements CS, Adobe InDesign CS, and Micro- soft Word 2000. This book is set in Adobe Garamond Pro and was printed by University Printing Services, Office of Publications and Promotional Services, Clemson University. Copy editing and layout at the press by Christi Conti, assisted by Charis Chapman and Wayne Chapman (Executive Editor). To order copies, contact the Center for Electronic and Digital Publishing, Strode Tower, Box 340522, Clemson University, Clemson, South Carolina 29634-0522. An order form is available at the digital press Web site (see above) under “SCROLL” and linked to the themed issue page entitled “Virginia Woolf International.” Front cover illustration: Vanessa Bell (British 1879-1961) Virginia Woolf, ca.
    [Show full text]
  • Vol. 3 No. 4, 2013
    The Cascadia Subduc tion Z A LITERARY on QUARTERLY e October 2013 X Vol. 3. No. 4 ESSAY Seeing C.M. Kornbluth as Gender-Egalitarian by Mark Rich POEM a tipping point by Gwynne Garfinkle GRANDMOTHER MAGMA Two Eleusinian Mysteries Lud-in-the-Mist and IN THIS ISSUE Paris: A Poem by Hope Mirrlees by Michael Swanwick BOOK REVIEWS Big Mama Stories by Eleanor Arnason We See a Different Frontier edited by Fabio Fernandes and Djibril al-Ayad Caution: Contains Small Parts by Kirstyn McDermott She Walks in Darkness by Evangeline Walton One Small Step edited by Tehani Wessely Sea Change by S.M. Wheeler Ogun, Lord of the Forest, Iron, and Tools, FEATURED ARTIST ascends from the bottom of the Ocean to the top of the mountain $5.00 Luisah Teish Managing Editor Lew Gilchriist Reviews Editor VOL. 3 NO. 4 — OCTObeR 2013 Nisi Shawl ESSAY Features Editor Seeing C.M. Kornbluth as Gender-Egalitarian L. Timmel Duchamp by Mark Rich h 1 Arts Editor Kath Wilham POEM a tipping point $5.00 by Gwynne Garfinkle h 19 GRANDMOTHER MAGMA Two Eleusinian Mysteries Lud-in-the-Mist and Paris: A Poem by Hope Mirrlees by Michael Swanwick h 8 BOOK REVIEWS Sea Change by S.M. Wheeler reviewed by Nisi Shawl h 10 Big Mama Stories by Eleanor Arnason reviewed by Andrea Hairston h 12 We See a Different Frontier edited by Fabio Fernandes and Djibril al-Ayad reviewed by Cynthia Ward h 13 One Small Step edited by Tehani Wessely reviewed by Karen Burnham h 15 She Walks in Darkness by Evangeline Walton reviewed by Caren Gussoff h 16 Caution: Contains Small Parts by Kirstyn McDermott reviewed by Kiini Ibura Salaam h 18 FEATURED ARTIST Luisah Teish h 20 Subscriptions and single issues online at: To order by check, payable to: www.thecsz.com Aqueduct Press Print subscription: $16/yr; P.O.
    [Show full text]
  • The Modernist Roman À Clef and Cultural Secrets, Or I Know That You Know That I Know That You Know
    University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 2009 The Modernist roman à clef and Cultural Secrets, or I Know That You Know That I Know That You Know Melissa Boyde University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Boyde, Melissa, The Modernist roman à clef and Cultural Secrets, or I Know That You Know That I Know That You Know 2009. https://ro.uow.edu.au/artspapers/219 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Modernist roman à clef and Cultural Secrets, or I Know That You Know That I Know That You Know Melissa Boyde OMAN À CLEF, a French term meaning ‘novel with a key’, refers to fictional works in which actual people or events can be identified by a knowing Rreader, typically a member of a coterie. Seventeenth century writer and salonnière Madeleine de Scudéry (1607–1701) is attributed as the innovator of the genre creating it to disguise from the general reader the public figures whose political actions and ideas formed the basis of her fictional narratives. In taking up the genre a number of modernist women writers, including Djuna Barnes and Hope Mirrlees, reflected and reinterpreted this era in the early twentieth century avant-garde salon culture of Paris. From early on the salon had developed into ‘a tool of survival in a time of adversity’ (Kale 142) so it is no surprise that salons and coteries in modernist Paris, such as those of Gertrude Stein and Natalie Barney, flourished in a climate where lesbian/queer identities were increasingly being rendered secret in dominant medical and legal discourses.
    [Show full text]
  • High Church Mysticism in the Letters of Jane Ellen Harrison and Prolegomena to the Study of Greek Religion Margaret M
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Sacraments, Sacrifice, and Ritual: High Church Mysticism in the Letters of Jane Ellen Harrison and Prolegomena to the Study of Greek Religion Margaret M. Armstrong Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCE SACRAMENTS, SACRIFICE, AND RITUAL: HIGH CHURCH MYSTICISM IN THE LETTERS OF JANE ELLEN HARRISON AND PROLEGOMENA TO THE STUDY OF GREEK RELIGION By MARGARET M. ARMSTRONG A Dissertation submitted to the Department of Interdisciplinary Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester 2007 Copyright © 2007 Margaret Armstrong All Rights Reserved The members of the Committee approve the dissertation of Margaret M. Armstrong defended on February 16, 2007. ____________________ Barry Faulk Professor Directing Dissertation ____________________ Francis Cairns Outside Committee Member _____________________ Karen Laughlin Committee Member _____________________ Nancy B. Warren Committee Member Approved: _______________________________________ David Johnson, Chair, Department of Interdisciplinary Humanities The Office of Graduate Studies has verified and approved the above named committee members. ii To my husband, John, for his unfailing patience and support. To my mother and Shirley. To Patti Jean, my sister and best friend iii ACKNOWLEDGEMENTS I wish to thank the Principal and Fellows, Newnham College, Cambridge University for their kindness in allowing me to access the letters of Jane Ellen Harrison and for permission to use them in this dissertation. I would also like to acknowledge the kind help given to me by Anne Thomson and Pat Ackerman while I was reading Jane Harrison’s letters at the Newnham Archive.
    [Show full text]
  • De La Contrainte Merveilleuse : Poétique Et Déterminisme Dans La Fantasy Contemporaine
    UNIVERSITE RENNES 2 Mémoire de Master 2 • Littérature générale et comparée De la contrainte merveilleuse : poétique et déterminisme dans la fantasy contemporaine The Lord of the Rings, J.R.R. Tolkien, A Song of Ice and Fire, G.R.R. Martin Marie Kergoat Sous la direction de Charline Pluvinet, maîtresse de conférences, et Stéphane Jousni, maîtresse de conférences Soutenance le 11 septembre 2020, devant un jury composé de Charline Pluvinet (MCF), Stéphane Jousni (MCF) et Sylvie Bauer (PR) Année 2019 – 2020 2 3 4 « Se levant soudain, il s’écria : Tout ce qui est or ne brille pas, Ne sont pas perdus tous ceux qui vagabondent ; Ce qui est vieux mais fort ne se flétrit pas, Le gel n’atteint pas les racines profondes. Des cendres, un feu sera attisé, Une lueur des ombres surgira ; Reforgée sera l’épée qui fut brisée : Le sans-couronne redeviendra roi. » (La Fraternité de l’Anneau, p. 317) “I stood on Hadrian's Wall and tried to imagine what it would be like to be a Roman soldier sent here from Italy or Antioch. To stand here, to gaze off into the distance, not knowing what might emerge from the forest.” (G. R. R. Martin) 5 6 Sans grande originalité, je tiens à remercier en premier lieu mes directrices, Charline Pluvinet et Stéphane Jousni. La première pour son grand soutien, sa passion, ses mots et sa compréhension mille fois appréciés, qualités auxquelles s’ajoutent sa gentillesse et sa curiosité de chaque instant. La seconde pour sa gentillesse, bien entendu, sa rigueur indéfectible, aussi, et ce flot multicuturel qui semble ne jamais tarir ; mais aussi pour m’avoir transmis sa passion du mot juste.
    [Show full text]
  • Sex, Seduction and Sedition in Restoration Literature
    2016 – 2017 ENGLISH LITERATURE THIRD YEAR OPTION COURSES 1 August 2016 English Literature - Third Year Option courses SEMESTER ONE Page American Innocence p. 3 Brecht and British Theatre (NOT RUNNING THIS SESSION) p. 6 Celtic Revivals (NOT RUNNING THIS SESSION) p. 8 Cities of Words p. 10 Creative Writing: Prose * p. 12 Edinburgh in Fiction/Fiction in Edinburgh * [Visiting Students course] p. 16 Fiction and the Gothic p. 18 Ideology and Literature (NOT RUNNING THIS SESSION) p. 20 Medicine in Literature 1: Illness Narratives through History p. 22 Modernism and Empire p. 24 Modernism and the Market (NOT NOW RUNNING THIS SESSION) p. 26 Modern Scottish Fiction * p. 28 Novel and the Collapse of Humanism p. 30 The Body in Literature p. 31 The Making of Modern Fantasy (NOT RUNNING THIS SESSION) p. 34 Utopia: Imaginary Journeys from More to Orwell p. 37 Working Class Representations * p. 39 SEMESTER TWO Page American Gothic p. 42 Creative Writing: Poetry * p. 45 Edinburgh in Fiction/Fiction in Edinburgh * p. 48 Medicine in Literature 2: Medical Ethics in Literature * p. 50 Modern and Contemporary Scottish Poetry * p. 52 Mystery and Horror * p. 55 Poetry and Northern Ireland p. 57 Shakespeare’s Comedies: Identity and Illusion p. 60 Shakespeare: Modes and Genres p. 62 ‘We Are [not] Amused’: Victorian Comic Literature p. 64 Writing for Theatre: An Introduction* p. 66 * Courses with an asterisk have a Scottish emphasis. Note: Courses may be taught by staff in addition to the named course organiser. 2 English Literature - Third Year Option courses English Literature Third Year Semester One Option Course American Innocence Course Organiser: Dr Ken Millard The U.S.
    [Show full text]