Dr. Suzanne Blier1 and William Haveman2 1 Professor of African and African American Studies, Harvard University 2 Harvard Extension School

Total Page:16

File Type:pdf, Size:1020Kb

Dr. Suzanne Blier1 and William Haveman2 1 Professor of African and African American Studies, Harvard University 2 Harvard Extension School Development of Abomey, capital of the former West African kingdom of Dahomey: Using GIS to identify spatial-temporal patterns Dr. Suzanne Blier1 and William Haveman2 1 Professor of African and African American Studies, Harvard University 2 Harvard Extension School Discussion •In the Danhomė Background language, Dan •Abomey was the royal capital of the kingdom of Dahomey (Danhomė) (Dangbe) is the word located in what is now the country of Benin in West Africa. for the powerful local •The kingdom was conquered by several kings including Huegbadja python god. •Another representation (1645-1685), Akaba (1685-1708), Agaja (1708-1740), Tegbesu (1740-1774), • Danhomė means “in of Dangbe in the design Kpengla (1774-1789), Agonglo (1789-1797), Adandozan (1797-1818), Guezo (1818-1858), and Glele (1858- 1889). the stomach of Dan”, of the city is the dry moat •As the city grew, stating that Danhomė around the center of the space was inhabitants reside in city (represented by the appropriated from the middle (within the dark black square on the indigenous Objective encircling circle) of the maps). inhabitants forcing •Analyze the urban development of Abomey for spatial-temporal powerful python god, •This represents the local residents away pattern: Dan/Dangbe. encircling python god from the palace. How did the city develop over time from one king’s reign to the Image of a bas-relief of Dangbe provided by •The appropriation of with the inhabitants in next? http://www.ecn.wfu.edu/~cottrell/benin/dia ry.html land in a counter- the center. •Determine how culture played a part in the city’s development: clockwise spiral pattern What role did cultural beliefs play in the design of the city? and the spiral form tail- •Examine how development practices changed over time: consuming python god Was there any changes in where development was concentrated Dan appear to be over time? evidently related. Analysis • By distinguishing land lots by the reign in which they were incorporated into the Data Data city, I was able to show a pattern of how the city developed from reign to reign. •Data sources include paper maps and •For analysis of how land lots were • As land lots are incorporated during each images of Abomey which were then incorporated into the city from consecutive reign, they appear to follow digitized to raster images and one reign to another, land lots the spiral development pattern recognized georeferenced. were selected by their reigning by researchers Houseman and Blier. •Vector data including points, lines, and king and shapefiles of those land •The majority of land lots, during the early polygons were drawn from the raster lots selected were created. reigns of King Akaba and Agaja, appear to image of the city. •Land lots that represented be concentrated around the newly •An attribute table was created for each palaces were also selected by constructed princely palace. polygon representing a land lot which attribute and made into their own •Towards the end of the kingdom, land Image of King Agoli Agbo c. 1894 included the name of the land-owner, shapefile. lots appear to be located further away provided by their occupation, which king was •Finally, a raster image depicting http://www.arikah.net/encyclopedia/B from the palace with which they are enin reigning when the land was acquired, the spiral development of the city associated. and the dates of the king’s reign. was georeferenced to the data layer..
Recommended publications
  • Palace Sculptures of Abomey
    Bas-Relief Art Early in the eighteenth century, King Agaja is believed to have ini­ tiated the tradition of decorating palace walls. Decoration consisted of murals, encrusted shells and pearls, perfo rations, and bas-reliefs, , but it is the bas-reliefs that have remained the most remarkable ele­ ment. In addition to their excep­ tional artistry, which has led them to be described as "one of the most " beautiful artistic creations of the people of the West African coast, rr they provide a document of excep­ tional historical value, because few other areas in Africa have so well preserved the traces of a cultural · . memory as it developed over the centuries. Exa mples can be found on temples, palaces, and other buildings throughout the region. Bas-relief at temple near Abomey. Photograph by Leslie Railler, 1996. BAS-RELIEF ART 49 Commonly called noudide in Fon, from the root word meaning "to design" or "to portray," the bas-reliefs are three-dimensional, modeled- and painted­ earth pictograms. Early examples of the form, first in religious temples and then in the palaces, were more abstract than figurative. Gradually, figurative depictions became the prevalent style, illustrating the tales told by the kings' heralds and other Fon storytellers. Palace bas-reliefs were fashioned according to a long-standing tradition of The original earth architectural and sculptural renovation. used to make bas­ Ruling monarchs commissioned new palaces reliefs came from ter­ and artworks, as well as alterations of ear­ mite mounds such as lier ones, thereby glorifying the past while this one near Abomey. bringing its art and architecture up to date.
    [Show full text]
  • City of Women: Gendered Space in the Pre-Colonial Palace of Dahomey Lynne Ellsworth Larsen, University of Iowa
    City of Women: Gendered Space in the Pre-colonial Palace of Dahomey Lynne Ellsworth Larsen, University of Iowa Located in the present day Republic of Benin, the West African kingdom of Dahomey had its principal palace in the pre-colonial capital of Abomey (fig. 1). By the late nineteenth century, the mud constructed palace embodied two and a half centuries of rule. It ultimately covered one hundred and eight acres of land and housed as many as eight to ten thousand residents, almost all of whom were female. This massive complex consisted of a series of palaces built for individual monarchs, surrounded by a common wall.I Before the French colonial army invaded Abomey in 1892, the palace was an impressive labyrinth of round and rectangular buildings, open courtyards, and internal walls.II The overall complex functioned as a place of residence, a ruling center, and ceremonial grounds. The plan for the individual palaces of the kings remained relatively constant throughout the kingdom’s lifetime (mid-seventeenth century to late nineteenth century). Each palace consisted of covered entrances leading to major open courtyards, which were surrounded by royal buildings. The first covered entrance, the hounwa, was manned by servants or guards of the king who prevented unwanted visitors from entering. Each courtyard had increasingly restricted access. In the first courtyard, the kpodoji, the royal council met and women in charge of ancestral I King Akaba’s palace (r. c. 1685-1708) is the only of these royal palaces that remained outside this common wall. In addition to the individual palaces, the palace complex also included other structures, such as the Hall of the Amazons and the School of the Princes.
    [Show full text]
  • « Palais Royaux D'abomey » (Benin)
    « PALAIS ROYAUX D’ABOMEY » (BENIN) RAPPORT MISSION CONJOINTE DE SUIVI REACTIF CENTRE DU PATRIMOINE MONDIAL/ICOMOS/ICCROM DU 18 AU 22 AVRIL 2016 Sommaire REMERCIEMENTS .............................................................................................................................................. 4 Résumé et recommandations .......................................................................................................................... 5 I. ANTECEDENTS DE LA MISSION .................................................................................................................. 9 1.1. Historique ...................................................................................................................................... 9 1.2. Critère d’inscription sur la Liste du patrimoine mondial .......................................................... 10 1.3. Menaces pesant sur l’authenticité, soulevées dans le rapport d’évaluation de l’ICOMOS au moment de l’inscription .............................................................................................................. 12 1.4. Retrait du bien de la Liste du patrimoine mondial en péril ....................................................... 13 1.5. Examen de l’état de conservation par le Comité du patrimoine mondial ................................ 14 1.6. Justification de la mission ........................................................................................................... 15 1.7. Composition de la mission .........................................................................................................
    [Show full text]
  • Tapestry from Benin with Coats of Arms
    TAPESTRY FROM BENIN WITH COATS OF ARMS - translated into English from Danish by Kristian Katholm Olsen - notes by Jørgen Olsen Genvej til Udvikling buys and sends forward tapestry of cotton with the coats of arms, which originally were used by the kings, who in the years from 1600 to 1900 ruled the area, which today is known as The Republic of Benin. http://gtu.dk/applikation_BENIN.jpg We buy the tapestry together with some other commodities of cotton and brass from Association des Femmes Amies, the Friendship Union of Women, AFA, which is closer described at http://www.emmaus-international.org/en/who-are-we/emmaus-around-the- world/africa/benin/a-f-a.html Margrethe Pallesen, ethnographer and gardener, who lived from 1956 until 2004, visited Benin in 1993, and was the first, who introduced the coat of arms - tapestries to GtU. Margrethe has written the following pages with a historic account, a directory of the kings and every single coat of arms as well as concluding remarks about Benin of 1994. TAPESTRY FROM BENIN DAHOMEY – AN AFRICAN KINGDOM In the country, which today goes by the name of Benin there once were a king of the Fon people, who was called Gangnihessou. When he died the realm was split between his two sons. One of them got the coast area. The other one, whose name was Dakodonou, got the inner parts of the country. Dakodonou would strengthen his kingdom and decided to conquer Abomey, which was ruled by King Da. Before he went to war he swore that he would kill King Da by tearing open his stomach.
    [Show full text]
  • Patrimoine Culinaire Et Religieux Dans Le Vodoun De Ouidah, Bénin Rosa Nallely Moreno Moncayo
    Le maïs mésoaméricain : patrimoine culinaire et religieux dans le vodoun de Ouidah, Bénin Rosa Nallely Moreno Moncayo To cite this version: Rosa Nallely Moreno Moncayo. Le maïs mésoaméricain : patrimoine culinaire et religieux dans le vodoun de Ouidah, Bénin. Anthropologie sociale et ethnologie. Université Paris sciences et lettres, 2019. Français. NNT : 2019PSLEP001. tel-02636827 HAL Id: tel-02636827 https://tel.archives-ouvertes.fr/tel-02636827 Submitted on 27 May 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. THÈSE DE DOCTORAT de l’Université de recherche Paris Sciences et Lettres PSL Research University Préparée à l’École Pratique des Hautes Études Le maïs mésoaméricain : patrimoine culinaire et religieux dans le vodoun de Ouidah, Bénin. École doctorale de l’EPHE – ED 472 Spécialité : Anthropologie COMPOSITION DU JURY : M Serge BAHUCHET Professeur CE Président du jury Mme Isabelle BIANQUIS Professeur d’anthropologie Rapporteur Mme Emmanuelle Kadya TALL Chargée de recherche HDR Examinateur Soutenue par : Rosa Nallely MORENO MONCAYO le 11
    [Show full text]
  • Getting to Know the K Umbukumbu Exhibition at the National Museum Brazil, 1818-2018
    Getting to Know the K umbukumbu Exhibition at the National Museum Brazil, 1818-2018 Mariza de Carvalho Soares Michele de Barcelos Agostinho Rachel Corrêa Lima Getting to Know the K umbukumbu Exhibition at the National Museum Brazil, 1818-2018 Mariza de Carvalho Soares Michele de Barcelos Agostinho Rachel Corrêa Lima Slave Societies Digital Archive Press Nashville 2021 3 Publication of this book has been supported by grants from the Fundaçāo de Amparo à Pesquisa do Rio de Janeiro; the Museu Nacional/ Getting to Know Universidade Federal do Rio de Janeiro/Brazil; and the Slave Societies Digital Archive/Vanderbilt University. the K umbukumbu Originally published as: Conhecendo a exposição Kumbukumbu Exhibition at the do Museu Nacional (Rio de Janeiro: Museu Nacional, 2016). National Museum English edition copyright © 2021 Slave Societies Digital Archive Press Brazil, 1818-2018 ______________ Slave Societies Digital Archive Press 2301 Vanderbilt Pl., PMB 351802, Nashville, TN, 37235, United States Authors: Soares, Mariza de Carvalho, 1951; Agostinho, Michele de Barcelos, 1980; Lima, Rachel Correa, 1966. Title: Getting to Know the Kumbukumbu Exhibition at the National Museum, Brazil, 1818-2018 First Published 2021 Printed in the United States of America ISBN 978-0-578-91682-8 (cover photo) Street market. Aneho, Togo. 4 Photo by Milton Guran. 5 Project A New Room for the African Collection Director João Pacheco de Oliveira Curator Mariza de Carvalho Soares 6 7 Catalogue Team Research Mariza de Carvalho Soares Michele de Barcelos Agostinho Rachel Corrêa Lima Carolina Cabral Aline Chaves Rabelo Drawings Maurílio de Oliveira Photographs of the Collection Roosevelt Mota Graphic Design UMAstudio - Clarisse Sá Earp Translated by Cecília Grespan Edited by Kara D.
    [Show full text]
  • A Journal of African Studies
    UCLA Ufahamu: A Journal of African Studies Title Reprint of Interview with Boniface I. Obichere: Biographical Studies of Dahomey's King Ghezo and America's Malcolm X Permalink https://escholarship.org/uc/item/3tm0k443 Journal Ufahamu: A Journal of African Studies, 29(1) ISSN 0041-5715 Author n/a, n/a Publication Date 2002 DOI 10.5070/F7291016567 eScholarship.org Powered by the California Digital Library University of California Biographical Studies of Dahomey's King Ghezo and America's Malcolm X Reprint of Interview with Boniface I. Obichere (Imercom, 16:5 (I February 1994). 1-5.) Hisroriall Boniface Obichere describes his currellf research projects, which /OCI/S Ol/tll'O I'ery dijferem leaders who exerciud greal i,,/lll­ ellce illt"e;r times_ Obicher-e: 11le area ofmy work here is African history: I specialize in West African history. Al the moment I'm engaged in two research projects. the flJS1 ofwhich deals with the former kingdom of Dahomey (which was located in what is now southern Benin). I'm writing a biography of one of the most significant kings of the nineteenth century. Dahomey's King Ghezo. He ascended lhe throne in 1818 and ruled until 1858. which gave hinl a very long reign. His reign marked a high point ofpower and a turning point in the history ofthe kingdom. He compels my interest for several reasons. First. he lived to see the abolition of the slave trade. and he made his kingdom change from heavy economic reliance on the slave trade (0 legitimate trade in local products.
    [Show full text]
  • Universidade Federal De São Paulo Escola De Filosofia, Letras E Ciências Humanas Danielle Yumi Suguiama O Daomé E Suas “Ama
    UNIVERSIDADE FEDERAL DE SÃO PAULO ESCOLA DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DANIELLE YUMI SUGUIAMA O DAOMÉ E SUAS “AMAZONAS” NO SÉCULO XIX: leituras a partir de Frederick E. Forbes e Richard F. Burton GUARULHOS 2019 DANIELLE YUMI SUGUIAMA O DAOMÉ E SUAS “AMAZONAS” NO SÉCULO XIX: leituras a partir de Frederick E. Forbes e Richard F. Burton Dissertação apresentada ao Programa de Pós- graduação à Universidade Federal de São Paulo para a obtenção do título de Mestre em História. Área de concentração: História Orientação: Prof. Dr. Jaime Rodrigues GUARULHOS 2019 Suguiama, Danielle Yumi. O Daomé e suas “amazonas” no século XIX : leituras a partir de Frederick E. Forbes e Richard F. Burton / Danielle Yumi Suguiama. Guarulhos, 2018. 167 f. Dissertação(Mestrado em História) – Universidade Federal de São Paulo, Escola de Filosofia, Letras e Ciências Humanas,2018. Orientação:Prof. Dr. Jaime Rodrigues. 1. Reino Daomé. 2. "Amazonas". 3.História da África. I.Jaime Rodrigues. II. Doutor. Danielle Yumi Suguiama O Daomé e suas “amazonas” no século XIX: leituras a partir de Frederick E. Forbes e Richard F. Burton Dissertação apresentada ao Programa de Pós- graduação à Universidade Federal de São Paulo para a obtenção do título de Mestre em História. Área de concentração: História Orientação: Prof. Dr. Jaime Rodrigues Aprovação: ____/____/________ Prof. Dr. Jaime Rodrigues Universidade Federal de São Paulo - EFLCH Prof. Dr. Alexsander Lemos de Almeida Gebara Universidade Federal Fluminense - UFF Profª. Drª. Patricia Teixeira Santos Universidade Federal de São Paulo - EFLCH Para Ricardo Shigueru, meu pai AGRADECIMENTOS O primeiro agradecimento se destina ao meu orientador, Prof.
    [Show full text]
  • Smallpox in Nineteenth-Century Benin Doenças, Religião E Medicina
    Disease, religion and medicine SOUMONNI, Elisée. Disease, religion and medicine: smallpox in nineteenth- century Benin. História, Ciências, Saúde – Manguinhos, Rio de Janeiro, v.19, supl., dez. 2012, p.35-45. Abstract The essay examines, with special Disease, religion and reference to smallpox, the perception and interpretation of disease in pre- medicine: smallpox colonial Dahomey, present-day Republic of Benin. Because disease is seen primarily as a punishment from in nineteenth-century the gods and not just as a medical Benin problem or a bodily disorder, traditional cult priests play a leading role in making diagnoses and prescribing remedies, mostly based on Doenças, religião e medicinal plants. The prominence of Sakpata, god of smallpox, coupled with medicina: a varíola no the influence of its priests is evaluated within the context of Dahomey’s Benim, século XIX political history and the spread of the disease. This pivotal position was to constitute a challenge to the French colonial campaign to vaccinate against smallpox. Keywords: smallpox; Sakpata; cult priests; medicinal plants; vaccination. Resumo O ensaio examina – com especial atenção à varíola – as percepções e interpretações das doenças no Daomé pré-colonial, atual República do Benim. Uma vez que as doenças eram vistas antes de tudo como punição divina, e não como problema ou distúrbio do corpo, os sacerdotes tradicionais exerciam papel central no seu diagnóstico e na prescrição de remédios, com base principalmente em plantas medicinais. A importância do culto a Sakpata, deus da varíola, juntamente com a influência dos sacerdotes é avaliada dentro do contexto da história política do Daomé e da disseminação das doenças.
    [Show full text]
  • A Level History a African Kingdoms Ebook
    Qualification Accredited A LEVEL EBook HISTORY A H105/H505 African Kingdoms: A Guide to the Kingdoms of Songhay, Kongo, Benin, Oyo and Dahomey c.1400 – c.1800 By Dr. Toby Green Version 1 A LEVEL HISTORY A AFRICAN KINGDOMS EBOOK CONTENTS Introduction: Precolonial West African 3 Kingdoms in context Chapter One: The Songhay Empire 8 Chapter Two: The Kingdom of the Kongo, 18 c.1400–c.1709 Chapter Three: The Kingdoms and empires 27 of Oyo and Dahomey, c.1608–c.1800 Chapter Four: The Kingdom of Benin 37 c.1500–c.1750 Conclusion 46 2 A LEVEL HISTORY A AFRICAN KINGDOMS EBOOK Introduction: Precolonial West African Kingdoms in context This course book introduces A level students to the However, as this is the first time that students pursuing richness and depth of several of the kingdoms of West A level History have had the chance to study African Africa which flourished in the centuries prior to the onset histories in depth, it’s important to set out both what of European colonisation. For hundreds of years, the is distinctive about African history and the themes and kingdoms of Benin, Dahomey, Kongo, Oyo and Songhay methods which are appropriate to its study. It’s worth produced exquisite works of art – illustrated manuscripts, beginning by setting out the extent of the historical sculptures and statuary – developed complex state knowledge which has developed over the last fifty years mechanisms, and built diplomatic links to Europe, on precolonial West Africa. Work by archaeologists, North Africa and the Americas. These kingdoms rose anthropologists, art historians, geographers and historians and fell over time, in common with kingdoms around has revealed societies of great complexity and global the world, along with patterns of global trade and local interaction in West Africa from a very early time.
    [Show full text]
  • A DIPLOMACIA DO COMÉRCIO DE ESCRAVOS, BRASIL-DAOMÉ, 1810-1812 Afro-Ásia, Núm
    Afro-Ásia ISSN: 0002-0591 [email protected] Universidade Federal da Bahia Brasil de Carvalho Soares, Mariza TROCANDO GALANTERIAS: A DIPLOMACIA DO COMÉRCIO DE ESCRAVOS, BRASIL-DAOMÉ, 1810-1812 Afro-Ásia, núm. 49, 2014, pp. 229-271 Universidade Federal da Bahia Bahía, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=77031341008 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto TROCANDO GALANTERIAS: A DIPLOMACIA DO COMÉRCIO DE ESCRAVOS, BRASIL-DAOMÉ, 1810-1812 Mariza de Carvalho Soares* [...] pois eu cá estou defendendo muito as Costas de Sua Alteza, e Vossa Alteza defenda as minhas costas. Adandozan, rei do Daomé, 1810 m 2006, coordenei o Projeto Acervo Digital Angola Brasil (PADAB), que digitalizou e permutou 108 códices do Arquivo Histórico E Nacional de Angola (AHNA) com a coleção de documentos re- [ inventariados por Regina Wanderley.1 Desde 2010, coordeno o Projeto !"[#$ '# a Pesquisa do Estado do Rio de Janeiro (Faperj), no qual estou fazendo o levantamento de todos os objetos africanos que compõem o acervo ['''* ' reforma da sala de exposição.2 O cruzamento desses dois projetos me #3' '"4# * Professora da Universidade Federal Fluminense. [email protected]. 1 O inventário da coleção do IHGB foi publicado em Regina M. Pereira Wanderley (coord.), “In- ventário analítico da documentação colonial portuguesa na África, Ásia e Oceania integrante do [P[ Brasileiro, v. 166, n. 427 (2005), pp. 27-570. O inventário dos códices do AHNA estão em fase [ '#*<#=##= por Regina Wanderley, em 2014.
    [Show full text]
  • Abomeydepliant.Pdf
    Capitale historique de l'ancien royaume du Danhomè, berceau du culte vaudou (vodun) et creu- set de la civilisation fon, Abomey est l'un des sites touristiques majeurs du Bénin. Le patrimoine exceptionnel de notre cité-palais reconnu par l’UNESCO est l'héritage vivant des ancêtres du peuple Fon. Les Aboméens en sont fiers, ils le protègent, le conservent et l'animent comme le plus précieux des biens. A leurs côtés, il me tient à coeur de valoriser cette ressource et d'y enraciner la force de demain. Abomey fait le pari du développement, c’est une ville qui gagne ! Blaise Onésiphore Ahanhanzo Glélé Maire d'Abomey, Président de l'Association Nationale des Communes du Bénin (ANCB) MI KUWABO ! Soyez les bienvenus ! e e Abomey est fondée au XVII siècle par le roi Houégbadja. Son fils, Akaba, r i bâtit son palais sur la dépouille du propriétaire des lieux, dénommé Dan et o t baptise le royaume Danhomè, signifiant littéralement en langue fon "dans le s i ventre de Dan". Entourée d'un fossé défensif, la cité prend le nom d'Agbomè h ' (en fon : "à l'intérieur du fossé"), qui donnera par dérivation "Abomey". C'est d le roi Houégbadja qui institue la culture religieuse et politique qui caractéri- u e sera le puissant royaume du Danhomè jusqu'à la colonisation française. p e n Au XVIII siècle, le roi Agadja forme un régiment d'amazones et étend le U royaume jusqu'à la côte Atlantique en conquérant les royaumes voisins d'Allada puis de Savi. Aux côtés du Portugal, de la France puis de la Hollande, le royaume du Danhomè participe alors pleinement au commerce des esclaves par le port de Ouidah et s'enrichit considérablement, mais il connaît des guerres répétées contre le royaume des yorubas.
    [Show full text]