Dates and Lengths 5/4/2011 MCV Aircheck Database Approximate
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Call Letter Changes Arzedeler
Call Letter Changes New Location Old Palm Springs, CA KDES KDES-FM AM Stations San Rafael, CA KTIM-FM KWVF Lompoc, CA KLLB KTME Security, CA KWYD KWYD-FM Palm Springs, CA KKAM KDES Cross City, FL New WDFL-FM Bushnell, FL WWLB WBEA Indianapolis, IN WEAG WKLR Orlando, FL WWMA WHO() Weir, KS KJWR KRPS Albany, GA WQDE WANL Lincoln, ME WLKN-FM WGUY Joliet, IL WJRC WWHN Salisbury, MD New WDIH Monticello, ME WOZW WREM Little Falls, MN New KFML Marshall, MI WELL WALM Faribault, MN KDHL-FM KOFN Flemington, NJ New WJHR Billings, MT KKLO KOHZ Knoxville, TN WKGN WLIQ Las Vegas, NV New KLRV Waynesboro, TN WNBG WTNR Pleasantville, NJ WLQE WMID-FM San Angelo, TX KQSA KIXY Tupper Lake, NY WTPL-FM WRGR West Allis, WI WAWA WLUM Big Flats, NY New WNBR Florence, OR KDUK KWOW FM Stations Ontario, OR KXBQ KSRV-FM Fort Mitchell, AL New WAGH Gallatine, TN WWKX WGFX Oracle, AZ KTTZ KHYT-FM Bremerton, WA KHIT KNUA Humnoke, AR New KZIX Milwaukee, WI WBGK WZTR Freedom, CA New KLZC Milwaukee, WI WLUM WLUM-FM the car window and mime the dribbling of a U.S. use a mere seventeen formats. I be- basketball and shoot for the hoop! lieve him. Here they are: country 2305; Many of us keep track of stations the way adult contemporary, 1950; middle-of-the- Maurie Webster keeps track of formats- road, 934; contemporary hit radio, 836; re- radio station formats. Webster can pretty ligious, 487; easy listening, 405; news/talk, much tell you anything you want to know 271; album -oriented rock, 253; variety, about formats according to a recent article in 221; oldies, 161; black music/pre-Mo- Insight. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Insideradio.Com
800.275.2840 MORE NEWS» insideradio.com THE MOST TRUSTED NEWS IN RADIO FRIDAY, OCTOBER 30, 2015 Elvis Duran: Hosts ‘More Important Than Ever.’ Streaming music services may have stiffened competition for radio’s share of ear but they’ve done nothing to diminish the role of on-air personalities. In fact, the opposite is true, according to Elvis Duran, radio’s most listened-to top 40 morning man, in an exclusive interview with Inside Radio. “It makes us radio hosts more important than ever,” says the “Z100” WHTZ, New York-based Duran of the syndicated “Elvis Duran and the Morning Show.” “Even though we have a whole world of music at our fingertips, having a human connect you to the music is still very important. We are the people who add the human connectivity to music and musicians.” Duran also extols digital platforms in the discussion, praising them for giving personalities more ways to connect with the audience. Snapchat is a favorite among his show’s cast members. “It really is as close to the radio experience as you can get with any social media right now,” he says. “It is personable and it is of the moment; it is on and then 24 hours later it is gone. There is a sense of urgency to it.” Duran, who will be inducted into the National Radio Hall of Fame Nov. 5, explains how he and his cohosts work product mentions into the show so seamlessly. “A lot of times, we go to the sales department and say, ‘I have found myself using this product more and more. -
News, Programming : MAY5, 1989 CBS -Owned WBBM /Chicago Has Named Vic Bremer Director/News WHO SINGS the BIG HITS? & Programming
Bremer Heads WBBM f:/4- News, Programming : MAY5, 1989 CBS -owned WBBM /Chicago has named Vic Bremer Director/News WHO SINGS THE BIG HITS? & Programming. He replaces Chris Witting, who recently trans- Are there more female vocalist records in ferred to the VP/GM post at CHR these days? More groups than solo WCAU /Philadelphia. artists in AOR? These questions and others "Vie's experience at some of the most respected News stations in will be examined in a three -part On The the country should help WBBM Records series. It starts this week with CHR achieve new levels of success in the and AOR and covers the other formats, next few years," said VP/GM Wayne Jefferson. "He is a jour- Elvis Duran looking at trends in male vs. female singers, nalist who also has an outstanding groups vs. soloists, duets, and more. record as a programmer." Duran PD Page 44 Bremer most recently served as Vic Bremer Director /Broadcast Operations at WCCO /Minneapolis. He previously In the winter '89 ratings, WBBM At WIOQ was VP/News and Programming reached a 4.812+ in both principal Elvis Duran has been upped FEATURES at KIRO /Seattle, and also held ex- ratings services, ranking seventh from afternoon personality to PD ecutive positions at KXRX /San in Birch and tying for fourth in Ar- at WIOQ (Q102) /Philadelphia. He RADIO BUSINESS: Transaction action first 10 Jose and KVEC /San Luis Obispo. bitron. will report to OM Mark Driscoll, and Frank Cerami will continue to OVERVIEW: handle music duties. MANAGEMENT: Anti -procrastination measures . -
AUDIENCE 98 Public Service, Public Support
blank page AUDIENCE 98 Public Service, Public Support A project of Audience Research Analysis Funded by the Corporation for Public Broadcasting Leslie Peters, Editor AUDIENCE 98 Core Team David Giovannoni Leslie Peters Jay Youngclaus AudiGraphics® is a registered trademark of Audience Research Analysis. VALS™ is a registered trademark of SRI International. AUDIENCE 98® is a registered trademark of David Giovannoni, Audience Research Analysis, and the Corporation for Public Broadcasting. Copyright © 1999 Corporation for Public Broadcasting 901 E Street, NW Washington, DC 20001 ii “Everything should be made as simple as possible, but not simpler.” - Albert Einstein iii blank page Table of Contents Foreword viii Acknowledgments ix 1. The Essential Findings of AUDIENCE 98 1 Public Service, Public Support 3 Fundamentals in Brief 4 2. Programming Causes Audience 7 A Community of Characters 9 3. Rounding Up the Usual Suspects 27 Public Radio’s Minority Audiences 29 Public Radio’s Generation X Audience 38 Public Radio’s Older Audience 48 Getting to More with the Concept of Core 52 4. The More Things Change... 57 A Question of Place 59 It Ain’t Net-cessarily So 64 Listening, More or Less 72 5. ...The More They Stay the Same 77 The Importance of Community Radio 79 6. Following the Money 89 Public Service Begets Public Support 91 The Value of Programming 95 7. Audience Volunteers Support 111 Givers 113 Giving 126 The Effect of On-Air Pledge Drives 130 Low Anxiety 145 Yield Not to Temptation 150 8. The Buck Stops Here 155 Public Service Economics 157 v Appendix 163 About AUDIENCE 98 165 How AUDIENCE 98 Links Listener Income to Listening 167 How AUDIENCE 98 Links Underwriting Income to Listening 169 What We Learned by Gathering Underwriting Information from Stations 170 Understanding the Giving Model 172 vi Foreword Sometimes research changes what we think. -
Sports Broadcaster Warner Wolf Sues Don Imus for Age Discrimination
Sports Broadcaster Warner Wolf Sues Don Imus for Age Discrimination hollywoodreporter.com/thr-esq/sports-broadcaster-warner-wolf-sues-don-imus-age-discrimination-1085119 Two broadcasting legends are squaring off in New York Supreme Court. On Thursday, Warner Wolf filed a discrimination lawsuit against Don Imus. Wolf, an 80-year-old sports broadcaster who became in famous in New York for his catchphrase "Let's go to the videotape," alleges that Imus routinely made inappropriate comments about his age. "Indeed, despite Mr. Wolf’s years of loyal service and unparalleled broadcasting caliber, Defendants’ discriminatory conduct towards Plaintiff came to a head on October 31, 2016, when Defendants unlawfully terminated Mr. Wolf’s employment based upon his age, replacing him with a sportscaster decades his junior," states the complaint. "Adding insult to injury, after terminating Plaintiff’s employment, Defendants and non-party Cumulus Media, Inc. refused to honor a severance clause in Plaintiff’s employment agreement that provided for 26 weeks of severance pay – amounting to $97,500.00 – in the event of Plaintiff’s termination." Imus spent decades himself in broadcasting — both on radio and on television. Along with Howard Stern, Imus helped define morning shock jock radio, but his career invited controversy at certain points due to insensitive remarks. Most famously, he was fired in 2007 from CBS over sexist and racist comments about the Rutgers women's basketball team. In January, Imus announced his imminent retirement. Wolf began providing services for Imus in the Morning in 1996, according to the complaint (read here), and he would later follow Imus' return to the air on WABC following the scandalous comments about Rutgers female athletes. -
Assumed Executory Contracts and Unexpired Leases1
Assumed Executory Contracts and Unexpired Leases1 CONTRACT DESCRIPTION COUNTERPARTY DEBTOR CURE AMOUNT RADIO NETWORKS, PROGRAMMING CONTRACT 12 STOPS INC $0.00 LLC CITADEL COMMUNICATIONS 1VELOCITY, INC. BROADCASTING $0.00 CONTRACT COMPANY OTHER CITADEL 201 ST CHARLES PLACE CONTRACT START DATE: BROADCASTING $48.89 LLC 08/01/2006 COMPANY REAL PROPERTY LEASE CITADEL 201 ST CHARLES PLACE CONTRACT START DATE: BROADCASTING SEE ABOVE LLC 09/01/2003 COMPANY REAL PROPERTY LEASE CITADEL 201 ST CHARLES PLACE CONTRACT START DATE: BROADCASTING SEE ABOVE LLC 08/01/2006 COMPANY TOWER/TRANSMITTER CITADEL LEASE 201 ST CHARLES PLACE BROADCASTING SEE ABOVE CONTRACT START DATE: LLC COMPANY 01/01/2003 TOWER/TRANSMITTER LEASE ALPHABET 233 BROADCAST LLC $0.00 CONTRACT START DATE: ACQUISITION CORP. 10/01/2003 REAL PROPERTY LEASE / 260-261 MADISON AVENUE RADIO NETWORKS, SUBLEASE DATED 11/7/2008 $0.00 LLC LLC AS AMENDED 4/16/2010 CITADEL REAL PROPERTY LEASE / 2-L BROADCASTING $0.00 SUBLEASE COMPANY REAL PROPERTY LEASE CITADEL CONTRACT START DATE: 59 61 COURT ST LLC BROADCASTING $0.00 07/01/2007 COMPANY REAL PROPERTY LEASE CITADEL CONTRACT START DATE: 60 MONROE CENTER LLC BROADCASTING $21,767.21 08/01/2004 COMPANY 1 Neither the exclusion nor inclusion of any contract or lease on this list of assumed Executory Contracts and Unexpired Leases, nor anything contained in the Plan, shall constitute an admission by the Debtors that any such contract or lease is in fact an Executory Contract or Unexpired Lease capable of assumption or that any Reorganized Debtor(s) has any liability thereunder. Further, the Debtors expressly reserve the right to (i) remove any Executory Contract or Unexpired Lease from this list before the Effective Date; (ii) remove any Executory Contract or Unexpired Lease from this list and reject such Executory Contract or Unexpired Lease before entry of the Confirmation Order; or (iii) contest any claim (or claim amount) asserted in connection with assumption of any Executory Contract or Unexpired Lease. -
Broadcasting Regulatory Policy 2010-819
Broadcasting Regulatory Policy 2010-819 PDF version Ottawa, 5 November 2010 Revised content categories and subcategories for radio This regulatory policy revises the list of content categories and subcategories for radio by adding a new subcategory 36 (Experimental Music), as announced in Broadcasting Regulatory Policy 2010-499 which sets out the new policy for campus and community radio. This regulatory policy will take effect only when the Radio Regulations, 1986 are amended to make reference to it. 1. In Broadcasting Regulatory Policy 2010-499, which sets out the new policy for campus and community radio, the Commission announced its intention to revise the content categories and subcategories for radio by adding a new subcategory 36 (Experimental Music). The Commission indicated that, in interpreting the new definition of Experimental Music, it would rely on the definitions of musique actuelle, electro acoustic and sound ecology set out in the appendix to Broadcasting Notice of Consultation 2009- 418, as well as the Turntablism and Audio Art Study 2009, which was prepared to assist parties in preparing their comments for the review of campus and community radio. The Commission also provided clarification as to how it would measure the Canadian content of musical selections falling into this new subcategory at paragraphs 77 and 78 of Broadcasting Regulatory Policy 2010-499. 2. In order to implement this determination, the content categories and subcategories contained in the appendix to this regulatory policy, including the new definition of Experimental Music, will replace the content categories set out in the appendix to Public Notice 2000-14. The Commission will propose amendments to the Radio Regulations, 1986 for the purpose of removing all references to the appendix to Public Notice 2000-14 and replacing them with references to the appendix to this regulatory policy. -
Constructing and Performing an On-Air Radio Identity in a Changing Media Landscape
CONSTRUCTING AND PERFORMING AN ON-AIR RADIO IDENTITY IN A CHANGING MEDIA LANDSCAPE A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY by David F. Crider January 2014 Examining Committee Members: Dr. Nancy Morris, Advisory Chair, Department of Media Studies and Production Dr. Patrick Murphy, Department of Media Studies and Production Dr. Donnalyn Pompper, Department of Strategic Communication Dr. Catherine Hastings, External Member, Susquehanna University ii © Copyright 2014 by David F. Crider All Rights Reserved iii ABSTRACT The radio industry is fighting to stay relevant in an age of expanding media options. Scholarship has slackened, and media experts say that radio’s best days are in the past. This dissertation investigates how today’s radio announcer presents him/herself on the air as a personality, creating and performing a self that is meant for mass consumption by a listening audience. A participant observation of eleven different broadcast sites was conducted, backed by interviews with most key on-air personnel at each site. A grounded theory approach was used for data analysis. The resulting theoretical model focuses on the performance itself as the focal point that determines a successful (positive) interaction for personality and listener. Associated processes include narrative formation of the on- air personality, communication that takes place outside of the performance, effects of setting and situation, the role of the listening audience, and the reduction of social distance between personality and listener. The model demonstrates that a personality performed with the intent of being realistic and relatable will be more likely to cement a connection with the listener that leads to repeated listening and ultimately loyalty and fidelity to that personality. -
Relationship Marketing Elements in Radio Station Websites
Graduate Theses, Dissertations, and Problem Reports 2003 Relationship marketing elements in radio station websites Mark L. Atkinson West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Atkinson, Mark L., "Relationship marketing elements in radio station websites" (2003). Graduate Theses, Dissertations, and Problem Reports. 1366. https://researchrepository.wvu.edu/etd/1366 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Relationship Marketing Elements in Radio Station Websites Mark L. Atkinson Thesis submitted to the Perley Isaac Reed School of Journalism at West Virginia University in partial fulfillment of the requirements for the degree of Master of Science in Journalism Archie Sader, M.B.A., Chair Denny Godfrey Terry Wimmer, Ph.D. Pamela Yagle, M.S.J. Perley Isaac Reed School of Journalism Morgantown, WV 2003 Keywords: Relationship Marketing, Radio Stations, Websites, Webpages ABSTRACT Relationship Marketing Elements in Radio Station Websites Mark Atkinson The purpose of this study is to determine whether or not radio station website designers effectively use relationship marketing to achieve the goals of the stations and their websites. -
Industry, ASCAP Agree Him As VP /GM at the San Diego Seattle, St
ISSUE NUMBER 646 THE INDUSTRY'S WEEKLY NEWSPAPER AUGUST 1, 1986 WARSHAW NEW KFSD VP /GM I N S I D E: RADIO BUSINESS Rosenberg Elevated SECTION DEBUTS To Lotus Exec. VP This week R &R expands the Transactions page into a two -page Radio Business section. This week and in coming weeks, you'll read: Features on owners, brokers, dealmakers, and more Analyses on trends in the ever -active station acquisition field Graphs and charts summarizing transaction data Financial data on the top broadcast players And the most complete and timely news available on station transactions. Hal Rosenberg Dick Warshaw Starts this week, Page 8 KFSD/San Diego Sr. VP/GM elevated to Exec. VP for Los Hal Rosenberg has been Angeles-based parent Lotus ARBITRON RATINGS RESULTS COMPROMISE REACHED Communications, which owns The spring Arbitrons for more top 14 other stations in California. markets continue to pour in, including Texas, Arizona, Nevada, Illi- this week figures for Houston, Atlanta, nois, and Maryland. Succeeding Industry, ASCAP Agree him as VP /GM at the San Diego Seattle, St. Louis, Kansas Cincinnati, Classical station is National City, Tampa, Phoenix, Denver, Miami, Sales Manager Dick Warshaw. and more. On 7.5% Rate Hike Rosenberg, who had been at Page 24 stallments, one due by the end After remaining deadlocked KFSD since it was acquired by Increases Vary of this year, and the other. by for several years, ASCAP and Lotus in 1974, assumes his new CD OR NOT CD: By Station next April. The new rates will the All- Industry Radio Music position January 1, 1987. -
Stations Monitored
Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM