Woolf in the Real World
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Clara E. Sipprell Papers
Clara E. Sipprell Papers An inventory of her papers at Syracuse University Finding aid created by: - Date: unknown Revision history: Jan 1984 additions, revised (ASD) 14 Oct 2006 converted to EAD (AMCon) Feb 2009 updated, reorganized (BMG) May 2009 updated 87-101 (MRC) 21 Sep 2017 updated after negative integration (SM) 9 May 2019 added unidentified and "House in Thetford, Vermont" (KD) extensively updated following NEDCC rehousing; Christensen 14 May 2021 correspondence added (MRC) Overview of the Collection Creator: Sipprell, Clara E. (Clara Estelle), 1885-1975. Title: Clara E. Sipprell Papers Dates: 1915-1970 Quantity: 93 linear ft. Abstract: Papers of the American photographer. Original photographs, arranged as character studies, landscapes, portraits, and still life studies. Correspondence (1929-1970), clippings, interviews, photographs of her. Portraits of Louis Adamic, Svetlana Allilueva, Van Wyck Brooks, Pearl S. Buck, Rudolf Bultmann, Charles E. Burchfield, Fyodor Chaliapin, Ralph Adams Cram, W.E.B. Du Bois, Albert Einstein, Dorothy Canfield Fisher, Ralph E. Flanders, Michel Fokine, Robert Frost, Eva Hansl, Roy Harris, Granville Hicks, Malvina Hoffman, Langston Hughes, Robinson Jeffers, Louis Krasner, Serge Koussevitzky, Luigi Lucioni, Emil Ludwig, Edwin Markham, Isamu Noguchi, Maxfield Parrish, Sergei Rachmaninoff, Eleanor Roosevelt, Dane Rudhyar, Ruth St. Denis, Otis Skinner, Ida Tarbell, Howard Thurman, Ridgely Torrence, Hendrik Van Loon, and others Language: English Repository: Special Collections Research Center, Syracuse University Libraries 222 Waverly Avenue Syracuse, NY 13244-2010 http://scrc.syr.edu Biographical History Clara E. Sipprell (1885-1975) was a Canadian-American photographer known for her landscapes and portraits of famous actors, artists, writers and scientists. Sipprell was born in Ontario, Canada, a posthumous child with five brothers. -
Bloomsbury Scientists Ii Iii
i Bloomsbury Scientists ii iii Bloomsbury Scientists Science and Art in the Wake of Darwin Michael Boulter iv First published in 2017 by UCL Press University College London Gower Street London WC1E 6BT Available to download free: www.ucl.ac.uk/ ucl- press Text © Michael Boulter, 2017 Images courtesy of Michael Boulter, 2017 A CIP catalogue record for this book is available from the British Library. This book is published under a Creative Commons Attribution Non-commercial Non-derivative 4.0 International license (CC BY-NC-ND 4.0). This license allows you to share, copy, distribute and transmit the work for personal and non-commercial use providing author and publisher attribution is clearly stated. Attribution should include the following information: Michael Boulter, Bloomsbury Scientists. London, UCL Press, 2017. https://doi.org/10.14324/111.9781787350045 Further details about Creative Commons licenses are available at http://creativecommons.org/licenses/ ISBN: 978- 1- 78735- 006- 9 (hbk) ISBN: 978- 1- 78735- 005- 2 (pbk) ISBN: 978- 1- 78735- 004- 5 (PDF) ISBN: 978- 1- 78735- 007- 6 (epub) ISBN: 978- 1- 78735- 008- 3 (mobi) ISBN: 978- 1- 78735- 009- 0 (html) DOI: https:// doi.org/ 10.14324/ 111.9781787350045 v In memory of W. G. Chaloner FRS, 1928– 2016, lecturer in palaeobotany at UCL, 1956– 72 vi vii Acknowledgements My old writing style was strongly controlled by the measured precision of my scientific discipline, evolutionary biology. It was a habit that I tried to break while working on this project, with its speculations and opinions, let alone dubious data. But my old practices of scientific rigour intentionally stopped personalities and feeling showing through. -
Virginia Woolf Miscellany, Issue 38, Spring 1992
.Vir Inia Woo r\sce an Number 38 Spring 1992 TO THE READERS: FROM THE READERS: There is so much material in this issue that I will keep the edi John Mepham of London writes that his Virginia Woolf: Criticism in torial comments to a minimum. The VWM editors have been much Focus (forthcoming, St. Martin's) with its consideration of biograph gratified by how many of you have written in volunteering to ical, modernism, feminist and philosophical questions, and an write reviews and will do our best to spread such opportunities "immense" bibliography, helps cope with much of the new material around. Please do not hesitate, however, to suggest specific books on Woolf. you might wish to review. J.J. Wilson will be editing the Fall issue (deadline Sept. 10) and, as announced in our last issue, it will be a Elizabeth Steele writes to request• that you send to her "some "theme issue," featuring short articles on writers and other artists good ideas on teaching Virginia Woolf, Bloomsbury, etc. Methods, who have been influenced by the work of Virginia Woolf. Send philosophy, outlines, queries welcomed." They could then appear material to her, c/o English Department, Sonoma State University, in a column in this publication. Her address is 3219 Cheltenham Rohnert Park, CA 94928. Road, Toledo Ohio 43606. Declaring an interest-I am a member of the board of Charleston/ U.s.A. the American support group for Vanessa Bell's and Duncan Laura Davis-Clapper announces• a computer discussion group Grant's house-I have included a note from the chair of the Board begun January 25, 1992 called "ModBrits." Mod Brits covers about the organization. -
"Three Words You Must Never Say": Roach, Rebecca; Lee, Hermione
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal "Three words you must never say": Roach, Rebecca; Lee, Hermione DOI: 10.1353/bio.2018.0023 License: Other (please specify with Rights Statement) Document Version Publisher's PDF, also known as Version of record Citation for published version (Harvard): Roach, RC & Lee, H 2018, '"Three words you must never say": Hermione Lee on Interviewing', Biography, vol. 41, no. 2, pp. 270-286. https://doi.org/10.1353/bio.2018.0023 Link to publication on Research at Birmingham portal Publisher Rights Statement: Roach, Rebecca. ""Three words you must never say": Hermione Lee on Interviewing." Biography, vol. 41 no. 2, 2018, pp. 270-286. Project MUSE, doi:10.1353/bio.2018.0023 Copyright © 2018 Biographical Research Center Published in Biography, Vol. 41 No. 2 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. -
Virginia Woolf, Jane Ellen Harrison, a N D T H E Spirit of Modernist Classicism
CLASSICAL MEMORIES/MODERN IDENTITIES Paul Allen Miller and Richard H. Armstrong, Series Editors Virginia Woolf, Jane Ellen Harrison, AND THE Spirit of Modernist Classicism R Jean Mills THE OHIO STATE UNIVERSITY PRESS COLUMBUS Copyright © 2014 by The Ohio State University. All rights reserved. Library of Congress Control Number 2014931257 Cover design by Mary Ann Smith Type set in Adobe Sabon Printed by Thomson-Shore, Inc. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials. ANSI Z39.48–1992. 9 8 7 6 5 4 3 2 1 For Martha Lou Haag, Potnia Theron and Tenth Muse CONTENTS List of Illustrations ix Key to Titles x Acknowledgments xii INTRODUCTION Virginia Woolf, Jane Ellen Harrison, and the Spirit of Modernist Classicism: A Transpersonal Modernism 1 CHAPTER 1 Of the Nymph and the Noun: Jane Harrison, Janet Case, and Virginia Woolf’s Greek Education—From Mentorship to Transpersonal Desire 38 CHAPTER 2 The Making and Re-Making of a God(dess): Re-writing Modernism’s War Story—Feminist Ritual Structures as Transpersonal Plots 62 CHAPTER 3 Reading Transpersonally I—“Next Comes the Wife’s Room . ”: A Room of One’s Own and “Scientiae Sacra Fames” 115 CHAPTER 4 Reading Transpersonally II—Women Building Peace: Three Guineas and “Epilogue on the War: Peace with Patriotism” 134 viii CONTENTS CHAPTER 5 To Russia with Love: Literature, Language, and a Shared Ideology of the Political Left 153 AFTERWORD Modernism’s Transpersonal and: Re-connecting Women’s Lives/Women’s Work and the Politics of Recovering a Reputation 168 Bibliography 177 Index 186 LIST OF ILLUSTRATIONS FIGURE 1 Jane Harrison as a young Classics student, ca. -
The Posthumanistic Theater of the Bloomsbury Group
Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2019 In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group Christina A. Barber IDSVA Follow this and additional works at: https://digitalmaine.com/academic Recommended Citation Barber, Christina A., "In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group" (2019). Academic Research and Dissertations. 29. https://digitalmaine.com/academic/29 This Text is brought to you for free and open access by the Maine State Library Special Collections at Digital Maine. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Digital Maine. For more information, please contact [email protected]. IN THE MOUTH OF THE WOOLF: THE POSTHUMANISTIC THEATER OF THE BLOOMSBURY GROUP Christina Anne Barber Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy August, 2019 ii Accepted by the faculty at the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Simonetta Moro, PhD Director of School & Vice President for Academic Affairs Institute for Doctoral Studies in the Visual Arts Committee Member: George Smith, PhD Founder & President Institute for Doctoral Studies in the Visual Arts Committee Member: Conny Bogaard, PhD Executive Director Western Kansas Community Foundation iii © 2019 Christina Anne Barber ALL RIGHTS RESERVED iv Mother of Romans, joy of gods and men, Venus, life-giver, who under planet and star visits the ship-clad sea, the grain-clothed land always, for through you all that’s born and breathes is gotten, created, brought forth to see the sun, Lady, the storms and clouds of heaven shun you, You and your advent; Earth, sweet magic-maker, sends up her flowers for you, broad Ocean smiles, and peace glows in the light that fills the sky. -
November 2-5 2017
LITERARY FESTIVAL NOVEMBER 2-5 2017 An International Festival Celebrating Literature, Ideas and Creativity. CHARLESTONTOCHARLESTON.COM FOR TICKETS VISIT CHARLESTONTOCHARLESTON.COM CALL 843.723.9912 1 WELCOME Welcome to an exciting new trans-Atlantic literary festival hosted by two remarkable sites named Charleston. The partnership between two locations with the same name, separated by a vast oceanic expanse, is no mere coincidence. Through the past several centuries, both Charleston, SC and Charleston, Sussex have been home to extraordinary scholars, authors and artists. A collaborative literary festival is a natural and timely expression of their shared legacies. UK © C Luke Charleston, Established in 1748, the Charleston Library Society is the oldest cultural institution in the South and the country’s second oldest circulating library. Boasting four signers of the Declaration of Independence and hosting recent presentations by internationally acclaimed scholars such as David McCullough, Jon Meacham, and Justice Sandra Day O’Connor, its collections and programs reflect the history of intellectual curiosity in America. The Charleston Farmhouse in Sussex, England was home to the A Hesslenberg Charleston © Festival famed Bloomsbury group - influential, forward-looking artists, writers, and thinkers, including Virginia Woolf, John Maynard Keynes, Vanessa Bell, Duncan Grant and frequent guests Benjamin Britten, E.M. Forster and T.S. Eliot. For almost thirty years, Charleston has offered one of the most well-respected literary festivals in Europe, where innovation and inspiration thrive. This year’s Charleston to Charleston Literary Festival inaugurates a partnership dedicated to literature, ideas, and creativity. With venues as historic as the society itself, the new festival will share Charleston’s famed Southern hospitality while offering vibrant insights from contemporary speakers from around the globe. -
Some Pioneer Families of Wisconsin
.. .... -. ,. .. ,. ......i ......- -- SOME PIONEER FAMILIES OF WISCONSIN - An Index - edited by Betty Patterson A Bicentennial Project of the Wisconsin State Genealogical Society, Inc. Madison, Wisconsin 1977 Copyright@1977, Wisconsin State Genealogical Society, Inc. Library of Congress Cata log Card No.: 77-11739 PUBLISHED BY THE WISCONSIN STATE c;:+ICAL SOCIETY INC. PRINTED IN THE UNITED STATES OF AMERICA BY .•.• tht: PRINl'shop OF DIXON, ILLINOIS ' ' This little book is dedicated to those who have sensed the thrill of unraveling their family mystery stories and the quiet satisfaction that comes from traveling vicariously with generations of grandparents long unknown. It is hoped that, at least in Wisconsin, it may make their searching a little easier. ERRATA II p. 2, Line 31 should read: "Spelling was an imprecise art in times past, Line 38 should read: 11 Jorndt, while the other (Fern Smith, #1815 .... 11 p. 126, Lines 70, 71, & 72, the spouses in column 4 should be Ann Eliza Taylor, George J. Beach, and Edward L. Myers. Background of the Pioneer and Century Certificate Project Even before the impetus of the Bicentennial year and the appearance of Alex Haley's Roots, more and more people were becoming interested in genealogy. Fifty years ago, the word was apt to mean an exercise aimed at qualifying for membership in an exclusive society. Today, its meaning has broadened to acconnnodate an increased awareness of the value of family and national heritages. Realization has come, too, that in a time of great social change, the knowledge of these--placing the individual, as it were, in a context--can stabilize and illuminate the sense of self. -
From Stage to Page with Author Hermione Lee & Actor Fiona Reid
TORONTO INTERNATIONAL FESTIVAL OF AUTHORS ANNOUNCES TOM STOPPARD: FROM STAGE TO PAGE WITH AUTHOR HERMIONE LEE & ACTOR FIONA REID This free, virtual event will take place live on March 6 and feature scene performances of Stoppard’s best-known work Toronto, February 23, 2021 – The Toronto International Festival of Authors (TIFA) is pleased to announce the innovative interview and performance event Tom Stoppard: From Stage to Page with Hermione Lee, which will stream live and for free with registration on March 6, 2021 at 3pm (ET) on FestivalofAuthors.ca. The event will feature leading literary biographer Hermione Lee joined in conversation with acclaimed Canadian actor Fiona Reid to discuss Lee’s newest book, Tom Stoppard: A Life (Knopf 2021). The pair will explore Lee’s biography of Stoppard, who has been hailed widely as the world’s greatest living playwright, and discuss Lee’s first experience documenting a living subject. Punctuating the conversation and representing Stoppard’s broad oeuvre, will be a selection of pre- recorded scene performances directed by David Storch, presented in partnership with Canadian Stage. Tom Stoppard’s career spans twentieth century theatre and cinema, from his first produced stage play, the iconic Rosencrantz and Guildenstern Are Dead in 1966, and the success of the film Shakespeare in Love in 1998 (co-written with Marc Norman), to his last and most autobiographical 235 Queens Quay West, Toronto ON M5J 2G8 Canada | Registered Charity #881940985RR000 Page 1/3 work Leopoldstadt, performed on stage in early 2020. Lee will share her insights on Stoppard, derived from documenting the elusive and private man through her exploratory conversations with him directly, and her unprecedented access to his private papers and countless interviews with famous figures who knew him, including Felicity Kendal and Steven Spielberg. -
Blue and Golden RWU Celebrates 50Th Anniversary Slwah Cournuyer News Editor
Roger Williams University DOCS@RWU Hawk's Herald Student Publications 3-3-2006 Hawks' Herald -- March 3, 2006 Roger Williams University Follow this and additional works at: http://docs.rwu.edu/hawk_herald Part of the Education Commons Recommended Citation Roger Williams University, "Hawks' Herald -- March 3, 2006" (2006). Hawk's Herald. Paper 46. http://docs.rwu.edu/hawk_herald/46 This News Article is brought to you for free and open access by the Student Publications at DOCS@RWU. It has been accepted for inclusion in Hawk's Herald by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. the independent student newSp8p@ a I ~ Blue and Golden RWU celebrates 50th anniversary Slwah Cournuyer News Editor Recognizing our Past, Celebrating Ollr Prescnt, Building our Futllrc is the slog~n for lhe 50th Y~llr of Roger Williams University. On Thursday, Febnlllry 23. th~' anniversary ofRWU. friends uflhc univer sity. students. faculty. alulllni. slaff ,1lld politicians eclc-bralcd the event. According to university estimates, over GOO people werc in attendance. PrcsidL'J\t Roy Nin;chl'1 opened his speech wilh Ihese words. "50 years ago today. our founding f;llhcn; decided lhal this Slale needed a junior college:' "\ remember wh..::n RWU began at the YMCA, and now il has moved to one of lhe most beautiful localions:' said Governor Donald Carderi. "fRWUI is one ".101 ,~r aro" orlbe mosl rapidly growing universilies in Aboue: Gou(mlOr Donald Carcieri speaks at the 50th A nnilJt:/"sw'Y kickoffcueJlt at the Ihe nation." Biltl11U1'I! Ilotdlm 'I1ml"sday, Febnwry 23, Left: The clock tower displays the new 50th The chairm<ln of the Board. -
Dorothy Todd's Modernist Experiment in British Vogue, 1922 -1926, by Amanda
This work is protected by copyright and other intellectual property rights and duplication or sale of all or part is not permitted, except that material may be duplicated by you for research, private study, criticism/review or educational purposes. Electronic or print copies are for your own personal, non- commercial use and shall not be passed to any other individual. No quotation may be published without proper acknowledgement. For any other use, or to quote extensively from the work, permission must be obtained from the copyright holder/s. “A plea for a renaissance”: Dorothy Todd’s Modernist experiment in British Vogue, 1922 -1926 Figure 1 Amanda Juliet Carrod A thesis submitted for the degree of Doctor of Philosophy in English Literature June 2015 Keele University Abstract This is not a fashion paper: Modernism, Dorothy Todd and British Vogue "Style is thinking."1 In 1922, six years after its initial inception in England, Vogue magazine began to be edited by Dorothy Todd. Her spell in charge of the already renowned magazine, which had begun its life in America in 1892, lasted until only 1926. These years represent somewhat of an anomaly in the flawless history of the world's most famous fashion magazine, and study of the editions from this era reveal a Vogue that few would expect. Dorothy Todd, the most enigmatic and undocumented figure in the history of the magazine and, arguably within the sphere of popular publications in general, used Vogue as the vehicle through which to promote the innovative forms in art and literature that were emerging at the beginning of the twentieth century. -
Marilyn S-.Indd
BEARS IN BLOOMSBURY: JANE ELLEN HARRISON AND RUSSIA 117 Afternoon 118 MARILYN SCHWINN-SMITH BEARS IN BLOOMSBURY: JANE ELLEN HARRISON AND RUSSIA 119 BEARS IN BLOOMSBURY: JANE ELLEN HARRISON AND RUSSIA Marilyn Schwinn-Smith – Five Colleges [I]t is no longer within the power of the English mind - the gift may be enjoyed perhaps in Russia - to see fur grow upon smooth ears and cloven hoofs where there are ten separate toes. Virginia Woolf October 1924, the first English translation of The Life of the Archpriest Avvakum, a 17th century Russian text, was published to good reviews as the 41st imprint of The Hogarth Press.1 Avvakum joined an already impressive list of Russian titles at Hogarth, the press founded and managed by Leonard and Virginia Woolf.2 November 1926, the young publishing firm - The Nonesuch Press - issued its 35th publication, The Book of the Bear.3 Nonesuch shared neither Hogarth’s interest in Russian texts nor new authors.4 The Book of the Bear is the only translation from the Russian and one of only three children’s books among Nonesuch’s first hundred titles. Avvakum and The Book of the Bear were anomalous ventures for both these private Presses, differing though their practices and objectives were. This essay charts the course of their translator - classical archeologist turned historical anthropologist - Jane Ellen Harrison (1850-1928), and her role in facilitating a connection between the worlds of privileged Bloomsbury and impoverished Russian refugees.5 The story of how these charming, diminutive books came into the world offers a glimpse into the stark divergence between the social reality of Britain - sometimes viewed as relatively unchanged after the horrors of the Great War 6 - and that of the Russian intellectuals living in what they still believed to be a temporary exile after the cataclysmic events of revolution and civil war.