From Stage to Page with Author Hermione Lee & Actor Fiona Reid
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"Three Words You Must Never Say": Roach, Rebecca; Lee, Hermione
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Birmingham Research Portal "Three words you must never say": Roach, Rebecca; Lee, Hermione DOI: 10.1353/bio.2018.0023 License: Other (please specify with Rights Statement) Document Version Publisher's PDF, also known as Version of record Citation for published version (Harvard): Roach, RC & Lee, H 2018, '"Three words you must never say": Hermione Lee on Interviewing', Biography, vol. 41, no. 2, pp. 270-286. https://doi.org/10.1353/bio.2018.0023 Link to publication on Research at Birmingham portal Publisher Rights Statement: Roach, Rebecca. ""Three words you must never say": Hermione Lee on Interviewing." Biography, vol. 41 no. 2, 2018, pp. 270-286. Project MUSE, doi:10.1353/bio.2018.0023 Copyright © 2018 Biographical Research Center Published in Biography, Vol. 41 No. 2 General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. -
Tom Stoppard Writer
Tom Stoppard Writer Please send all permissions and press requests to [email protected] Agents St John Donald Associate Agent Jonny Jones [email protected] +44 (0) 20 3214 0928 Anthony Jones Associate Agent Danielle Walker [email protected] +44 (0) 20 3214 0858 Rose Cobbe Assistant Florence Hyde [email protected] +44 (0) 20 3214 0957 Credits Film Production Company Notes United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] ANNA KARENINA Working Title/Universal/Focus Screenplay from the novel by 2012 Features Tolstoy Directed by Joe Wright Produced by Tim Bevan, Paul Webster with Keira Knightley, Jude Law, Aaron Taylor-Johnson *Nominated for Outstanding British Film, BAFTA 2013 ENIGMA Intermedia/Paramount Screenplay from the novel by 2001 Robert Harris Directed by Michael Apted Produced by Mick Jagger, Lorne Michaels with Kate Winslet, Dougray Scott, Saffron Burrows VATEL Legende/Miramax English adaptation 2000 Directed by Roland Joffe Produced by Alain Goldman with Uma Thurman, Gerard Depardieu, Tom Roth United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] SHAKESPEARE IN LOVE Miramax Screenplay from Marc Norman 1998 Directed by John Madden Produced by Donna Gigliotti, David Parfitt, Harvey Weinstein, Edward Zwick with Gwyneth Paltrow and Joseph Fiennes * Winner of a South Bank Show Award for Cinema 2000 * Winner of Best Screenplay, Evening Standard -
Professor Hermione LEE
Professor Hermione LEE MA, MPHIL, FRSL, FBA, AAAS, CBE President of Wolfson College, Oxford, is a teacher, academic administrator, biographer, critic and broadcaster. She grew up in London (her father was a G.P. in central London) where she went to school at the French Lycée in London, the City of London School for Girls, and Queen’s College. She took a First class degree in English Literature from St Hilda’s College Oxford in 1968 and an M.Phil from St Cross College in 1970. She has taught at the College of William and Mary in Virginia, at the University of Liverpool (where she was given an Honorary DLitt in 2002) and at the University of York, from 1977 to 1998, where she had a personal Chair in the Department of English and Related Literature and received an Honorary DLitt in 2007. From1998 to 2008 she was the Goldsmiths’ Professor of English Literature and Fellow of New College (the first woman to hold this Chair and the first Professorial Fellow of the College) at the University of Oxford. In 1998 she was elected President of Wolfson College, Oxford. Her books include The Novels of Virginia Woolf (1977), her study of the Anglo-Irish novelist Elizabeth Bowen (1981, revised 1999), a short critical book, the first published in Britain, on Philip Roth (1982), a critical biography of the American novelist Willa Cather, Willa Cather: A Life Saved Up (1989, reissued by Virago in 2008), a major biography of Virginia Woolf (1996), a collection of essays on biography and autobiography, Body Parts: Essays on Life-Writing (2005) (published in 2005 by Princeton University Press in a shorter version as Virginia Woolf’s Nose ) and a biography of Edith Wharton (Chatto & Windus and Knopf, 2007, longlisted for the Samuel Johnson Prize and for the American Quill Awards, shortlisted for the James Tait Black Award and winner of the English Speaking Union Ambassador Award.) Her most recent publication is an Oxford University Press “Very Short Introduction” on Biography. -
Tom Stoppard
THE CAMBRIDGE COMPANION TO TOM STOPPARD EDITED BY KATHERINE E. KELLY Texas A&M University published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, UK 40 West 20th Street, New York, ny 10011-4211, USA 10 Stamford Road, Oakleigh, vic 3166, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org © Cambridge University Press 2001 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2001 Printed in the United Kingdom at the University Press, Cambridge Typeface Adobe Sabon 10/13pt System QuarkXpress® [se] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge companion to Tom Stoppard / edited by Katherine E. Kelly p. cm. Includes bibliographical references and index. isbn 0 521 64178 0 (hardback) – isbn 0 521 64592 1 (paperback) 1. Stoppard, Tom – Criticism and interpretation. I. Title: Tom Stoppard. II. Kelly, Katherine E., 1947– pr6069.t6 z615 2001 822′.914 – dc21 00-069777 isbn 0 521 64178 0 hardback isbn 0 521 64592 1 paperback CONTENTS List of illustrations page xi Notes on contributors xiii Acknowledgments xvi 1 Chronology 1 paul delaney Introduction 10 katherine e. kelly PART 1: BACKGROUND 11 Exit Tomásˇ Straüssler, enter Sir Tom Stoppard 25 paul delaney 12 In the Native State and Indian Ink 38 josephine lee PART 2: THE WORKS 13 Narrative difficulties in Lord Malquist and Mr Moon 55 peter j. -
The Iris Murdoch Review
The Iris Murdoch Review Published by the Iris Murdoch Archive Project in association with Kingston University Press Kingston University London, Penrhyn Road, Kingston Upon Thames, KT1 2EE http://fass.kingston.ac.uk/kup/ © The contributors, 2014 The views expressed in this Review are the views of the contributors and are not those of editors. Printed by Lightning Source Cover design by Chantelle Harbottle Typesetting by Chantelle Harbottle Cover image is from the Iris Murdoch Archives in Kingston University's Special Collections. © Kingston University A record of this journal is available from the British Library. The Iris Murdoch Society President Barbara Stevens Heusel, Northwest Missouri State University, Maryville, MO 64468, USA Secretary J.Robert Baker, Fairmont State University, 1201 Locust Ave, Fairmont, WV 26554, USA Lead Editor Anne Rowe, Director of the Iris Murdoch Archive Project, Kingston University, Penrhyn Road, Kingston Upon Thames, Surrey, KT1 2EE, UK. Email: [email protected] Assistant Editors Frances White. Email: [email protected] Daniel Read. Email: [email protected] Editorial Board Maria Antonaccio, Bucknell University, USA Cheryl Bove, retd, Ball State University, USA Avril Horner, Kingston University Bran Nicol, University of Surrey Priscilla Martin, St Edmund Hall, Oxford Advisor Peter J. Conradi (Emeritus Professor, Kingston University) Administrator Penny Tribe, Faculty of Arts and Social Sciences, Kingston University. Email: p.tribe@ kingston ac.uk Review Production Chantelle Harbottle The Iris Murdoch Review The Iris Murdoch Review ISSN 1756-7572 (Kingston University Press) publishes articles on the life and work of Iris Murdoch and her milieu. The Review aims to represent the breadth and eclecticism of contemporary critical approaches to Murdoch, and particularly welcomes new perspectives and contexts of inquiry. -
TOM STOPPARD AS a PLAYWRIGHT with Special Reference to Rosencrantz and Guildenstern Are Dead
Session :2019-2020 Strictly for Internal Circulation Only Lecture Notes : 01 M.A. ENGLISH SEMESTER II PAPER-V: ENGLISH SOCIETY, LITERATURE AND THOUGHT (20th CENTURY) UNIT-IV DRAMA Dr. Meenakshi Pawha Associate Professor Department of English and Modern European Languages University of Lucknow TOM STOPPARD AS A PLAYWRIGHT With special reference to Rosencrantz and Guildenstern are Dead Introduction Theatre is a living art and consequently it continually responds to the world around it. As that world changes so does theatre. Furthermore theatre is a product of human imagination; it remains as unpredictable as the minds of those who create it. In fact, “this constant interaction between human imagination and a changing cultural environment is suggestive of the ecological balance between living organisms and their biological environment.” (Hansen 6). Just as living organisms must adapt or die out, so must the art of theatre adapt. Any art lives in a balanced relationship with the society which supports it. This is especially true of theatre, an art which only happens when relatively large numbers of people are assembled at the same space at the same time. For ten years and more after the Second World War, the British theatre lived quietly with little argument; its scattered forces were reassembled and work was put on hand to restore the production lines that had been in action before hostilities began. “ Some few oddities were accommodated like a revival of verse drama (Brown 1) - but that innovation did not challenge old theatrical forms or literary felicities- and translations or adaptations of plays by Federico Garcia Lorca, Jean Giradoux and Jean Anouilh. -
Ebook Download Personal Impressions : Updated Edition
PERSONAL IMPRESSIONS : UPDATED EDITION PDF, EPUB, EBOOK Isaiah Berlin | 528 pages | 25 May 2014 | Princeton University Press | 9780691157702 | English | New Jersey, United States Personal Impressions : Updated Edition PDF Book Show More Show Less. He died in Obviously a very bright fellow speaking many languages. Welcome back. He also received the Jerusalem Prize for his writings on individual freedom. Noel Annan Afterword. This involves a systematic review of rosters, depth charts, transactions, contract data, and other resources, along with personal impressions, to identify positions of consideration and project when they could be addressed. Isaiah Berlin. For this new edition four new portraits have been added, including recollections of Virginia Woolf and Edmund Wilson. Popular Games. Book More by Isaiah Berlin See more. He met them both in Russia shortly after the war he was working for the British Foreign Service. Against Elections offers a new diagnosis — and an ancient Berlin's work on liberal theory has had a lasting influence. Moore provides a six-action navigation method for users.. Flag as inappropriate. Message Boards. Alexandra Lebedeva marked it as to-read Dec 08, See details for additional description. Want to Read saving…. It is hard to think of any other writer who is so penetrating, so amusing, and yet so entirely free of malice. Skip to main content. Published March 4th by Princeton University Press. To see what your friends thought of this book, please sign up. For this third, enlarged edition, ten new pieces have been added, including portraits of David Ben-Gurion, Maynard and Lydia Keynes, and Stephen Spender, as well as Berlin's autobiographical reflections on Jewish Oxford and his Oxford undergraduate years. -
Travesties Notes © 2009 1
Sydney Theatre Company and HWL Ebsworth Lawyers present Directed by Richard Cottrell Teacher's Resource Kit Written and compiled by Jeffrey Dawson Acknowledgements Sydney Theatre Company would like to thank the following for their invaluable material for these Teachers' Notes: Laura Scrivano, Publications Editor, STC Copyright Copyright protects this Teacher’s Resource Kit. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. Sydney Theatre Company’s Travesties Notes © 2009 1 Contents Sydney Theatre Company 3 STC Ed 4 Production Credits 5 Travesties Plot Summary 6 The Writer ‐ Tom Stoppard 8 Character Summaries 15 Activities Before the Play 18 Questions for students who haven’t read the play Questions for students who have read the play Activities After the Play 24 Questions for students who hadn’t read the play Questions for students who had read the play Bibliography ‐ Web sites 26 In addition to what’s contained in these notes, we encourage you and your students to access video interviews, images and reviews located on the Schools Day: Travesties page of the website. Sydney Theatre Company’s Travesties Notes © 2009 2 About Sydney Theatre Company Sydney Theatre Company (STC) produces theatre of the highest standard that consistently illuminates, entertains and challenges. It is committed to the engagement between the imagination of its artists and its audiences, to the development of the art form of theatre, and to excellence in all its endeavours. STC has been a major force in Australian drama since its establishment in 1978. -
Download Tom Stoppard Plays 4: Dalliance; Undiscovered Country
TOM STOPPARD PLAYS 4: DALLIANCE; UNDISCOVERED COUNTRY; ROUGH CROSSING; ON THE RAZZLE; THE SEAGULL DOWNLOAD FREE BOOK Tom Stoppard | 480 pages | 01 Dec 2000 | FABER & FABER | 9780571197507 | English | London, United Kingdom Tom Stoppard Plays 4 John Saumarez Smith Christina Foyle re. Morphet Opened at the Donmar Warehouse, London dir. Fiona Spencer Thomas Shea Series I, Correspondence, contains a small collection of correspondence. Bolt, Tim Kelsey, Tobyn Thomas Nearly all of Stoppard's major plays, screenplays, teleplays, and radio plays are represented in some form, along with many of his lesser-known works and some that were never produced. Macleod With production information and opening and closing announcements. Giles Gross, Sheila Ritchie Washington and Lee University Gressley, Johnson Among very early versions of Rosencrantz and Tom Stoppard Plays 4: Dalliance; Undiscovered Country; Rough Crossing; on the Razzle; the Seagull in the collection is a mimeograph typescript of Rosencrantz and Guildenstern Meet King Lear. Rick Elice John Mortimer Kennedy Library. Pat Osborne ByStoppard had become concerned with human rights issues, in particular with the situation of political dissidents in Eastern Europe and the Soviet Union. Typescript fragment with holograph memo from Jacky Matthews to Sarah, nd. Louis Henry Cohn of House of Books. Dawn S. Palumbo Book Shop. Photographs from the original National Theatre production, Retrieved 1 June Stoppard's father remained in Singapore as a British army volunteer, knowing that, as a doctor, he would be needed in its defence. Composite draft of typescript pages Tom Stoppard Plays 4: Dalliance; Undiscovered Country; Rough Crossing; on the Razzle; the Seagull photocopy pages of printed text, with typescript revisions taped in, nd. -
University Microfilms International300 N
INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the Him along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. Unless we meant to delete copyrighted materials that should not have been filmed, you will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photo graphed the photographer has followed a definite method in “sectioning” the material. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. 4. For any illustrations that cannot be reproduced satisfactorily by xerography, photographic prints can be purchased at additional cost and tipped into your xerographic copy. -
Hermione Lee Wins 2020 BIO Award BIO's Biographers Circle Brings Together Writers and Lovers of Biography BIO, Other Organizat
Share this: November 2019 | Volume 14 | Number 9 Hermione Lee Wins 2020 There's Still BIO Award Time! You can still register for the Editoral Excellence Award event By Justin Spring on Wednesday, November 13, Dame Hermione Lee, Emeritus honoring this year’s winner, Professor of English Literature, Ilene Smith. She will take part University of Oxford, is the winner in a panel discussion with three of the 11th annual BIO Award, a of her authors: Wendy Lesser, prize bestowed yearly by the James Kaplan, and Justin Spring. Biographers International The event, to be held at the Organization to a distinguished Skylight Room at the CUNY colleague who has made a major Graduate Center, 365 Fifth contribution to the advancement of Avenue, New York City, begins the art and craft of biography. Lee at 6:30 p.m. and includes a will receive the honor on May 16, at reception. There is no charge, the 2020 BIO Conference at the but registration is required and is Graduate Center of the City limited to 70 people. You can University of New York, where she register here. will also deliver the conference’s keynote address. One of the leading literary scholars and critics of our time, Lee is best known for her Virginia Woolf (1996), widely considered the definitive biography of that author. The book won the British Academy’s Rose Mary Crawshay Prize. First-time Comfortable with literature from both sides of the Atlantic, Lee has written Biographers, biographies of two American novelists, Edith Wharton and Willa Cather, and also Apply Now for a critical study of Philip Roth. -
Department of English Language and Literature 1
Department of English Language and Literature 1 Department of English Language and Literature Chair • Deborah Nelson Faculty • Lauren G. Berlant • Bill Brown • James K. Chandler • Maud Ellmann • Frances Ferguson • Elaine Hadley • Loren A. Kruger • Josephine McDonagh • William J. T. Mitchell • Sianne Ngai • Joshua Keith Scodel • Kenneth W. Warren • John Wilkinson • Adrienne Brown • Timothy Campbell • Patrick Jagoda • Heather Keenleyside • Ellen MacKay • John Mark Miller • Benjamin Morgan • John H. Muse • Srikanth Reddy • Lawrence Rothfield • Lisa C. Ruddick • Jennifer Scappettone • Eric Slauter • Rachel Galvin • Edgar Garcia • Timothy Harrison • Julie Orlemanski • Benjamin Saltzman • Zachary Samalin • C. Riley Snorton • Christopher Taylor • Sonali Thakkar Emeritus Faculty • David Bevington • Elizabeth Helsinger • Richard Allen Strier • William Veeder • Christina von Nolcken Postdoctoral Fellows • Lucy Alford • Sophia Azeb 2 Department of English Language and Literature • Kaneesha Parsard • Tina Post • Sarah Johnson Graduate students in English work with a distinguished faculty of critics and scholars to develop their own interests over a broad range of traditional and innovative fields of research. The program aims to help students attain a wide substantive command of British, American, and other English language literatures. In addition to specializations in the full range of chronologically defined fields, the program includes generous offerings in African American studies, Gender and Sexuality Studies, the Novel, and Media Studies. Students are also trained in textual studies, editing, literary and cultural history, and a variety of critical theories and methodologies. The interests of both faculty and students often carry through to neighboring disciplines like anthropology, sociology, history, art history, linguistics, and philosophy. The University provides a supportive environment for advanced studies of this kind.