Ing-Yeo Subjectivity and Youth Culture In
Being Surplus in the Age of New Media: Ing-yeo Subjectivity and Youth Culture in South Korea A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University by Sangmin Kim Master of Arts Seoul National University, 2002 Bachelor of Science Korea Advanced Institute of Science and Technology, 1993 Director: Hugh Gusterson Affiliate Faculty, Cultural Studies, George Mason University Professor, Anthropology and International Affairs, George Washington University Fall Semester 2015 George Mason University Fairfax, VA This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License ii DEDICATION This dissertation is dedicated to my parents, Boosoo Kim and Chaerip Song, and my parents-in-law, Chungsik Yu and Myungja Woo. iii ACKNOWLEDGEMENTS I am honored to have worked with my dissertation committee. I would first like to express my sincere gratitude to my academic advisor and dissertation chair, Hugh Gusterson. His thorough scholarship and social engagement as a social scientist serve as a model for my academic life. I would like to thank Alison Landsberg and Tim Gibson for their generous and encouraging feedback as well as inspiring teaching in visual culture and media studies. In addition, I would like to thank Roger Lancaster, Denise Albanese, and Paul Smith for introducing me to the fascinating field of cultural studies. I am indebted to my many colleagues in the cultural studies program. I am especially grateful to my mentor Vicki Watts, who supported and encouraged me to overcome hardships during my early years. Rob Gehl, Jarrod Waetjen, Nayantara Sheoran, Fan Yang, Jessi Lang, Randa Kayyali, Cecilia Uy-Tioco, David Arditi, Dava Simpson, Ozden Ocak, and Adila Laïdi-Hanieh have all been wonderful colleagues.
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