PH16010 Karl Richter Edition Booklet 5Adat.Indd

Total Page:16

File Type:pdf, Size:1020Kb

PH16010 Karl Richter Edition Booklet 5Adat.Indd 31 CD EDITION KARL RICHTER BACH · MOZART · HÄNDEL · HAYDN CD 1 CD 2 CD 3 CD 4 JOHANN SEBASTIAN BACH 1685 – 1750 JOHANN SEBASTIAN BACH 1685 – 1750 JOHANN SEBASTIAN BACH 1685 – 1750 JOHANN SEBASTIAN BACH 1685 – 1750 Brandenburg Concerto No. 1 Brandenburg Concerto No. 3 No. 3 in D Major BWV 1068 OVERTURES (Suites For Orchestra) in F Major BWV 1046 in G Major BWV 1048 1 1. Ouverture 9:07 No. 1 in C Major BWV 1066 2 2. Air 5:45 corno da caccia I7 II, oboe I/II/III, bassoon, violin violin I/II/II, viola I/II/III, violoncello I/II/III, 3 3. Gavotte I/II 4:03 1 1. Ouverture 8:17 (original: violino piccolo), strings and basso continuo basso continuo 4 4. Bourrée 1:15 2 2. Courante 2:27 5 5. Gigue 3:06 1 (Allegro) 4:10 1 (Allegro)-cadenza 7:32 3 3. Gavotte I/II 3:23 2 Adagio 4:13 2 Allegro 5:47 4 4. Forlane 1:58 Münchener Bach-Orchester, Karl Richter (1961) 3 Allegro 5:01 The Musical Offering in C Minor BWV 1079 Brandenburg Concerto No. 4 5 5. Menuet I/II 3:05 4 Menuetto-Trio-Menuetto 6 6. Bourrée I/II 2:37 (Musikalisches Opfer) in G Major BWV 1049 Polonaise-Menuetto-Trio II-Menuetto 8:47 7 7. Passepied I/II 3:29 6 Ricercare a 3 5:26 for two recorders, violin, strings and basso continuo Brandenburg Concerto No. 2 7 Canon perpetuus super Thema Regium 0:34 3 Allegro 8:05 No. 2 in B Minor BWV 1067 in F Major BWV 1047 5 Canons diversi super Thema Regium 4 Andante 4:17 8 1. Ouverture 9:18 8 Canon 1, a 2 0:55 trumpet, recorder, oboe, violin, strings 5 Presto 5:32 9 2. Rondeau 1:54 9 Canon 2, a 2 Violini in unisonso 0:39 and basso continuo 10 3. Sarabande 3:59 10 Canon 3, a 2 per Motum contrarium 0:30 Brandenburg Concerto No. 6 11 4. Bourrée I/II 2:06 5 (Allegro) 5:26 11 Canon 4, a 2 per Augmentationem, contrario Motu 2:06 12 5. Polonaise-Double 3:29 6 Andante 4:13 in B Flat Major BWV 1051 12 Canon 5, a 2 per Tonos 2:33 13 6. Menuet 1:28 7 Allegro assai 3:14 viola I/II, viol I/II, bass and basso continuo 13 Fuga canonica in Epidiapente 1:59 14 7. Badinerie 1:34 6 (Allegro) 6:49 14 Ricercare a 6 6:44 Brandenburg Concerto No. 5 Aurèle Nicolet, flute 7 Adagio, ma non tanto 5:27 Canon a 2 (Quaerendo invenietis) in D Major BWV 1050 8 Allegro 6:16 No. 4 in D Major BWV 1069 15 Canon a 2 (version A) 1:04 flute, violin, solo harpsichord, 16 Canon a 2 (version B) 1:08 15 1. Ouverture 9:51 strings and basso continuo Total time CD 2: 49:46 17 Canon a 4 2:30 16 2. Bourrée I/II 3:03 Karl Richter 8 Allegro 10:27 17 3. Gavotte 1:59 Trio 9 Affetuoso 5:43 & Chamber Orchestra (1958) 18 4. Menuet I/II 3:37 18 Largo 7:18 10 Allegro 5:14 19 5. Réjouissance 2:43 19 Allegro 6:21 20 Andante 3:02 Total time CD 1: 56:34 Total time CD 3: 70:23 21 Allegro 3:08 Karl Richter Münchener Bach-Orchester 22 Canone perpetuo 1:38 & Chamber Orchestra (1958) Karl Richter (1961) Total time CD 4: 70:55 Aurèle Nicolet, flute / Otto Büchner, Kurt Guntner, violin Siegfried Meinecke, viola / Fritz Kiskalt, violoncello 1 Hedwig Bilgram, Karl Richter, harpsichord (1963) 2 CD 5 CD 6 CD 7 CD 8 JOHANN SEBASTIAN BACH 1685 – 1750 JOHANN SEBASTIAN BACH 1685 – 1750 GEORG FRIEDRICH HÄNDEL 1685 – 1759 GEORG FRIEDRICH HÄNDEL 1685 – 1759 HARPSICHORD CONCERTOS ORGAN RECITAL ORGAN CONCERTOS ORGAN CONCERTOS Concerto in G Minor op. 4,1 Concerto in G Minor op. 4,3 Concerto in D Minor BWV 1052 1 Toccata and fugue in D Minor for harpsichord, strings and basso continuo BWV 565 9:53 1. Larghetto e staccato 5:57 1. Adagio 4:31 2. Allegro 5:26 2. Allegro 3:56 1 Allegro 7:38 2 Chorale prelude 3. Adagio 1:14 3. Adagio 1:02 2 Adagio 7:18 „Ich ruf´zu dir, Herr Jesu Christ" 4. Andante 4:38 4. Allegro 2:09 3 Allegro 8:33 BWV 639 3:58 Concerto in B flat Major op. 7,1 Concerto in B flat Major op. 7,3 Concerto in C Major BWV 1061 3 Passacaglia and fugue in C Minor BWV 582 15:31 for two harpsichords, strings and basso continuo 4 Chorale prelude 5. Andante 4:48 5. Andante 4:54 „Wachet auf, ruft uns die Stimme" 6. Andante (Passacaglia) 4:38 6. Adagio e Fuga ad libitum 2:31 4 Allegro maestoso 8:15 BWV 645 5:33 7. Largo e piano 4:07 7. Spiritoso 4:47 5 Adagio ovvero Largo 5:31 8. Bourrée: Allegro 2:58 8. Menuet 1:18 6 Fuga 6:17 5 Fantasia and fugue in G Minor BWV 542 14:31 Concerto in B flat Major op. 4,2 Concerto in F Major op. 4,4 Concerto in C Major BWV 1064 6 Chorale prelude 9. A tempo ordinario, e staccato 0:58 9. Allegro 4:19 for three harpsichords, strings and basso continuo „Kommst du nun, Jesu, vom Himmel herunter" 10. Allegro 5:06 10. Andante 6:34 7 Allegro 7:16 BWV 650 4:52 11. Adagio e staccato 0:49 11. Adagio 1:21 8 Adagio 6:35 7 Chorale prelude 12. Allegro ma non presto 3:39 12. Allegro 3:35 9 Allegro 4:56 „Vom Himmel hoch, da komm ich her“ Concerto in A Major op. 7,2 Concerto in D Minor op. 7,4 Concerto in A Minor BWV 1065 BWV 606 0:57 13. Ouverture 3:26 13. Adagio 6:11 8 Prelude and fugue in E Minor for four harpsichords, strings and basso continuo 14. A tempo ordinario 4:23 14. Allegro 4:21 BWV 548 14:15 10 Allegro 4:27 15. Organo ad libitum: Adagio 0:21 15. Organo ad libitum: Adagio 1:00 11 Largo 2:19 Total time CD 6: 70:10 16. Allegro 3:09 16. Allegro 2:07 12 Allegro 3:47 Karl Richter, organ Total time CD 7: 56:06 Total time CD 8: 55:09 (at the organ in Victoria Hall, Geneva) Total time CD 5: 72:57 Karl Richter, organ & Chamber Orchestra Karl Richter, organ & Chamber Orchestra Karl Richter, Eduard Müller, Gerhard Aeschbacher, Heinrich Gurtner, harpsichord Die Solistengemeinschaft der Bachwoche Ansbach Karl Richter (1955) 3 4 CD 9 CD 10 CD 11 CD 12 GEORG FRIEDRICH HÄNDEL 1685 – 1759 WOLFGANG AMADEUS MOZART (1756 – 1791) FLUTE CONCERTOS SONATAS CONCERTOS FLUTE CONCERTOS WOLFGANG AMADEUS MOZART (1756 – 1791) JOHANN SEBASTIAN BACH 1685 – 1750 Concerto in F Major op. 4,5 Concerto for flute and orchestra in G Major K313 Concerto for flute, harp and orchestra Sonata B Minor BWV 1030 1. Larghetto 2:36 1 Allegro maestoso 10:20 in C Major K299 for flute and harpsichord 2. Allegro 3:15 2 Adagio non troppo 8:47 1 Allegro 10:18 1 I. Andante 8:24 3. Alla siciliana 1:34 3 Rondo: Tempo di Menuetto 7:13 2 Andantino 9:02 2 II. Largo e dolce 4:27 4. Presto 3:13 3 Rondo: Allegro 7:47 3 III. Presto 6:00 Concerto for flute and orchestra in D Major K314 Concerto in B flat Major op. 4,6 4 Allegro aperto 7:48 JOSEPH HAYDN (1732 – 1809) JOHANN SEBASTIAN BACH 1685 – 1750 5. Andante allegro 4:20 5 Andante ma non troppo 6:58 Concerto in D Major for flute and string orchestra Sonata E flat Major BWV 1031 6. Larghetto 3:37 6 Allegro 5:29 Hb VII f:D1 for flute and harpsichord 7. Allegro moderato 2:02 7 Andante for flute and orchestra in C Major K315 5:50 4 Allegro moderato 7:34 4 I. Allegro moderato 4:01 Concerto in G Minor op. 7,5 5 Adagio 7:34 5 II. Siciliano 2:08 8. Staccato ma non troppo allegro 3:10 Total time CD 10: 52:56 6 Allegro molto 4:41 6 III. Allegro 4:55 9. Andante larghetto e staccato 5:59 Aurèle Nicolet, flute CARL PHILIPP EMANUEL BACH 1714 – 1788 10. Menuet 2:29 Münchener Bach-Orchester CHRISTOPH WILLIBALD GLUCK (1714 – 1787) 11. Gavotte 2:14 Karl Richter 7 „Reigen seliger Geister" 7:47 Sonata G Minor for flute and harpsichord Concerto in B flat Major op. 7,6 Ballet music from the opera „Orpheus and Eurydike" 7 I. Allegro 4:07 12. Pomposo 5:04 for flute and orchestra 8 II. Adagio 2:49 13. Organo ad libitum: Adagio 1:24 9 III. Allegro 4:53 14. Air: A tempo ordinario 4:15 Total time CD 11: 55:20 Aurèle Nicolet, flute Total time CD 12: 41:45 Total time CD 9: 45:39 Münchener Bach-Orchester Aurèle Nicolet, flute Karl Richter, organ & Chamber Orchestra Karl Richter Karl Richter, harpsichord 5 6 CD 13 CD 14 CD 15 JOSEPH HAYDN 1732 – 1809 GEORG FRIEDRICH HÄNDEL 1685 – 1759 JOHANN SEBASTIAN BACH 1685 – 1750 SYMPHONIES Harpsichord Suite No. 5 in E Major HWV 430 GOLDBERG VARIATIONS BWV 988 Symphony G Major „Symphonie mit dem 1 Prélude 1:42 1 Aria 2:19 Nr. 28 a 2 Clav.
Recommended publications
  • RSTD OPERN Ma Rz April Ok 212X433
    RSTD OPERN_März April_ok_212x433 12.02.13 09:40 Seite 1 Opernprogramm März 2013 März Gaetano Donizetti Anna Bolena 20.00 - 22.55 Anna Bolena: Edita Gruberova, Giovanna Seymour: Delores Ziegler, Enrico VIII.: Stefano Palatchi, Lord Rochefort: Igor Morosow, 2 Lord Riccardo Percy: José Bros, Smeton: Helene Schneiderman, Sir Hervey: José Guadalupe Reyes. Samstag Chor und Orchester des Ungarischen Rundfunks und Fernsehens, Leitung: Elio Boncompagni, 1994. März Richard Wagner Das Liebesverbot 20.00 - 22.40 Friedrich: Hermann Prey, Luzio: Wolfgang Fassler, Claudio: Robert Schunk, Antonio: Friedrich Lenz, Angelo: Kieth Engen, 5 Isabella: Sabine Hass, Mariana: Pamela Coburn, Brighella: Alfred Kuhn. Dienstag Chor der Bayerischen Staatsoper, Bayerisches Staatsorchester, Leitung: Wolfgang Sawallisch, 1983. März Georg Friedrich Händel Alessandro 20.00 - 23.20 Alessandro Magno: Max Emanuel Cencic, Rossane: Julia Lezhneva, Lisaura: Karina Gauvin, Tassile: Xavier Sabata, 7 Leonato: Juan Sancho, Clito: In-Sung Sim, Cleone: Vasily Khoroshev. Donnerstag The City of Athens Choir, Armonia Atenea, Leitung: George Petrou, 2011. März Giuseppe Verdi Aroldo 20.00 - 22.15 Aroldo: Neil Shicoff, Mina: Carol Vaness, Egberto: Anthony Michaels-Moore, Briano: Roberto Scandiuzzi, 9 Godvino: Julian Gavin, Enrico: Sergio Spina, Elena: Marina Comparato. Samstag Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Leitung: Zubin Mehta, 2001. März Wolfgang Amadé Mozart La finta giardiniera 20.00 - 23.10 Sandrina: Sophie Karthäuser, Contino Belfiore: Jeremy Ovenden, Arminda: Alex Penda, 12 Cavaliere Ramiro: Marie-Claude Chappuis, Podestà: Nicolas Rivenq, Serpetta: Sunhae Im, Roberto: Michael Nagy. Dienstag Freiburger Barockorchester, Leitung: René Jacobs, 2011. Der neue Konzertzyklus im Mozarthaus Vienna: mozartakademie 2013 „Magic Moments – Magische Momente in den Werken großer Meister“ 20.03.
    [Show full text]
  • Constructing the Archive: an Annotated Catalogue of the Deon Van Der Walt
    (De)constructing the archive: An annotated catalogue of the Deon van der Walt Collection in the NMMU Library Frederick Jacobus Buys January 2014 Submitted in partial fulfilment for the degree of Master of Music (Performing Arts) at the Nelson Mandela Metropolitan University Supervisor: Prof Zelda Potgieter TABLE OF CONTENTS Page DECLARATION i ABSTRACT ii OPSOMMING iii KEY WORDS iv ACKNOWLEDGEMENTS v CHAPTER 1 – INTRODUCTION TO THIS STUDY 1 1. Aim of the research 1 2. Context & Rationale 2 3. Outlay of Chapters 4 CHAPTER 2 - (DE)CONSTRUCTING THE ARCHIVE: A BRIEF LITERATURE REVIEW 5 CHAPTER 3 - DEON VAN DER WALT: A LIFE CUT SHORT 9 CHAPTER 4 - THE DEON VAN DER WALT COLLECTION: AN ANNOTATED CATALOGUE 12 CHAPTER 5 - CONCLUSION AND RECOMMENDATIONS 18 1. The current state of the Deon van der Walt Collection 18 2. Suggestions and recommendations for the future of the Deon van der Walt Collection 21 SOURCES 24 APPENDIX A PERFORMANCE AND RECORDING LIST 29 APPEDIX B ANNOTED CATALOGUE OF THE DEON VAN DER WALT COLLECTION 41 APPENDIX C NELSON MANDELA METROPOLITAN UNIVERSTITY LIBRARY AND INFORMATION SERVICES (NMMU LIS) - CIRCULATION OF THE DEON VAN DER WALT (DVW) COLLECTION (DONATION) 280 APPENDIX D PAPER DELIVERED BY ZELDA POTGIETER AT THE OFFICIAL OPENING OF THE DEON VAN DER WALT COLLECTION, SOUTH CAMPUS LIBRARY, NMMU, ON 20 SEPTEMBER 2007 282 i DECLARATION I, Frederick Jacobus Buys (student no. 211267325), hereby declare that this treatise, in partial fulfilment for the degree M.Mus (Performing Arts), is my own work and that it has not previously been submitted for assessment or completion of any postgraduate qualification to another University or for another qualification.
    [Show full text]
  • Pau Casals 351
    PAU CASALS 351 10 de marzo-10 de abril de 2017 SUMARIO Breves: . Sellos para chupar a David Bowie . Sabina regresa con un nuevo videoclip . El lirismo y los agudos del tenor Petr Nekoranec brillan en el Viñas Reportaje: Imagen, moda y ópera Entrevista: Elena Mendoza Reportaje: Mosaico de Sonidos Jazz: Resurrección del guitarrista Jim Hall Discos Agenda Breves Sellos para chupar a David Bowie Los melómanos con intereses filatélicos seguidores del fallecido David Bowie están de enhorabuena: el servicio de correos de Reino Unido ha informado de que emitirá este mes de marzo una serie de sellos postales para honrar al músico, muerto en enero de 2016, siendo esta la primera vez que se dedican unas estampillas a un solista en ese país. Es otra de las muchas actividades que se han organizado para conmemorar el año de su muerte. Los diez sellos, que representarán las portadas de sus álbumes más famosos, entre ellos Hunky Dory (1971) y Aladdin Sane (1973), estarán a la venta desde el 14 de marzo. "Durante cinco décadas, David Bowie estuvo al frente de la cultura contemporánea y ha tenido una influencia en las sucesivas generaciones de músicos, artistas, diseñadores y escritores", ha asegurado Philip Parker, portavoz del servicio postal británico. El Pais.com 1 Sabina regresa con un nuevo videoclip Los besos de Judas, las flores a María, la cirrosis y la sobredosis...todo lo niega el músico Joaquín Sabina (Úbeda, 1949) en el tema que dará nombre a su próximo disco, previsto para este mes marzo: Lo niego todo. El videoclip de Lo niego todo, en blanco y negro y rodado a finales de 2016, en diferentes localizaciones de Madrid, encaja de manera impecable con lo que representa la canción y nos da una visión de la trayectoria de Joaquín Sabina desde un enfoque muy personal.
    [Show full text]
  • Paul Meissen
    Paul Meissen 19. Oktober 1933 Hamburg First Contact with Karl Richter If I remember rightly, I met Karl Richter for the first time in Hamburg. My studies had led me from Detmold to the State Music Chapel in Karlsruhe, Baden. After 2 1/2 years in Karlsruhe I joined the Philharmonic State Orchestra in Hamburg. I believe it was in 1956 in Hamburg that we performed the Brandenburg Concerts from Johann Sebastian Bach in two concerts. During this time I was also called upon to take part in just this performance with just this Chamber Orchestra; and that was when I met Karl Richter for the first time. This arrangement with Hamburg was, as far as Richter was concerned, supposed to develop further, but it never took place more than this one time. He was certainly disappointed that most of the orchestra members also played in other Chamber Orchestras and he never felt that they afforded him their central point of interest. And I believe I was the only one from this formation that he always called from Hamburg to Munich. Richters Music-making with the Choir The vitality and amplitude of sound of the Chamber Orchestra appealed to me from the very beginning. At a second meeting in Ansbach with the choir, I was fascinated by their liveliness and there was something else too that I had never experienced before, was the way that Richter, as conductor had to slow down the tempi of the choir. Sometimes he had to put the brakes on very hard so that the choir would not whiz off without him.
    [Show full text]
  • Der Nachlass Von Rudolf Mauersberger in Der SLUB Dresden Marina Lang
    Sächsische Heimatblätter 1|15 Der Nachlass von Rudolf Mauersberger in der SLUB Dresden Marina Lang Werke des Kreuzkantors Rudolf Mauersberger (1889–1971) werden bis heute regelmäßig auf- geführt und natürlich auch verlegt. So kann die Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden stolz sein, die Notenmanuskripte aus dem Nachlass des Komponisten ihr Eigen nennen zu können. Es gibt viele Fachbereiche in der Bibliothek, in denen man Materialien zu Rudolf Mauersber- ger entdecken kann. Dazu zählen Noten, Bücher, Zeitschriften, Bilder und Tonträger.1 Die Bibliothek ehrte ihn und seinen umfang- reichen Nachlass 2014 anlässlich seines 125. Geburtstages mit einer Webseite.2 Darüber hinaus gab es eine Kabinettsausstellung zum kompositorischen Nachlass, die von Oberlan- deskirchenrat i.R. Dr. Christoph Münchow, einem ehemaligen Kruzianer unter Mauersber- Rudolf Mauersberger am Flügel, ger, gestaltet und von mehreren Fachvorträgen 1962, Foto: SLUB, Deutsche begleitet wurde. Fotothek. Rudolf Mauersberger fühlte sich stets seinen erzgebirgischen Wurzeln verbunden. Sein Erhard (1903–1982), der später als 14. Tho- Elternhaus blieb der wichtigste Rückzugsort maskantor in Leipzig wirkte, selbst die musika- zum Komponieren und Zufluchtsort in lischen Grundlagen. Die weitere Ausbildung schwierigen Zeiten. Im Berufsleben folgte er erfolgte im Königlichen Lehrerseminar in einem inneren Ehrgeiz und einer hohen Leis- Annaberg. Von 1912 bis 1914 studierte Rudolf tungsbereitschaft, die ihm während seiner 41 Mauersberger am Königlichen Konservatori- Jahre dauernden Amtszeit (1930–1971) als 25. um in Leipzig bei dem Thomasorganisten Karl Evangelischer Kreuzkantor in Dresden antrie- Straube (1873–1950), dem Klavierpädagogen ben. Darunter fielen nicht einfache Jahre wäh- Robert Teichmüller (1863–1939) und bei Ste- rend der Zeit des Nationalsozialismus und das phan Krehl (1864–1924), Lehrer für Musikthe- unmittelbare Erleben der Bombardierung und orie und Komposition.
    [Show full text]
  • Billboard 1967-11-04
    EijilNOVEMBER 4, 1967 SEVENTY -THIRD YEAR 75 CENTS The International Music -Record Newsweekly Labels Hold Boston Capitol to Back Labels Int'l Pop Fest Koppelman & Rubin Talent) Parties in Of By ELIOT TIEGEL Planned for N.Y. NEW YORK - Capitol Rec- Koppelman, co -owner of the ords will finance and distribute two -year -old independent disk All -Out Artist Hunt a series of pop labels formed producing firm /music publish- By HANK FOX by Charles Koppelman and Don ing combine, said Capitol's in- To Help Charity BOSTON - "Stand up straight -talent scouts Rubin. The affiliation marks vestment in the first of his new are watching you" is the advice circulating the record manufacturer's sec- labels, The Hot Biscuit Disc By CLAUDE HALL through this town and Cambridge. Record com- ond such deal with an out- Co., was over $1 million. Hot moving side interest. The Beach Boys' Biscuit's debut single, sched- NEW YORK -An International Pop Music panies and independent producers are 40 of the world's into the region, furiously signing local talent for Brother Records was launched uled for release in two weeks, Festival, featuring more than top artists and groups, is being planned for late a major onslaught of releases by Boston -based several months ago from the introduces a new New York Coast. (Continued on page 10) June next year in Central Park here. Sid Bern- groups due to hit the market in January. organizing Boston and Cambridge groups are stein, the promoter- manager who is At least six it more than scheduled for release in January, and the Festival, believes will draw already for a three -day event.
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • Thomanerchor, Johann Sebastian Bach
    Thomanerchor Thomanerchor: Johann Sebastian Bach mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Thomanerchor: Johann Sebastian Bach Country: Germany Released: 2011 MP3 version RAR size: 1121 mb FLAC version RAR size: 1616 mb WMA version RAR size: 1101 mb Rating: 4.4 Votes: 874 Other Formats: VOX MP4 APE MMF AC3 DXD WAV Tracklist Hide Credits 1-1 Singet Dem Herrn Ein Neues Lied, BWV 225 1-2 Der Geist Hilft Unsrer Schwachheit Auf, BWV 226 1-3 Jesu, Meine Freude, BWV 227 2-1 Furchte Dich Nicht, BWV 228 2-2 Komm, Jesu, Komm, BWV 229 2-3 Lobet Den Herrn, Allle Heiden, BWV 230 Ich Habe Genug. BWV 82 2-4 Conductor – Kurt ThomasOrchestra – Gewandhausorchester LeipzigPerformer – Hermann Prey Jauchzet Gott In Allen Landen, BWV 51 2-5 Conductor – Kurt Thomas Gott Ist Mein Konig, BWV 71 3-1 Conductor – Kurt ThomasPerformer – Hans-Joachim Rotzsch, Theo Adam Ich Will Den Kreuzstab Gerne Tragen, BWV 56 3-2 Conductor – Kurt ThomasPerformer – Hermann Prey Magnificat D-Dur, BWV 243 4-1 Performer – Erika Rokyta, Heinz Marten, Josef Greindl, Lore Fischer 5-1 Johannespassion, BWV 245 6-1 Johannespassion, BWV 245 7-1 Matthauspassion, BWV 244 8-1 Matthauspassion, BWV 244 Credits Choir – Thomanerchor Chorus – Mitglieder Des Gewandhauschores (tracks: 7-1, 8-1) Composed By – Johann Sebastian Bach Conductor – Günther Ramin (tracks: 1-1 to 1-3, 2-1, to 2-3, 4-1, 5-1, 6-1, 7-1, 8-1) Orchestra – Gewandhausorchester Leipzig (tracks: 2-4, 2-5, 3-1, 3-2, 4-1, 5-1, 6-1, 7-1, 8-1) Performer – Agnes Giebel (tracks: 2-5, 3-1, 5-1, 6-1), Ernst Hafliger* (tracks: 5-1, 6-1), Franz Kelch (tracks: 5-1, 6-1), Friedel Beckmann (tracks: 7-1, 8-1), Gerhard Hüsch (tracks: 7-1, 8-1), Hans-Olaf Hudemann (tracks: 5-1, 6-1), Karl Erb (tracks: 7-1, 8-1), Marga Höffgen (tracks: 3-1, 5-1, 6-1), Siegfried Schulze (tracks: 7-1, 8-1), Tiana Lemnitz (tracks: 7-1, 8-1) Notes Release to commemorate 800 years of the St.
    [Show full text]
  • Gedenkkonzert
    Gedenkkonzert anlässlich der Zerstörung Dresdens am 13. Februar 1945 Sehr geehrte Konzertbesucher, wir begrüßen Sie sehr herzlich zu unserem heutigen Konzert. Bitte denken Sie vor dem Konzert daran, Mobiltelefone und Uhren mit Signalfunktion auszuschalten. Im Interesse der Künstler und der Konzertbesucher möchten wir außerdem darum bitten, während des Konzertes störende Hustengeräusche zu ver- meiden. Mit Hilfe eines Taschentuches lässt sich lautes Husten erheblich reduzieren. Darüber hinaus weisen wir darauf hin, dass aus urheberrechtlichen Gründen das Herstellen von Bild- und Tonaufzeichnungen nicht gestattet ist. Aus gegebenem Anlass bitten wir, auf Beifallsbekundungen zu verzichten. Kreuzkirche Dresden Sonntag 11. Februar 2007 17.00 Uhr Gedenkkonzert Wie liegt die Stadt so wüst Rudolf Mauersberger [1889 – 1971] Nr. 1 aus Zyklus Dresden RMWV 4 Ich hatte viel Bekümmernis Johann Sebastian Bach [1685 – 1750] Kantate BWV 21 Pause Requiem d-Moll KV 626 Wolfgang Amadeus Mozart [1756 – 1791] Barbara Christina Steude Sopran Elisabeth Wilke Alt Martin Petzold Tenor Jochen Kupfer Bass Kreuzorganist Holger Gehring Orgel Dresdner Kreuzchor Dresdner Philharmonie Kreuzkantor Roderich Kreile Leitung Einführung Im Jahre 1930 wurde der aus dem Erzgebirgsdorf Mauersberg stammende Rudolf Mauersberger zum 25. Kreuzkantor des Dresdner Kreuzchores berufen. In den 41 Jahren seiner Arbeit mit dem traditionsreichen Knabenchor prägte er nicht nur dessen spezifi- schen Klang, sondern vor allem auch das Musikleben der Stadt. Der Kreuzchor wurde besonders in den Kriegsjahren zu einer bedeutenden Institution für die Dresdner Bevölkerung, da er mit seiner bis Oktober 1944 nahezu uneingeschränk- ten Konzerttätigkeit vielfach Trost und Zuversicht gab. Am 9. Februar 1945 fand die letzte Vesper des Kreuzchores statt – vier Tage später sind elf der jungen Sänger unter den Tausenden Toten, die Dresden nach den Bombenangriffen zu beklagen hatte.
    [Show full text]
  • LBW: Public-2
    Chav compositor composicao Ano Detalhes duração Intérpretes ? Cembalo nach A. Vivaldi * Abel, Carl Fried Sonate für Viola da Gamb 1723-1 5'10 Veronika Hampe - Gambe Abel, K.F. Sonate für Viola da Gamb 1723-1 Abel, K.F. Sonate K 176 für Gitarren 1723-1 Moderato; 6'50 D.E. Lovell - Synth. Cantabile; Vivace Abel, K.F. Sonate K 176 für Gitarren 1723-1 Moderato; 6'50 D.E. Lovell - Synth. Cantabile; Vivace Adson, J. Aria für Flöte und BC 2'00 (P) 1969 Discos beverly LTDA conjunto musikantiga de são paulo Adson, J. Courtly masquino ayres 3 1590-1 5'06 (P) 1968 rozenblit conjunto musikantiga de são paulo Alain, Jehan 2 Stücke für Orgel 1911-1 Marie-Claire Alain Albéniz, I. Danzas españolas Op.37 1860-1 2-Tango; 2' Nr. ?? Tango 3-Malagueña Nr. 2: Pepe und Celin Romero - Gitarre Nr. 3: Pepe und Celin Romero - Gitarre Albéniz, I. Estudio sem luz 1860-1 3' Albéniz, I. Suite Española Op. 47 1860-1 Für Orchester 37'16 5. Asturias gesetzt von Rafael Frühbeck de Burgos 1. Granada (Serenata); 2. Cataluna (Curranda); 3. Sevilla; 4. Cádiz (Saeta); 5. Astúrias (arr. A. Segovia) (Leyenda); 6.Aragon (Fantasia); 7.Castilla (Sequidillas); 8. Cuba (Nocturno) Chav compositor composicao Ano Detalhes duração Intérpretes Orchesterzusatz: 8. Cordoba Nr. 1 Granada: Pepe und Celin Romero - Gitarre Nr. 1 Granada (5'20) : Julien Bream - Gitarre (P) 1968 DECCA Reihenfolge: 7, 5, 6, 4, 3, 1, 2, 8 New Philharmonia Rafael Frühbeck de Burgos Albicastro, H. Concerto Op. 7 Nr. 6 F-Du 1659-1 9'20 Süsdwestdeutsches Kammerorchester Pforzheim Leitung: Paul Angerer Albinoni, T.
    [Show full text]
  • Madness at Noon: Mather Hall See Story on Page 4 Page 2, the TRIPOD, TUESDAY, SEPTEMBER 24, 1972 Jewish Studies: Making the Investment
    THE TRINITY TUESDAY SEPTEMBER 26,1972 TRINITY COLLEGE I POD HARTFORD, CONN. o a Madness At Noon: Mather Hall See Story on Page 4 Page 2, THE TRIPOD, TUESDAY, SEPTEMBER 24, 1972 Jewish Studies: Making The Investment When the Jewish Studies program at undertook the operating costs, and will Trinity was established in 1967 by a grant of continue to do so until the $100,000 goal is $14,000 from the Jewish Theological met. Seminary in New York, it was with the idea Asked for reasons explaining the fact that that when the grant, a declining one in terms 4/5 of the goal still must be met, Director of of money given over the years, was entirely Development Judson Reese replied that used up, the college would take over the "The fund raising plan has been to appeal to funding of the program. Thus, in order to interested people on a broad basis, with ensure the continuation of the program, a small gifts coming from a large number of committee was formed in 1969 to raise people, rather than large gifts coming from $100,000 over a period of four years. At the a very few people. The committee feels it present time, $21,000 has been raised by important to inform people that Trinity has approximately 200 gifts, and while this is far the Jewish Studies program, and this type of short of the goal, Director of Development fund-raising method facilitates that ob- Judson Reese is fully confident that the goal jective. It takes longer to raise the money, will be reached.
    [Show full text]
  • Johann Sebastian Bach Matthäus
    Thomanerchor Leipzig Johann Sebastian Bach Matthäus-Passion BWV 244 (b) Thomanerchor Leipzig Gewandhausorchester Ute Selbig · Britta Schwarz Martin Petzold · Matthias Weichert · Thomas Laske Thomaskantor Georg Christoph Biller Johann Sebastian Bach * 21.3.1685, Eisenach; † 28.7.1750, Leipzig 1723–1750 Thomaskantor Matthäus-Passion St. Matthew Passion BWV 244 (b) Frühfassung – Early version Thomanerchor Leipzig St. Thomas‘s Boys Choir Leipzig Gewandhausorchester Gewandhaus Orchestra Ute Selbig Soprano Britta Schwarz Alto Porträt von Martin Petzold Tenore Johann Sebastian Bach; Matthias Weichert Basso Gemälde (1746) von Thomas Laske Basso Elias Gottlob Haußmann (1695–1774) Georg Christoph Biller Thomaskantor – Thomas Cantor Portrait of Johann Sebastian Bach; made in 1746 by Elias Gottlob Haussmann (1695–1774) ROP4020/21/22 , 2007 Ein Genie hat andere Maßstäbe als ein Normalsterblicher! Geniuses must bring a very different yardstick to bear from ordinary mortals! Nur so kann man verstehen, dass Bach die hier Schließlich bilden Eingangs- und Schlusschor eine eigene How else can we explain why Bach regarded the early The opening chorus and vorliegende Frühfassung, diesen genialen Wurf, als Ebene: Ich sehe sie in der Tradition der antiken Tragödie. version of his St. Matthew Passion recorded here on final chorus, meanwhile, are verbesserungswürdig ansah. Das Großartige der Matthäus- Am Anfang und am Schluss des Dramas stehen Tanzsätze, this CD – an inspired work, indeed – as in need of ultimately on a level all their Passion ist – unabhängig von der Fassung, in der sie so wie wir uns den Prologos und den Epilogos vorstellen improvement? The greatness of the St. Matthew Passion, own, which I regard as belonging musiziert wird – überwältigend: ein Gipfelwerk der als die die Handlung ankündigenden und abschließenden irrespective of the version played, is truly overwhelming: firmly in the tradition of Greek Musikgeschichte, Bekenntnis eines tiefgläubigen und vitalen Gesänge, bei denen der Chor sich im Reigen bewegt.
    [Show full text]