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Book Review: Doris Kearns, Lyndon Johnson and the American Dream
Book Review: Doris Kearns, Lyndon Johnson and the American Dream September 16, 2010 Teaching American History Year Three Final Paper Chuck Myrbeck P.O. Box 1325 Dennis Port, MA 02639 1 Lyndon Johnson and the American Dream, Doris Kearns first book, published three years after LBJ’s death, present one of the first drafts of history for our thirty‐sixth President. President Johnson chose the twenty‐five year old Doris Kearns from the White House Fellows program for his staff after he shocking announced to the nation that he would not seek another term as President of the United States. The choice surprised many since the Harvard doctoral candidate had coauthored an article critical of LBJ’s Vietnam policy in the New Republic titled “How to Remove LBJ in 1968”. After his Presidency ended, he asked her to live at the LBJ ranch and help him write his autobiography, The Vantage Point. Kearns spent long weekends and breaks from her teaching of government at Harvard at the ranch with Lyndon and Lady Bird Johnson. Their relationship lasted the last five years Lyndon Baines Johnson’s life. Thesis Doris Kearns attempts to analyze the childhood, look at the conflicting demands his parents put on him and see how the larger than life personality that emerged dealt with each stage of his political rise and fall. Famed developmental psychologist and Harvard professor Erik Erikson is referred to frequently. Johnson’s motives for giving such access to his personal recollections and papers in the final stage of his life lead to speculation. “Perhaps, even at the end, Lyndon Johnson was looking, planning, for some chance to achieve that place in history that meant so much to him” (Kearns, pg. -
Euphemism in Animated Films a Multimodal And
Seeing the unseen: Euphemism in Animated Films A Multimodal and Critical Discourse Study by Dalia Abyd Asseel M.A. (Linguistics) A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in THE DEPARTMENT OF LINGUISTICS AND ENGLISH LANGUAGE LANCASTER UNIVERSITY, UK JULY 2020 Abstract Animated films are contemporary popular cultural products recreating the ‘real’ world and engaging massive worldwide audiences of adults and children. Children as the ostensible viewers of animated films may acquire their cultural and ideological knowledge and beliefs about the world from the representations in animated films. Although during the past decade animated films have increasingly been the focus of attention of researchers across different disciplines, including education, gender, sexuality and literacy, studies tackling the discourse and language of animated films are still in their early stages. More specifically, very few studies have investigated the use of euphemism as a major micro-level linguistic device reflecting macro-level discourse and extending to sociocultural structures. To this end, this thesis examines euphemism constructed through the discourse of animated films by employing the strategies of Critical Discourse Studies (CDS). Moreover, Multimodal Discourse Analysis (MDA) is employed to examine discursive strategies involving visual representations accompanying euphemism and what underpins those strategies, and to shed light on the multimodal relations between the representation of both. Euphemism is frequently associated with the notion of taboo. Consequently, new words or phrases are designated to refer to linguistic taboos as alternatives used by speakers to minimise the threat to the audience’s face as well as to their own. -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
The Place of Music, Race and Gender in Producing Appalachian Space
University of Kentucky UKnowledge Theses and Dissertations--Geography Geography 2012 PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE Deborah J. Thompson University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Thompson, Deborah J., "PERFORMING COMMUNITY: THE PLACE OF MUSIC, RACE AND GENDER IN PRODUCING APPALACHIAN SPACE" (2012). Theses and Dissertations--Geography. 1. https://uknowledge.uky.edu/geography_etds/1 This Doctoral Dissertation is brought to you for free and open access by the Geography at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Geography by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained and attached hereto needed written permission statements(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine). I hereby grant to The University of Kentucky and its agents the non-exclusive license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless a preapproved embargo applies. -
Lyndon Johnson and the Rise and Fall of the “Liberal Hour”
“LET US CONTINUE” – Lyndon Johnson and the Rise and Fall of the “Liberal Hour” After Kennedy’s tragic death, Johnson addressed the Congress and urged members to pass Kennedy’s legislative agenda as a tribute to the slain president. This was the very agenda that the southern members of his own Democratic party had refused to support during the previous two years. Now, however, the grieving public responded positively to Johnson’s efforts to push the Kennedy agenda, and Congress, sensing that opposing the public mood could be politically risky, allowed his Civil Rights bills to come to a vote. Over the next two years, the landmark Civil Rights bills of 1964 and 1965 became law. The first ended segregation and empowered the federal government to enforce anti- segregation laws; the second gave black voters the protection of the federal government, making it a federal crime for white state and local officials to deny blacks their constitutional right to vote. Similarly, Johnson was able to convince Congress to pass Kennedy’s tax cut and to take up legislation intended to fight poverty. (This was the beginning of the “War on Poverty” – more associated with the Johnson administration, than the Kennedy administration, but part of the same liberal, activist approach to government that characterized the first half of the 1960s.) 1964-1965 marked the high point of post-World War II liberalism. When Johnson won a landslide victory in the presidential election of 1964, it appeared that liberalism had secured a place as the dominant political ideology in the United States. -
Who Watches the Watchmen? the Conflict Between National Security and Freedom of the Press
WHO WATCHES THE WATCHMEN WATCHES WHO WHO WATCHES THE WATCHMEN WATCHES WHO I see powerful echoes of what I personally experienced as Director of NSA and CIA. I only wish I had access to this fully developed intellectual framework and the courses of action it suggests while still in government. —General Michael V. Hayden (retired) Former Director of the CIA Director of the NSA e problem of secrecy is double edged and places key institutions and values of our democracy into collision. On the one hand, our country operates under a broad consensus that secrecy is antithetical to democratic rule and can encourage a variety of political deformations. But the obvious pitfalls are not the end of the story. A long list of abuses notwithstanding, secrecy, like openness, remains an essential prerequisite of self-governance. Ross’s study is a welcome and timely addition to the small body of literature examining this important subject. —Gabriel Schoenfeld Senior Fellow, Hudson Institute Author of Necessary Secrets: National Security, the Media, and the Rule of Law (W.W. Norton, May 2010). ? ? The topic of unauthorized disclosures continues to receive significant attention at the highest levels of government. In his book, Mr. Ross does an excellent job identifying the categories of harm to the intelligence community associated NI PRESS ROSS GARY with these disclosures. A detailed framework for addressing the issue is also proposed. This book is a must read for those concerned about the implications of unauthorized disclosures to U.S. national security. —William A. Parquette Foreign Denial and Deception Committee National Intelligence Council Gary Ross has pulled together in this splendid book all the raw material needed to spark a fresh discussion between the government and the media on how to function under our unique system of government in this ever-evolving information-rich environment. -
The Vietnam War, 1965-1975
How I will compress four lectures into one because I’ve run out of time. A last‐minute addition to my bibliography: • B.G. Burkett (Vanderbilt, 66) and Glenna Whitley, Stolen Valor: How the Vietnam Generation was robbed of its Heroes and its History (Dallas, 1998). • Burkett makes many claims in this book, but the most fascinating aspect of it is his exposure of the “phony Vietnam veteran,” a phenomenon that still amazes me. “Many Flags” campaign ‐ Allied support 1.) South Korea –largest contingent – 48,000(would lose 4407 men)‐US financial support 2.) Australia – 8000, lost 469 3.)New Zealand, 1000, lost 37 4.) Thailand – 12,000 troops, 351 lost 5.) Philippines – medical and small number of forces in pacification 6.) Nationalist China –covert operations American Force levels/casualties in Vietnam(K=killed W=wounded) 1964 23,200 K 147 W 522 1965 190,000 K 1369 W 3308 1966 390,000 5008 16,526 1967 500,000 9377 32,370 1968 535,000 14,589 46,797 1969 475,000 9414 32,940 1970 334,000 4221 15,211 1971 140,000 1381 4767 1972 50,000 300 587 Soviet and Chinese Support for North Vietnam • 1.) Despite Sino‐Soviet dispute and outbreak of Cultural Revolution in China, support continues • 2.) Soviet supply of anti‐aircraft technology and supplies to the North –along with medical supplies, arms, tanks, planes, helicopters, artillery, and other military equipment. Soviet ships provided intelligence on B‐52 raids – 3000 soldiers in North Vietnam (Soviet govt. concealed extent of support) • 3.) Chinese supply of anti‐aircraft units and engineering -
WOLE SOYINKA: Politics, Poetics and Postcolonialism
This page intentionally left blank WOLE SOYINKA Politics, Poetics and Postcolonialism Biodun Jeyifo examines the connections between the innovative and influential writings of Wole Soyinka and his radical politi- cal activism. Jeyifo carries out detailed analyses of Soyinka’s most ambitious works, relating them to the controversies generated by Soyinka’s use of literature and theatre for radical political purposes. He gives a fascinating account of the profound but paradoxical affinities and misgivings Soyinka has felt about the significance of the avant-garde movements of the twentieth century. Jeyifo also explores Soyinka’s works with regard to the impact on his artistic sensibilities of the pervasiveness of representational ambiguity and linguistic exuberance in Yoruba culture. The analyses and evalu- ations of this study are presented in the context of Soyinka’s sus- tained engagement with the violence of collective experience in post-independence, postcolonial Africa and the developing world. No existing study of Soyinka’s works and career has attempted such a systematic investigation of their complex relationship to politics. is Professor of English at Cornell University. He is the author of The Popular Travelling Theatre of Nigeria () and The Truthful Lie: Essays in a Radical Sociology of African Drama (). He has written essays and monographs on Anglophone African and Caribbean literatures, Marxist cultural theory and colonial and postcolonial studies and has also edited several volumes on African drama and critical discourse. Series editor: Professor Abiola Irele, Ohio State University Each volume in this unique series of critical studies will offer a comprehensive and in-depth account of the whole œuvre of one individual writer from Africa or the Caribbean, in such a way that the book may be considered a complete coverage of the writer’s expression up to the time the study is undertaken. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
Section Summary 16 ORIGINS of the VIETNAM WAR SECTION 1
Name Class Date CHAPTER Section Summary 16 ORIGINS OF THE VIETNAM WAR SECTION 1 READING CHECK France had controlled Vietnam as a colony since the 1800s. After World War II, however, a strong independence movement took Who were the Vietcong? hold. The movement was led by Ho Chi Minh, who had been fight- ing for Vietnamese independence for 30 years. Ho Chi Minh had fled Vietnam in 1912. During his travels around the world, he embraced communism and had formed ties with the Soviet Union. The United States became involved in Vietnam for several rea- sons. First, it wanted to keep France as an ally. To ensure French support in the Cold War, President Truman agreed to help France regain control over Vietnam. Second, both Truman and Eisenhower wanted to contain the spread of communism. They believed in the domino theory. This idea held that if Vietnam fell to communism, its closest neighbors would follow. Communism would then spread throughout the entire region. VOCABULARY STRATEGY Despite billions of U.S. dollars in support, France lost its hold on What does the word ensure Vietnam. In 1954, French troops were trapped at a military base at mean in the underlined sen- Dien Bien Phu. After 56 days, the French surrendered. At a peace tence? Circle any words in the conference in Geneva, Switzerland, France granted independence to surrounding sentences that Vietnam. The Geneva Accords divided the country into North could help you learn what Vietnam and South Vietnam. Ho Chi Minh’s communist forces took ensure means. power in the north, and an anticommunist government, supported by the United States, ruled in the south. -
UNIVERSITY of CALIFORNIA Los Angeles
UNIVERSITY OF CALIFORNIA Los Angeles Neoliberalism, Citizenship, and the Spectacle of Democracy in American Film and Television, 1973-2016 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Film and Television by Alice Elizabeth Royer 2018 © Copyright by Alice Elizabeth Royer 2018 ABSTRACT OF THE DISSERTATION Neoliberalism, Citizenship, and the Spectacle of Democracy in American Film and Television, 1973-2016 by Alice Elizabeth Royer Doctor of Philosophy in Film and Television University of California, Los Angeles, 2018 Professor William McDonald, Co-Chair Professor Johanna R Drucker, Co-Chair This dissertation examines American films, miniseries, and television shows that center on the democratic process, mobilizing it in the service of stories that both provide intense narrative and visual pleasures, and offer satisfaction in the form of apparent knowledge gained about the inner workings of electoral politics in the United States; these media texts are here theorized as “democracy porn.” Significantly, democracy porn emerges alongside neoliberalism, and its proliferation mirrors that ideology’s meteoric rise to prominence. As such, the dissertation considers texts made since the advent of neoliberalism in 1973, and up to the US presidential election of 2016, which marks a major shift in the meanings and values associated with democracy porn. Through historical, textual, and discourse analysis drawing on critical theories of affect, citizenship, and neoliberalism, the dissertation interrogates the complex ways in which democracy porn is constructed and functions within and surrounding moving image ii texts. The project thus tracks the ways neoliberal ideology manifests in the media texts in question, as well as how the consumption of these texts impacts viewers’ understandings of their own citizenship within a democracy increasingly steered by neoliberal principles. -
Mcnamara, Clifford, Burdens of Vietnam 1965-1969
Secretaries of Defense Historical Series McNamara, Clifford, and the Burdens of Vietnam 1965-1969 SECRETARIES OF DEFENSE HISTORICAL SERIES Erin R. Mahan and Stuart I. Rochester, General Editors Volume I: Steven L. Rearden, The Formative Years, 1947-1950 (1984) Volume II: Doris M. Condit, The Test of War, 1950-1953 (1988) Volume III: Richard M. Leighton, Strategy, Money, and the New Look, 1953-1956 (2001) Volume IV: Robert J. Watson, Into the Missile Age, 1956-1960 (1997) Volume V: Lawrence S. Kaplan, Ronald D. Landa, and Edward J. Drea, The McNamara Ascendancy, 1961-1965 (2006) Library of Congress Cataloging-in-Publication Data Includes bibliography and index. Contents: v. l. The formative years, 1947-1950 / Steven L. Rearden – v. 2. The test of war, 1950-1953 / Doris M. Condit – v. 3. Strategy, money, and the new look, 1953-1956 / Richard M. Leighton – v. 4. Into the missile age, 1956-1960 / Robert J. Watson – v. 5. The McNamara ascendancy, 1961-1965 / Lawrence S. Kaplan, Ronald D. Landa, and Edward J. Drea. 1. United States. Dept. of Defense—History. I. Goldberg, Alfred, 1918- . II. Rearden, Steven L., 1946- . III. Condit, Doris M., 1921- . IV. Leighton, Richard M., 1914-2001. V. Watson, Robert J., 1920- 2010. VI. Kaplan, Lawrence S., 1924- ; Landa, Ronald D., 1940- ; Drea, Edward J., 1944- . VII. United States. Dept. of Defense. Historical Office. UA23.6.R4 1984 353.6’09 84-601133 Foreword Volume VI of the Secretaries of Defense Historical Series covers the last four years of the Lyndon Johnson administration—March 1965–January 1969, which were dominated by the Vietnam conflict.